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05.08.2014 admin
En esta pagina encontraras toda la musica relacionada para Descargar first aid kit mp3 y para lograr escuchar online first aid kit. Members of Miike Snow, Dungen, Idiot Wind, and Little Majorette team up for truly stirring cover. Si, como nosotros, esta bajo el hechizo de voz fascinante de Johanna y Klara Soderberg, puedes descubrir sus titulos en chaine Youtube y seguir sus aventuras en Instagram !
By using this site, you agree to the use of cookies that enhance your browsing experience on the site, helping us offer you services and information that you might be interested in, and social network sharing. As grounded and arcadian as Vallee's soundtrack to Wild is, Jonathan Glazer's soundtrack for Under the Skin is a complete 180. The saying goes that everything old becomes new again, and, as a child of the '80s, I'm thankful we've finally come back around to the synthetic pop of neon beats and heavy-hair power ballads. One of the more interesting indie gems in 2014, Frank is a film about an avant garde band, The Soronprfbs, who secludes themselves in a cabin to come up with the ultimate artistic piece of music. Add Tyler Bates' solid, sci-fi score, and there's plenty for your ears holes to enjoy Guardians of the Galaxy through nostalgia. It's hard not to hear Sam Cook's "What a Wonderful World" and not think of the classic comedy, Animal House.
That isn't keeping it from being a perfect collection of found classic gems and the quirky, lively score from Jonny Greenwood. Finally, I'd like to throw out an honorable mention to Jetta for her cover of the song "I'd Love To Change the World," which appeared in not one trailer for a post-apocalyptic, action epic starring Jason Clarke but two. So interesting, and I know most people agree with you, but I thought most of the songs choices were meh. It appears on the soundtrack for Wild, the upcoming Reese Witherspoon movie adapted from author Cheryl Strayed's memoir of the same name. Recuerda que en ofrece la mas amplia lista para que tu puedas descargar musica a tu antojo, disfruta y recomiendanos!. In a statement, the two-piece explained why they chose to cover the track, explaining, “The structure of the song and the melody just make for an epic journey. I become aware of it." Those words came from director Jean-Marc Vallee when he spoke to The Playlist about his latest film, Wild. First-time composer Mica Levi seems to have one purpose with her score, to jar the audience. And, if you've seen The LEGO Movie or had the fortunate opportunity to listen to its soundtrack, you'll probably agree. Peter Quill's Awesome Mix Vol.1 provided plenty of '70s hits for the Guardians to cry havoc to and offered the film more than a few iconic moments.

Sure, some of his scores overtake the action at hand, even when someone like Nolan or Michael Bay are giving us their explosive all.
Only Lovers Left Alive is arguably Jarmusch's best work to date, a love story of crestfallen creatures who pierce their way through dark, depressing nights. Against all odds Paul Thomas Anderson uses the song in his latest, Inherent Vice, and it's such a magical, comical sequence of film that Cook's classic song now has two cinematic visuals with which to remember it by. As with their last collaborations on There Will Be Blood and The Master, Greenwood brings an astonishingly appropriate series of musical tracks to Anderson's brilliant imagery.
The trailer for Dawn of the Planet of the Apes and Terminator: Genysis utilize the piano sounds that come at the beginning of Jetta's melancholic song. The Wild soundtrack also features previously released tracks from Portishead, Leonard Cohen, Bruce Springsteen, Simon & Garfunkel, and more, and it's out November 10.
At one point in college my shelves were lined with dozens of CDs, soundtracks whose music allowed me to relive those movies. His soundtrack for Cold in July features some totally awesome tracks like "Cosmo Black" from Dynatron and "Wait" from the hair-metal icon, White Snake. The film's score from Mark Mothersbaugh is as fun and vibrant as the film itself, but that song. As with You're Next, Adam Wingard puts together a stylish, cool, pulsating soundtrack for The Guest, a quasi-gothic thriller that utilizes its Halloween setting as much as it does its '80s, Terminator vibe. And, while many are claiming the music that accompanies Interstellar to be standard Zimmer with pulsing rhythms and epic flourishes, I find it to be most interesting and creative scores in years. Its music dances with the director's images, riding alongside every moment with the perfect amount of influence. Can's "Vitamin C" and Neil Young's "Journey Through the Past" play effortlessly next to Greenwood's excellent guitar licks and keyboard tricks. Music can bring so much power to a scene, and after seeing the film, you put that music on anywhere and let it fill your mind with best moments that movie had to offer. A little personal note: If you put Leonard Cohen on your soundtrack there's about a 90% greater chance I'll check out the rest of the soundtrack. That's the general mood Glazer is trying to set with Under the Skin, and it's something he and Levi pull off masterfully. The score by Steve Moore fills in the gaps nicely, but its tracks like "Hourglass" and "Omniverse" by Survive, "The Magician" by Mike Simonetti, and "Anthonio (Berline Breakdown Version)" by Annie that really get the film's energy pumping. It moves with such a beauty and pace that it ends up transcending Christopher Nolan's film in many spots. It's a collection of music put together with care and passion alike, a soundtrack full of music that moves its emotional gauges with a delicacy.

Alone it's an even more magical trek through strange, Indie pangs and cool, Grunge-worthy riffs. It's as much fun a journey listening to the album without Anderson's surreal and visceral images, not to lessen those in any way at all. With Banshee-like shrieks of strings that seem to resonate through you and an equally odd percussion that lulls you into something of a dream-state, Levi's score may be the absolute best thing to put on as you're laying down for bed.
However, it's Jeff Grace's atmospheric score, somewhat reminiscent of classic John Carpenter, that ties the mood of this '80s-inspired neo-western together with bright, shiny, neon bow.
It permeates your every waking moment after you've listened to it, beckoning you back to listen to it one more time. Every track found here could be considered an '80s-child's jam, and Wingard should rest easy knowing he's put together one helluva cool playlist that is as badass, as bodacious as the film he's given us. Interstellar is a masterfully-created adventure into the far reaches of our universe, but its music is the element that knows precisely how to reach into your soul. Wissem and SQURL, Jarmusch's own band, have a rather tight collection of cool with the Only Lovers Left Alive soundtrack, a flawlessly fresh album that plays exceedingly well with or without the amazing film it squires. Inherent Vice proves itself as the movie experience of the season, and it's got a sensational soundtrack to match. We'll be touching on the '80s further down the list, as well, but Cold in July has a soundtrack and score worth seeking out. Or, if you want a little variation, check out the version by Tegan and Sara along with The Lonely Island.
It does it better than the film itself, and, added bonus for just listening to the soundtrack, you never have to listen to Michael Caine recite that damn Dylan Thomas poem.
Stay tuned for more countdowns looking back at 2014, and be sure to check out Ethan's list of the Top 15 Best Official Movie Posters of the year. Under the Skin's unsettling atmosphere bleeds into every track on its score, certainly the best "experimental" score 2014 gave us. Sure, Will Arnett as Batman singing "Untitled Self Portrait" is all fine and dandy, but Everything Is Awesome!

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