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Author: admin, 25.04.2014. Category: The Power Of Attraction

A vague, wispy look given by a character in response to something that, theoretically, should produce a more intense or specific expression of shock, horror, or revelation. And from a different perspective, the lack of expression is vastly preferable to hamming up the performance to the point of absurdity and Milking the Giant Cow. Compare That Makes Me Feel Angry, Frozen Face (if the character's face literally cannot emote), Emotionless Girl, Kuleshov Effect, Dissonant Serenity. Due to the simplified style and reliance of stylistic cues that amount to outright writing what the character is feeling in many manga works (sweat drips, tears, shadow lines, sound effect that basically write things like "shocked" in the air be characters), trying to imitate the overall visual style of the source material often turns animated adaptations into this.
One particularly intense example is probably Attack on Titan, where the mouths are also simplified and follow words rather than expressions and the 'clean' style leaves the faces with no reference marks for expression whatsoever. In Battle Royale Kiriyama's facial expressions are hard to illustrate other than using question marks for confusion. Kira in Mobile Suit Gundam Seed Destiny sports this when Meer Campbell dies and everyone is crying and he just looks like he just smoked a bunch of pot. Takumi Fujiwara in Initial D gets to Ctrl+Alt+Del levels when his driving passion is awakened while watching his rival's performance during an illegal race. In Nyoron Churuya-san, everyone except Churuya and Achakura have one same monochromic expression. Done intentionally with Ichiro in Nerima Daikon Brothers—he's so calm and sedate that he reacts to almost everything with a blank, slack-jawed expression. Shaman King's Hao Asakura usually conveyed minimal shock, fear or surprise at something unexpected happening around or to him. Many characters in Ubel Blatt look like they're in perpetual Dull Surprise, although there are a few times where they do show some emotions but that tends to be most of the older cast or when the younger cast are very angry. Chief Kushima shows remarkably little emotion for a man whose arm has just been torn to shreds by a metal cable in the first episode of Real Drive, despite of not yet having a cybernetic body at this time. In the Sailor Moon anime, the Senshi tend to have this reaction to Minako's craziest antics, as they're used to them. Daily Life with Monster Girl: in chapter 20, Zombina stumbles onto a fight between Kii, a dryad mutated by illegal toxic waste, and Suu, a slime grown to giant size by the same waste. Ginga Densetsu Weed tries to animate wild dogs talking, as in real proportioned ones rather than Petting Zoo People. During the Spider-Man story arc "The Other," an issue is devoted to Mary Jane's shock and grief at Peter's apparent death. Linkara mocks an issue of Uncanny X-Men (#423) for having Nightcrawler reveal a surprising bit of info and having all the characters react in shock… "or rather with apathy, shock, confusion, boredom and surprise". At one point in the "ill-conceived" DC series Amazons Attack, Batman looks down and frowns slightly while saying, "An Amazon attack, a deadly bee weapon. Despite the arc being drawn by what's often considered the series' best artist, the Sonic the Comic adaptation of Sonic Adventure suffers from this. X-23's abusive upbringing has left her with a poor understanding of how to deal with her emotions, so she generally only has two reactions to things happening around her: blank and seething rage.
Used to creepy effect in the last arc of Runaways where, after an excess of Inelegant Blubbering, Klara is put under a "Settle Down" spell. Homestuck High features a text version; the characters all respond to the completely bizarre happenings involving magic and demons with nothing more than "oh okay". The fic Genderswapped Nations ends with a huge battle between the gender bends and the Big Bad's army wherein one gender bend is murdered and another is in critical condition after having been tortured. In the 1956 movie adaptation of The King and I, Deborah Kerr tends to stare with her mouth slightly agape in response to anything that calls for powerful emotion. Try watching Bram Stoker's Dracula, where Keanu's trying to conceal his Dull Surprise at the supernatural events around him AND keep up his painful Fake Brit accent.


In Johnny Mnemonic he alternates between this and narm, though that's probably more the fault of the script than anything. Reeves' best acting ever may have been in the otherwise not great 2008 remake of The Day the Earth Stood Still (2008): he plays an alien whose affect is chilly and inhuman, and is wonderfully natural in the part. Never more obvious than when he played the good guy in The Devil's Advocate, next to Al Pacino playing Satan. Used pretty well in Speed, where he reacts to each new piece of danger with chilly competence, only to completely lose it when his partner is killed. In A Scanner Darkly, his narcotized acting style works well when he's playing a drug-addicted double agent slowly losing his mind. Utilized in Man of Tai Chi to make Big Bad Donaka Mark feel sociopathic and emotionally shallow. Reeves as John Wick successfully employs his scowl as Tranquil Fury, given it's a Roaring Rampage of Revenge film of the Charles Bronson kind. Arnold Schwarzenegger, whose most notable roles are an emotionless robot, an emotionless soldier, an emotionless ex-soldier and an emotionless warrior.
This is best demonstrated in the sequence right before his last scene, when he trashes his apartment while wearing the same blank expression he'd been using the entire movie in a clumsy attempt at expressing Tranquil Fury. In his short film The House That Drips Blood on Alex, he plays the titular role in the exact same fashion. Selma Blair maintains this expression at all times in the film version of Hellboy, possibly justified by the fact that her character tends to blow things up when she gets too emotional.
In Big Game, Hazar is usually rather emotive, but he's oddly unconcerned when the other half of Big Bad Duumvirate, Morris, suddenly shoots two of his faithful mooks. Typically the character looks vacant with their mouth opened, supposedly astonished about something, but it really looks like the tail end of binging on sedative narcotics.
An entire branch of acting called "minimalist" goes on the assumption that reining in your performance is the truest form of the craft, as it's actually much easier to overact and it creates a greater contrast when they do flip out.
People's faces often betray very little emotion — especially if they don't think anyone's watching them. Even original works frequently make strong stylistic choices, sometimes with a single characters, involving fixing facial elements that in real people change quite constantly to convey expression.
Considering that Kira's cry is notorious for sounding like a dying horse, the viewers got off lucky. One theory is that the artist was so good at drawing cars, he decided to use the same methods on human beings.
Urasawa otherwise averts this, so in this case it's clearly an intentional choice and just makes him creepier.
Strange in that since his normal persona is at least something of an act, and a pretty good one at that. His most famous stoic is Killy from Blame!!, who is quite well known for having the emotional range of a broken toaster. Even when Kimimaro nearly succeeded in shoving a bone-turned-drill through Gaara's face in the Sasuke Retrieval arc. While she can simulate the proper expressions when acting, her own emotions are very rarely visible on her face.
Most of the time, the closest he gets to an expression besides line face is during battles where he's shocked, which is expressed by just barely widening his eyes.
Also makes the watchers wonder what Minako usually does when they react the same way to her outrunning a car after having her Pure Heart Crystal extracted (everyone else who had the Pure Heart Crystal extracted fainted without energy, and was in danger of losing their life). The result is that aside from numbers of time the characters growl, little indicates their emotions aside from their voices.


No matter how shocking, horrific or terrible the event, she reacts by opening her mouth slightly and looking perturbed. When a bunch of gun-toting mooks show up, she sics her plants on them, all while wearing an expression that conveys maybe mild curiosity.
A piercing shriek sounds near the end of the battle, and Italy's gender swap worriedly questions if someone's been hurt. For the scenes within the Matrix, this was done deliberately by all the actors at direction from the Wachowskis to help create a sense of disconnect caused by Morpheus and the others knowing the Matrix isn't real. Really, Schwarzenegger is the best when he can play a killing machine (either literally or figuratively). It is not difficult to imagine every line of his in the script, except questions, ending in a period, given his flat, mostly-unaffected delivery. Special mention goes to his portrayal of Alex's corpse which is both realistic and completely natural.
The trope is often used to describe the "wide" range of emotions a given actor may use for a role, and one of the staples of lazy character design and artistry. For actors like Arnold Schwarzenegger or Nicolas Cage, the times they actually show emotion tends to make for hilarious YouTube compilations. Most commonly, the problem centers around the eyes, where they're drawn big and wide in the standard cartoon exaggeration, but don't shrink, grow, and change shape in similar cartoon fashion because the animator feels that would cross some sort of line on realism.
It wasn't until Kimimaro's kill-you-with-my-last-breath attack that the Kazekage at last showed shock and fear that was on-par with the other characters of the series. She has yet to be seen surprised, shocked or angry, which is quite a feat, considering what usually goes on around her.
If it wasn't for dramatic speed lines or speech bubbles with exclamation marks you may not even catch that his expression changed at all. The reason seems to be that in the book, he starts out disdainful and cold to the point of rudeness, and different actors struggle with how to play him so that he can be accepted by the audience in a romantic role despite coming off as a jerk less than an hour ago. In specific roles and scenes, using this look may indicate the event you are responding to is not merely surprising, but genuinely incomprehensible, to the point that characters haven't the faintest idea how to react. However, his repeated encounters with Ichigo leads to a prolonged Villainous Breakdown, because Ichigo's refusal to give up starts to get to him.
Cue 20 pages of Mary Jane looking far more stoned than grief-stricken; even if you want to believe that she was in shock the entire time, her expression didn't change at all. The fact that the dialogue only uses periods only underscores the fact that Batman seems to flatly declaring this without any emotion whatsoever — given the bee-themed superweapon he's discussing, under the circumstances the reader would have probably forgiven an exclamation mark or two.
When she finally gets fed up with her abusive pimp, Zebra Daddy, the typically Large Ham gangster can only manage a subdued, "Aw, man," when she impales him through the back on her claws. It can alternate between bad acting (Jingle All the Way), weird facial expressions (Kindergarten Cop, Total Recall), or overacting for the sake of it (Batman & Robin) or for fun (True Lies). When he transforms into his true super form, the fact that Ichigo still won't stay down pisses him off to the point that he starts shouting at him. It may also be done intentionally to show that the character in question is utterly unflappable, even in the face the most astonishing events, or has gone through the wringer one time too many. He later manages to recollect himself, and when he's about to be nuked by Ichigo's hollow form after being caught off guard, all he does in response is stare blankly at him and say "do it". Of course, since he's the Anthropomorphic Personification of nihilism, this is to be expected.



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