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Next we need to pixelate the new layer, and we can do that by going up to the Filter menu at the top of the screen, choosing Pixelate, and then choosing Mosaic. Now that we've pixelated the image, there's a few different things we can do with it, and we'll look at them next.
We can also tell that the layer mask, not the contents of the layer, is currently selected by the white highlight border appearing around the layer mask thumbnail. Press "D" and then "X" on your keyboard to set black as your Foreground color and white as your Background color. With the Gradient Tool selected and our Foreground and Background colors set to black and white, look up in the Options Bar at the top of the screen to see which gradient you currently have selected. If it's showing some other gradient, click on the small, down-pointing arrow to the right of the gradient preview area. Click the down-pointing arrow to the right of the gradient preview area and select the gradient in the top left corner of the Gradient Picker. Now that we have our black to white gradient, we can use it to blend the Background layer and the pixelated layer together, creating our first variation on the effect.
Drag out a gradient through the area where you want the blend between the two layers to appear. The area between where I started and finished my gradient is going to become the transition area between the pixelated image on "Layer 1" and the original image on the Background layer. Using a soft-edged brush and with black still as our Foreground color, I'm going to reveal the main part of his face by simply painting over it with my Brush Tool.
Use a soft-edged brush to paint away parts of the pixelated layer, revealing the original image underneath. The main parts of his face now appear as they were in the original photo, while the rest of the photo remains pixelated.
I'm going to let the original image partially show through the pixelated image, and I can do that simply by going up to the Opacity option in the top right corner of the Layers palette and lowering the opacity value.
Lower the opacity of the pixelated layer to allow the original image to partially show through.
To create even more variations on the effect, experiment with different blend modes for the pixelated layer by going up to the blend mode options in the top left corner of the Layers palette and selecting different ones from the list. Set the Opacity of the pixelated layer back to 100%, then change the blend mode of the pixelated layer to "Darken". Just to show you how much different an effect can look simply by changing layer blend modes, we'll try one more.
Few design projects are as nerve-racking, and important, as designing your own business card. If you’ve placed a photo and want it to hang off the edges of the card (called a bleed), make sure it extends past the trim guide to the document edges (be sure the photo has a fairly “calm” spot for text!).
Sans-serif fonts—Frutiger, Myriad, Arial—are easier to read at small sizes because they lack the “feet” of serif fonts like Times and Garamond. Since the lines vary in length, right alignment works well (especially for the contact info block).
Step 5: If you’re designing a double-sided card, Shift-click to select the layers and choose New Group From Layers from the Layers panel menu. For extra pizzazz, pick an artistic element from your logo, make it bigger, reduce its opacity and hang it off the edge of the card, as shown here (top).
Graphic Design Stack Exchange is a question and answer site for Graphic Design professionals, students, and enthusiasts. I have a photo that is 450px x 750px and would like to make it 3 times bigger for web not print? Sign up for our newsletter and get our top new questions delivered to your inbox (see an example). You can change the percentage to 110% and repeat this till you receive a notable difference in quality. In a case of resampling an image there is no "quality" loss, (except if you make mermelade of your own photo, probably compressing it like hell) What you have is information loss when you downsample it.
2) There is no CSI program that perform miracles in the terms you need (However, I have seeing some forensic image processing program that fairly shows a licence plate from a very low resolution image, or from a very narrow angle.
3) So, the programs use diferent "guess" methods to try to asign information to the new pixels. This is an oldie test, there is a chance the programs now make a better result, but do not expect a quantum leap. You can try photoshop bicubic followed by a smart sharpen with 1px for 200 and 2 px for 300 gauss shaped. PhotoZoom Pro 6 creates larger images (up to 1 million by 1 million pixels), it also produces higher quality results.
Because it has attracted low-quality or spam answers that had to be removed, posting an answer now requires 10 reputation on this site (the association bonus does not count).
Not the answer you're looking for?Browse other questions tagged adobe-photoshop adobe-illustrator cs6 image-quality or ask your own question. With the Crossbow expert feat, can you use a net attack and then a hand crossbow attack on your bonus action? If you are completely new to photo editing and are not yet familiar with post-processing software functions, it might seem complicated to achieve simple tasks, such as CroppingCropping is a very popular term in photographing.
When I am taking pictures I am usually focused on many important compositional elements which are difficult to correct in post-processing and I will often miss simple irregularities, such as tilted horizon. There are many reasons you might want to resize a photo, whether you want to post a small image online or print a reduced photo you will have to use resize image function. If you don’t want to keep an entire image, but only want to select and save a section, you will need to crop. Once you finish your selection you will see areas that are outside of your boundaries become shaded. Once all changes are complete and you are satisfied, hit [Enter] or a checkmark on the top Options Bar to finalize crop. Occasionally you have a tilted wall or horizon on your image, that’s perfectly fine and it happens to everybody. To use Photoshop’s automatic angle calculation function you will need to use a Ruler Tool. If you have enjoyed this post and wish to receive updates on any future posts subscribe, like and follow us! The origin of the 72 ppi screen resolution dates all the way back to the mid 1980's when Apple released its first Macintosh computers. But the 72 pixels per inch screen resolution was a standard only with Apple, and it didn't last. Like everyone else these days, your computer's display (whether it's a standalone monitor, an all-in-one system like an iMac, or part of a laptop) has a screen resolution higher than 72 pixels per inch, and you don't have to take my word for it. Once you've measured the width, the other thing you need to make sure of is that your monitor is set to its native display resolution, which is the actual number of pixels your screen can display from left to right and from top to bottom.
Now that you've measured your screen's actual width and you've made sure your monitor is running at its native display resolution, to find out what its actual screen resolution is (in pixels per inch), simply take the first number from the native display resolution, which tells you the width of your screen in pixels, and divide it by the width of your screen in inches. Then, take the second number from your screen's native display resolution, which gives you the height in pixels, and divide it by the height in inches. Two different displays, each with two different screen resolutions (109 ppi and 133 ppi), both considerably higher than 72 ppi which, according to many people today, remains the industry standard resolution for viewing images on the web and on screen.
If the fact that computer monitors today all have screen resolutions higher than 72 ppi hasn't convinced you that there's no such thing anymore as a 72 ppi screen resolution standard, here's another important fact to consider. The size at which an image appears on your screen depends only on two things - the pixel dimensions of the image and the display resolution of your screen. That's because image resolution affects only one thing - the size of the image when it's printed.
To see more clearly how resolution affects print size and not screen size, here's an image I have open in Photoshop. At the top of the Image Size dialog box is the Pixel Dimensions section which tells us the width and height of the image in pixels.
Below the pixel dimensions is the Document Size section which tells us how large the image would currently appear on paper if we were to print it. With Resample Image unchecked, I'll increase the resolution from 72 pixels per inch to 240 pixels per inch.


The image would now print smaller but would remain the exact same 500 x 500 pixel size on screen. I'll again increase the image resolution, this time to something crazy like 500 pixels per inch, just to make the math really easy.
At 500 ppi, the image would print very small indeed but would still appear as a 500 x 500 pixel image on screen.
Finally, here's a side-by-side comparison of the image as it appears at all three of the above resolutions.
As we can clearly see, the resolution has no effect at all on how the image looks on screen. While it's doubtful that this 72 ppi web and screen resolution nonsense will go away any time soon, I hope this tutorial has at least made it easier to see why it is, in fact, nonsense at this point. Any photo with pixel dimensions small enough to display on the web would be too small for anyone to download and print a good quality version at a useful size, so with all these reasons in mind, if your photo will only be viewed on screen, whether it's on the web, in an email, or whatever the case may be, there is simply no logical reason why you would need to set its resolution to 72 ppi in Photoshop. Normally those are Photoshop's default Foreground and Background colors, except when we have a layer mask selected, which we currently do. I want the transition area of my blend to appear across the guy's face, so half of his face (and half of the image as well) is pixelated and the other half is not.
Since I'm painting on the layer mask and not on the image itself, anywhere I paint with black will hide the pixelated layer and reveal the Background layer beneath it.
That's our look at how to create a simple "digital pixel" effect and a sample of how we can create different variations on the same effect, and even create entirely new effects, by experimenting with layer masks and blend modes in Photoshop. Just like the clothes on your back, your business card tells the recipient if you’re professional, artistic, or a big ol’ ball of cheese. Placing your content within this area ensures that it won’t print too close or hang off the edges of the card.
To adjust all spaces evenly (tracking), select text and press Option + left arrow (PC: Alt + left arrow) to decrease or the right arrow to increase. Select offending text and while holding the Option key (PC: Alt), tap the up arrow to decrease or the down arrow to increase.
Basic black or dark gray text always works, though try using logo color for your name, phone number, or email address, to make it eye-catching. An usual photo (portrait of a human, mountains, landscape etc.) is not changeable to vector format. PhotoZoom Pro 6 is equipped with S-Spline Max, a unique, patented image resize technology which excels at preserving clean edges, sharpness, and fine details.
In the older days when film was the primary medium of photographing cropping denoted printing only a part of the whole negative.
To understand how this function operates imagine that you look at your image through a FrameFrame is denoted as one image or one picture. Simply drag over an area you wish to crop and go to Image>Crop on the top Navigation Panel. Select a Ruler Tool from the Toolbox and drag it along the line you would like to be leveled. If you've been around computers and digital images for a while, especially if you're a web designer or a photographer publishing your photos online, you've no doubt heard it said that the correct resolution for images displayed on the web, or on computer screens in general, is 72 pixels per inch (ppi).
These computers included a built-in 9 inch display with a screen resolution of 72 pixels per inch. Third party companies selling monitors for the Macintosh didn't stick to the standard, and neither did competing PC monitors. For example, my native display resolution is 2560 x 1440, so I'll take that first number, 2560, which is the width of the screen in pixels, and I'll divide it by the width in inches, which in my case was 23.4 (or pretty close, anyway). Again, my native display resolution is 2560 x 1440 so I'll take that second number, 1440, and divide it by my measured screen height which was 13.2 inches. It's a MacBook Pro (made of course by Apple, the company that gave us the original 72 ppi standard many years ago). If my screen, your screen and everyone else's screen has a resolution higher than 72 ppi, not to mention the fact that both of my screens had very different resolutions from each other and your screen may have a different resolution as well, then clearly, not only is there no official standard anymore for screen resolution, but even if there was, it would no longer be 72 ppi. If you previously read through our Image Resolution, Pixel Dimensions and Document Size tutorial, you already know that image resolution has absolutely nothing to do with how your image appears on your screen.
As long as you've set your screen to its native display resolution as we discussed earlier, then an image will be displayed pixel-for-pixel. Simply take the width of the photo in pixels and divide it by your image resolution, then take the height of the photo in pixels and divide it by the image resolution as well. Here we can see that my photo has both a width and height of 500 pixels, making it a decent size for display on the web.
This section deals exclusively with print size and has no effect at all on how the image appears on screen.
We can see in the Pixel Dimensions section at the top that increasing the resolution has not changed the actual pixel dimensions.
A 500 x 500 pixel image, set to a resolution of 500 pixels per inch, would print as a 1 x 1 inch image on paper (500 ÷ 500 = 1). I've made the image smaller (it's now only 200 x 200 pixels) so I can fit all three versions next to each other, but the first version on the left was saved at 72 ppi. All three versions each take up a space of exactly 200 x 200 pixels regardless of the resolution setting. Computer monitors these days all have screen resolutions higher than 72 ppi, and the image resolution option in Photoshop affects only a photo's print size, not its screen size. Drag the slider bar at the bottom to change the Cell Size option, which increases or decreases the number and size of pixels that are created from the image.
Whenever we have a layer mask selected, the default colors get swapped, with white becoming the default Foreground color and black becoming the default Background color. Also, aside from the aesthetic message, you’ve got to pack a ton of info into a very small space; company name, your name, logo, URL (it’s shocking how many folks leave that out), phone, and email address—you’ve got to include them all. With a Fill layer, experimenting with colors is as easy as double-clicking the Fill layer to open the Color Picker.
Select the text, click the text color swatch in the Options bar and when the Color Picker opens, mouse over to the logo and click once on the color.Make sure to include your contact information, as shown below (though I choose to leave off my mailing address). If your printer wants a PDF, choose PDF from the format menu and in the resulting dialog, click Compression and choose Do Not Downsample from the Options menu. This way a photographer could highlight the main subject of an image and leave out the rest. I also try to compose my images with enough additional space on the sides, in case I might want to crop or slightly rotate my image. Upsampling is a term used for a process in which an image is increased in size beyond its original dimension. It is usually denoted as one negative film or one exposure of the digital sensor to light." class="glossaryLink ">frame. You can hold [Shift] to define 1 to 1 ratio or [Alt] to have the selection center around a starting point.
One way is to manually rotate a layer, while another way automatically calculates rotation. To set a perfectly straight line move your cursor over the ruler (which is located on top or left side), press left mouse button and drag the line on your image.
Just go to Layer>Duplicate Layer and you will be able to use Free transform on that newly created layer. You may have even heard it said that while 72 ppi is correct for images displayed on a Mac, a Windows-based PC needs the resolution set to 96 ppi. Today, nearly three decades later, technology has greatly improved and the days of screens with a resolution of only 72 ppi are long gone. I'm currently using a monitor with a native display resolution of 2560 x 1440, but my laptop has a native display resolution of 1920 x 1200 so it does vary, which means you'll need to know the native display resolution of your specific monitor and make sure it's what you have the monitor set to in your operating system's display options. My MacBook Pro has a native display resolution of 1920 x 1200, so just as I did before, I'll take that first number, 1920, which gives me the screen width in pixels, and I'll divide it by the width of the screen in inches, which in this case is 14.4.
It also happens to be home to the all-important Resolution option (the reason we're all here!), which makes sense because resolution affects print size, not screen size.
It's still 500 x 500 pixels, which means it would still take up a 500 x 500 pixel area on the screen. Dragging to the right creates fewer but larger pixels, while dragging to the left gives you more but smaller pixels.


To quickly set our Foreground and Background colors to black and white respectively (remembering that we have a layer mask selected), press D on your keyboard to reset them to their defaults, and then press X to swap them.
Choose White from the Background Contents pop-up menu and click OK (you can always change the background later). If you make it smaller and later decide to make it bigger, press Command + T (PC: Ctrl + T) to summon Free Transform and increase its size. In this case, knowing how to perform these editing functions in post processing really helps. Here you can either change a Pixel Dimensions or Document Size and the program will automatically calculate all the other proportions. Delete and Hide choices are responsible for what will happen to eliminated area once crop is performed. It's because the Macintosh screens were specifically designed to work in perfect harmony with Apple's ImageWriter printers, which had a print resolution of 144 dots per inch - exactly twice the resolution of the screen. Even Apple, the company that started the whole thing, now sells their displays with much higher resolutions. Now, when a store sells you a computer monitor, they usually tell you its size based on its diagonal width, with some common sizes being 17 inches, 19 inches, 24 inches, and so on.
So, just from this quick and simple test, I've confirmed that my screen resolution is 109 pixels per inch, not 72 pixels per inch. As we can see, you should get pretty much the same result using either the width or height of your screen.
If we increase its resolution in Photoshop to, say, 240 ppi, which is a more common print resolution, then again if we do the math, dividing the pixel width and height by 240 ppi, we know that the photo would print at a size of 2.7 x 2 inches, which is much smaller than if we had printed it at 72 ppi but the overall print quality would be much better.
Each version would print at a very different size because of the different resolution settings, but it makes no difference whatsoever to the screen size or to the image quality.
To mark the trim line (where the card is cut), drop vertical and horizontal guides at .063”. Result: If you want the image 3 times bigger you will see the original pixels in your image. You can crop in-camera or opt to do that in post-processing on a photo editing software such as Photoshop. Also, having a camera capable of producing large resolution is a big plus, especially if you are planning to do large prints. You can also set the dimension to be presented in percentages relative to the original size rather than pixels. Downsampling is conversely a process by which an image is reduced in size, which typically maintains image quality. It is usually denoted as one negative film or one exposure of the digital sensor to light." class="glossaryLink ">frame is the same size as your photo but you can change the size of it.
You can hold [Shift] to force the selection into 1×1 ratio or hold [Alt] to have the selection center around your initial contact point. If you select Delete, obviously those areas will be gone, but if you select Hide they will not be visible because of the Canvas Size but can still be accessed by moving the layer around. And finally, you can play around with appearance of shading of extra areas or remove it completely.
In this tutorial, we'll learn why there's simply no such thing as a standard web or screen resolution and why, if your images are destined for the web, you don't need to worry about image resolution at all! This made it easy to scale the screen display to the printed page, which meant that your text and graphics could be previewed on the screen at the exact size they would appear when printed.
Your own test with your screen may give you a different result from mine, but unless you're still using one of those original Macintosh computers from the mid '80s, it will be a lot higher than 72 ppi. It has a certain number of pixels from left to right and a certain number from top to bottom. But what's more important to understand here is that by changing the resolution, we are not, in any way, affecting the appearance of the image on screen.
Remember, that the Resolution should be 72 pixels per inch if the photo is intended to be viewed on a screen and preferably at least 300 pixels per inch if it is intended for print. Later on, as Apple began making larger displays for the Macintosh, they made sure to keep the screen resolutions set to the same 72 pixels per inch so users would always see an accurate on-screen preview of the printed document (as long as they were using an ImageWriter printer).
I'll do the same thing with the height, taking the height in pixels (1200) and dividing it by the height in inches (9). The width and height of an image, in pixels, is known as its pixel dimensions, and that's all a computer screen cares about.
Composing through the viewfinder or the LCD screen you may sometime overlook the presence of elements in a frame that are distracting.
I also recommend checking Scale Style and Constrain Proportions boxes to be sure that all correct image ratios are maintained. If the Resolution of the original image is 72 pixels per inch (ppi) and you need to print the photo, then you are better off increasing resolution to 300ppi. It is usually denoted as one negative film or one exposure of the digital sensor to light." class="glossaryLink ">frame then you will see a background on which your image is placed but if you decrease the size of this FrameFrame is denoted as one image or one picture.
And yet, even though that old technology is far behind us, we still have a whole lot of people continuing to believe that we need to set the resolution of our images to 72 pixels per inch in Photoshop before uploading them to the web. To do that, simply grab your ruler or tape measure and measure your screen area from left to right. And no matter what you set the image's resolution to in Photoshop, whether it's 72 ppi, 300 ppi or 3000 ppi, it will have no effect at all on how large or small the image appears on the screen.
Additionally, in my opinion the best results are achieved when Bicubic option is selected through Resample Image selection. Increasing Resolution will increase Pixel Dimension but will not affect the actual document size. It is usually denoted as one negative film or one exposure of the digital sensor to light." class="glossaryLink ">frame you will see less of your photo.
Most people think the reason is so that the images will display properly on screen, so let's start things off by learning an easy way to prove that your computer monitor, along with every modern computer monitor, actually has a resolution much higher than 72 ppi. In this case Photoshop will automatically try to guess and predict pixels in the additional space created by increased dimension. There are other tools as well, but cropping is the fastest and cleanest of methods." class="glossaryLink ">cropping, resizing or rotation an image. While Photoshop is not the best program to perform such guesswork it is surprisingly one of the cheapest. You can also choose an anchor point with which you can select from which direction the image will be cut or increased. Move your cursor a bit beyond any corner box until cursor icon turns into a rounded arrow and turn the layer in any direction. This basic tutorial is aimed at people who are entirely new to Photoshop, since these functions are essential elements of editing and serve as pillars for more advanced practices. On the other hand, just increasing Pixel Dimension on images intended for screen viewing will increase image size but noticeably decrease image quality. Additionally, if you are increasing the canvas beyond the size of original image you can choose what color will fill the void. When you are in Free Transform mode you can also manually specify angle and skew on the top Options Bar. However, Photoshop is a very advanced software and it is priced accordingly, so if you are just interested in performing these basic tasks and don’t plan to learn any advanced editing techniques in the future, purchasing Photoshop might be a waste of money.
These basic functions are available on much cheaper programs such as Photoshop elements, or you can even perform them online for free with programs such as Pixlr. When you have an image with a large Pixel Dimension but small resolution, you can increase resolution for print but decrease Document Size to match your print size.
While I discuss all the steps for these functions on Photoshop CS6, these steps and concepts are similar on all the other programs.
Or, if you have a large resolution, but the image is intended to be viewed on screen you can lower the resolution but maintain the same Pixel Dimension.




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