RE: Cuesheet for SCORE #11-44 FILM NOIR ----------------------------------------------------------------------------- SCORE #11-44 THE SCORE W/EDMUND STONE ----------------------------------------------------------------------------- TITLE: Film Noir TOTAL TIME: 58:30 Host: Edmund Stone REEL #1: 1:00 REEL #2: 5:00 REEL #3: 22:26 REEL #4: 30:04 SPECIAL NOTES: Those dark American thrillers and crime dramas called Film Noir. From the Maltese Falcon to Mulholland Drive. FEED: RELEASE DATES: Wed, NOV 2, 2011 NOV 2 - NOV 9, 2011 0000 (ET) ----------------------------------------------------------------------------- REEL TOTAL ITEM ACCUM ACCUM TIME TIME TIME ----------------------------------------------------------------------------- SEGMENT 1 BILLBOARD 0:01:00 0:01:00 0:01:00 OPEN CUE: MUSIC CLOSE CUE: MX FADES SEGMENT 2 NEWS CUTAWAY 0:05:00 0:05:00 0:06:00 OPEN CUE: MUSIC CLOSE CUE: “…Bogart too.” SEGMENT 3 SHOW PART 1 0:22:26 0:22:26 0:28:26 OPEN CUE: MUSIC CLOSE CUE: MUSIC FADES SEGMENT 4 SHOW PART 2 0:30:04 0:30:04 0:58:30 OPEN CUE: “A good example…” CLOSE CUE: MUSIC FADES ----------------------------------------------------------------------------- MUSIC RUNDOWN - The Score, with Edmund Stone – Film Noir Show #181 20th Century Fox Theme Track 2 (The Plot Thickens from The Maltese Falcon, 1941 – 0:40) – RCA 68145 Adolph Deutsch – The Brandenburg Philharmonic Orchestra/William Stromberg, cond. Track 3 (Main Title from The Maltese Falcon, 1941 – first 2:40) – Rhino 72466 Adolph Deutsch – original soundtrack Track 6 (Main Title from The Postman Always Rings Twice, 1946 – first 1:00) – Rhino 72466 – George Bassman and Erich Zeisl – original soundtrack Track 8 (Main Title from The Big Sleep 1946 – 2:00) – Rhino 72466 Max Steiner – original soundtrack CD1, Track 1 (Theme from Alfred Hitchcock Theme, 1955 – 1:00) – Silva 1101 – Charles Gounod – Funeral March of a Marionette – City of Prague Philharmonic/Paul Bateman, cond. CD1, Track 12 (Suite from Dial M for Murder, 1951 – first 4:34) – Silva 1101 – Dimitri Tiomkin – City of Prague Philharmonic/Paul Bateman, cond. CD1, Track 13 (Lisa from Rear Window, 1954 – 3:50) – Silva 1101 – Franz Waxman – City of Prague Philharmonic/Paul Bateman, cond. CD2, Track 4 (Prelude from Vertigo, 1958 – first 2:55) – Silva 1101 – Bernard Herrmann – City of Prague Philharmonic/Paul Bateman, cond. Tracks 2-4 (Street Scene, The Plot Thickens & End Title from The Maltese Falcon, 1941 – 5:40) – RCA 68145 – Adolph Deutsch – The Brandenburg Philharmonic Orchestra/William Stromberg, cond. Also use dialog/music from Track 3 (Main Title from The Maltese Falcon, 1941) – Rhino 72466 – Adolph Deutsch – original soundtrack Track 8 (Sonata for Orchestra from Sunset Boulevard, 1950 – 4:30) – Philips 442 425 Franz Waxman/ arr: John Mauceri – Hollywood Bowl Orchestra/John Mauceri, cond. Music bed...outro – Track 11, Music from Basic Instinct, 1992 – Silva 1263 – Jerry Goldsmith – City of Prague Philharmonic/Nic Raine Music bed... intro – Track 7, I Love You Birdy from The Man Who Wasn’t There, 2001 – London 440 016 019 – Carter Burwell – original soundtrack Track 4 (Love Theme from The Lost Weekend, 1945 – 4:18) – Sony 60773 – Miklos Rozsa - Itzhak Perlman, violin/Boston Pops Orchestra/John Williams, cond. Track 25-32 (Music from Dark Passage, 1947 – 3:30) – RCA 68145 – Franz Waxman – Brandenburg Philharmonic Orchestra/William Stromberg, cond. Track 33-43 (Concert Suite from White Heat, 1949 – 4:00) – RCA 68145 Max Steiner – Brandenburg Philharmonic Orchestra/William Stromberg, cond. Also use dialog/music from Track 18 (from White Heat, 1941 – last 1:30) – Rhino 72466 – Adolph Deutsch – original soundtrack Track 5 (Taxi Driver from Taxi Driver, 1976 – last 4:30) – Milan 35817 – Bernard Herrmann – original soundtrack recording Track 7 (Main Theme from Chinatown, 1974 – 2:00) – Silva 1270 – Jerry Goldsmith – City of Prague Philharmonic Orchestra/James Fitzpatrick, cond. Track 14 (Music from Mullholland Drive, 2001 – 6:30) – Milan 35971 – Angelo Badalamenti – City of Prague Philharmonic Orchestra Ending Track: Star Wars, with closing announcement: I’m your producer and host, Edmund Stone. Let’s do this again soon. PROMO: I'm Edmund Stone, host of the Score, a weekly celebration of the music that makes good movies great. This week, those dark American thrillers and crime dramas called Film Noir. From the Maltese Falcon to Mulholland Drive, Film Noir sets the mood on the next edition of The Score.