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Author: admin, 14.09.2015. Category: Positive Phrases About Life

Hu's photographs, featuring his home city, Shanghai, in East China, are being displayed at an exhibition in London through Saturday. As Shanghai's tourism ambassador and a passionate amateur photographer, Hu was invited to take part in the Homei??i??Town exhibition at London's Alfred Dunhill Bourdon House.
Hu is one of the most popular stars in China with more than 48 million followers on China's Sina Weibo social network. He is reported to have signed up for more than 30 advertisement campaigns in 2015 with a total endorsement fee of more than 200 million yuan ($30 million). It has long been a tradition for Shanghai to polish its brand with the help of celebrities from various fields. Chen Jingxi, deputy director of the Shanghai Information Office, says Hu was appointed as the city's ambassador for being an example of "positive energy". Born in Shanghai's Xuhui district in 1982, he was admitted to the Shanghai Theater Academy in 2001 and immediately skyrocketed to stardom in 2005 after playing the lead actor in Chinese Paladin, a TV series based on a popular role-playing game of the same name.
However, a year later, Hu suffered a severe injury and disfigurement in a car accident, which killed his assistant. When asked about the possibility of cooperating with foreign directors, he jokingly says that he wishes to have such opportunities but needs to improve his English first. Hu Ge (left) is designated as "Visit Britain's Goodwill Ambassador for China" at the opening ceremony of the "Amazing Shanghai" campaign in London on Monday. During a 10-day Sino-Foreign Audiovisual Translation and Dubbing Cooperation Workshop and Symposium in both Beijing and Shanghai, which ended on Wednesday, nearly 60 filmmakers, translators and film company managers from 30 countries shared their insights on how to better promote Chinese productions in their home countries with more approachable channels for audiences. Nussipzhanov Yertay, a symposium attendee and a major promoter of Chinese films and TV series in Kazakhstan, says he watched last year's popular 48-eposide spy thriller The Disguiser within five days. Michael Sinterniklaas, founder of NYAV Post, a New York-based recording studio, says Chinese and English translations in cinema can be better. NYAV Post's most recent project has been to dub for last year's Chinese hit animation Monkey King: Hero Is Back, which soon will be screened in the United States. Deanna Gao, founder of the China Film Festival in Paris, says: "In most cases, dubbing is replaced by subtitles to save money and time. Nevertheless, in China, dubbed foreign films have become rarer in cinemas, and that may partially explain why Chinese films rely more on subtitles than dubbing when they are exported.
Meanwhile, a report released by Beijing Normal University in March shows 70 percent of overseas filmgoers are unsatisfied with subtitles in Chinese films. Gong Lanwei, president of the Australian International Chinese Film Festival, says that ticket holders for award-winning Chinese films sometimes leave the cinema before the end due to poor translation of subtitles.
Veteran Chinese film producer Yue Xiaomei says making a dubbed version is like re-creating a film, and thus demands more attention.
The Chinese animated film Monkey King: Hero Is Back is set to be screened in the United States. It's no surprise: Ang Lee has become the biggest sensation of the ongoing 19th Shanghai International Film Festival.
As the first and only Chinese to claim an Oscar for best director, Lee is widely hailed as an unrivaled master bridging the East and West.
Despite that acclaim, he hasn't appeared on the Chinese mainland for a couple of years, and the low-profile director turned down all interview requests during the festival.
So it's easy to understand how a two-hour forum on Monday, featuring Lee as a presenter, turned into something of a pilgrimage for movie enthusiasts. His candid words captivated those with a love of the big screen, but interestingly conflict with most of today's conventional wisdom. Noting that Hollywood has a globally dominating influence thanks to its century-old movie industry, Lee says that Chinese filmmakers should not hurry to "overtake" them.
Meanwhile, Zeng Maojun, president of the country's largest cinema chain, Wanda Cinema Line, says China will overtake the United States in the total number of screens next year.
The latest figures show that China boasts around 32,000 screens - adding an average of 21 screens a day last year.
Industry sources say the astounding figures indicate China will replace the US at the top of the world's movie industry next year. As a prestigious filmmaker who has worked with such stars as Kate Winslet and Hugh Grant, Lee says that film studios should not worry if a quality film cannot afford A-listers. From the CGI magic of Life of Pi to his latest drama, Billy Lynn's Long Halftime Walk, Lee is known for his persistence in pursuing the state-of-art technology.
While asked how newbie filmmakers can become quickly established or qualified, Lee's suggestion is to do the opposite. He also fears that Chinese financers' eagerness to earn money will damage the Chinese film industry.
A number of similar stories, sequences and characters will bore audiences and exhaust talent, he says.
Pick a Shakespeare stage play, and the iconic British actor could quickly recite lines from the work.
One of the greatest actors of his generation, McKellen recently visited the Shanghai International Film Festival, as part of British Council's Shakespeare Lives, a program celebrating William Shakespeare's works as the world marks the 400th anniversary of his death. In his acting career spanning around half a century, McKellen has between 1960 and 2007 acted in around 20 films adapted from Shakespeare's works. When McKellen was 8 years old, his parents took him to a local theater to watch a Shakespeare play, which made him fall in love with the master and his works. To date, the world's largest movie site IMDb lists Shakespeare as the "writer" of 1,120 titles and some of the earliest films are adapted from Shakespeare's works.
As it is a part of the Shakespeare Lives program, eight Shakespeare films are being screened at the ongoing 19th Shanghai International Film Festival.
All the films are affected by the personalities of the directors and actors, and the time the films were made. He says the biggest difficulty when doing a Shakespeare film or stage play is to understand the lines. It has a video featuring McKellen reciting Shakespeare's plays with the dialogues shown at the bottom. The internet is no mystery for McKellen, in spite of the fact that most celebrities his age may be not so familiar with the digital world. In 1999, he began publishing a series of journal entries, during the filming of The Lord of Rings.
But how does one balance a career between Hollywood blockbusters and art-house films, such as his Shakespeare titles? McKellen's answer is similar to most A-list actors, who earn money from big-budget productions and receive much less for starring in indie movies. He says that Richard III, which also features him as scriptwriter, ran out of money at the end, and he gave back his salary to complete the film. British actor IanMcKellen meets an audience for the Shakespeare Lives program during the ongoing Shanghai International Film Festival.
A week after Song of the Phoenix opened, it garnered a paltry 3 million yuan ($454,000) in box-office takings, barely enough to cover the marketing cost. Yes, what happened off-screen was just as dramatic, if not more so, as the story on-screen.
On May 12, when the screening rate of the film dipped below four per 1,000 screens, Fang knelt down and begged China's film exhibitors for more screenings. A scene from the film Song of the Phoenix featuring veteran actor Tao Zeru in the main role. Then, as people flocked to movie theaters across the nation, its screening rate shot up, to 10 percent at one point, way past the first-week performance, which is usually the peak for any film. Some suspected that the video was a marketing ploy, but Zhang Wei, vice-president of the China Film Criticism Society, provided details that confirmed the incident. Shortly before what's now called "the 80-million-yuan kowtow", Zhang and a bunch of students were with Fang, and they extolled the latter's integrity in continuing to support the country's quality films. Fang told me that his act was inspired by the internet meme "guiqiu" - a humorous term that literally means to kneel down and beg - rather than by an ancient practice in China, which carried more solemnity and self-debasement.
When River Road, a quiet, beautiful film he funded, grossed less than 1 million yuan in 2014, he did not think of begging the exhibitors. Even though he is one of the producers of Song of the Phoenix, he has no financial stake in the film. Wu, a renowned filmmaker whose credits include Old Well and Life, a hugely influential work from the 1980s, is widely considered the godfather of China's fifth-generation directors.
When he was in charge of Xi'an Film Studio back then, he broke convention by bankrolling rookies like Zhang Yimou. For those asking the hypothetical question "Would Wu have knelt for more screenings?" the answer is here - as studio head Wu knelt to beg mediocre peers to not hoard resources so that talented newcomers would have a chance. His daughter, Wu Yanyan, then tried to sell her father's swan song to China's distributors - with no success - until she met Fang. He has a business in Silicon Valley, but started to produce films, mostly art-house fare, early this century. He tells me that the films he has produced, including Song of the Phoenix, belong in the genre of "drama".
He defines "drama" as movies that tell stories and "art films" as experimental works with thin plots. Yet, Chinese translations are so confusing that little distinction can be made by a layperson with no knowledge of nuance. Whatever label one may place on it, Song of the Phoenix has now gained three layers of meaning, making it ripe for future film treatment. The story is about a patriarchal musician who plays the traditional Chinese instrument suona, a high-pitched double-reed with a sound similar to the oboe. The master is meticulous about passing on the technique - and the social stature associated with it - to the next generation. But he is chagrined to find that he could be the last of the line because modern, Western instruments, represented by a brass band in the film, have eroded suona's popularity. In a similar vein, Wu Tianming was from a dying breed, insisting on making films that are personal rather than popular.
At least half of China's filmdom endorsed the film, ranging from pop idols like Lu Han and Fan Bingbing to royalty-like figures Ang Lee and Feng Xiaogang. Zhang and Martin Scorsese each taped a short recommendation, which are shown before the film. Had they all charged for their endorsements, the fees would have added to billions of yuan. Other forms have been used before, such as open letters or a boisterous fracas with exhibitors, but none has had much effect. Still others have proposed setting up art-house cinema chains, a platform that's going out of fashion even in developed countries. Fang has an innovative idea: He wants regulators to place a cap on the screening rate of every film, Chinese or foreign, for instance, a maximum of 30 percent of screens for any film and a minimum of 3 percent. Fans here may soon get a chance to see valuable collections from top US institutions following an agreement between the Palace Museum and its American counterparts. As the Palace Museum in Beijing stages the ongoing Faberge Revealed exhibition - courtesy of the Virginia Museum of Fine Arts in the United States - displaying treasures owned by former Russian royal families, more US museums want to share their collections with their Chinese counterparts.
Last week, at the seventh China-US High Level Consultation on People-to-People Exchanges, professionals from top-tier US museums - The Peabody Essex Museum in Salem, Massachusetts, and the Freer Gallery of Art and the Arthur M. The Peabody Essex Museum was packed with visitors for The Emperor's Private Paradise: Treasures from the Forbidden City exhibition over 2010-11. Wang Yiyou, the curator of Chinese and East Asian Art at the Peabody Essex Museum, says the museums will build partnerships in areas like professional exchanges, preservation, studies of objects and research. The Peabody Essex Museum has displayed Chinese treasures since 1800, a year after its founding, while the Freer and Sackler galleries are among the biggest repositories in the US of Chinese cultural relics. For example, over 2010-11, the Peabody Essex Museum worked with the Palace Museum to organize an exhibition in the US called The Emperor's Private Paradise: Treasures from the Forbidden City. The exhibition, which comprised cultural relics from Juanqinzhai, a studio which made exquisite decorative art for Emperor Qianlong (1711-99), toured the US, including New York City, Boston and Milwaukee.
Wang says more than half a million visitors saw the display in the US - one of the biggest exhibitions held by the Peabody Essex Museum. Meanwhile, according to Jan Stuart, the curator of Chinese art at the Freer and Sackler galleries, there is a program that trains "future leaders of Chinese museums" since 2000, and Li Ji, the head of the archaeology department at the Palace Museum was one of the scholars who pursued the program there.
Besides, there were conservators and exhibition designers from the Palace Museum and other Chinese museums at her institution.
Though the latest memorandum of understanding focuses mainly on research, especially conservation, Stuart says it will also include heavyweight exhibitions. The new partnership will combine the efforts of three institutions in research and selection of objects among other things. The publication of in-depth catalogs will also help produce new scholars in the specific fields. Jay Finney, the deputy director of the Peabody Essex Museum, who is in charge of marketing and public relations, says: "One reason why we do exhibitions is to further develop scholarship in a particular area. Meanwhile, according to data from China's State Administration of Cultural Heritage, there were 4,692 registered museums in the country at the end 2015, a significant increase from 3,415 at the end of 2010. But, despite the efforts to boost links between the two countries, Chinese public museums in 2013 held only six art and history exhibitions in the US, while only two exhibitions from US public museums came to China that year. For example, the China Program at the American Alliance of Art, an information-sharing platform for museums from China and the US, was put on hold earlier this year due to funding constraints even though it got bigger and bigger, says Wang. Finney adds that there is a need to make exhibits more friendly for US visitors who may not be very familiar with Chinese history.
He recalls that when the Peabody Essex Museum was designing the Juanqinzhai exhibition, the museum had assumed that visitors would have a sense of Emperor Qianlong's power and wealth.
Finney says that though marketing of museums is still something new in the US, he finds that some Chinese museums have a strong capability in the field. As smartphone apps and souvenirs from the Palace Museum have gone viral on Chinese social networks in recent years, the Peabody Essex Museum plans to send a member of its digital team for a training program to Beijing soon. A former royal Buddhist sanctuary near Beijing glitters again after a major renovation project. A ceremony to mark the restoration of the main buildings in the Putuo Zongsheng Temple, commonly known as the Temple of Potalaka, in Chengde, Hebei province, was held on June 11, National Cultural Heritage Day.
The Temple of Potalaka was built in 1771 loosely modeled on the Potala Palace in Lhasa, the capital of the Tibet autonomous region. The main renovation project on the Temple of Potalaka in Chengde, Hebei province, was completed on Saturday.


It is the biggest among the 12 satellite temples around the Chengde Mountain Resort, which was considered China's "Summer Capital" in the Qing Dynasty (1644-1911) as several emperors spent their summers there. The resort and its temples were included in UNESCO's World Heritage list in 1994, and they form the largest surviving royal garden and temple complex in the world.
The mountain resort alone covers 564 hectares, an area roughly twice the size of the Summer Palace in Beijing. While the structures were taken care of by the Qing court before the mid-19th century, later they were dependent on lamas.
According to Zhang Lifang, the director of the Hebei Provincial Administration of Cultural Heritage, major restoration of the mountain resort and the temples began in 2010. The latest restoration of the Temple of Potalaka covers 55 structures, which Sun Yingzhuo, an expert from the Hebei Ancient Construction Research Institutions, says is a breakthrough as the previous restorations only focused on the bigger structures in the temple. Sun, who was in charge of the restoration, says restoring the roof was the most difficult part of the process as there are very few similar structures in China, and thus there was a need for continuous experimentation. Still, he says, as long as the original drainage works and needs only partial restoration, no modern drainage will be introduced. Improvements in the security and fire-alarm systems have also been included in the renovation. Though the main restoration of the structures has been completed, he says, some follow-up auxiliary projects like the indoor decorative paintings will continue until the end of this year.
Tan Pingchuan, who leads the painting restoration, says: "We don't aim to give them a new look. The restoration also means that a lot of data and files have been created on these World Heritage sites, says Lu Qiong, the deputy head of the cultural heritage protection office under the State Administration of Cultural Heritage. Restaurant Week events give China's big-city foodies a chance to explore more restaurants with a special price and menu, Xu Junqian reports.
With no chef, no kitchen - not even a knife and fork in their inventory, Onno Schreurs and Toine Rooijmans' may sound incredibly brash with their culinary ambition: building a better dining experience in China - and all of Asia. But less than six years after the goal was set, and painted in red against the black sketches of Shanghai's skyline at their office entrance, the two co-founders of Dining City Asia seem well on their way. The newly launched Brunch Weekend, an event running June 18-19 and 25-26 in Shanghai and Beijing, offers a good opportunity for those who love to dine out.
As the brains and energy behind China Restaurant Week, a popular culinary event for foodies in cities like Shanghai, Beijing and Hong Kong, they have connected 400 restaurants across the country with 100,000 diners.
A concept launched in New York City in 1992, Restaurant Week is an annual or semi-annual promotion in which eateries across a city offer multi-course dishes in specially priced set menus. In China, however, the incentive for both diners and restaurants to join the event took a rather different approach. The company, which also offers premium restaurant listings during the event, draws from its base of regular users who are 90 percent local and between the ages of 27 and 37, with 70 percent female.
Despite the popularity of the event, which has spread to eight cities with Restaurant Week, Brunch Weekend and the premium Elite Dining Week, some participating restaurants have questioned its effectiveness at bringing repeat customers for regular-priced meals. Schreurs, however, insists that if the diners are not coming back after the promotion, "It means there is something wrong with the experience.
The biggest change he has seen in the local dining industry is the diversity of cuisines offered and how local people embrace them at an amazing speed. Some diners book 10 restaurants within the Restaurant Week in order to try different types of cuisines, he says. While Italian restaurants remain the biggest category on the site, Schreurs says, steakhouses are the fastest-growing category.
With the UEFA Euro 2016 on in France through July 10, Xiu Bar on the sixth floor at Beijing's Yintai Center will offer customers special alcohol, fare and sport entertainment. Cathay Pacific is teaming up with Pedro Samper, head chef at The Langham, Hong Kong hotel to launch a new in-flight menu for its new Hong Kong-Madrid service.
A great meal and a facial might seem an odd pairing, but for Father's Day it makes perfect sense.
Organizers of the recent trade show THAIFEX-World of Food Asia 2016 have announced that the 13th annual trade show in late May was the biggest ever, attracting 42,528 visitors - a 21-percent increase from 35,205 in 2015 and 1,919 exhibitors from 40 countries. Michelin-starred chef Alfredo Russo will bring his authentic pan-Italian cuisine to Barolo and Aroma restaurants at the The Ritz-Carlton, Beijing on Saturday and Sunday.
Until this lunchtime event in Beijing, the 8th Italian Cuisine World Summit Roadshow has been a showcase for Italian chefs, a Michelin-starred extravaganza in seven restaurants over six nights.
Left: Paulino Li (right) of Pizza View, and La Pizza's Xiao Ma (center) and Rick Song, get top marks from the Italian judges.
It's a warm day and the crowd of chefs in the kitchen means the air-conditioning struggles to keep the restaurant cool. Each competitor in turn grabs a sphere of dough, which was prepared the night before, and shapes it into a flat disc that their Eastern hands will convert to an authentic Western pizza pie. He's sitting outside the restaurant with his fellow judges, while inside the competing chefs each make a pizza in turn - grinning as their colleagues capture the moment with cellphone cameras. Master butcher Simone Fracassi from Tuscany speaks for the judges after the score sheets are tabulated. The chef who ticked all the boxes was Paulino Li of Pizza View, an offshoot of Opera Bombana. The formal summit events concluded Sunday with a dinner by master guest chefs Vincenzo Guarino (Chianti) and Luciano Monosilio (Rome) and host chef Fabio Nompleggio at the Ritz-Carlton Financial Street. This year's Shanghai international photo event aims to draw more young Asian collectors, Lin Qi reports. Photofairs Shanghai, an annual international event, will be held at the Shanghai Exhibition Center in September this year.
In its third edition, the fair, previously called Photo Shanghai, will continue to serve as a launch pad for Chinese artists engaged in contemporary photography, exposing them to international galleries, dealers and collectors, from Sept 9 to 11. Photofairs Shanghai offers a good platform for Chinese artists to showcase their works to international galleries and collectors. The fair also hopes to further cultivate the interest of Asian collectors, especially from the younger generation, in not only vintage photograph but in experimental works in which photography is merged with other mediums, notably video art. The highlights this year include a section displaying celebrated artists' works focusing on photography and the moving image and a section for artists who have not exhibited before on the Chinese mainland.
The fair will also have a themed annual exhibition, Insights, which will center on new approaches to photography since 2000, and feature Chinese artists, including Geng Jianyi and Jiang Pengyi. Confirmed exhibitors include Hong Kong-based Blindspot Gallery, ShanghArt Gallery that has spaces in Beijing, Shanghai and Singapore, and Camera Work from Berlin. Last year's fair drew more than 26,000 visitors, with works priced between $1,000 and $120,000 sold. Well-received exhibitions in the past two years have included an Asian debut show by American artist Taryn Simon, whose Birds of the West Indies series was shown at the Gagosian Gallery booth.
An increasing number of Chinese artists have taken up photography to express themselves, and the boundaries between this and other artistic forms are becoming blurred.
Meanwhile, the number of collectors of contemporary photography and mixed-media works involving photography is rising in China, says Jin Hongwei, a Chinese-American collector. Jin runs the Cipa Gallery in Beijing's Caochangdi art district, and exhibited at the same Shanghai fair earlier. He says while Westerners today buy more than 80 percent of photos shown in the capital's 798 Art Zone, the market is developing fast as contemporary photography is gaining more recognition among both emerging Chinese artists and collectors. Since then, people have recognized the value of photography as an independent category of art collection.
Commenting on the quality of works seen in China, Lin Tianmiao, a contemporary artist who incorporates photography in her mixed-media works, says contemporary Western and Japanese photography are quite insightful in scale and scope because they touch viewers by reflecting the dynamics of life.
Photofairs Shanghai is organized by the World Photography Organization, founded in London in 2007.
It will hold Photofairs San Francisco from Jan 27 to 29, 2017, in the Festival Pavilion at the Fort Mason Center.
Photofairs San Francisco will not only cater to Silicon Valley, but also aims to showcase Chinese artists to the US West Coast.
If their works are well received, more artists in China would be encouraged to engage in photography, says Scott Gray, the CEO of World Photography Organization. Italian artist Angela Occhipinti conveys through her works a sense of uncertainty about the future, particularly the fate of humans. Occhipinti is showing the two approaches of communicating with the world at her second solo exhibition in China, currently being held at Beijing's Riverside Art Gallery. Titled Angela Occhipinti, the show displays several of her large paintings, a lengthy handmade book - works of art in the form of a book - and lithographs.
Her signature Constellation series of paintings unfolds the mystic imagery of the universe. With gold powder, she draws shooting stars to represent the occurrence and disappearance of illusions in people's minds.
She has worked at several famous studios and with established artists, such as in English painter Stanley William Hayter's studio in Paris and Italian printer Giorgio Upiglio's studio in Milan.
A brief interaction with Pablo Picasso at the Mourlot studio in Paris also influenced her creations for long.
She was 16 years old when she saw Picasso there who eagerly waited for his lithographs to be printed, "just like a small boy anticipating a gift", she recalls.
During her 20-day stay at the Mourlot studio, she created her own works and also helped prepare acid of varying densities for Picasso to process his etchings. She likes Picasso's lithographs although they are largely black, white and gray, and it is because the fewer colors one applies, the more difficult it becomes to handle them on a single surface. At the Beijing exhibition, she's showing a lithograph titled Toro, which she produced in 1960.
Wang Ji, one of her friends, says, "One can read Angela's thoughts of the universe in either her powerful installations, imaginative paintings or elaborate lithographs. For centuries many have pondered what lies behind the Mona Lisa's enigmatic smile, but it was more of a rhetorical question. In a unique and quirky Dutch exhibition, Brazilian artist Vik Muniz displays about 15 painstakingly recreated exact reproductions of the backs of some of the world's most famous paintings. There's Vincent van Gogh's Starry Night leaning facing the wall across the room from Vermeer's The Girl with a Pearl Earring. The paintings looking shockingly exposed, their backs bared, and visitors to the exhibition at the Mauritshuis museum in The Hague could be forgiven for thinking they have accidentally wandered into a storage room. But a closer look reveals a fascinating trip into the history of each painting, who owned it and where it traveled, as well as changing tastes in art conservation. On his first museum visit as a schoolboy, Muniz was instantly intrigued not by the artworks, but by the mechanics and artistry of their backs.
The Museum of Art of Sao Paulo had displayed the paintings on glass easels and exiting the building the backs were boldly on display for all to see.
His curiosity was later revived in a startling moment when as an adult on a visit to the Guggenheim in New York, he was given a look at the back of Picasso's Ironing Woman.
It took six years of negotiations with the Louvre in Paris to be able to study the back of The Mona Lisa.
The Vik Muniz: Verso exhibition, which runs in The Hague through Sept 4, is now the first full show of these works. It is extraordinarily intimate, drawing the visitor back through the centuries, forcing them to peer closely at what are more usually neglected parts of an artwork.
Joconde is scrawled in a faded black flourish on the back of The Mona Lisa, close to arrows pointing up to show which is the top. A bevy of stickers from the world's top museums, The Tate Gallery, the Centre Georges Pompidou and the Guggenheim, traces the exhibitions which The Smokers by Fernand Leger painted in 1911-1912 has been part of.
Singing two songs, Star and Opera No 2, Vitas impressed audiences with his five-octave vocal range and the costumes he designed for his concerts.
Some Chinese singers have tried to imitate his singing, but fans consider Vitas unique because of his distinctive technique and low-key image offstage. In November, he will return to China with some new material mixing classical, rock and heavy metal. In his decade of performing in China, he has teamed up with Chinese composers and singers, and has sung such Chinese songs as Qinghai-Tibet Plateau and Jasmine Flower.
His grandfather introduced him to music as a child, teaching him to play the accordion and walking several kilometers every day to take Vitas to a music school in a nearby village.
In 1999, he was discovered by his producer, Pudovkin, who invited Vitas to Moscow and helped launch his career. At 23, Vitas rose to fame by performing at the Kremlin - he was the youngest artist to do a solo concert at the venue.
He wrote those songs, which contain a mix of techno, classical, jazz and folk elements, when he was around 15. He then released two albums dedicated to his mother - The Songs of My Mother and Mama, which include classic Russian songs as well as original compositions. His producer is now in discussions with Paramount Pictures about his participation in the film History Legends, which is about the life and career of Elvis Presley. An outdoor exhibition of installation art, featuring art in containers, will start its world tour in July in Shandong province's Qingdao.
Elsewhere Is Here comprises 10 well-known artists from China and France, including Qiu Zhijie, Huang Jiancheng, Yan Lei, Matalie Crasset and Mathieu Dorval. By using containers as art spaces, the artists will "create a moving museum", says Fan Di'an, curator of the show and president of the Central Academy of Fine Arts. Fan says the show of art in 10 containers is easy to display in any public space in cities, making it a good option for cultural exchanges among places that are far away from one another.
In July 2017, it will be presented at Futuroscope, a theme park in Vienne, France, and then tour other countries in Europe. Joking about his previous experiences, he says he was either setting up his installation work in the show space or was on the road to do it. For instance, in his Project of Nanjing Yangtze River Bridge, he produced lots of foot-like items crafted from bamboo with different plants inside. Guan Huaibin, another artist participating in the show, says containers are interesting carriers that make him think about their roles in transmitting culture and ideas across the world.
Elsewhere Is Here is an annual show initiated in 2012 by France's former prime minister Jean-Pierre Raffarin. As a young, classical music conductor in a town known more for Mickey Mouse than Mahler, Eric Jacobsen faces a double challenge: Live up to the promise of his youth and innovative background, and somehow discover the magic formula to lure young audiences to the concert hall. Beginning his second year as music director of the Orlando Philharmonic, the 33-year-old is many things that modern classical music traditionally isn't: young, accessible and willing to be a tad goofy.


He's spent most of his career as a cellist with New York-based, boundary-breaking ensembles, exploring new directions in an art form that cherishes tradition. A decade ago he co-founded the string quartet, Brooklyn Rider, with his older brother and two other classmates from the Juilliard School. Jacobsen represents a new path for many young conductors, says Jesse Rosen, president and CEO of the League of American Orchestras. In the past, a would-be conductor trained professionally and sought a job in an orchestra as an assistant conductor or director of a youth orchestra, while preparing for bigger, more prestigious orchestras. Nowadays, many future orchestra conductors are creating their own ensembles with different types of community-based programming, says Rosen. As Jacobson looks ahead to the upcoming season, he says programs may combine music with visual artists, performing artists and literary works.
The season's sweltering weather coaxes Chinese to northeastern destinations like Heilongjiang. Xiang Shuangshuang believes China's northernmost province, Heilongjiang, is a cool place to beat the heat of Beijing's hottest months.
She was impressed by Harbin's architecture, Wudalianchi's hot springs and Yichun's woodlands. The provincial capital took the top spot in a 2014 report on domestic summer destinations jointly released by the China Meteorological Administration and the China Tourism Academy. They feature volcanoes, wetlands, China's easternmost and northernmost points, forests and urban fun.
China CYTS Tours Holding Co will focus on ecotourism to develop products with such themes as resorts, leisure, health and family fun, says the company's chairman, Kang Guoming.
Three special routes have been designed for the elderly, says Heilongjiang tourism authority's deputy director, Hou Wei.
The provincial government has teamed up with major online travel brands to cultivate itineraries that take travelers out but bring them home by bedtime.
The government is planning to make full use of its wetlands, woodlands and border culture, says Xi.
Forests cover 220,000 square kilometers, which is roughly equivalent to the size of the Korean Peninsula.
Mohe county's Beiji village is the only place in China where visitors can view the aurora borealis. It won the Michel Batisse Award at the Fourth World Congress of Biosphere Reserves in Lima, Peru, in March. Mudanjiang city's Jingpo Lake is the world's second-biggest volcanic barrier lake, after Switzerland's Lake Geneva. Harbin's music and wetland festivals, Yichun's international forest-ecology tourism festival and Mohe's aurora borealis festival will be staged this summer.
Road trips from Fuyuan to Mohe will be organized along the Chinese-Russian border by the province and Jeep, one of China's biggest cross-country driving clubs. A high-speed railway also connects Harbin to Liaoning province's capital, Shenyang, and Jilin province's capital, Changchun.
Eleven airports link Heilongjiang to major cities across the country, as well as Russia, South Korea and the United States.
They'll open up less-known but worthwhile sites like Jiansanjiang, an agritourism destination.
Visitors can explore unique volcanoes and wetlands at Wudalianchi and Zhalong Nature Preserve, and enjoy health-and-fitness experiences in Daqing's hot springs. Visitors can travel to China's easternmost point - Heixiazi Island - and Fuyuan's Wusu town.
Visitors can hike Tangwanghe - China's first approved national park - and China's biggest and best-preserved primitive Korean pine forest. Visitors can travel to Beiji village - China's northernmost point - and savor Songyuan's primitive woodlands.
Duck your head if a low-hanging branch comes up too fast to paddle around, and move to the side if the modern world intrudes: Motorboats turn up on the waterway, too. I did a two-hour kayak trip here with a group of friends, booking through the Black River Outdoors Center. The kayak outing was one of many excursions I took on a five-day getaway to the Myrtle Beach area. See, exciting activities are easy to come by in a place like Myrtle Beach - not to mention restaurants, bars, fireworks and shopping. Now the 34-year-old, who also released three albums during the past two years, has discovered a new role - behind the camera.
It is one of a series of initiatives to promote the image of Shanghai, London's sister city.
To capture some panoramic views of the city, Hu climbed to the top of Shanghai Tower, more than 600 meters above the ground.
Former NBA star Yao Ming and Olympic champion hurdler Liu Xiang, both Shanghai natives, have been the city's faces before. He won many awards at home and abroad for this role, among which is the Magnolia Award for best actor at the 22nd Shanghai TV Festival. At least, that is the consensus of a recent symposium co-organized by the Ministry of Culture and the State Administration of Press, Publication, Radio, Film and Television. It's difficult for them to capture some cultural meanings," says Zhang Shufang, president of China Broadcasting Media.
Many were left outside, standing or sitting on the ground, to watch the live television broadcast once the room was full. But Billy Lynn's Long Halftime Walk is the first feature film shot at 120 frames per second - technology which will offer better-quality imagery.
Theaters and plays also acted as a refuge for him to escape from the stress and sorrow of wartime Britain. When it comes to a difficult word, you can click it and a dictionary window will jump out to explain it. Now, a month after its May 6 opening, it has collected 85 million yuan, a rare feat for an art-house film. He calls himself "a volunteer producer" who provided resources, including some marketing expenses and his team, as a donation. Now, Fang has taken up the baton, believing that if "films with a soul" (in Fang's words) are made, people will turn up to watch them. Sackler Gallery under the Smithsonian Institution, in Washington DC, reached an agreement with the Palace Museum in Beijing for closer collaboration. The mountain resort and its temples form the largest surviving royal garden and temple complex in the world.
In the process, they say they provide some outside policing for the food and beverage industry, publicizing reviews of "the most demanding and valuable diners" locally and helping the restaurants to improve in an increasingly competitive industry.
But now, we actually have reviews saying that the menu is too dirty," says Rooijmans, director of Dining City Asia, which introduced Restaurant Week to China in 2010, first in Shanghai.
Tim Zagat, who initiated the first Restaurant Week, once described the event as a "goodwill gesture to the 15,000 reporters coming to cover that year's Democratic National Convention" when it started. But as the restaurant's popularity grows, the local population follows and keeps the business growing. While most discount websites take a commission from each meal sold, he says Dining City makes a profit by charging membership fees from each restaurant. Expect appealing French cuisine and wine - and a dozen screens to watch the games, including an open-air giant screen. A range of authentic Spanish dishes have been designed by Samper for business-class passengers flying from Hong Kong from now until the end of August. Diners at Gaucho through June 26 can get a pre-facial voucher (value HK$175, or $23) for every purchase of a wet shave ($375) at Gentlemen's Tonic. Seminars featured top consumer trends driving the food-and-beverage industry like "clean label", "free-from movements" and the "flexitarian effect", a term that describes those who eat a mostly vegetarian diet, but occasionally eat meat as a protein supplement. His most creative surprise may be oyster ice cream; it's certainly a new twist on ancient Italian cooking. Today, however, the chefs in the spotlight are Chinese, about a dozen young men and women who have honed their skills in some of the best Italian restaurants in Beijing and Tianjin. The competing chefs are all smiles, however, sipping ice water, teasing each other good naturedly and getting some quiet coaching on the sidelines from the Italian chefs they work for. Event photographer Nicola Longobardi snaps a quick shot when a chef emerges from the open kitchen with a steaming pizza. He will be joined at the global competition in Dubai by La Pizza's Xiao Ma and Rick Song, the second- and third-place finishers respectively.
Monosilio will remain in Beijing through Wednesday night to offer a series of special menus.
But at the same time, she also suggests a positive attitude of embracing the unknown with love, which is a recurring motif of her creations. In Yellow River and Life, another series, she attempts to interpret how ancient Chinese viewed links between heaven and Earth, based on her several visits to China.
The printing studio was where many master artists experimented with lithographic techniques, including Henri Matisse and Joan Miro. A massive, almost bare, wooden frame is the stark reverse side of Rembrandt's haunting The Anatomy Lesson of Dr Nicolaes Tulp.
I was very fascinated that all the paintings from the back, they looked like machines, contraptions. An interest was reborn, and when photographing the backs of paintings failed to satisfy his creative spirit, he conceived the idea of actually copying the backs of some of the world's best-loved masterpieces.
A small red triangle painted on the backs of the Dutch masters is a sign that in wartime they are part of a priceless cultural heritage which must be saved first. Invited by China Central Television, he performed using his stage name "Vitas" at a gala in Beijing celebrating The Year of Russia in China. During the past decade, he has performed in China more than 200 times, including galas prior to the 2008 Beijing Olympic Games. There are beautiful waves, a very beautiful sea and a very bright horizon in Qingdao," he says.
Vitas and his team prepared for nearly a year for the show and performed such songs as Opera No 2, Opera No 1, Cold Peace, Prelude and Circus, which Vitas called "The philosophy of the miracle".
Every year, artists from the two countries produce works in a different medium for display in Futuroscope.
The 300-meter-wide Diaoshuilou Waterfall that crashes 20 meters into Jingpo is the world's biggest basalt cascade. It crosses eight provinces and the city of Tianjin before arriving in the capital of Northwest China's Xinjiang Uygur autonomous region. The Jiayin Dinosaurs Geological Park is where the country's first dinosaur fossil was found. Visitors can see the Manchurian tiger-breeding facility and enjoy Russian performances and food at Volga Manor. But just a few miles from the city's busy boardwalk and roadside attractions, a different type of thrill awaits. Spanish moss drapes the trees, turtles sun themselves on stones and spider lily plants bloom with bright white flowers.
Our guide, Mandy Johnson, was brilliant at spotting wildlife and generous with her knowledge.
But while I enjoyed the destination's other pleasures - including brunch at the Tupelo Honey restaurant and a visit to Fat Harold's, a North Myrtle Beach club famous for the swing dance known as the Carolina shag - the kayak trip stands apart. It's a very common phenomenon that most of the A-list actors pursue artistic reputation as well as money from big-budget titles," he says. So no worries for you young guys," says the director, who began to shoot his first feature, Pushing Hands, in 1990, after being jobless for six years.
So on the night before that day, I started to run through all the paragraphs at bedtime and was unable to fall asleep," he tells China Daily with a big smile on Monday. What happened in between was an eye-popping act by its 63-year-old producer, a man whom I have known for a while, and whom I talked to recently in a post-screening dialogue.]]> A drama to save a cinematic work of art with little mass market appeal unfolded both on-screen and off-screen when a venerated producer pleaded for more screenings of the swan song of a master. I hugged him, a true hero who almost single-handedly saved what Martin Scorsese calls "a lovely little film by a giant in filmmaking".
The bar will also hold a petanque tournament on June 15, for customers enjoy this French form of boules, and there will be prizes for winners.
One of the signature dishes, "traditional braised Basque-style cod fish with clams in a salsa verde sauce", originates from Samper's hometown village of San Sebastian, a coastal city and tourist favorite.
Conversely, GT customers who spend HK$375 can claim a bottle of wine (value HK$680) with a meal at Gaucho. Many who call themselves "flexitarian" or "semi-vegetarian" have given up red meat for health reasons; while others are driven by environmental concerns, eating only free-range or organic animals and animal products.
It's part of a seven-course set dinner starting at 6 pm both nights: 1,188 yuan ($183) per person (add 400 yuan to include wine pairings), plus 10 percent service charge and 6 percent VAT. Over the next two hours, three of them will win a chance to compete for China at the Italian Pizza World Summit in Dubai later this year. Then each pie is carried outside by an event organizer, so the judges don't know who made it, and the evaluation begins.
Her father was in the business of architectural decoration and her mother collected classical paintings. Occhipinti visited the studio for the first time as an assistant of her teacher, engraver Giuseppe Viviani. And her love of the natural world was infectious: We smiled as she picked a flailing white moth out of the water and let it cling to her hat until its wings dried.
Her uncle was a sculptor who had introduced her to many artists, and she began learning lithography in her teens. A bright yellow bird might pierce the quiet with a loud call as it flits from tree to tree, but good luck pronouncing its name: prothonotary warbler.



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