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Author: admin, 28.09.2013. Category: Understanding The Law Of Attraction

Young adult fiction, also known as YA, is a very popular fiction category, but how much do you really know about it?
A YA book has a young person as a protagonist, but that in itself is not enough to make a book YA. To a lesser degree, other aspects such as pace and language may influence whether or not a novel is regarded as YA. Some people may assume that because they are shorter or because they are not for adults, YA novels are easier to write, but this is not the case.
A book is ostensibly considered to be YA when it is aimed at readers in the 12-to-18 age range, but in fact, over half of all YA books are purchased by adult readers. While the Harry Potter series was one of the first to successfully find an adult readership, today older readers are increasingly those who grew up reading YA and saw no reason to stop as they ostensibly outgrew the marketing category. Increasingly, it seems that YA is more about a sensibility and an approach than it is about writing for a narrow age group. Fortunately for the aspiring YA writer, YA readers like to go online a lot and share their opinions. Once a writer starts to consider the broad audience for YA novels, it can become easy to mix up middle grade and YA conventions.
Middle grade protagonists tend to be around 10-12 years old as these books are aimed at an 8-to-12 demographic. Middle-grade books are shorter with a word count around 30,000-50,000 words while YA books are around 50,000-70,000 though some run well upwards of this.
Middle-grade books tend to be less complex in general and deal with fewer controversial issues. One thing writers may begin to notice is that the typical YA voice tends to be first person, present-tense, chatty and heavy on dialogue. Great dialogue in general mimics the way that people talk without being a direct transcript. YA writers may wonder how they can write for teens if they have not been teens for a long time themselves. Young adult fiction has been a hugely successful category for years now, and it shows no sign of flagging. Authors who want to become YA writers have a potentially huge audience that reaches far beyond teenage readers.
I recommend a book by Jim West called Libellus de Numeros (The Book of Math) that my 11-year-old daughter just finished reading. I’m always thankful when someone clarifies that YA is a marketing category, and not really a fiction genre. I never really thought about YA being anything but a genre, but after reading that, everything seemed to click. This course will help you stay motivated to write so you can start and finish writing your novel. An online novel writing course that's tailor-made to get you to actually write that book you've been thinking about.
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My So-Called Life: A glimpse into our real lives, which are never as interesting as YA books. Our favorite author duo, Leila Sales & Rebecca Serle, teach you how to roll like a professional author and totally make up words.
We are pleased as punch to be joined once again by our favorite YA dynamic duo, Leila Sales and Rebecca Serle! But never fear: We are here to give you words for all these impossible-to-describe yet incredibly common human actions! When she told her best friend that she was going to call her ex-boyfriend to find out if he was really on a date with Kelly, her best friend pratted. 1)  Despite what Gossip Girl depicts, no fifteen year olds are having amazing, awe-inspiring sex. There’s a lot of YA fiction out there, some of it good, some of it not so good, and some of it awesome. If you want to write YA that comes in that latter category, then you can’t go far wrong with reading this Top 10. It’s vital for a YA novel to have a role model – after all you’re moulding young minds here! If you want to know how to write convincing teenage dialogue, pick up Feed, a novel narrated by a teenager called Titus set in the future where everyone has their brains hooked up to the Internet. A ridiculously good book, but I put it on here because it’s actually a lesson in treating your young adult reader like an adult and not an idiot.


Decades before The Hunger Games came one of the seminal novels of the 20th century, about kids kicking seven bells out of each other. I like to think of Treasure Island as one of the first ever YA novels (plucky young hero, boo-hiss villain, dangerous quest).
I’m not going to lie, this is a hard book to read as it deals with self-abuse, alcoholism, and cutting. Not to mention the problematic issues about Bella and Edward’s relationship, and those issues being portrayed as good things by the author. Great list – especially as some would click here expecting to see some of the more contemporary YA stuff. Though I love your list (it includes an array of grade-level readings) I think you need to cut Stephanie Meyer some slack. That means a YA novel might be fantasy, science fiction, mystery, romance, horror, thriller or mainstream.
Surprisingly to some, it isn’t subject matter; there is little that is taboo for YA readers these days. A novel with a slower pace or with difficult language or stylistic approaches is more likely to be classed as an adult novel. This is a convenient way of getting the parents out of the picture and making the protagonist more vulnerable, but again, it’s been done so often that it has begun to feel tired.
Readers swooned over Edward and Jacob in the Twilight series and cheered for either Peeta or Gale in The Hunger Games trilogy, but at this stage, the heroine caught between two love interests feels overdone. If your audience includes both 14-year-olds and 30-somethings, how can you hope to write something that appeals across such a large age group? Writers can check out sites like Goodreads and forums for YA readers to get a sense of who their potential readership is and what they are looking for, whatever their age. This does not mean that all YA novels need to be written in this voice, and indeed, writers might set themselves apart by using a different approach altogether.
The voice in YA should avoid using copious slang and other pop culture elements, as too much slang may date the book quickly unless the story is tied to a specific time period. This can be even more complicated if they are not older siblings or parents of teens and are not regularly around teenagers. The story is about Alex, a young precocious girl, who mysteriously gets transported to a strange world where Latin and Math combine in formulas and equations with magical effects. I’m sure that this book will be interesting to read for both, boys and girls, as well as adult readers. I love that she has her flaws and goes through struggles all too familiar to a lot of young people. Sounds like a fantastic premise and also a great idea for instilling a love for mathematics in this age group. We take your privacy seriously and will take all measures to protect your personal information. There are actions that we want to describe in our books, but we don’t have words for them. Here are a few key points to keep us all on track while navigating these sexy, steamy (ew) waters.
These books all do a particular thing particularly well and you can learn from it – whether it’s how to write teen dialogue more convincingly, or how to write difficult subjects for a young audience. If there’s one you feel should be included, please get in touch and let us know what it is and why you think it’s one to be read! Pullman’s masterpiece is a provocative polemic on the dangers of organised religion, a sequel to Paradise Lost (yep, another one), and a re-telling of the Fall of Man. You can read more into it, you can intellectualise and debate it, or you can just enjoy it.
To this day it’s one of the most honest and realistic portraits of human behaviour, made all the more shocking because its portrayed by people so young.
In this case, what’s more uncanny than a parallel world where everyone has buttons sown over their eyes? I studied it at university and at one point in class a girl left to go throw up because one scene was so upsetting. When not staring at moving images or being creative with ink, he can be found at any bar that serves a good martini. I’m unfamiliar with Chambers, Singer and Rosoff and will add them to my to-read list. Slanging off at Twilight patronises the YA readers who love it, and you do that at your peril.


Not sure what that would bring as a speciality, but certainly there’s the fantasy element – and maybe the wider look at growing up and leaving childhood?
Although her popularity with student readers changed after the movies were made, she wrote accessible stories that got a lot of my non-readers to read; at least to join in on conversations regarding sparkling vampires. Instead of fulfilling a destiny, what if your main character is just smart and resourceful? Remember that plenty of great YA was written before the love triangle became a necessity, and plenty can still be written.
The Hunger Games trilogy had a lot to say about war and revolution that could not fit into a single novel. But it does provide a hint to the breezy, casual yet intimate manner of narration many YA readers want. However, this is one reason that fast-changing aspects of teen culture such as slang should be avoided. Even so, because every writer was a teenager at one time, every writer has had the experience necessary for learning how to write YA fiction.
I went to the comments section on Goodreads and had a difficult time finding a single positive comment.
With a cruel council leading the only safe city of its kind in this world, she will have to prove her worth to stay as well as help this city as it is the target for two evil wizards who seek to destroy the city and its ruling council. Alex is an authentic female role model – a very courageous girl, who is not afraid to stand up for herself and others and who is able to learn fast how to use knowledge to her best advantage.
The opinions on this site belong to the authors and do not reflect the views of the Alamo Drafthouse Cinemas. Against the backdrop of a mysterious war, a 15 year old girl called Daisy falls in love with a boy called Edmond.
If you want to know how to write good psychological horror without a drop of gore, pick up Coraline.
What you can’t disagree with is the fact that it is a rip-roaring adventure with a brilliant villain in the slimy Long John Silver. Or is it non-fiction purposely disguising itself as fiction? What makes Breaktime truly great though is how it plays with the structure and typography of a book to make the story. These are all very different types of books, yet they are all YA fiction: the same reader might enjoy reading all three of them. YA novels tend to be immersed in the young person’s point of view with little sense of an adult perspective or context.
Writers cannot assume that they can fall back on plot cliches simply because they may be writing for younger readers.
However, just because you are writing a YA novel doesn’t mean it has to be the first of three. Writers should consider how much they want to make reference to pop cultural items and avoid going overboard. By drawing on your own past and remembering how things felt, you can create a YA protagonist and world that will ring true to your readers even if you are decades older than your target demographic.
To help the city and also get back home, she will need the help of the greatest mathematician of all time, Archimedes.
As something to read in order to learn how to present difficult issues prevalent to teens, I can recommend it. At one point during a fight scene the words stop and the fight is told only in pictures for four pages. Some YA writers cite the freedom to move more freely between genres as one aspect of writing YA fiction they particularly appreciate. Different fonts are used for certain conversations, perspectives will suddenly shift from 1st to 3rd, and even the writing style and layout changes from a novel to a play and then back again. There’s enough stress and difficulty in our age bracket without encouraging this too. In fact, capturing the intensity of those teenage emotions is key to writing successful YA fiction.



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