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Given the limitations of precise dating, uncertain provenance, and an uneven literature, what can be learned about woodworking tools after 1600? Despite such thoroughness, without the addition of the several plates it would be almost impossible to visualize, through the descriptive text alone, the work of the carpenter and joiner except, of course, in modern terms. Reflecting what the text writers listed, toolmakers by the end of the 18th century gave buyers a wide choice. In 1857, the Arrowmammett Works of Middletown, Connecticut, producers of bench and molding planes, published an illustrated catalogue that offered 34 distinct types that included everything from hollows and rounds to double jointers and hand-rail planes (fig. American inventories reflect the great increase suggested by the early technical writers and trade catalogues cited above. By 1900, the carpenter’s tool chest, fully stocked and fit for the finest craftsman, contained 90 or more tools. Reduced pricing when puchasing 10 to 49 eyes and further reduced when purchasing 50 or more. Assemble our landscape timber projects using these hard-to-find, extra long #10 x 5" screws.
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In some instances, design change can be noted and documented to provide at least a general criteria for dating.

The planes are of particular interest since they show clearly a change in form from those previously illustrated. An updating of Moxon, Nicholson's carpenter required an axe (1), adz (2), socket chisel (3), mortise and tenon gauge (4), square (5), plumb rule (6), level (7), auger (8), hookpin (9), and crow (10).
The metallic version of the brace did not replace the standard Sheffield type (1) in the United States until after 1850.
Rebating planes are the moving fillister, the sash fillister, the common rebating plane, the side rebating plane. The Castle Hill Works at Sheffield offered to gentlemen 20 choices of tool chests designed to appeal to a wide variety of users and purses. Although few in number in the United States before 1850, tool catalogues became voluminous in the last half of the century as printing costs dropped. Compare the content of two American carpenters’ shops—one of 1709, in York County, Virginia, and the other of 1827, in Middleborough, Massachusetts.
The dividers of the builder or shipwright illustrated here are of French origin and may be valued as much for their cultural significance as for their technical importance.
Specialization is readily apparent; the change in, and achievement of, the ultimate design of a specific tool is not so easily pinpointed. The inception of this shape occurred in the shops of Sheffield toolmakers in the last half of the 18th century, and it persisted until replaced by metallic versions patented by American innovators during the last quarter of the 19th century.
For all intent and purpose the saw still retains the characteristics illustrated in Nicholson. The chest was available in either oak or mahogany, depending on the gentleman's tastes (fig. John Crost, a Virginian, owned, in addition to sundry shoemaking and agricultural implements, a dozen gimlets, chalklines, bung augers, a dozen turning tools and mortising chisels, several dozen planes (ogees, hollows and rounds, and plows), several augers, a pair of 2-foot rules, a spoke shave, lathing hammers, a lock saw, three files, compasses, paring chisels, a jointer’s hammer, three handsaws, filling axes, a broad axe, and two adzes.

Only by comparing illustrations and surviving examples can such an evolution be appreciated and in the process, whether pondering the metamorphosis of a plane, a brace and bit, or an auger, the various stages of change encountered coincide with the rise of modern industrial society.
The enumeration of the joiner’s tools, however, indicates a considerable proliferation, particularly when compared to earlier writers. Moulding planes are sinking snipebills, side snipebills, beads, hollows and rounds, ovolos and ogees.
Not infrequently a tool’s style, decorative motif, or similarity to other objects that coexisted at a given time can suggest, even in relatively modern times, the values of the society that produced it.
The tools that the carpenter used were the same as those of the joiner except that the carpenter’s tools were structurally stronger. The source of such information derived from the hand tool is generally visual, recorded in the tool itself or in pictures of it and supported by manuscript and printed material. Instruments for dividing the wood, are principally the ripping saw, the half ripper, the hand saw, the panel saw, the tenon saw, the carcase saw, the sash saw, the compass saw, the keyhole saw, and turning saw. The joiner’s axe was light and short handled with the left side of the cutting edge bezeled to accommodate one-handed use.
Diderot, for example, illustrates 14 bench planes alone, generally used by the joiner (fig. Edge tools are the firmer chisel, the mortise chisel, the socket chisel, the gouge, the hatchet, the adze, the drawing knife.
5), while Roubo suggests the steady sophistication of the art in a plate showing the special planes and irons required for fine molding and paneling (fig.

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