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Published 03.07.2016 | Author : admin | Category : Easy Way To Make Money

Despite how funny political cartoons may be, they might also carry very strong messages, and these are often gendered.Political cartoons are a powerful medium because, although they are not news, they facilitate the delivery of specific messages. This is not because cartoonists are evil misogynists (although some might fit this description), but because they need to connect with particular cultural-accepted views on gender and gender relations. This resonates with the idea that niqabi women are already oppressed, so why depict them with an agency that they do not have?Image via the LA Times.Another theme present in political cartoons is the prevalent attention to Muslim women’s bodies. While Western women (such as female politicians) tend to be hyper-sexualized through sexy clothing, over-done makeup, and high heels, Muslim women are hyper-sexualized through the cartoonists’ obsession with their “exotic” way of covering. It is also commonly expressed that Muslim women’s bodies are not their own, but someone else’s (like the state, their male relatives, secular and religious institutions, or the media).Muslim women are not only “the other,” as we have explored in a previous post, but they are only a source of objectification and appropriation. Depictions of Muslim women in recent political cartoons serve mainly two purposes: they are political commentary (on terrorism, “barbarism,” extremism), and they are also a resource in the politics of fear.


They are shown as hiding something behind all that clothing; therefore, they are a security concern.
In an era of securitization, this is a very powerful commentary.In addition to being scary beings, Muslim women are also shown as both weak and oppressed subjects (often by men) that have to be exposed to the Western ideal of freedom.
Nonetheless, despite their weakness, they must also be controlled (we don’t want the extremists getting them first!) Both of these themes discourage the audience from thinking critically about Muslim women and encourage fear, rage or simply mockery.Cartoon by Dario Castillejos.
They are either behind men (sometimes with multiple children), ridiculed by Western characters, or carrying bombs. They are rarely depicted saying anything smart or “liberating.” They are also portrayed as hyper-religious, which makes them the object of jokes in highly “secularized” political cartoons.So how are we doing in political cartoons?
Very often, cartoons are gendered and present very particular, sometimes even racist, views on what Muslim women as “the other” look like.


What is more, Muslim women are largely just the shadow in the picture that makes an important political commentary about males in either the West or the East, even when discussing issues relevant to women.  Although there some Muslim women cartoonists like Omayya Joha and Nigar Nazar, political cartoons in major Western papers are male, and women cartoonists are often treated as the other (which would make it even harder for a Muslim woman cartoonist, a “double-other,” to enter the field).Is this the way Muslim women continue to be presented and explained to Western audiences, through the eyes of mainly white Western men?
Depiction of Muslim women in the Western media and much of the internet are highly problematic.



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