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13.05.2015 admin
Adrien Brody and Sarah Polley starred as ethically-compromised geneticists who successfully splice human and animal DNA to create a hybrid female named Dren in director Vincenzo Natali and producer Guillermo del Toro’s sci-fi creature-feature Splice.
Played by beautiful 32-year-old French actress Delphine Chaneac, Dren grows to become a bird-like creature with retractable wings, a long pointed tail, and small, supple Euro breasts.
Dren is featured on Clatto’s list of The 11 Sexiest Maneater Babes in Horror and Sci-fi. After.Life found pint-sized hottie Christina Ricci playing the victim of an automobile accident who awakens to find that she is being prepped for burial by a mysterious mortician determined to make her see that she has crossed over to the beyond. Ricci, who has gone nude in Black Snake Moan and Monster, once again drops trou (well … really a slinky, little red slip) in the film, reminding us that good things do indeed come in small packages. British actress Gemma Arterton told GQ magazine back in March that the reason she had taken the role of Alice Creed in this low-budget abduction thriller was because she was drawn to its violence and nudity. For the rest of us sick freaks, The Human Centipede was the first film in horror history to earn the often ill and overused tag of torture porn. Those who can stomach it are rewarded with full-frontal nudity from 39-year-old French actress Charlotte Gainsbourg. Newcomer Sarah Butler plays Jennifer Hill, a young novelist on a mission to maim, dismember, and murder the men who brutally and repeatedly raped her while on holiday in the woods.
The film opened in August to rave reviews from both critics and horror fans, but inexplicably sank at the box office. The controversial scenes included rough sex and raw, prolonged violence against its female leads, namely Kate Hudson and Jessica Alba, the latter of which gets whipped with a belt by Casey Affleck, who plays serial killer Lou Ford.
Thompson repeatedly defended his film by describing it as a statement against violence and yada, yada. Acclaimed director Darren Aronofsky’s new psychological thriller Black Swan stars Natalie Portman as an emotionally unstable ballet dancer convinced that she is being undermined by a sinister Sapphic troupe mate, played by Mila Kunis with sexy bad-bitch flair.
In the film, Portman is groped by Vincent Cassel during a routine and performs an intense and titillating masturbation scene, but it’s her lesbian romp with Kunis that lands the psychological thriller in the top slot.
Andy Garcia (The Godfather: Part III ), William Fichtner (Drive Angry 3D), Ed Harris (The Abyss, A History of Violence) and Natascha McElhone (Ronin) star in the film. When B756 fails to make a position report - the last that is heard from the sub it was 500 nautical miles NW of the Hawaiian Islands - Fleet Command classifies the vessel as missing. Meanwhile deep under the Pacific Ocean Captain Zubov and the ship’s crew of the B-756 uncover a plot that will destroy humanity.
Enter your email address to subscribe to this blog and receive notifications of new posts by email. Without exception, the human cast of “Dolphin Tale” did fall in love with their aquatic co-star. To subscribe to the Philippine Daily Inquirer newspaper in the Philippines, call +63 2 896-6000 for Metro Manila and Metro Cebu or email your subscription request here. Completely devoid of any traditional narrative, Maniac manages to move the story based solely on the performance of Joe Spinell.


Maniac is a tour de force but one aspect that slows the film down is the inclusion of Caroline Munro’s character. She is quite alluring and is quite competent as an actress, but sticks out like a sore thumb.
That being said, Maniac is far from cinematic art and still dwells in the realm of low budget shock.
While the Anchor Bay release is out of print, Bill Lustig’s own Blue Underground re-released Maniac in 2007 and from what I can tell is identical to the OOP Anchor Bay version. Some of the more creative fright sites may have given you a countdown of the year’s best kills or a rundown of Christmas themed slashers. A skillful eye and quick remote finger will also help viewers at home catch a glimpse of Gainsbourg’s balloon knot (the A-Holy Grail of nude flashes)!
Like the Meir Zarchi original, the film may-or-may-not play like a feminist fantasy, but your penis will forgive you thanks to the sexualized violence and the generous helpings of Butler nudity.
Fortunately, for those of us who watch movies with our hand down our pants, Dimension is moving forward with a sequel that promises bigger thrills: Piranha 3-DD.
It deals with "a Soviet diesel-electric submarine attempts to launch a nuclear weapon at the United States Navy's Pacific Fleet. To observe the manoeuvres submarine Captain Dmitri Zubov, an experienced sailor but a man troubled by a past he struggles to live with, sets sail on what is the final mission of Soviet submarine B756. We reserve the right to exclude comments that we deem to be inconsistent with our editorial standards. When the boyfriend returns, a hulking figure attacks him from behind and garrotes him off of the ground. As his first time in a leading role, Spinell made the most of his performance… going to such extremes as depriving himself of sleep to pull it off. As explained on the commentary track, her character’s role was expanded quite a bit when Munro signed on (and possibly meant to capitalize on her name… she was a Bond girl, after all).
Most notably is the fact that a lot of the smaller roles were filled by porn actresses who had worked with Lustig on films such as Hot Honey (1978) and The Violation of Claudia (1977) (most notably veteran porn stalwart Sharon Mitchell).
Although it wasn’t released as a ‘special edition’, it is still chock full of extras including a radio interview with Lustig, Spinell and Munro, various radio and television spots, a huge still gallery, and talent bios. Williams as unfortunate American tourists abducted by an evil German scientist hell-bent on sewing them together mouth-to-anus.
Monroe’s remake of the 1978 revenge-thriller I Spit On Your Grave provides oodles of shameful masturbatory pleasure (during the first half anyway).
Armed with multiple torpedoes and a single tactical nuclear ballistic missile the sub is also fitted with a cloaking device that can render them invisible to the Americans.
Film critics panned it as trash and the National Organization for Women protested its theatrical run with the intensity of a lynch mob. His performance is so good that most actors would be crushed under the pressure of depicting such a loathsome creature and still have the audience feel sorry for him. As realistic as the film is, it is unrealistic that someone as attractive as Munro would not only befriend Frank, but date him as well.


Secondly, Tom Savini’s almost perfect special effects squarely root the film in the slasher genre yet remain realistic enough to keep the film from requiring the audience to suspend its disbelief. There is also a 49 minute movie chronicling Joe Spinell’s career, obviously titled The Joe Spinell Story, and one of the better commentary tracks featuring Lustig, editor Lorenzo Marinelli, Tom Savini, and Luke Walker (Joe Spinell’s assistant) who sound like they are having a ball reminiscing about their involvement on the film. The movie poster art was enough to warrant such reactions… featuring a man with a huge bulge in his crotch holding a fresh scalp under the tag line “I warned you not to go out tonight” Maniac had as much subtlety as a shotgun blast to the face. Her role and the subplot surrounding it is completely unnecessary to the film and comes dangerously close to bogging everything down. I would argue that Savini’s work here is his best because the gore in Maniac gives the feeling of unadulterated brutality that even modern films have had a hard time achieving.
Like the OOP release, this version is THX certified so those who have only watched the film on VHS will be pleasantly surprised on how well it looks (it was shot on 16mm and blown up to 32mm) and sounds… especially Jay Chattaway’s haunting score. Thirty years later, it still has the ability to sicken and disgust the viewer, but it is also an agonizing glimpse into the last days of a serial killer and quite possibly the best slasher film of the decade. There is a character that slips between a remorseful adolescent Frank and his abusive mother, and a ‘normal’ version of himself that can interact with people without raising suspicions. Ironically, Spinell and Munro teamed up again in the 1982 film The Last Horror Film in a story that almost capitalizes the duo’s roles in their pairing two years earlier. Lustig and Spinell took monumental risks and managed to create a film that was greater than the sum of its parts and arguably chronicles a downward spiral into madness more effectively than Travis Bickle in Taxi Driver. And at under $18, there is no excuse for any self-respecting horror fan not to pick up a copy. It is apparent that Frank has some serious mental issues… and we are only three minutes into the film. Having directed hardcore pornographic films, Bill Lustig’s first foray into the horror genre is an inside look at the emotional turmoil of a serial killer haunted by memories of a sexually promiscuous and abusive mother who died in a car accident. Then there is the insatiable murderer that kills with precision which dominates his personality until the final act of the film; when his other personalities battle against each other and his guilt literally tears him apart.
As graphic as the final scenes may be, they are symbolic in showing Frank’s identity being ripped apart by his own delusion.
In a fetish-like fashion, Frank scalps the women and nails his trophies to mannequins strewn about his shabby apartment.
While stalking potential victims in a park, Frank is photographed by a professional photographer (Caroline Munro). When he attempts to connect with her and ultimately fails, his psychosis takes the better of him and once again descends into depravity.



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