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14.11.2015 admin
Make no mistake, the animation and the music are gorgeous, Belle is a great character, and the dynamic between Belle and Gaston gives us some interesting scenes. Unless I missed something, Beauty and the Beast only features two named female characters: Belle and Mrs Potts.
Without this element, Gaston is a fantastic villain character, precisely because he’s so normal.
But that doesn’t change the fact that Belle and her father are the only people in the village to see the problems with his behavior. The movie has a good role model in Belle, and the animation and score are so wonderful that it’s painful for me to criticize it, but once we dig under the surface of the story, it all starts to fall apart.
Can you articulate for me why you find “not like other girls” to be a problematic trope specifically for feminists? Harry Potter on the contrary was still surrounded by interesting full-rounded *male* characters. Belle really makes me torn — I loved her character so much as a little girl, because there was nothing more *I* too loved doing than going to the library and staggering home with a stack of books as tall as I was. Or 1001 Night in which the Sultan repents his sins, thanks Scheherazade for curing him of his own madness and swears that she will never have to fear for her life again. This starts to change when Belle tells him off: he learns that a woman can be as strong as he is and can challenge him and show as much power. Ultimately, he embraces a whole host of character traits that are generally associated with the feminine archetype (as seen in the Sansa Stark posts): he becomes caring, unafraid to show affection or vulnerability (even in front of another alpha male like Gaston), or to present himself curteous. I think this is a strong feminist statement in that not only underlines the importance of women empowering themselves, but also of men embracing personality traits traditionally associated with femininity without finding them degradating but, on the contrary, a source of human growth. Also, I think Disney should show how a woman can save guys she loves platonically with her knitting needle as opposed to her sword (happens in Six Swans). Oh, and the young King falls in love with the heroine’s character and goodness as much as he falls in love with her beauty. Actually, the beast made the ultimate sacrifice for Belle- he let her go because he loved her. When people are emotional (like how Beast was in the beginning) they say things they don’t mean. No way is this Stockholm Syndrome, Belle willfully stayed, but at the same time she kept her ground.
True story: I used to give up on my Sims once they were married because what was the point? They’re a type of elementals that dwell in trees, and they’re called “Demi-Elementals” since they where originally born as monsters. They nestle close to a single tree for their entire lives, and when the tree dries up, their lives end, but the trees they dwell in can keep living for thousands of years by continuing to suck spirit energy from men. People who don’t know anything might feel like it’s tragic, but the man inside will never tire of having sweet, gentle intercourse with his beloved wife while experiencing otherworldly pleasure.
A dryad’s tree can grow huge by sipping men’s spirit energy, then sweet syrupy sap starts to flow from the surface.
When the tree grows, the space inside becomes huge, and the bug monsters lured by the fragrance of sap and spirit energy will visit. It's been a week since the disappearance of Malaysia Airlines flight 370, a week filled with misinformation, wild theorizing and the anxiety of the passengers' families. What happens when the systems, institutions, technology and networks we've put into place for our protection, fail us? But although Belle is intelligent and ambitious and wanting adventure, she’s explicitly set up as being different because of it.
The only other female characters, apart from background faces in the town, are the triplets who swoon over Gaston, the wardrobe, and the feather duster who flirts with Lumiere.

All the other young women are represented by the triplets, characters who, like Gaston, only judge based on beauty, while the beautiful Belle is able to care about deeper and more important things. I just can’t because the Beast actually keeps Belle with the thought of making her love him. Stories like Jaime&Brienne that almost start out like this, but then turn into a 2 POW bonding and falling in love. It reinforces the old stereotype that there’s a heart of gold inside troubled, angry men, you just have to nurture him and seek it out and be patient and soothing.
If at first he saw her as a tool to break the curse, that’s the moment when he actually falls in love with her, when he appreciates her strength and bravery and sees her as a person.
And he does not see them as a source of shame or degradation (as mysoginist Gaston does), but as a growth, as a means to empowerment and to be able to share a mutual communication with a woman he considers his equal.
The old black-and-white alpha male archetype (Gaston) is unsuccesful, while a more balanced male is what helps the story work with a well-balanced female. The heroine in this fairy tale might look like the girl who sits in the corner knitting quietly, but she is a determinator of the highest order and won’t give up trying to save her brothers even when execution is staring her in the face. I am pretty sure Belle and Beast would both enjoy going on adventures, exploring, and other amazing things.
Looking at it from my romance writer angle, it’s a perfect alpha male knocked to his knees by falling in love with a strong woman story.
Due to their rich Demon energy, they can protect themselves from searing flames and bad diseases that infect trees.
With vines that pop out of the ground, they can bind the man and throw him to the other monsters that are starving for sex. They seduce men they like, imprison them inside the tree, and then have sex with them inside. Men who end up like this cannot die until the tree dries up, just like the dryads themselves. Furthermore, generally, there are many other dryads nearby, and the dryads and their husbands can go back and forth between the inside of each others trees, so there is a particular society inside the trees, and they don’t feel lonely.
Dryads have sweet, wild threesomes with visitors, as if to share their husband they are so proud of. She doesn’t fit in, because nobody else she knows could possibly also like reading, or dreaming, or want their life to come to something. Their whole role in the movie is to swoon over Gaston, declaring Belle crazy for rejecting him.
Harry Potter is the ultimate boy who is unlike other boys…his cousin Dudley represents all Muggle boys and is pretty atrocious. I agree that the triplets are particularly noticeable, but is their stereotype of feminity really worse than Gaston and his crew of bar pals’ caricature of masculinity? I find this post’s point unreasonable as they only focus on how different Belle is from all the girls in her village, rather than the actual case of her being more intelligent than practically EVERYONE in her village. Their relationship is completely unbalanced, with him – male – holding all the power and she – female – being his hostage.
And he does so despite social expectations – because let’s face it, the whole household short of Chip kept seeing Belle as a means to an end, while the Beast learned to see past that. Once he is mature enough to embrace his feelings without perceiving them as a weakness, he goes as far as sacrificing everything letting Belle go on the very last day of his magical deadline without any guarantees she would come back in time or at all (unlike in the original fairy tale, where he has her promise she would come back – and we have no reason to assume Belle would without the treat of impending doom).
When I think about it, there are so few stories about married women that aren’t about motherhood.
From the outside this just looks like the dryad is coiling around the tree, but in spite of how it looks, there is a hollowed out area inside of the tree that is spacious like a house. When they’re licking it up, seen from the outside, it looks like they’re just coiled around the tree and licking it.

As a dryad’s tree grows bigger, the space grows bigger, and more and more monsters come to visit. Their favourite treat is the man’s sap, and they’ll keep feasting until their bodies are all sticky with nectar. What if the scant information we are able to cobble together, only deepens the mystery, and compounds our unknowing?
And when he talks to her, he crowds her, leaning over her, invading her space, interrupting her when she tries to speak, and not actually listening to a word she says. Literature is filled with people who aren’t like everyone around them, or who seem to have larger dreams, bigger ambitions, greater talents, deeper sensibilities.
Even as I write this, though, I realize that the movie does set up a certain set of traits that men and women have, and never really challenges this binary. Unlike what it seems from the outside, the man inside is furiously having sweet intercourse with the dryad and is enjoying her sweet bodily fluids. But for the monsters that came to lick the sap, the dryad, and the man, the world looks entirely different. They’re nameless, personality-less figures meant to show us that the normal girls swoon over Gaston, while Belle, our intelligent heroine, sees him as the jerk that he is. I suppose getting taken prisoner by a beast, falling in love with him, and fighting off Gaston count as something of an adventure, but it doesn’t feel like enough. If he hadn’t been beasted, the prince would be pretty similar to Gaston, and his character development never moves that far from the extremely manly end of the spectrum. Heathcock recommends Gary Paulsen's young adult classic Hatchet, in which a 13-year-old boy manages to survive in the Canadian wilderness when his bush plane crashes. Clearly I need to take a sick day and go home and re-watch this until I’ve fully reconciled all my conflicting feelings on this movie. And Jonathan Evison focuses on the very real possibility of never quite knowing, as in Stewart O'Nan's novel Songs for the Missing. Once she reaches the castle, she never goes anywhere except for a brief trip back to her village — her world is barely any less narrow than it is at the very beginning of the movie. When 18-year-old-Kim Larsen goes missing on her way to work at a Conoco station in a small Midwestern town, her family, and her whole community, struggles with her unresolved disappearance: making phone calls, assembling lists, canvassing the town, distributing fliers, and sifting through false lead after false lead, as the search unfolds in earnest. But in spite of all investigative efforts, and a blitz of media attention, what little information these investigations yield, serves mostly to accentuate that which is uncertain about Kim's fate. Kim's family doesn't know whether they're dealing with a failed communication, an act of rebellion, or a capital crime. Hatchet is the story of Brian Robeson, a 13-year-old boy who, en route to visit his father, crashes in a bush plane in the Canadian wilderness.
He's vanished in the eyes of everyone he's ever known and loved, the father he was going to visit, the mother he left behind. In realizing he's disappeared, two truths come to Brian's mind: 1, He'll never again be the person he was before the crash, and 2, he does not want to die. They quit looking a month, no, almost two months ago." But by now Brian's learned he's not in need of being saved, and because the stew he made for himself is ready, he eyes the pilot and says, "My name is Brian Robeson. Would you like something to eat?" The thematic center of Paulson's novel, what speaks to our fear of disappearing like a ghost plane, is the question "what's saved Brian?" Was it the technology of the downed-plane's emergency transmitter?
Or was it a simple hatchet and a boy who decided he would not disappear even when he couldn't be seen by others?

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