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His latest adventure may be the one that treats him the roughest – not by putting the character through any emotional or physical wringer, but by making him relatively, well … boring. The reunion of Damon with The Bourne Supremacy and The Bourne Ultimatum director Paul Greengrass, Jason Bourne brings the former secret agent out of the shadows once again after a self-imposed exile following the events of 2007’s Ultimatum.
In his return to the franchise, Greengrass covers a lot of familiar ground – some of it too familiar.
Along with Damon and Jones, the film also brings back franchise cast member Julia Stiles as Damon’s former CIA handler, Nicky Parsons, and introduces Oscar-winning The Danish Girl actress Alicia Vikander as CIA cybersecurity expert Heather Lee. Like each of the previous installments of the series, Jason Bourne finds its titular protagonist taking on a powerful government agency with connections to his past, and his quest for the truth sends him around the world, fending off other operatives and nameless agents while always staying one step ahead of his pursuers. As for Damon, his new take on Bourne is noticeably world-weary and tired of all the spy games he’s been forced to play over the years.


In his role as the director of the CIA, Jones does well with a character that’s essentially a retread of the villainous agency power brokers played by Brian Cox and Chris Cooper in previous installments of the franchise, but lacks anything to make his character stand out. Jason Bourne’s action scenes are the most significant departure from previous installments of the franchise.
The first few chapters of the Bourne franchise received a lot of praise for the impressive, close-quarters fight sequences that had Damon’s character dispatching attackers with brutal efficiency, often turning anything within his reach into a weapon.
After a lifetime of absorbing punches, kicks, knives, and bullets, Jason Bourne no longer seems to have the time – or energy – to engage in the sort of extended brawls that were such memorable sequences in the first few films. The highlight of the entire movie is a wild car chase through the streets of Las Vegas in which Damon pursues an operative driving a stolen SWAT truck. Despite Bourne’s efforts over the course of the first three films to expose the secret projects that turned him and other soldiers into brainwashed killing machines, a new series of classified operations – and some surprising revelations about his family – put Bourne on a collision course with the CIA and its director, Robert Dewey (Tommy Lee Jones).


The action scenes were filmed in a way that made them feel uniquely personal, and that sense of intimacy differentiated the Bourne films from the typical action thrillers that relied on effects-driven spectacles.
Two major sequences bookend the film, and they’re both fantastic, complicated scenes that give the movie some much-needed shots of adrenaline. In the first sequence, Damon navigates the narrow streets of Greece on a motorcycle during a full-on riot, evading government operatives as protestors hurl Molotov cocktails onto the streets and crowds of armored police forces attempt to pacify the crowds.



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