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History of carnival in the us virgin islands,car registration check queensland zoo,sample mvr report - Tips For You

The Carnival Venice history has ancient origins when the Doge Vitale Falier evokes it in a document of 1094 – when the government of the Serenissima gave to the humblest classes of the population a short period of fun and festivities. Probably, these permission was allowed by the austere Republic of Venice which placed limits and restrictions as morality and public order of its citizens. With the increasingly widespread habit of dressing up for carnival, in town originated a real trade in masks and costumes.
Since the eighteenth century, one of the most common camouflage custom still present in our days, was the Bauta. Due to the increasing importance of Carnival, around the year 1500, there was the opening of many theaters and, in 1600, there was the birth of a great number of theatrical troupes made up of professional artists with an influential development of theatre comedy and arts that over the time became even more refined. Only in 1979, the Carnival was rehabilitated thanks to the efforts of some citizens associations, the contribution of the Municipality of Venice, Teatro la Fenice, the Venice Biennale and other tourist bodies. Luxury Travel in VeniceItalian Travel Experts specialized in custom travel vacation and events in Venice for businesses and individuals. Why Choose us Professionalism, charm, courtesy and immediate answers by phone or e-mail, this makes us your reliable partner. The Venice Arsenale comes to life during the 2014 Venice Carnival The 2014 Venice Carnival has many new treats in store for us. Our magazine Visit Venice – Winter 2014 with all the events of the Winter season in Venice, can be downloaded online for free!
The Venice Carnival 2013 is dedicated to colour: the title of the carnival this year is, in fact, “Vivi i colori – Live in colour”. Until 21th, February 2012 Since February 4th, a massive 9-meter-high wooden has been positioned on a floating barge in Venice for Carnival 2012.



The most theatrical and impressive performance of Venice Carnival was, with no doubt, ‘the flight of the Angel’ now become the ‘Flight of the Dove’, which consisted in the acrobatics of a man whose waist was tied with ropes, who first of all had to ascend, by means of a pulley device, from the dock to the belfry of Saint Mark’s bell-tower and then had to go down to the balcony of Palazzo Ducale and offered some little bunches of flowers and poetical works to the Doge who, from there, was watching the show. However, the first official document of 1296 issued by the Senate of the Republic, declared the Carnival of Venice a public holiday with the festive day before Lent.
Everyone was free to assume the behaviors according to the costume wearing, in fact, the greeting constantly echoing in the act of meeting a new mask was “buongiorno signora maschera” (hello lady mask). Since 1271, there are news about the production of masks, schools and techniques for their making. On the 2nd February, the day of the purification of the Virgin, was a custom to celebrate the blessing of the poorest and most beautiful brides in the city at the Basilica of San Pietro di Castello. The definition of art comedy was born in Venice around 1750 – introduced by the playwright and librettist Carlo Goldoni. Just after few editions, it has become an extremely important event for the city of Venice and for all those tourists around the world that each year come over. At the time, the Carnival was celebrated for six weeks (from December 26th to Ash Wednesday) although celebrations started beginning October. In this period began the realization of the first tools for the working materials such as clay, papier mache, plaster and gauze. The Bauta, apart from being widely used in Carnival, was also employed for the theater or for loving affair guaranteeing the total anonymity.
The wealthy patrician families of Venice were devoted to the giving of the dowry to the brides and, the Doge, lent prestigious jewels and gold coming from the treasury of the city. The edition of Volo dell’Angelo or della Colombina began in 1500 when a young Turkish acrobat succeeded with the help of a barbell to get to the bell-tower of Saint Mark walking on a long rope.


With the passing of the years, the authorities introduced several decrees and heavy penalties for the fraudulent use of disguises especially at night when the greatest crimes were committed. During the Serenissima Republic the celebrations practically lasted six weeks, from the 26th December to Shrove Tuesday when the bells announced the beginning of the Lent; in this period people made merry from morning to night and the Republic tolerated everything. Thanks to the anonymity guaranteed by the masks and costumes, there was an equivalence between all social social classes, gender and religion – as well as it was even authorized to mock the public authorities and the aristocracy. Another characteristic mask is “Pantalone” whose name comes from San Pantalone, one of the most venerated Saints of the city.
Subsequently, there were accompanied in procession to the Palazzo Ducale (Doge’s residence) where they received the homage of the Doge and embarked on the Bucintoro (galley of State) that sailed through the Grand Canal and Rialto reaching the church of Santa Maria Formosa for the solemn celebrations.
Nowadays masks coming from all over the world use to crowd the Venetian squares, but above all Saint Mark square and its cafes; besides the traditional masks you can see queer and quaint disguises, and many dances, parties, concerts andperformances in theatres are organized. Throughout the period of Carnival there was a slowdown of the various activities in order to devote more space to celebrations, jokes, entertainment and events set up in Piazza San Marco, Riva degli Schiavoni and in all major areas of the city with attractions of jugglers, acrobats, musicians and dancers. With the French occupation of Napoleon and the fall of the Venetian Government in 1797, was declared the permanent ban masquerades except for private parties in palaces and Ballo della Cavalchina at Teatro La Fenice. Saint Mark Square and the other little squares of the town became vast stages on which people organized entertainments of any kind. Ascribed to this epoch, the adventures of the atypical Venetian writer Giacomo Casanova, considered to be the greatest exponent of seduction.



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