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10.02.2014 admin
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The 22-year-old actress opened up to the mag about how she really feels about her roles in Sucker Punch and Beastly and how she deals with negativity.
Vanessa Hudgens Gives 'High School Musical' a Shout OutVanessa Hudgens Got to See Radiohead Twice this Week!
Bad though centuries of accumulated stereotypes about China may be, they have produced at least one benefit: great fashion.
In one room, embroidered silk French gowns are detailed with a delicate pattern of twisting branches and roses, while another shows off a Galliano mash-up of Chinese opera, Japanese kabuki and the Queen Mother of England.
The Yahoo-sponsored show is staged over three floors, from the basement-level Anna Wintour Costume Center to the Chinese galleries on the second floor.
The royals of imperial America in the modern day are, of course, celebrities, and it was fitting that the annual Met Gala--the biggest night for avant-garde American fashion--celebrated the opening of the exhibit. The show's subtitle "Through the Looking Glass" translates into Chinese as "Moon in the Water," a nod to Buddhism that suggests something is ineffable and has both positive and negative connotations.
One room in the center of the exhibit is dedicated to a Chinese-American actress that had perhaps the greatest impact on shaping Western fantasies of China, Anna May Wong. Film is the unifying element throughout the exhibition with clips of such classics as The World of Suzie Wong, Raise the Red Lantern and Red Detachment of Women. The show brings together two of the Met's most "innovative" departments, the Costume Institute and Department of Asian Art, Campbell said.
A main sponsor of the exhibit was the Fosun Group, a Shanghai-based privately held conglomerate.
The motif of "fashion and pleasure" is not limited to clothing, Zhong continued; Fosun wants to lead cultural trends. In that way, the Met's latest venture into portraying the magical world of Chinese-influenced fashion is as much practical as it is esoteric. The Met is one of the few institutions in the world that can host an exhibit like this, with its vast resources in historical Asian art and a world-renowned fashion collection. The underlying premise of the exhibition is simple: It's about the creative process, Hearn said.


The idea to feature Chinese-influenced fashion began "rather modestly" two years ago, said Andrew Bolton, curator of the Costume Institute at the Met. Some of the works are being unveiled for public view after decades in storage, such as a portrait of the "fragrant concubine" on loan from the Palace Museum in Beijing. For example, a gallery playing clips from the 2000 film In the Mood for Love directed by the exhibition's artistic director Wong Kar-wai features an array of stunning qipao gowns along with romantic lighting that allows the viewer to conjure in their minds the steamy, mythical China portrayed by the film.
PEOPLE gather before sunrise at the Temple of Promise during the Burning Man 2015 Carnival of Mirrors’ arts and music festival in the Black Rock Desert of Nevada on Thursday. Tags: barrier film, cross contamination, Disposable, Skin, Sterilized, Studio, supply, tattoo, tattoo machine, Tattooing. More than that, bringing to life your own unique masterpieces of colour satisfies your need to be creative, to be you.
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That seems to be the running theme in China: Through the Looking Glass, on exhibit now at New York's Metropolitan Museum of Art.
It is one of the museum's largest exhibits ever, and a fitting tribute to the centennial celebration of the Met's Asian department.
The biggest names in film, music and media were pictured on the red carpet attired in their interpretations of the night's Chinese theme. It is my responsibility to let the world know China's tradition and past, and to give the splendor of China a new expression. The Met's Astor Chinese Garden Court was transformed with an enormous, orange shimmering moon reflecting over the pond and a display of Peking Opera costumes of the like that inspired Galliano's spring 2003 Christian Dior Haute Couture Collection. Born in 1905, she was fated to play opposing stereotypes of the "enigmatic Oriental"--docile, obedient and submissive versus the predatory, calculating Dragon Lady.
Internationally renowned filmmaker Wong Kar-wai is the exhibition's artistic director working with his longtime collaborator William Chang, who supervised styling. Though declining to specify how much the company contributed, Patrick Zhong, Fosun head of global investments, told Beijing Review that sponsoring the exhibition is a source of pride for the company. The vast footprint of the galleries is somewhat overwhelming, as truly amazing details can be lost in the sheer volume of fashion on display.


Instead of the original plan of staging the show in the costume galleries and three of the Asian art rooms, the exhibition blossomed into a show three times the size of the typical Costume Institute affair, spanning over 30,000 square feet (2,787 square meters).
The careful juxtaposition of Western pieces and Chinese art aims to facilitate new interpretations and provide a new context for the viewer.
Psychologist have proved that concentrating on the detail of a picture, choosing your colours and rythmetically following the pattern reduces your heart rate and frees your mindof everyday turmoil. Blending film, history and designer gowns, the Costume Institute's Spring 2015 exhibition is a veritable feast for the senses--exotic and dreamy. The fashion separates into generalized historical eras: China of the imperial dynasties, China the new republic, and the "cultural revolution" (1966-76). Pop star Rihanna took top honors, snagging the cover of a special edition of Vogue, for her massive, canary-yellow Guo Pei gown that took three assistants to help carry--the creation was one of the few Chinese haute couture designers featured at the gala celebration. I hope that people do know China in this way," Guo told The Cut, a New York City-based online fashion magazine. Constrained by one-dimensional caricatures, Anna May Wong moved to Europe and was embraced by the artistic avant-garde, inspiring designers like Marianne Brandt and Edward Steichen. They can use influences without fully understanding them--or, rather, they understand these things in their own way and use them to solve their own creative challenges. It is the "collective fantasy" of China that started with the first bolts of fabric traded on the Silk Road and the images of the Far East that have inspired artists and fashion designers for centuries. In the basement, a dark gallery lined with mirrors echoes with clips from Bernardo Bertolucci's 1987 film The Last Emperor, leading to a display of one of Emperor Puyi's yellow robes on loan from the Palace Museum in Beijing. John's annual sales, but Fosun estimates the Chinese market can contribute as much as 30 percent of annual sales for the line.
The historical display is juxtaposed with a yellow silk dress by John Galliano and a Tom Ford evening gown emblazoned with dragons.
The high-end suits sell for between 15,000 and 20,000 yuan ($2,400-3,200), speaking to the brand's appeal to the growing ranks of China's nouveau riche.



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