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Voting open to 15 official nominees, and write-in votes could be placed for any eligible book (the fine print). The field narrowed to the top 10 books in each category, and members had one last chance to vote. Goodreads nominated 15 books in 22 categories by analyzing the reading statistics of our membership.
Eligibility: Books published for the first time in the United States in English between December 27, 2010 – November 30, 2011 were eligible for the 2011 Goodreads Choice Awards. A comprehensive history of the Confederate flag that transcends conventional partisanship reveals the flag's origins and pursues its conflicting meanings. Note: Book excerpts are provided by the publisher and may contain language some find offensive. The Confederate Battle FlagAmerica's Most Embattled Emblem THE BELKNAP PRESS OF HARVARD UNIVERSITY PRESSCopyright © 2005 John M. Writer Scott Huler talks about the "poetry" of the Beaufort wind scale and its inventor, Sir Francis Beaufort.
Zack Hample, an obsessive baseball fan, has by his own count snagged 3,123 baseballs at 42 different major league stadiums. Knitting superstar Debbie Stoller tells Liane Hansen about her latest stitch-by-stitch instruction book, The Happy Hooker. On designer runways and across the pages of fashion magazines, crochet garments appear to be what to wear this spring. Stitch and Bitch Crochet: The Happy Hooker contains some clever ideas as well as basic instructions. When you're knitting you've got two needles and a ball of yarn, which is three things that you're juggling in two hands, and just that can make it a little bit more complicated. Also, when you're crocheting you're pulling a loop of yarn through another loop with a hook. But at a certain point I sort of realized that these needlecrafts were in general sort of stigmatized in our culture, looked down on a little bit. HANSEN: You have everything in this book, from like a bikini in a bag, to a knot ugly shrug. The selection that's in the book, I thought, really demonstrated the strength of crochet in all of its forms, and you know, has a lot of stuff for rank beginners to start with.
NPR transcripts are created on a rush deadline by Verb8tm, Inc., an NPR contractor, and produced using a proprietary transcription process developed with NPR. Mary Karr was encouraged to write her personal history by her friend, author Tobias Wolff, but said in a Salon Magazine interview that she only took up the project when her marriage fell apart. When it comes to writing about the pain of growing up, author Mary Karr isn't one to hold back. Karr's new book, which follows Cherry by nine years, recounts her own descent into alcohol abuse through more family trauma and eventually her unlikely a€” as she describes it a€” conversion to Catholicism.
Lost in the Golden State Here lies one whose name was writ in water — gravestone of John Keats Age seventeen, stringy-haired and halter-topped, weighing in the high double digits and unhindered by a high school diploma, I showed up at the Pacific ocean, ready to seek my fortune with a truck full of extremely stoned surfers. Frank Lloyd Wright (left) and Mamah Borthwick Cheney created a scandal when they ran off together.
1907 CHAPTER 1 Mamah Cheney sidled up to the Studebaker and put her hand sideways on the crank.
The best time to take the first step toward your God-given dream is the moment God gives it to you….
More recently I had a dream to start a Teen MOPS (Mothers of Preschoolers) group to reach young women in inner-city Little Rock.
When I followed my God-given dream to be a writer, I modeled for my children what it was like to heed God’s voice.
When I followed my God-given dream to start a pregnancy center, I modeled for my children how to care for the hurting and needy in our community.
When I followed my God-given dream to start a Teen MOPS group, I modeled for my children how to pour oneself out—even in the midst of personal struggle. When I didn’t have the time, or strength, or wisdom to achieve any of these things, God showed up. That’s great advice and I love that question you ask: “If I could do anything and know it would succeed, what would it be?
Sign up for Tricia’s Inspired Living newsletter by entering your e-mail address below! Huler is the author of Defining the Wind: The Beaufort Scale, and How a 19th-Century Admiral Turned Science into Poetry. Although you may not be able to compete with the likes of Prada and Chanel, it is possible to create something wearable with a hook, a ball of yarn, and a new book by Debbie Stoller. So with the book, a hook, some yarn, and producer Jesse Baker, I went into a studio to see how crafty I could be. BAKER: Dip your pointer finger under the strand of yarn so that it runs over the top of your second knuckle. BAKER: Look at what you've got, a nice, stable little triangle made with your hands, hook, and yarn.
STOLLER: Oh, well I'm sorry to hear that you had a rough time with it, because mostly people find crochet to be much easier than knitting.
And as far as I could tell, the only reason they really had this bad image was because it was something that had traditionally been done by women. And the very first craft we ran was a crochet project, which sort of been the gateway craft that got me back into all of the needlework in a huge way, for me. STOLLER: Well, in the book I've collected really wonderful patterns from 40 awesome women from all across the country, of varying ages and lifestyles.
You know, the first third of the book is all instructions, so that people who don't know how to crochet at all should be able to pick it up and then start making this stuff.
Her new memoir, Lit, describes Karr's early years as a writer, wife and mother, years that were marked by drug use, drinking and the dissolution of her marriage. Along the way, she grapples with her place in a lineage that she sometimes feels was preordained for disaster. My family, I thought them to be, for such was my quest — a family I could stand alongside pondering the sea.
She had started the thing a hundred times before, but she still heard Edwin's words whenever she grabbed on to the handle. The best time to take the first step toward your God-given dream is the moment God gives it to you.
I attended my first writers conference when I was twenty-two years old and pregnant with my third baby. I gathered with a small group of others who desired the same thing even through I was a writing, homeschooling mom of three who was also caring for my dying grandfather.
I have recently been doubting whether my dream is of God, or just one of my own fanciful ideas.
I believe I’ve been following my God-given dream, but I have to admit there have been many days where I wonder if I misunderstood His nudge.
As I celebrated a friend’s success in a shared dream, today I faced the way my own choices stunt my own success.
Each eligible book could be nominated for Favorite Book of the Year, Goodreads Author, and one genre category.
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When you're crocheting you just have a hook and a ball of yarn, so it's two things, and you have two hands, most people have two hands so that works out well for a lot of folks.


And I just like to ask people, you know, if you were drowning in the water somewhere and someone came to rescue you, would you rather that they lowered a hook for you to pull yourself onto or a pointed stick?
The magazine that I am the co-publisher and editor of is called Bust, and it's a feminist magazine for young women.
I mean, you know, you don't have to have the patience of a saint, but give yourself a little time as you would with anything else. In the book I sort of say that I've discovered, over the years, that knitters and crocheters are a little bit like Sharks and Jets. But there are these big factions of people who only crochet and only knit and I'm really hoping that they can realize that it's worthwhile to do both.
By then, he had stamped an original style on buildings, and had been lauded and vilified a€” often in equal amounts. My dream of sharing the good news of God through publications wasn’t completely fulfilled when I was twenty-two, but I took the first step—the step God was asking me to take.
Your post has helped rekindle the passion for my hopes to help those who help the homeless in America.
Looking back I see that God was preparing me for an even greater work than I could have imagined. It’s those days when sitting down to write is hard because I feel overwhelmed or burned out.
Some people view it as a symbol of white supremacy and racial injustice; others think it represents a rich Southern heritage. And although I was raised doing all kinds of needlecrafts, because my mom's from Holland and Dutch people are practically born with knitting needles in their hands, I learned to do all these different crafts and always had a lot of respect for them. Because I thought all of these needlecrafts really deserved to get some credit and some value.
Because there's certain things that knitting is really great at, and then there's certain things that crocheting is really great at.
I've been accused of trying to make knitting and crocheting hip, but really I've just made it corny and silly.
But all of them were just women with an idea for something that would be really cool to make and crochet and the wherewithal to figure out how to get it done. Her first book, The Liar's Club, focused on her volatile relationship with her mother, who had a psychotic break while Karr was a child. When it launched I was still homeschooling and writing and it didn’t seem as if I had time to commit to anything else, but God brought dozens of new volunteers around to help. I have had a heavy heart to be a stay at home mom and even tell my husband that God is telling me to do so. Balancing all things motherhood and marriage with my passion for writing and my desire to live a full life often leaves me questioning what exactly it is I’m supposed to be doing.
And with this crocheting book I'm really hoping to build some bridges between the two communities. I was in my early 30s, and it's almost like she got sober right about the time my drinking picked up.
Crunching across old snow to the driver's side, she checked the throttle and ignition, then returned to the handle and cranked again. So I find I spend a lot of time on my knees in prayer, asking God to light the path for my day because I know I can’t do any of it without Him. I don’t know how to add in my God-given dream without compromising my God-given responsibilities to my family. I say it's almost like our genetic code owed the universe some really wretched alcoholic, and I stepped into the slot as she left it." No amount of self-awareness made her vices easier to cope with.
Even if I am not a stay at home mom tomorrow, I am going to start NOW to make it possible, even if it takes months or a year! My hells are pretty much self-constructed." Karr found escape from her self-made hell when she finally turned to religion, a topic that found its way into Lit at length. Mamah navigated her way through steaming horse droppings, the hem of her black coat lifted high.
But even after her conversion, she understands why talking about her relationship with God might turn some of her audience away. Three blocks west, at Oak Park Avenue, she leaped onto the wooden sidewalk and hurried south as the wet snow grew dense. The leaders of the states that seceded from the Union in 1860 and 1861 believed that they were legitimately repossessing the sovereignty that their states had delegated conditionally upon joining the Union. When they formed the Confederate States of America in February 1861, southern statesmen made the conditional nature of union explicit in their new Constitution.
Inside, a crowd of women listened intently as the president of the Nineteenth Century Woman's Club read her introduction.
The trappings of sovereignty were especially important to men who staked so much on constitutional theory, so it was not surprising that the states of the new Confederacy adopted seals and flags expressing their identities as sovereign entities.
He was bent on cutting his connections to the past that belonged to somebody else." He spoke about working "true" and did that at his drawing board.
Immortalized in southern lore by a song composed in early 1861 by Harry Macarthy, the Bonnie Blue Flag was simply a blue flag bearing a single white star. All around her, the faint smell of camphor fumes wafted from wet furs slung across chair backs. In early 1861, several southern states incorporated the Bonnie Blue into their new state flags, and a few military units adopted it as their battle flag. The flag most symbolic of southern separatism and martial spirit in early 1861, the Bonnie Blue, however, never achieved prominence as a symbol of the Confederate nation.
We called him Quinn the Eskimo, since he'd just moved to Leechfield from the Alaskan oil fields where his daddy had worked. And there are a couple people I call at such times, sort of the way the president would push the red button. His sole source of pride was the obvious lie that his old man had invented the water bed, then tragically had his patent pinched by some California engineer. She saw him toss the cape first, then his wide-brimmed hat, onto a chair beside the lectern.
The committee solicited ideas from citizens and officials alike and received hundreds of design suggestions. So I called Don DeLillo, and DeLillo sends me a postcard that says 'write or die.' " Karr's reply speaks volumes about her thick-skinned perspective and dark humor. From the time we'd hit the state line, he'd been going into phone booths to skim directories for the guy's name.
Many of them the committee dismissed as "elaborate, complicated, or fantastical." Many others, much to the dismay of William Miles, urged the adoption of a flag that preserved "the principal features" of the Stars and Stripes. The committee was "overwhelmed with memorials not to abandon the 'old flag,'" Miles complained to a sympathetic correspondent. Mamah craned her neck, trying to see around and above the hats in front of her that bobbed like cakes on platters.
I overheard the California guys bitching about it as breaking in water too shallow: Not worth wasting the wax on, dude. There is no propriety in retaining the ensign of a government which, in the opinion of the States composing this Confederacy, had become so oppressive and injurious to their interests as to require their separation from it. It is idle to talk of "keeping" the flag of the United States when we have voluntarily seceded from them. You can also view it, however, as a form of self-preservation in terms of what she needed to do for herself." Terms like selfish and self-preserving apply as well to Wright. The new flag consisted of three horizontal stripes, alternating red and white, with a union (or canton) of blue emblazoned with a circle of white stars corresponding to the number of states in the Confederacy.


Red, white, and blue-the colors of the Stars and Stripes-were, Miles wrote, "the true republican colors," representing in heraldry the virtues of valor, purity, and truth, respectively. And we are devoted to them, trying to get joy out of them, trying to believe them still potent." Frank stepped down from the platform and stood close to the front row. His hands were open and moving now, his voice so gentle he might have been speaking to a crowd of children. As the new nation's first official standard, the Stars and Bars was celebrated in song and poetry. Harry Macarthy, author of the "Bonnie Blue Flag," also published "Our Flag and Its Origins," also known as "Origin of the Stars and Bars." Echoing the sentiments of those citizens who implored William Miles to adopt the Stars and Bars, Macarthy's lyrics lamented the abandonment of the old Union and its symbols: But alas!
For the flag of my youth I have sighed and dropped my last tear For the North has forgotten her truth, And would tread on the rights we hold dear; They envied the South her bright stars, Her glory, her honor, her fame, So we unfurl'd the Stars and Bars and the CONFEDERATE FLAG is its name. It should possess "fitness, proportion, harmony, the result of all of which is repose." The word "repose" floated in the air as Frank looked around at the women. He had hoped that the Confederacy would adopt his own design for a national flag-the pattern that later generations mistakenly and ironically insisted on calling the Stars and Bars. The design that Miles championed was apparently inspired by one of the flags used at the South Carolina secession convention in December 1860. Mamah felt a kind of guilty pleasure when she realized that he was pressing on with the point. Emblazoned on the cross were fifteen white stars representing the slaveholding states, and on the red field were two symbols of South Carolina: the palmetto tree and the crescent. Her eyes darted around at the plumes and bows bobbing in front of her, then rested on one ersatz bluebird clinging to a hatband. Charles Moise, a self-described "southerner of Jewish persuasion," wrote Miles and other members of the South Carolina delegation asking that "the symbol of a particular religion" not be made the symbol of the nation.
Then a pair of hands began clapping, and in a moment a hundred others joined in until applause thundered against the walls. She imagined the women racing home to strip their overstuffed armchairs of antimacassars and to fill vases with whatever dead weeds they could find still poking up through the snow.
Whatever Miles's concern for avoiding "conspicuous" religious symbolism, the Confederacy was an overtly religious state with appeals to God in the Preamble of its Constitution and a penchant for Christian symbols in its flags.
She moved slowly as she bundled up in her coat, slid on the tight kid gloves, tucked strands of wavy dark hair under her damp felt hat.
Despite serving as committee chairman, Miles was unable to impose his pet design upon the committee. Soon as he'd scrawled out an address and sketched a map for me, I hightailed it back to the truck to spit the tab out and wash my mouth with water from a sand-gritty milk jug. His critics supposedly scoffed that the diagonal cross looked "like a pair of suspenders." Miles's faith in this motif was eventually vindicated, of course, but vindication came via the circuitous route of the Confederate army. She lingered there in the last row, blood pulsing in her neck, all the while watching his eyes, watching to see if they would meet hers. She smiled broadly and thought she saw a glimmer of recognition, a softening around his mouth, but the next moment doubted she had seen it at all. Easy knew somebody who lived there, and in the way of poor hippies, they cooked us noodles and let us use their bathroom in exchange for the free pot Doonie could lay on them. Not surprisingly, the symbols of the Confederate army and navy became important to the nation as a whole, especially when approximately three-quarters of the South's white males between 17 and 45 served in those forces. In addition to adopting a new national standard, Confederates demonstrated their patriotism with battle flags presented to their military units.
Those units often received from the ladies of their communities silk flags, usually bearing the state seal and a company motto. When the local companies mustered into Confederate service in the spring and summer of 1861, these home-made silk flags entered the service with them. Consistent with military tradition, Confederate regiments carried standard-issue battle flags. Regimental flags marked the positions of forces on the battlefield and assisted officers in maneuvering their troops.
On the battlefield and in the memory of the war, battle flags became the focus of a unit's esprit de corps. Although the practice was not regulated by law or military order, many of the regiments that entered the armies of the Confederacy in the spring of 1861 carried the Stars and Bars as their battle flag. In Virginia, Brigadier General Pierre Gustav Toutant Beauregard, the Louisiana native who had led Confederate troops opposing Fort Sumter, commanded the troops concentrated at the important railroad junction at Manassas, 25 miles south of Washington, D.C.
Further to the west, Brigadier General Joseph Eggleston Johnston commanded a force (the Army of the Shenandoah Valley) at Winchester, facing a Federal garrison at Harpers Ferry.
Army quartermaster general, were two of the five highest-ranking generals in the Confederate army.
Johnston's army slipped away unnoticed from Winchester, arrived at Manassas early on the 21st, and turned the tide against the Federals. The inexperience of the troops on both sides, combined with complex maneuvering, made Manassas a very confusing battle for soldiers and commanders. She remembered standing in this very spot three years ago, during an open house she and Ed had given after they'd moved in. At least one Confederate regiment fired on another Confederate regiment, possibly because it was unable to distinguish between battle flags. Women had been sitting along the terrace wall, gazing out toward the street, calling to their children, their faces lit like a row of moons. Beauregard recalled dramatically that late in the afternoon of the battle, when "victory was already within our grasp," he spied an unidentified force on his left flank. It had struck Mamah then that her low-slung house looked as small as a raft beside the steamerlike Victorian next door. Fearing that it might be Federal reinforcements arriving on the field, he stared at a flag among the troops but could not tell whether it was Confederate or Federal. But what a spectacular raft, with the "Maple Leaf Rag" drifting out of its front doors, and people draped along its edges.
The force turned out to be Brigadier General Jubal Early's Confederate brigade, and the flag was the Stars and Bars of the 7th Louisiana Infantry. In late August, when Miles was back in Richmond for the last days of the legislative session, he described to Beauregard his "favorite" pattern which he had unsuccessfully urged upon the Congress. Miles told the Committee on the Flag and Seal of the general's complaints and recommended that the flag be changed. General Beauregard proposed to his commander, General Johnston, that the army try something different. Walton, colonel of the elite Washington Artillery of New Orleans, had submitted a design nearly identical to Miles's, but with a Latin cross instead of the St. Andrew's cross, since it "removed the objection that many of our soldier[s] might have to fight under the former symbol." Walton subsequently claimed that Edward M.
She had behaved like a madwoman, cranking the car until her arm ached, then racing on foot through snow and ice to get a glimpse of Frank, as if she had no choice. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.



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