The Legend of Tarzan follows on from the story we were told in the 1999 Disney Classic, Tarzan. Looking at this film on paper it is understandable that it would be highly anticipated and a great expectancy would rest on its shoulders. The cast is exceptionally strong, with standout performances from Margot Robbie, who hasn’t really put a foot out of place on the acting forefront as of late and Christoph Waltz, who has earned his rightful place as Hollywood’s go to guy in terms of casting a villain.
The storyline does has some depth, however you never feel completely invested in what you’re watching, following a very similar pattern to films we have been accustomed to for far too long. Everything is very rushed throughout and therefore any momentum that appears to be building and what would have made this film great is only briefly touched on.
The scenes two share are where the film truly shines and the audience does feel like there is some genuine threat being fought against. The elements where there is true potential lies within the flashbacks visited, where we see segments from Tarzan’s youth, the birth of the jungle legend and his first encounter of Jane. The scenes involving Tarzan swinging through trees, the flashbacks, the old enemy we only really learn about in the final sequences of the film and the climax all fall short in execution. Written with exclusive access to Musk, his family and friends, the book traces the entrepreneur’s journey from a rough upbringing in South Africa to the pinnacle of the global business world. Although all appears well in John’s life, Captain Leon Rom (Christoph Waltz), advocating for King Leopald, hatches a plan to entice him back to his beloved home in the region of Congo.
Skarsgard, the films lead is a convincing Tarzan, who has clearly worked hard on the image of the character. Obviously this is taken from the events that took place in the previous film and to some extent shows what the film could have potentially been, almost teasing the audience by showing the content which may have actually fared better on the big screen.

Rom has been told by an Old foe of John’s that if he is to capture him he will be rewarded with diamonds. Events lead to John and Jane returning to where they once called home, accompanied by George Washington Williams (Samuel L. Vance paints an unforgettable picture of Musk’s unique personality, insatiable drive and ability to thrive through hardship. Jackson is the comedic outlet in this film, with one liners that fall somewhat flat and breaks the tension the movie actually would have benefited from. It is refreshing, however, to see him not having to be so serious which has been the case with a number of his recent roles. It’s up to John to try and save the woman he loves and overcome all obstacles in his way in his fight to do so. With all that being said, the acting is fairly strong throughout this film, with a script that is particularly average.
The relationships within this film can sometimes appear to be slightly forced, which can be blamed a lot on the pacing of the film (more detail on this below). By the final pages, too, any reader will sense the need to put comparisons to Steve Jobs aside. He also veers away from his subject just often enough, offering profiles of the frequently brilliant people who work alongside Mr. Beyond that, they explain all the zigzags and false clues of a prominent person’s life, in a way that makes the total picture come into focus.
A detailed portrait of a figure both loved and feared–sometimes by the same people at the same time.

What does come through is a sense of legitimate wonder at what humans can accomplish when they aim high, and aim weird. But a brilliant new biography paints a picture of him as an obsessive, intolerant perfectionist. Written with exclusive access to Musk, his family, and his friends, the book traces his journey from his difficult upbringing in South Africa to his ascent to the pinnacle of the global business world. Since then, Musk’s roller-coaster life has brought him grave disappointments alongside massive successes. After being forced out of PayPal, fending off a life-threatening case of malaria, and dealing with the death of his infant son, Musk abandoned Silicon Valley for Los Angeles. He spent the next few years baffling his friends by blowing his entire fortune on rocket ships and electric cars. Vance makes the case that Musk’s success heralds a return to the original ambition and invention that made America an economic and intellectual powerhouse. Previously, he worked for The New York Times and The Register.Vance was born in South Africa, grew up in Texas and attended Pomona College.

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