In film making, post-production jobs refer to activities that take place after the movie has been shot.
Post-Production SupervisorThe post-production supervisor acts as a liaison between the director and the various post-production crews. Major motion pictures are massive undertakings, moving through the processes of development, pre-production, principal photography, and post-production.
Get In Media has put together an organizational chart that breaks down the different phases of filmmaking, listing the various crew positions associated with each department, and illustrating the hierarchy among them. Disney’s John Carter had an estimated production budget of $250 million dollars, which puts the film well within the top 10 most expensive movies of all time. For comparison, Wingnut Films (Peter Jackson) estimated the total cost for the entire Lord of the Rings trilogy at $285 million dollars, with a combined crew of about 2,400 people.

In 2012, the list of Oscar-nominated films for Best Picture ranged in budget from $15 million (The Artist) to $170 million (Hugo). Get In Media’s film industry chart maps out more than 200 careers within 26 departments, ranging from screenwriting and development, to editing and post-production. Average Post Production Film Technician salaries for job postings in New York, NY are 36% higher than average Post Production Film Technician salaries for job postings nationwide. The average film crew can easily swell into the hundreds, and even thousands, for mega-budget movies. Crews, and therefore the departments they work in, vary widely depending on the needs of the film.
That is nearly 2,000 people working together through the processes of development, pre-production, production, and post. So, if you are looking to find your place among Hollywood’s filmmakers, consult our chart to learn just how your dream job fits in today’s films.

John Williams’ score for the Star Wars saga is a prime example of a music composer adding an important dimension to film production.
This job also involves being the primary contact with the film lab and other vendors during the later stages of film production. Furthermore, that figure only accounts for the credited crew, never mind the studio personnel and various contracted parties that supported the release of the film with marketing and promotion.
The editor completes a rough cut, which is basically the film’s first draft edit, but much more work will be done. The automatic dialogue replacement (ADR) recordist works with the film’s actors to replace unusable dialogue.
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