Advice on writing a romance novel yourself,someone to write a book for you,how to write a letter essay about a book,thinking of you wallpaper - How to DIY

Author: admin, 16.03.2015. Category: Positive Thought For The Day

If you’ve always had a dreamy nature and a love of steamy coupledom, chances are you’ve considered putting a few of your favorite romantic fantasies down on paper.
Therefore, there are some story guidelines you must learn before you begin your secret life as a romance novelist.
Check out the names and novels romance readers love and familiarize yourself with recent industry trends. Learn how to play with dialogue, build reader rapport and construct a tantalizing scene by reading other romances.
If you don’t know why anyone would read a romance novel, chances are you won’t be successful at writing one. If you find you often date men who work as bartenders and live in basements, don’t tap into your own experience as an inspiration.
The love interest doesn’t have to walk on water or represent a cliched ideal, but he – or she – should be highly desirable. The reader has come to your novel for a slice of imaginary passion and wants to be tantalized with a desirable love interest! When it comes to the romance novel, internal conflict is your main construction tool in your book plot.
Internal conflict happens within the characters, and shows itself as two personalities conflict, desires and motives are at odds, or a difficult relationship issue – an arranged marriage, love triangle or unplanned pregnancy – arises.
External conflict should also be used as a sort of background element that adds additional structure to the internal conflict. Creating dialogue for romance novels can be tricky as you want to capture the reader’s emotions without sounding cheesy or using stilted cliches. Edit out any dialogue that isn’t central to your story, and don’t forget to create a few secondary characters to play off your romantic couple. The hero and heroine aren’t the only people on Planet Romance, even if the focus should remain largely upon them.
I am an author and book publisher and have wanted to build a website with tips and advice for writing a book for a long time. Please browse the site and if there is a particular topic that you would like covered here on my blog, just send me an email. YA books focus on the essence of what teens go through, and I’m not talking about learning to drive a car, going to prom, or that very first date. In fact, it’s often said writers must pay attention to the three core questions which should be at the heart of every YA novel.
A ton of new questions can arise from these three core ones, but fundamentally they make great building blocks when writing YA. All in all, YA books are about teens coming to terms with who they are, and experiencing all life’s ups and downs along the way.
So far, there are no forbidden subjects, but whatever you delve into must be done with sensitivity and care, taking into account the age of the teen reader. Overall, teens will identify more strongly with the character’s feelings, and this is why intense situations don’t always need to be written in.
YA novels generally run between 40,000-75,000, but you will find books either side of that. There are also no vocabulary restrictions for YA, but make certain any coarse language is age or topic appropriate. And lastly, any subgenre is enjoyed, like fantasy, romance, paranormal, contemporary, sci-fi, historical, mystery, adventure, humor. I hope this post has been helpful for those writers wanting to delve into YA, or for those who just want to know a little more about this intriguing genre. If you want to find out what made me blubber and cry, (I think I went through an entire box of tissues,) then check out the post here. In order to keep things in perspective as you write, allow your POV character to guide you through their world.
Since the character is the guide, he or she can share all their emotions, reactions, thoughts, opinions, and decisions. Which means your world of storytelling has changed, and all because you’re mastering your POV. For some writers plotting is a breeze, and for others they’re continuously trying to climb the mountain to discover it. Remember that subplots are designed to tug the reader in, to add depth, but not to overcomplicate matters. Don’t allow any holes to develop in your plots by leaving out a missing piece of the puzzle. Keep your pacing on track, ensuring your characters grow with each point of conflict (plot) you throw at them. Never forget all plot points must reach a resolution, otherwise a loose end leaves your reader in limbo and wondering what happened to that character. I hope you found this list of “how to plot” helpful. If there’s anything you’d like to add to the list, then drop me a comment. Don’t forget, if you’d like to read one of my books from my thrilling new Young Adult Fantasy Romance series then by all means, check out the book links below to pick up your copy of PROTECTOR or WARRIOR.
When I first began the submission process on my first novel, I read over and over from agents and publishers on their websites that they wanted to see submissions reflecting a unique writer’s voice. Writer’s voice is that wonderful combination of blending your own unique writing style with a deep understanding of your characters, along with knowing how their story best needs to be told. A strong writer’s voice brings the POV character to life, captivates the reader and has them hanging onto every word, every description, action, emotion and reaction.
A writer’s voice should be completely authentic, and most certainly not a copy of your favorite author. A writer’s voice should also allow the reader to bond emotionally with the main character, to forge a connection that can’t be broken. I’ve spoken before about understanding your characters in this way, and well before you get to the end of your first draft, otherwise there can be a ton of rewriting simply because you’ve come late to the party. Each book in my Magio-Earth series features a different hero and heroine, but the characters from the books all intertwine and you get to catch up with them all along the way.
Readers are clever, and they quickly pick up on characters who represent a common character cliche.

Our characters also shouldn’t be too perfect, too weak, too beautiful, or too much of any one thing. Don’t forget to drop me a comment if you’d like to. My post always goes live on a Monday afternoon Down Under in New Zealand, and when I wake up on a Tuesday morning the first thing I do is read all your messages.
So, what’s one of the most important plot issues you need to consider when beginning your novel? Also, allow your characters to experience heightened emotions as they deal with the powerful conflict you’ve put in place.
Allow the actions of your characters to burst off the page as they rise to the challenges you’ve set them.
The most important thing I’ve learnt, is if I want to become a successful writer, there’s one thing I must do.
Even my hubby can’t keep up with which book I’m currently talking about when I mention my schedule. I jumped up and down the first time he said it, because that means I’m heading in the right direction. Each time I have to describe a new location, from a simple passageway, to a bedroom, or a sweeping panorama, I ask myself the following questions.
What are 1 to 3 small features that will take this description and make it something special? Example two: To set this scene, the heroine is relaxing on the beach of a small private island with her brother.
For miles either side, the land was all high, jagged cliff faces with only one single track leading inland through the jungle.
She headed across the polished wooden flooring and gripped one of the four carved hardwood posts that rose high above the bed to support a canopy of sheer lace netting. Example four: To set this scene, the heroine is standing on a rocky cliff face before a large palace. So, in writing detailed location descriptions, your goal is to bring your reader into the location you’ve set.
Never forget that when a writer gives a character a name, the reader will automatically store that name, and expect that character to be someone of importance.
This is something I tell myself all the time, but continuously as I write the first few pages.
Generally readers will peek at the first few pages of a book, and based on what they read, decide whether or not to buy it. There are certain structural elements that must be adhered to as you write, and there are quite a few things you can do to make your manuscript more attractive to publishers. You want to pick up on things that work and avoid imitating those trends oversaturating the market. Since you’re almost always asking the reader to step into the heroine’s shoes, you want her to be highly relatable. This kind of conflict is brought about by misunderstandings, unfortunate circumstances or the meddling of a secondary character. This doesn’t mean that you can’t write about a vampire and a werewolf falling for the same girl – only that their actions must adhere to the nature of known human behavior.These guys may be supernatural beings, but they must show their love, hurt, anger, passion, etc. It’s been around for a while, although there was a turning point in 2008 when it truly exploded.
There’ll be struggles and mistakes, bends and twists in the road, triumphs and tears, but that’s how teens uncover all life has to offer.
If there is a particular publisher you’re after then make sure you check out their website’s submission guidelines to see if they have a preferred word count. Every action, reaction, emotion and thought has to be shown as if the character was living and breathing the story, and not the author telling it. Tightening your descriptions and only showing what you are looking at out of your character’s eyes, will allow you to suddenly bring in her thoughts and reactions with ease.
When I was trying to master my POV, I was after books written in Deep, where I was dragged right into the story. Seeing Deep in action infuses it into our minds.
I’m a pantser by nature, which means I generally fly-by-the-seat-of-my-pants and allow my story to unfold as it will. The reason I do this, is because my characters drive their story, and with the plot written down, I can continually remind them of it and keep them on track. They can be great and add layers to your story, only don’t create too many of them that they ruin the main plot itself.
Keep your focus on the main plot, but enjoy the rocking motion afforded by subplots to enhance your reader’s experience.
I also came to realize it’s the most elusive aspect of writing, that it’s a challenge to truly grasp, yet also a challenge I could completely take on.
A writer’s voice is the most moving part of the story, and it’s sometimes referred to as the heartbeat of the main character. A writer needs to know the heart of their main character, their essence, what makes them tick, what their strengths and ultimate fears are.
As such the books can be read independently of each other, but of course as with most series, they’re more fun when read in order. It’s book two in my historical Highlander Heat line, and I’m reminded as my characters’ personalities build, of how important it is to understand them, to get down to the nitty-gritty and make them real.
Those issues allow my characters to become authentic, and it’s my job to throw challenges at them which will test those weaknesses and allow them to grow.
I know for myself, if my story isn’t moving forward the way it should, it’s usually because I don’t have enough understanding about my characters.
There are of course stories where the antagonist becomes the obstacle the hero or heroine is trying to overcome. Lastly, let me share the one thing I always keep at the forefront of my mind as I’m writing. Within another week I’ll have my fifth novel completed, and I’ve already begun work on my sixth. Examples of this are like the stitching in bedcovers, the fabrics used on furniture, or a cobweb in the corner of a room.
Most importantly, these detailed descriptions I’m speaking of come when you show your location for the first time.

Brilliant colors shimmered around us, red the predominant, with the dusty landscape broken by the towering gum trees. Here, her brother becomes part of the scene description to describe the relaxed feel of the location.
Near the beginning of the track, her brother had slung a colorful hammock and rested, his straw hat drawn low over his head as he rocked in the gentle breeze. She’s walking down a passageway and into a bedroom that’s far more than what she’s used to seeing. She didn’t slow since all the doors were closed, but at the fifth which she’d been told was hers, she halted.
She pushed one corner of the lace aside, and smoothed her hand over the violet silk covers. The little mouse on his ear, I’m sure, went flying one second after this photo was taken. Consider the main point of tension within your first chapter, and ideally try to work your first paragraph around that issue. It’s a method which allows you to introduce your main character and highlight the point of tension all in one go.
That means, don’t go naming your non-important characters, and that goes for the entire book. Her – or his – love interest should be considered appealing all the way across the board. When it comes to thickening a plot, there are two types of conflict – internal and external. I was to write a letter to my teen-self, and I tell you, it was the most traumatic writing experience ever. No. She is focused on the door, and not the exotic wood panelling, but the knob and yanking it open. All your character’s senses come to roaring life and will enhance each and every scene. There is no telling whatsoever in Witness Pursuit (eg, she watched, she heard, she noticed, she thought, etc, etc.
In fact apart from my debut novel, Protector, (where I was still mastering the technique,) all my books thereafter are written in Deep, so feel free to grab copies as new releases arrive. You don’t want readers having to work too hard at keeping all your characters and story lines in place. Any if you want to read a thrilling new Young Adult Fantasy series filled with intrigue at every corner, then by all means, check out the book links below to pick up your copy of PROTECTOR or WARRIOR. With this typecasting, I’m referring to giving our characters labels such as “the bad boy,” the “misfit,” or the “cheerleader.” Do you see where I’m heading? It can also cause the reader to turn from them because the character just doesn’t feel real. There is nothing better than having our reader become invested in our characters, for them to cheer them on as they work at resolving their issues. Usually I allow my stories to unfold as the characters drive their story along, although I’ve also learnt the importance of laying out core plot issues.
My third book follows a few months after that, and my fourth, in the first half of next year. And as writers we have ensure we cover all the elements we need for the reader to have the same image in their mind that we do in ours.
When you bring this same location back in another scene, there will be less description needed because you have already drawn it. Anyway, keep reading, and check out exactly how we as writers, can create tension and conflict in our first five pages, thereby drawing the reader in.
The last thing we want is for them to set our book down, to forget it, or to never pick it up again. If the dialogue isn’t in the first line, then try to incorporate it in the first paragraph. They’re getting deep and meaningful, when really you need to highlight the actual tension and conflict of your story.
Some found YA was for them, and others discovered writing this genre is tougher than it looks. In our teen years, our emotions are pure, and all that we go through is intense and totally confusing. They must challenge themselves to sort out any inner fears and frustrations, and while doing so, remain completely relatable. There’s even a Rafflecopter giveaway at the end, so feel free to click on that link and enter my super-duper giveaway. Once I’m a chapter or two into their story, at the point where I have a good grasp of each of my main characters, I write down their likes and dislikes, their strengths and weaknesses, and ultimately what drives them. So, let’s jump to it and see some examples, because I find it’s so important to add a showing to my posts. So here, I’ve compiled a list of techniques to aid the writer in crafting a strong first five pages.
That way they’ll have a more fulfilling experience as they read right from the very first page.
Not me, but I’d committed to it, so I jumped in with both feet and shared from my heart. My voice is my own, and I have an extremely unique take on the world being that I’m always standing upside-down and the other-way-around.
From each of the many corners, a slender tower rose to double the height of the palace, at least a dozen towers visible from her position. This residence was a fortress, although a stunning one with light shining from behind stained glass from the largest of the windows.

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