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14.12.2014 admin
In contrast, for the uptempo “King of the World”, with the guitarist switching to mandolin and the string section offering hand claps, there was a glimpse of the Soderbergs rocking out like two-thirds of Haim, hair-shaking led by the blonde Johanna in her golden, sparkly jacket and satin trousers. We learned that most of the Soderberg family was in the audience including Grandma, mother, brother, and sound man, dad!
In an evening with many highlights, a spirited “Wolf” got the audience howling, though I thought it sounded a bit like “Jolene”. It was clear that First Aid Kit would not be allowed quite such an early exit, and the sisters returned for a four-song encore. This time, Pink Floyd member performed before an actual audience inside the ancient Roman amphitheatre.
The fog was something else – yes, your reviewer’s least loved theatrical device, the smoke machine, was back doing its worst. Her sister Klara, resplendent in a vintage dress decorated with gold applique, led vocal duties, adding ever-present acoustic guitar, while keyboardist Johanna contributed close-knit yet often exploratory harmonies.
A cover of Jack White’s “Love Interruption”, driven by some nifty electric lead guitar from the pedal steel man, saw Johanna rocking out over her keyboard and Klara playing to the string section. The sound quality was suddenly astounding for the passages with just two voices and keyboards in “A Long Time Ago” while Simon & Garfunkel’s “America” was reworked with unusual harmonies and a light pedal steel dusting. Yet tonight the number of people packing this most prestigious of venues was testimony to the breadth of appeal the Stockholm siblings now hold, as young and old rubbed shoulders.


So a purple haze greeted Klara and Johanna Soderberg as they arrived to loud applause, accompanied by a masterful string quartet, admirable guitarist (mainly on pedal steel), and thoughtful percussionist. With pedal steel to the fore and voices gliding over one another and wavering up and down the scale, “Waitress Song” was a heady mix of grace and power. No pins were dropped as two perfectly meshed vocals reached out to the far expanses of the Hall, the sole audience sound being quiet accompaniment in the choruses. The set ended prematurely with the excellent “The Lion’s Roar” introduced by eerie pedal steel and clipped cymbals before developing through to a rocking conclusion. It wasn’t quite the bookend as “Master Pretender” heralded an explicit lyric (stickered for parental guidance in Australia!) and more hair gymnastics while the much requested “Emmylou” elicited mass-singing and sending an audience home enraptured, only after a loud standing ovation that demanded a theatre-style curtain call. Systrarna Soderberg behover inte langre bara sjunga om att vara som Emmylou Harris och Gram Parsons. Det kan handla om stavfel, bildfel, syftningsfel eller faktafel.Var garna sa tydlig som mojligt angaende vad felet galler. Beginning with the brisk title track of their recent third album, First Aid Kit hit it in confident mood. The song similarly stood out for its honest lyricism — escapism being a choice with consequences.
A career in heavy metal, or maybe with L’Oreal, awaits Johanna after the air guitar equivalent of hair shaking.


You don’t get the best acoustic sitting fairly low down and close to the stage, and the sound echoed around, brought into sudden and dramatic focus in the chorus as the backing musicians cut back, just before the drums kicked off again. Several of the songs on Stay Gold relate to life on the road as offering freedom with an acceptance of the shackles that go with it — sentiments that are perfectly captured in “My Silver Lining”.
Decent applause followed, but the band signalled it was actually the last song by a sudden reprise with a really storming ending. Alltsa jag menar inte att de bryter ny vag for countrypop och americana eller vad man nu vill kalla det men de ar stora forvaltare av arvet. Mitt forsta beslut som chefredaktor var att infora en fast plats i tidningen och pa sajten for korrigeringar. Mellansnacket ar sparsamt men arligt upprymt och pa slutet blir Johanna lite vild och skriker MAAAALMO! Expressen talar ofta och garna klarsprak, vi granskar och vi avslojar; det hor journalistiken till att inte alla kommer att uppskatta det vi berattar. Att de vagar krama pa lite mer och ga fran det brackligt vackra till harkastande crescendon .



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