RE: Cuesheet for SCORE #12-04 REFUGEE COMPOSERS ----------------------------------------------------------------------------- SCORE #12-04 THE SCORE W/EDMUND STONE ----------------------------------------------------------------------------- TITLE: Refugee Composers TOTAL TIME: 58:26 Host: Edmund Stone REEL #1: 1:00 REEL #2: 5:00 REEL #3: 24:56 REEL #4: 27:30 SPECIAL NOTES: They came to Hollywood to escape the Nazi regime. We'll hear how refugees like Erich Wolfgang Korngold, Franz Waxman and Miklos Rozsa shaped American film music on the next edition of The Score. FEED: RELEASE DATES: Wed, JAN 25, 2012 JAN 25 - FEB 25, 2012 0000 (ET) ----------------------------------------------------------------------------- REEL TOTAL ITEM ACCUM ACCUM TIME TIME TIME ----------------------------------------------------------------------------- SEGMENT 1 BILLBOARD 0:01:00 0:01:00 0:01:00 OPEN CUE: MUSIC CLOSE CUE: MUSIC FADES SEGMENT 2 NEWS CUTAWAY 0:05:00 0:05:00 0:06:00 OPEN CUE: MUSIC CLOSE CUE: “…the soundtrack.” SEGMENT 3 SHOW PART 1 0:24:56 0:24:56 0:30:56 OPEN CUE: MUSIC CLOSE CUE: MUSIC FADES SEGMENT 4 SHOW PART 2 0:27:30 0:27:30 0:58:26 OPEN CUE: “Hungarian composer…” CLOSE CUE: MUSIC FADES ----------------------------------------------------------------------------- MUSIC RUNDOWN - The Score, with Edmund Stone – Refugee Composers Show #194 20th Century Fox Theme Overture from Ivanhoe, 1952 - RCA 81269 – Miklos Rozsa – National Philharmonic Orchestra/Charles Gerhardt, cond. Invention from Kammer-Sinfonie, Op. 69 – CPO 999 071 – Hanns Eisler – Magsdeburgische-Philharmonie/Matthias Husmann, cond. Taxi Driver from Taxi Driver, 1976 – Milan 35817– Bernard Herrmann – Royal Philharmonic Orchestra/Bernard Herrmann, cond. Warner Bros. Fanfare and Main Title from Casablanca, 1943 – RCA 04227 – Max Steiner – National Philharmonic Orchestra/Charles Gerhardt, cond. Music from The Treasure of the Sierra Madre, 1948 – RCA 04227 – Max Steiner – National Philharmonic Orchestra/Charles Gerhardt, cond. Falling in Love Again from The Blue Angel, 1929 – Sony 61731 – Frederick Hollander – I Salonisti The Larrabee Estate from Sabrina, 1954 – RCA 0422 – Frederick Hollander – National Philharmonic Orchestra/Charles Gerhardt, cond. Music from The Verdict, 1946 – RCA 68145 – Frederick Hollander – The Brandendurg Philharmonic Orchestra/William T. Stromberg, cond. Main Title from Son of Frankenstein, 1939 – Marco Polo 8.223747 – Hans J. Salter – Moscow Symphony Orchestra/William T. Stromberg, cond. Sir John’s Discovery from The Wolf Man, 1941 – Marco Polo 8.223747 – Hans J. Salter – Moscow Symphony Orchestra/William T. Stromberg, cond. End Title from Sherlock Holmes and the Voice of Terror, 1942 – Marco Polo 8.225124 – Hans J. Salter – Slovak Radio Symphony Orchestra/William T. Stromberg, cond. Main Title from Son of Dracula, 1943 – Marco Polo 8.225124 – Hans J. Salter – Slovak Radio Symphony Orchestra/William T. Stromberg, cond. Finale from Objective, Burma!, 1945 – Varese Sarabande 5242 – Franz Waxman – Queensland Symphony Orchestra/Richard Mills, cond. Dream Sequence from Spellbound, 1945 – RCA 81269 – Miklos Rozsa – National Philharmonic Orchestra/Charles Gerhardt, cond. Main Title from The Asphalt Jungle, 1954 – TCM/Rino 72466 – Miklos Rozsa – original soundtrack Suite from The Sea Hawk, 1940 – Telarc 80682 – Erich Wolfgang Korngold – Cincinnati Pops Orchestra/Erich Kunzel, cond. Overture from The Private Lives of Elizabeth and Essex - 1939 – RCA 81266 Erich Wolfgang Korngold – National Philharmonic Orchestra/Charles Gerhardt, cond. Voices in the Night from Wanted for Murder, 1946 – Chandos 10543 – Mischa Spoliansky – Roderick Elms, piano/BBC Concert Orchestra/Rumon Gamba, cond. The Green Leaves of Summer from The Alamo, 1960 – Sony 48224 – Dimitri Tiomkin – Boston Pops Orchestra/John Williams, cond. Creation of the Female Monster from The Bride of Frankenstein, 1935 – Philips 446 403 – Franz Waxman – Hollywood Bowl Orchestra/John Mauceri, cond. The Ride To Dubno from Taras Bulba, 1962 - RCA 81265 - National Philharmonic Orchestra/Charles Gerhardt, cond. Norma as Salome from Sunset Boulevard, 1950 - RCA 81265 -National Philharmonic Orchestra/Charles Gerhardt, cond. Finale from Fahrenheit 451, 1966 – London 443 899 – Bernard Herrmann – National Philharmonic Orchestra/Bernard Herrman, cond. PROMO: I'm Edmund Stone, host of The Score, the weekly celebration of the music that makes good movies great. They came to Hollywood to escape the Nazi regime. We'll hear how refugees like Erich Wolfgang Korngold, Franz Waxman and Bernard Hermann shaped American film music. That's on the next edition of The Score. NEXT WEEK'S PROMO: I'm Edmund Stone, host of The Score, the weekly celebration of the music that makes good movies great. We take to the gridiron this week. From Knute Rockne All American to Friday Night Lights its music from films about football, on the next edition of The Score.