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The 19th century European society of Van Gogh's time was not ready to accept his truthful and emotionally morbid way of depicting his art subjects. Alongside these runs his great published correspondence of 800 letters, mainly to his brother Theo, and it is through this that we learn much about, although never fully understand, the tormented spirit of this eccentric genius, Vincent Van Gogh. This belief led him to a great modesty and he used to sign himself, if at all, only "Vincent", always knowing that his life on earth would be very short.
Many of us can identify with the roadblocks that Vincent Van Gogh experienced in his many career and romantic pursuits, all ending in failure.
His career in the art world began in 1869 when, on the recommendation of his uncle `Cent`, a founder and shareholder, he was employed by the Goupil & Co art gallery as a clark in their Hague branch. Vincent`s emotional turmoil did however bear artistic fruits in the form of a remarkable gift for perception - seeing powerfully what most others did not observe at all - "sad but always cheerful" he described himself and he turned to the religious scriptures for solace, secretly harbouring the ambition to become a clergyman like his father.
Unfulfilled in this work, he spent most of his time translating biblical passages into English, French and German, and his free time in the depths of the countryside where he felt at peace. His father finally agreed to let him follow his religious calling and sent him to Amsterdam to study for the entrance examinations to the University Theology course which, after 15 months of study, he failed, finding the work too arid, preferring to contemplate the countryside and the possibility of drawing. In the summer of 1880, at the age of 27, he decided to devote himself entirely to drawing and became a full-time artist. During his short and turbulent life, he sold only 1 painting for 400 francs, just 4 months before his death.
Thanks to the preservation of 1000's of letters Van Gogh had written to friends and family, especially to his brother Theo, we have a nearly complete understanding of his feelings, experiences, and views on every aspect of his life.
Many observers of Van Gogh's life justifiably believe that his eccentricities, which were visible from early childhood, compounded to create many distressing experiences that directly impacted the development of Expressionism. A servant who worked for the Van Gogh family when Vincent was a child described him as an, "odd, aloof child who had queer manners and seemed more like an old man," than the child he was.
In Vincent's own words, he says of Theo, that he was the one "who comforts his mother and is worthy to be comforted by his mother." On the other hand, Vincent was rejecting and obstinate, making himself inaccessible to all family members, except for Theo. Unaware of his own artistic genius, Vincent Van Gogh first tried to learn the art of selling the works of other artists. He quickly learned all the painters and their respective styles and what constitutes a valuable piece of artwork. Vincent Van Gogh did not understand the mechanics of interpersonal diplomacy, or the principles of salesmanship. Following a short stint as a teacher, he returned home to Holland for a visit with his parents and decided to stay.
Vincent soon realized that he was also inadequate as a teacher and a bookseller, and he was becoming desparate to find work.
Van Gogh found his personal calling working among the downtrodden miners and their families, and was known to give away his clothing and money to help the poor living in shacks on the blackened earth of the coal fields. Vincent returned home for an extended visit and fell deeply in love with his first cousin Kee Vos, who had also been staying with his family. Undaunted by her obvious disinterest in him, Vincent attempted to visit her at her family's home, but was refused entry. Cast from the family home, Vincent Van Gogh threw himself into his artwork and began a relationship with a low class prostitute named "Sien." She moved in with him and he became deeply empathetic with her own personal suffering.
Van Gogh's eccentric behavior increased as his contempt for middle-class proprieties soon alienated all who tried to help him. An old man reported that when he was ten years old he knew Vincent Van Gogh, who he frequently saw painting landscapes in Nuenen, Belgium. In his many letters, it is clear that Van Gogh was aware of his depressive tendencies, and that he had experienced them most of his life. In 1886, at the age of 33, Van Gogh went to Paris and mingled with Toulouse-Lautrec, Gauguin, Seurat, and other painters who were later considered among the best. However, after two years of working among the Parisian artistic community, Van Gogh's delicate nervous system began to collapse. Psychologists studying Van Gogh's history of mental breakdowns have theorized that each mental crisis was preceded by a perceived threat to the deep attachment he felt for a loved one. Reflecting his plunging mood Vincent painted "The Undergrowth With Two Figures" in June 1890, 1 month before his suicide death.
In contrast, one of his last paintings which he completed in late July 1890 titled "Wheat Field With Crows," reflects an ambivalence of optimism and hopelessness with the dark clouds of depression slowly lifting up from the skyline (See painting below).
Although he only sold one painting during his life-time, he is considered the most powerful Expressionist, and his paintings each sell for millions of dollars. The intense interest that today's society has for Van Gogh lies not in the quality of his paintings, but in his ability to project his turbulent emotional experience onto the canvas. For example, his painting "Starry Night Over The Rhone" (see below), gives us the sense that he was just beginning to plunge into a state of depression. This painting was created in Arles, France in September, 1888, and it remains housed in the Musee d'Orsay in Paris. In general, Van Gogh's mood had began to sour while he was in France, surrounded by many great painters of the day. It appears likely that just after he completed the painting above, he sunk further into the depths of depression.
From a behavioral standpoint, Van Gogh's ability to express his internal state of mind in his artwork, provides us with a vivid record of the see-saw activity of his brain's chemistry. Amazingly, a complete reversal would always occur, catapulting him into a frenzy of grandiose feelings and creative activity as the mania took hold. Because Van Gogh was an Expressionistic painter, we know more about his internal life than we do about any of civilization's other Master painters.
His internal turbulence is clearly seen in most of his paintings, which set the stage for the direction of a new style of painting called Expressionism. They reveal how, having been unable to enter the ministry of the church, he gradually became taken over by his work, inextricably enslaved by its demands, in search of the ultimate `truth` and feeling "the positive consciousness of the fact that art is something greater and higher than our own adroitness or accomplishments or knowledge". The parish priest of Auvers-sur-Oise called him accursed and even refused to provide his hearse for Vincent`s funeral. His reaction to these experiences however, demonstrates a biological and psychological abnormality, causing behaviors that alienated those around him. However, he did manage to find employment in Ramsgate, on the south coast, where he tough French, spelling and arithmetic in a small school - and was able also to linger on the beach and watch the sea. His plan was to study theology and he confided in his brother: "I suppos that for a `sower of God`s words`, as I hope to be, as well as for a sower of the seed in the fields, each day will bring enough of its own evil, and the earth will produce many thorns and thistles".
But the plan was not altogether abandoned and he went to Laeken, near Brussels to attend an Evangelical training school.
This is far from the actual truth of his turbulent life, which was fraught with failure in every occupational pursuit he attempted including painting, and was marked by intermittent episodes of depression, violence and acting out behaviors. Surprisingly, his incredible artistic talent went undeveloped and unrecognized until he was 27 years old, after he had already failed at two other career choices, as an art dealer and a Protestant minister. Vincent was a disappointment to his mother, and eventually to his entire family, even his beloved brother Theo Van Gogh who supported him financially for the 10 years that he worked as a painter.



During this period he fell in love for the first time, and openly professed his love for Eugenia, a respectable upper class woman. His parents were reluctant to continue supporting their oldest son, who was a failure in their eyes.
Nonetheless, he could not convincingly communicate his religious feelings to his flock, and while viewing the pride that they could maintain in spite of their miserable living conditions, they influenced Vincent to take on their lower class beliefs. However, for someone to merely contemplate marriage with one's own cousin was a serious breach of an important taboo strongly held in 19th century Holland. Van Gogh not only lovingly sketched her image (See the drawing titled "Sorrow" below), but because she was in poor health, he also took care of all her needs.
He began wearing ragged, unwashed clothing, did not respond to acquaintances on the street, and lived an isolated existence.
From the viewpoint of children in the neighborhood, Vincent Van Gogh was a curious sight indeed.
His painting techniques were influenced by these impressionists, and their use of bright colors and their choice of less sentimental subject matter altered the direction his style of painting would take.
His friendship with Paul Gauguin was in Van Gogh's own words, "electric," but like all of his other relationships it was doomed by Van Gogh's inability to comprehend normal social relationships. His first collapse occurred shortly after his beloved brother Theo Van Gogh, had announced his engagement to his future wife Johanna. It is common knowledge among clinical psychologists that a person with bi-polar disorder (known as manic depression during Van Gogh's time), invariably attempt suicide while rising up from the depression towards the manic phase.
Ironically, Vincent Van Gogh is deemed by society to be one of our greatest and most successful artists.
Because he was an Expressionist, we know more about his mental state than we do ANY other great painter in history. We know that two months later, on December 24, 1888, his mood began to revert back to the manic state, when his violent argument with Gauguin occurred.
When he began to slip into depression, his paintings would take on a deep, dark feeling of doom, with only hints of light optimism remaining. His paintings would become electric with brilliant colors, and the canvas textures jumped to life with jittery strokes of paint, brilliantly mirroring his manic state of mind. He alone has allowed us to peer into his mind, while he was in the act of creating his art. A troubled yet highly-skilled painter, van Goghs work was an outlet for his emotion, particularly when battling depression. It is characterized by the use of symbols and a style that expresses the artist's inner feelings about his subject. Therefore, an understanding of the paintings by Van Gogh requires insight into his turbulent life, because his style of painting is exemplified by a projection of the painter's inner experience onto the canvas he paints. As he became more isolated from society and began to pour all of his energies into painting, his eccentricities and outbursts developed pathological traits, which caused him first, to be institutionalized, and second, it led to his suicidal death at the young age of 37.
Being transferred to London to complete his training, he fell in love with Eugenie, the daughter of his landlady, but was rejected. From there he found employment as assistant to the Methodist preacher Reverend Jones at Isleworth, where he came into close contact with the great squalor and poverty of his parishioners, inspiring him to a desire to live in the service of the most destitute. Experience has shownthat the people who walk in the darkness, in the centre of the earth, like the miners in the black coal mines, for instance, are very much impressed by the words of the Gospel, and believe them, too." He set off for Borinage, near Mons, in Belgium, to live among the miners and, being refused a teaching job at the school, settled in the village of Paturages where he taught the Bible and cared for the miners at his own expense.
Nonetheless, he produced an incredible number of masterpieces that will continue "living" for the rest of human history.
Under the shroud of family shame when he was found incompetent to follow in his father's ministerial foot steps, he began to study art.
It became a crucible that could hold all of the artist's passions, conflicts, and unrealized dreams.
If a customer became interested in purchasing a poorly done painting, Van Gogh would provide a long discourse on why it was a piece of junk. This drew him to finally attempt to satisfy his father's greatest wish that he become a minister. Interestingly, Kee, like Eugenia his first love, had no interest in Vincent (See Kee's photo below). Vincent thought that her family was keeping her away from him against her will, and that she was actually at home. However, because she was a prostitute, the Van Gogh family was scandalized by her presence in Vincent's living quarters, which further caused friction in Vincent's relationship with them.
His only activity was to draw and paint in ways that conveyed his sympathies for the hard lives of peasants.
Unless depression overcame him, he carefully avoided his tendency to paint dark canvases and subjects who were weighted down with the drudgeries of life. Vincent's second mental breakdown came a few days after a violent argument and the hasty departure of his close friend, fellow painter Paul Gauguin. A few days after he finished this painting, Vincent Van Gogh, on July 29, 1890, killed himself with a gunshot to the chest. It resulted in self-mutilation, which is a common behavior in mental patients during manic excitement. This is truly the unique and lasting contribution that Vincent Van Gogh has given to us in the study of our great Masterpieces.
Upon moving to Paris, van Gogh was hugely inspired by the works of the Impressionists and Post-impressionists and he adopted their bright palette and developed a unique style which continues to be emulated by artists to this day.Working at an often furious pace van Gogh produced more than 2,000 works of art, including around 900 paintings and 1,100 drawings and sketches in his 10-year career. The whole of Van Gogh`s painted works - over 800 canvases - were produced in the very short time span of only 8 years. In Vincent Van Gogh's own words, he said, "What lives in art and is eternally living, is first of all the painter, and then the painting." To understand an artist of Expressionism we must first explore their biography. This led him to a period of great despair and depression, so much so that he could not attend to his duties effectively and he was transferred to Paris in 1875, where he lived in a small room in Montmatre. However, returning home to Holland for Christmas, his parents managed to talk him out of this impecunious existance and again his uncle Cent obtained for him a clerk`s job in a booksellers in Dordrecht. He obsessively poured himself into this newly found talent and completed thousands of sketches and oil paintings before he shot himself to death at the age of 37 years old. Thus, a look into his childhood will give us an understanding of Van Gogh's creative expression, as well as an understanding of the origins of Expressionism. Van Gogh's inability to read the intent and emotions of others, caused him to fail to see that she had never expressed any interest in him. In Amsterdam, he began studying for the University entrance exams in theology, but soon found that he did not have the ability to learn the required math and foreign languages.
Living in the same filth and poverty that his brethren were forced to experience, he lost religion but gained a new fascination in his charcoal drawings of the peasant class living around him. Forcing a dramatic encounter with Kee's father, Vincent impulsively attempted to demonstrate the intensity of his affections for Kee.
His greatest painting, "The Potato Eaters" was the result of his deep empathy with the peasant class (See painting below).


Van Gogh unsuccessfully attacked Gauguin, then mutilated himself by cutting a large piece off of his ear (See his famous painting below in which he depicts the injury), he wrapped the severed ear in paper, and gave it to a startled prostitute whom he had befriended.
The very dark colors, with glimpses of light are typical of his style during the early phase of his depressive episodes. Mania and feelings of grandiosity were always followed by self-loathing, and the despair of deep depressions. Without access to modern medicine, the frequency of these self-destructive episodes increased until Van Gogh's suicide in 1890. However, he sold only one painting during his lifetime and did not become successful until after his death.Some of his most famous works include Starry Night, Sunflowers, and The Bedroom at Arles. Indeed his total output of over 2000 drawings and paintings originate from the period 1880-1890.
His great charity at this time, his life often being compared to that of St Francis of Assisi, with such actions as giving up his bed to a poor person and sleeping on the floor, soon brought him into conflict with the established Church, which was outraged by his conduct and he was forced to resign.
Failing in his first romantic experience, he also blundered miserably in his first job as an art dealer. Rijken said that she had to scold numerous youngsters for taunting Vincent Van Gogh and calling him "a queer freak." He was only 24 years old. With a relative's help he entered an evangelical school in Brussels and subsequently became a missionary preacher in the Borinage, a mining district in Belgium.
He held his hand in the flame of a kerosene lamp and said to Kee's father, "Let me see her for as long as I can keep my hand in the flame!" After blowing the flame out, Kee's father took Vincent to a nearby saloon to get him intoxicated and to reduce his extreme agitation.
When his brother learned of this incident, he had Vincent institutionalized for two weeks in Arles, France in 1888. Apparently, Vincent perceived the romantic relationship between Theo and Johanna, and their subsequent marriage, as a loosening of the bonds he held with his brother. So to, is the appearance of the shadowy figures of a man and woman in the far right-hand corner of the painting, widely believed to be suggestive of his dependent, yet ambivalent relationship with his brother and sister-in-law.
His expressive and emotive use of color and distinct brushwork became hugely popular and massively influenced Expressionism, Fauvism and early abstraction as well as various other aspects of 20th-century art. He was dismissed by the art firm, and with a relatives help, he temporarily took a position as an assistant teacher and curate. Then he convinced Vincent that Kee could not see him, and that their relationship had no future. Theo's lung condition had grown worse, and Vincent was clearly concerned with his brother's health. Selfishly, he was also worried about Theo's deteriorating financial prospects, which had already reduced the living allowance that was sent to Vincent each month. A quiet child he showed no great interest in art but when he was 16 years old, he began working at the Hague gallery. After several transfers that took him to London and Paris, he lost interest in becoming a professional art dealer and found a job as a missionary instead.
He worked in a small Belgium Province and began helping a group of miners with whom he empathized greatly.
Van Gogh donated many of his clothes and possessions to the miners which was frowned upon by the Dutch Reformed Church.
As a result, he adopted brighter, more vibrant colors in his art and began experimenting with his technique. Two years later, in 1888, van Gogh moved to Arles where he was later joined by his new friend Gauguin.
Later that day, van Gogh cut off part of his own ear then offered it to a prostitute as a gift. He was temporarily hospitalized and Gauguin left the home they shared, ending van Goghs dream of setting up an art school.Van Gogh committed himself to an asylum in Saint-Remy-de-Provence later that year and there he painted Starry Night, one of historys most influential artworks. He left the asylum in 1890 and in July of that year attempted suicide by shooting himself in the chest. He died two days later from the wound aged 37.Van Goghs closest brother, Theo died just six months later and his widow published van Goghs work, gaining his the recognition he longed for. Vincent van Gogh Biography Vincent van Gogh Style and Technique The Potato Eaters Vincent van Gogh Self-portrait with Straw Hat Vincent van GoghVan Gogh worked with a great sense of urgency and in the 70 days leading up to his death, he is said to have averaged one painting per day. It was only when he was satisfied with his drawing technique that he began adding color.Van Gogh regarded drawing as a basic task enabling him to grow artistically and to study form and movement. He began using a lighter palette of reds, yellows, oranges, greens, and blues, and experimented with the broken brushstrokes of the Impressionists. His collection of self-portraits places him among the most dynamic self-portraitists of all time.In 1888 van Gogh moved from Paris to Arles and lived for some time with Gauguin. Gauguin bought a bale of jute and both artists used this for their canvases, forcing them to apply paint thickly and to use heavier brush strokes. Van Gogh started to imitate Gauguin's technique of painting from memory during this time which resulted in his paintings becoming less realistic. Vincent van Gogh Style and Technique Who or What Influenced Vincent van Gogh Paul Gauguin Paris Jean-Francois Millet GruchyMoving to Paris 1886 had a dramatic and lasting effect on van Goghs work. Inspired by Impressionism and Post-impressionism he began using more vivid colors and experimented further with his technique. He also spent time researching the styles of Japanese artwork.In Paris van Gogh was also influenced by painters such as Gauguin, Pissarro, Monet, and Bernard and developed a close friendship with Gauguin who eventually became one of the biggest artistic influences on van Gogh. The pair met in Paris in 1887 and later lived together in Arles where they adopted a similar technique of applying paint more thickly and using heavy brushstrokes. Because of his work as a missionary, van Gogh identified with the lower classes and like Millet, he considered farmers and laborers to be honorable people, which was evident in his work.Millets depictions of peasants and the countryside impacted greatly on van Goghs early offerings.
Impressionism and Post-impressionism made a lasting impression on the artist and as a result he started to use brighter colors in his work, moving away from his typically dark compositions.
Van Gogh?s experimentation and resulting style changed not only his work during this time, but also the history of art in general.Modern critics agree that van Gogh was an artist who was deeply disturbed by his condition and this is believed to have impacted somewhat on many of his great works. His recent works, on view at the Independants in Paris, were deemed by many artists as "the most striking" in the exhibition. In January 1890, the critic Albert Aurier published the first full-length article on the artist, comparing his work to the nascent Symbolist movement and remarking on the innovation and intensity of his artistic vision.Often referred to as the 'Mad Artist,' van Gogh is today regarded as one of the most popular post-impressionist painters. Van Gogh?s definite brushwork and contoured forms have massively influenced Expressionism, Fauvism and early abstraction as well as various other aspects of 20th-century art.Van Gogh?s personal life and most specifically his mental illness has tended to overshadow modern perceptions of his art.
However, whatever your belief, van Gogh is regarded as one of history's greatest painters and a vital contributor to the foundations of modern art.
Vincent van Gogh Critical Reception Vincent van Gogh Bibliography Regarded as the greatest Dutch artist since Rembrandt, van Gogh is one of the world?s greatest Post-Impressionists. Many books have also been written about van Gogh paintings, Post-Impressionism and the artist himself.



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