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04.09.2014 admin
ALL-NEW X-MEN begins with a current-day Beast dying from yet another stage of his cat-like beastly mutation.
ALL-NEW X-MEN really works not only because it’s an interesting sci-fi romp with mutants, but because it gives longtime readers (such as myself) an opportunity to really reflect upon how far the X-Men have come.
This first arc consisting of issues #1-5 is a great setup that really opens up the door for a lot of great story possibilities. So blah, blah, blah, what you really want to know is if this book is worth picking up right? The second issue picks up where the first left off as Jaime Reyes tries to adapt to the scarab armor that just merged with him.
After what many considered to be a misstep in Issue 1, the second installment of Justice League seems to get a lot right where the first got it wrong. I really like that Brian Azzarello is further exploring Wonder Woman’s mythological roots. But how in the world did I spend $190 at the comic shop today, without buying any DC’s? Batman #708 was printed in March 2011 during David Hine and Guillem March’s run on the book. Then again, it could just be a coincidence, but it is an odd oversight to present a new logo with numberings from issues that hit stores 10 months ago. I’d imagine they are rolling the logos out now and not at the start for publicity reasons.
Matt: Except who launches a new brand identity six months after a major launch of new product. Not a fan of the logo, having said that I care more about what is inside the book than in the top left corner.
Before he goes to kitty heaven, he has the bright idea (maybe?) to go back in time (yeesh) and drag the original X-Men team to the current day so they can see all the horrible things team leader Scott Summers (AKA Cyclops) has done in the hope that he will stop his mutant revolution and calm the crap down.
I can safely say that this is the most fun I have had with an X-Men book since Joss Whedon’s (THE AVENGERS) run on ASTONISHING X-MEN. Tom Cruise is my favorite actor by far, Cyclops from the X-Men is the coolest, the Berserk manga and anime kicks ass, and nothing beats a good Zelda adventure. Not only is there another wave of second issues from the New 52, but this week also heralds the release of Batman: Arkham City and a bevy of news coming out of New York Comic Con. Batman is one of those rare Godfather-like instances in which the second installment is actually better than the first – and considering the quality of the previous issue, that’s high praise. None of the super-powered thugs recognize him, and the suit keeps trying to kill anyone that gets in his way. It’s unfortunate that a book that had so much potential in the middle pages of the first issue really misses the mark in the second. It’s no longer just the Batman and Green Lantern show – the book jumps right in by introducing the Flash and throwing him right into the fray while giving Superman a fair amount of panel time. Zeus’ dalliances with mortal women are legendary, as are Hera’s responsive fits, but Azzarello takes them to a whole new level, emphasizing the wrath of the gods. Oh, that’s right — back issues from when they knew how to draw well, and when they knew how to tell a complete story in one or two issues. Yeah, they do go kinda too far with the T&A stuff and maybe should tone it down a bit, but people accusing this of misogyny and sexism is a complete bullcrap. Didn’t see much wrong with Catwoman except maybe the funny faces that Bruce Wayne had.
It is bring developed by Joe Kelly and Ed GcGuinness, who worked together on the Deadpool comics back in the '90s.
Additionally that cover of Superman is New 52 #1, the Wonder Woman is New 52 #3, and the GL and Batman are something or other I don’t remember, but certainly prior to the mocked-up May date. If you examine the upper right hand side of the page, the number looks better and cleared as a triple digit denomination, so it would be the best way to showcase a new layout.


If you have not read that mini series I suggest you stop everything and go pick it up right now. Something I have always respected about Marvel is just how easy it is to jump back into a title after some time off. If I could have one wish, it would be for Falcor from The Neverending Story to whisk me away to paradise. Snyder resolves last month’s cliffhanger somewhat dismissively, but it’s more than made up for by the new mystery of The Court of Owls and Bruce’s mayoral candidate friend Lincoln March.
It seems like Tony Bedard is using this issue as an opportunity for setup, which is fine, but it makes for a slightly uninspiring second installment. Young Victor Stone is the character that gets the most development, as we see a little more about his relationship with his father, and the beginnings of the accident that will presumably turn him into Cyborg. Readers are also introduced to Queen Hippolyta, Wonder Woman’s Amazon sisters, and the goth-clothed goddess Strife, who reveals that Diana wasn’t really made from clay, but may in fact be a daughter of Zeus. It mixes the fun-loving, thieving Selina of the Jim Balent series with the dark, violent, noir elements of the Brubaker series.
I also enjoyed JUSTICE LEAGUE more than I did with the first issue and I like where CATWOMAN is going, but yeah, while the sex vibe is important to a character like this, it shouldn’t always be at the forefront. That is proof to me and to yourselves that you people take these characters just a little bit too seriously. It's always been fun seeing these two Marvel characters team up, and an official comic book series that focuses on their adventures together could prove to be amazing! The entirety of the Marvel landscape has changed and many Avengers do not know their place in it. The original Cyclops, Jean Grey, Angel, Beast, Angel, and Iceman are all rounded up and thrown into current times forced to confront their future selves. They usually provide great recaps before each issue  and never over complicate things so much that I am overwhelmed or turned off (I’m sniffing at you DC).
The story is bat shit crazy in a good sci-fi kind of way, the characters are all well developed, and the art is spot on. 1s for any miniseries, though, but that didn’t keep some quality second installments off the shelves. Unlike the first issue, readers don’t get a taste of Jaime’s civilian life, but they do get a look at the threat that’s coming from Space Sector 2809 – rendered in Ig Guara’s signature style. It’s unfortunate that much of the issue focuses more on Selina’s sex appeal than on her actual skills as a thief, and even the introduction of a new villain who brutally murdered Selina’s friend isn’t enough to get me on board with this month’s installment. His second installment lays the groundwork for a conflict bordering on a full-scale war between willpower, while still keeping the mystery alive as to why Green Lanterns are getting their ring fingers cut off.
This issue would have made the first so much better had the two been packaged together, but Geoff Johns is very clearly playing a longer game and, pacing aside, is doing a good job of introducing these characters. Azzarello does a great job pacing this issue, even taking time to put some focus on Zola, the woman carrying Zeus’ unborn child. The comic will be released this fall, and you can see a piece of cover art above and a preview of some pencilled pages from the first issue below. I love what I do, and I enjoy sharing everything I can with you when it comes to movies and geekery. Assuming these are the numberings from March 2011, that would mean the final two issues should be Green Lantern #64 and Wonder Woman #609. Did they do any kind of public polling before settling on a new logo, or was this just an in-house thing?
ALL-NEW X-MEN has the consistently great Brian Michael Bendis (HOUSE OF M) lending his writing talents with main pencil art by Stuart Immonen (SUPERMAN: SECRET IDENTITY). Not only does the reader get a great feel as to who Bruce Wayne is outside of Batman, the writer also focuses a bit more on the city itself, making for an excellently structured and tightly plotted issue. While the issue may serve more as a platform for what the scarab armor can do, the subplot involving Brenda and Tia, the collector, looks like it may be picking up.


In fact, some of the best moments in this issue were during a party with a fake-drunk Bruce Wayne trying to out-con Selina Kyle in disguise – and in a book called Catwoman, it’s disappointing that the best part is Bruce Wayne.
There’s more action in the pages of this book than you can shake a green-construct stick at, which is perfect for a second issue – but even for a Green Lantern book, there’s a lot of green here.
One of the strongest pieces of the issue comes in the back pages, in a transcript of an interview between Amanda Waller and Steve Trevor, that lays the groundwork for the New DCU Wonder Woman mythos. Green and Johnson have crafted a Supergirl who’s a very empathetic but strong character – a welcome introduction to one of the premier superheroines of the New DCU. Wow, I like Iceman, but never really thought about how he is generally pretty uninteresting. Greg Capullo continues to show his versatility, making for a creative team that’s really firing on all cylinders. However, Fernando Pasarin makes it work as best he can, and when you can get past the 12 or so pages of green as the base color, the detail really shines through. This is a fun book, but I’m still not sure if it’s living up to the flagship title of DC’s New 52. This book has me excited to see Wonder Woman facing off against Hera, but even more so, Azzarello has me excited to see if Strife’s claims are true. I passed this month, but if reviews awe good, I may pick up the second issue, same for BIRDS of PREY. Or maybe DC wasn’t letting the outside firm in on its relaunch plans, which could indicate this logo has been in development since well before March. He finally proves that he isn’t Spider-Man as he summons spiders to eat through the technology holding them in place and gets them out. It’s not overwhelmingly great or anything, but it is clear, consistent, and nicely framed.
Readers who are unfamiliar with the previous installments of Green Lantern Corps may still be a bit confused with the cast of characters, but it’s a small price to pay for this amount of action in one issue.
You people have no business to pass judgment on anybody, and if you’re so offended by it, simply drop it.
All this and a bevy of super star artists stop by to pay tribute to the work they made famous over the course of this top-selling book.
To get to my point, without spoiling many plot points, it’s so cool seeing the old versions of these mutants (who have never even met Wolverine!) interact with their counterparts. Immonen really handles his pencil well and I hope he stays on board for awhile because his style is really great for this book.
Mahmud Asrar’s art has a unique flair that I tend to gravitate toward, but I’m not sure it’s for everybody.
And I have zero interest in this umpteenth iteration of the Justice League, or the current Blue Beetle. This book looks to be a lot of fun, but the second issue didn’t live up to its full potential.
I stopped reading ASM and even though I was dusgusted by it, I didn’t get all bent out of shape, criticizing how stupid Marvel are or wtv.
Some of the interactions are great such as Nova and the Scarlet Spider but the rest has felt a little hollow to me.
And in Beast’s defense, he was looped out on the brink of death when he made this horrible decision.
Specifically Speedball and Justice have both just felt off to me.The plot has been a good build up and I believe the next issue might finally give some payoff to what they have been building.
Gaetano Battaglia: I loved this show when it was on and I bought the DVD set the first day it was released.



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