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03.09.2014 admin
We use cookies to enhance your visit to our site and to bring you advertisements that might interest you. 20 years ago this month, Quentin Tarantino’s second film, Pulp Fiction, won the Palme d’Or at Cannes. Click here to view instructions on how to disable your ad blocker, and help us to keep providing you with free-thinking journalism - for free. On Adblock Plus click "Enabled on this site" to disable ad blocking for the current website you are on. If you are Private Browsing in Firefox, "Tracking Protection" may cause the adblock notice to show. Then click the big power button to whitelist the current web site, and its state will be remembered next time you visit the web site. JUDY Judy Garland Judy Garland Judy Judy Judy Judy Garland-A Star Is Born Judy gif Judy gif Judy Garland Judy Garland Judy Garland Judy Garland-A Star Is Born Judy and Liza JUDY Judy Judy Dorothy gif Judy Garland Judy Meet Me in St.
And that was just the beginning: the $8 million production went on to gross over $200 million worldwide, while at the 1995 Oscars Tarantino and his co-writer, Roger Avary, won for their screenplay, and the film itself earned a Best Picture nomination.Its competitors? It helps to build our international editorial team, from war correspondents to investigative reporters, commentators to critics. Louis JUDY Judy gif The Wizard of Oz Judy gif Judy gif Judy gif Dorothy gif Dorothy gif JUDY Judy Garland Judy in Meet Me In St. HD Wallpaper and background images in the Judy Garland club tagged: judy garland wallpaper actress. Louis Judy Garland Judy Garland Dorothy gif Judy Garland Judy angleeyes Judy Garland JUDY GARLAND Judy Garland Judy Judy The Wizard of Oz Beautiful Judy! That’s a stronger selection than most of the period’s Best Picture shortlists, but it’s clear that Pulp Fiction was in a different universe from its fellow nominees.


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But while Dogs introduced most of the writer-director’s game-changing ideas, it was Pulp Fiction that went on to be, in the assessment of the late American film critic Rogert Ebert, “the most influential film of the decade”.But the question remains: is that influence something to be celebrated? For every film enthusiast who believes that Pulp Fiction put a bullet in the brain of fusty, stuffy, mainstream Hollywood, there is someone else who sees it as the first in a long line of cheap and nasty, adolescent gangster fantasies.
Through Pulp Fiction and beyond, Tarantino’s nerdish homages have turned countless people on to films and songs that they might otherwise never have encountered. If Tarantino has prompted his fans to investigate Louis Malle, Sonny Chiba and the surf-guitar of Dick Dale, is that such a bad thing?Pop-culture dialogueTarantino’s pop-cultural obsession was shared by his characters – not least Jackson’s hitman Jules Winnfield.
He calls one victim “Flock of Seagulls” because of a haircut reminiscent of the Eighties New Wave band.
And he compares himself to “Caine in Kung-Fu”, the Fonz, Super Fly TNT, The Guns of Navarone and “what Jimmie Walker usta talk about”. In 1994, it was refreshing to meet characters who had spent as much time in front of the television as the rest of us, but now pop-culture references are the crutch of lazy screenwriters, or rather, lazy improvisers. As a result, countless imitators went on to peddle hip, quipping gangsters and stylised, flippant ultra-violence – the irony being that Tarantino is actually one of the more thoughtful and moral of American writer-directors when it comes to violence.


Tarantino argued that he was being true to the argot of LA’s demi-monde, but Lee wasn’t appeased, and similarly complained about Jackie Brown. Pulp Fiction brought the funky urban thrills of blaxploitation back into fashion: Tarantino went on to cast Pam Grier (of Foxy Brown fame) in the title role of Jackie Brown, while Jackson went on to star in John Singleton’s Shaft reboot. More significantly, Marvel Comics redesigned one of its white characters, Nick Fury, so as to resemble Jackson, who has played the role in several of the studio’s superhero blockbusters. But Pulp Fiction proved that indies could make a fortune, win prestigious prizes, boost flagging reputations (such as Travolta’s), create superstars (Uma Thurman) and provide Hollywood idols (such as Bruce Willis) with their best roles in years. Meanwhile, the film’s independent distributor, Miramax, became a major player, nabbing Best Picture nods at every Oscar ceremony from 1996 to 2004. More importantly, a generation of film geeks realised that they, too, could get into the business.The downside?
It was stolen during production of the film, but resurfaced 19 years later, in 2013, in the San Francisco Bay area after two men were caught stripping it and police checked its vehicle identification number.The briefcaseDiamonds? What exactly was hidden behind that 666 code that Vince stares at so intensely, his face illuminated in orange?
According to co-writer Roger Avary, they originally imagined the briefcase containing diamonds, but Tarantino thought that was too much of a cliche, given that his previous film Reservoir Dogs also had diamonds at the centre of the plot. So, he simply left it for the audience to decide for themselves.The danceVince and Mia’s epic, prize-winning twisting?
Despite a scene showing them carrying home the trophy, a news report faintly coming out of a car radio in another storyline mentions a man and a woman having stolen a trophy from a dance competition at Jack Rabbit Slim’s.Where are the cops?Interestingly, there is not a single policeman featured in the movie, even in plain clothes, despite all the criminal behaviour on show.




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