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Ryan Reynolds attends the 'Woman in Gold' press conference during the 65th Berlinale International Film Festival at Grand Hyatt Hotel on February 9, 2015 in Berlin, Germany. Daniel Bruel attends the 'Woman in Gold' photocall during the 65th Berlinale International Film Festival at Grand Hyatt Hotel on February 9, 2015 in Berlin, Germany. Simon Curtis, Max Irons, Helen Mirren, Ryan Reynolds and Daniel Bruel attend the 'Woman in Gold' photocall during the 65th Berlinale International Film Festival at Grand Hyatt Hotel on February 9, 2015 in Berlin, Germany. To the extent that it is based on the portolan [nautical] chart tradition, there are rhumb-lines (thirty-two out of each of sixteen centers) and two unlabeled scales; also the map features shields and flags over Europe and kings in tents elsewhere. The language of the fifty-two legends, apart from the one in Latin on the Canaries, is Catalan. The oldest of the portolan charts to survive are of Italian origin, made at Genoa and Pisa; those dating from the latter half of the 14th century are mainly Catalan. Scarcely less valuable and certainly more interesting for the student of geographical theory, are the Catalan speculations concerning the unexplored territories of the earth.
However, on one matter the mapmaker could hardly refrain from speculating, for this reason: land exploration had for a long time now outrun oceanic discovery, and so, concerning Africa, for example, much more was known of the Sudan by the end of the 14th century than was known of the oceanic fringe in the same latitudes.
The shape of Africa on this map is unique, and it is much enlarged in relation to Europe and Asia.
That the great western gulf reflects some knowledge of the Gulf of Guinea is more probable.
Some surprise has been expressed that a map of 1450 should contain relatively up-to-date details coupled with antiquated ideas in other areas, and this has produced some rather involved explanations. The merit of the Catalan cartographers lay in the skill with which they employed the best contemporary sources to modify the traditional world picture, rarely proceeding further than the evidence warranted.
In the case of the Catalan-Estense map, whose date was earlier conjectured to be 14th century, the determining area would appear to be the west coast of Africa.
Further south, no discoveries are evident in the Gulf of Guinea later than a friara€™s journey, ca. A prominent feature of this map is the very long extension of the Gulf of Guinea eastwards, linked apparently by a river to the Indian Ocean, which is given a gulf south of the Horn of Africa. Africa contains half a dozen reigning monarchs, from Musamelli to Prester John, sitting in splendor in their royal tents. The course of the Atlas Mountains is very similar to that on the Catalan Atlas of 1375, even including a curved northern prong in the central area.
With the development of Portuguese seafaring in the 15th century and the subsequent widening if the southern horizon, the a€?harmonizinga€™ problem became increasingly acute. The circular Catalan-Estense map, measuring 113 cm in diameter, is very colorful with a large number of princes shown throughout Africa (where Prester John has been placed), 52 legends, castellated towns for major settlements, loxodromes, ships, mermaids, domesticated reindeer and horses. The northern portions of Asia and Europe on the Estense map, which lay outside the limits of the Catalan Atlas, significantly, contain very little detail. Recollections of medieval maps include the Earthly Paradise with Adam and Eve and the tree, here not in Mesopotamia but in Abyssinia, between the eastern branch of the Nile and the Red Sea, at a spring from which the four medieval rivers of Paradise flow.
In the hinterland of Asia the most prominent feature is the Caspian Sea, orientated northwest-southeast as in the Topkapu Siray fragment, but similar in shape to Ptolemya€™s. The account of China is also derived from Marco Polo, who mentions charts and gives occasional bearings, and from whose voyages the map that existed in 1459 in the Palace of the Doges, Venice, was drawn.
To the generally good delineation of European coasts there are exceptions, especially in more northern areas. In the 14th century the Catalonia-Valencia-Majorca region was a flourishing center of trade and culture where Arab and Jewish elements blended with Christian culture. The far north in Europe and Asia is more frightening than Africa, showing a naked giant pursuing a fox, a nine-headed idol being adored by two worshippers, and a strange hanging head, which appears on several other 15th century world maps. The entire map has been shifted to the east in its circular frame, thus making more room in the Atlantic for its islands.
The combination of archaism and modernism is an outstanding characteristic of this map, and it is interesting to note that the cultured and humanistic Duke of Ferrara, Ercole da€™Este, the owner of this map, also had in his library a copy of Ptolemya€™s Geography, edited by Nicholas Germanus.
According to Chet Van Duzer, a legend that says that there are three types of sirens in the Indian Ocean on the Catalan Estense mappamundi. Destombes, M., a€?Fragments of two Medieval world maps at the Topkapu Saray Library,a€? Imago Mundi 12 (1955), pp. Stevenson, Edward Luther, Marine chart of Nicolo de Canerio Januensis, 1502 (circa) (New York: American Geographical Society and Hispanic Society of America, 1908). Andrews, Michael Corbet, a€?The boundary between England and Scotland in the portolan charts,a€? Proceedings of the Society of Antiquaries of Scotland, Edinburgh, ser.
Andrews, Michael Corbet, a€?The British Isles in the nautical charts of the XIVth and XVth centuries,a€? The Geographical Journal, London, LXVIII (1926), pp. Crone, Gerald Roe, Maps and their makers, an introduction to the history of cartography (London: Hutchinsona€™s University Library, 1953), pp. Destombes, Marcel, a€?Fragments of two medieval world maps at the Top Kapu Saray Library,a€? Imago Mundi, XII (1955), p.
Taylor, Eva Germaine Remington, a€?Pactolus, river of gold,a€? Scottish Geographical Magazine, Edinburgh, pp, 129-144. Uzielli, Gustavo and Amat di Filippo, Pietro, Mappamondi, cartenautiche, portolani ed altre monumenti cartografici specialmente italiani dei secoli XIII-XVII, 2nd ed. Winter, Heinrich, a€?The changing face of Scandinavia and the Baltic in cartography up to 1522,a€? Imago Mundi, XII (1955), p. Located near the territory of Prester John between Nubia and the city of Arin [Civitasarim], the latter prominently marked and centrally placed in the Horn of Africa, not far from the Indian Ocean in which six islands of various sixes and colors are depicted. The circular Catalan-Estense map, measuring 113 cm in diameter, is very colorful with a large number of princes shown throughout Africa (where Prester John has been placed), 52 legends, castellated towns for major settlements, loxodromes, ships, mermaids, domesticated reindeer and horses.A A  Although almost a hundred years later, it is clearly related to the pivotal Catalan Atlas of 1375 (#235). The three days of the ' Tattoo Expo offers you the possibility to see 170 international tattoo and intertwined events such as art exhibitions, performances, concerts, workshops, contests and much more. Today Adrian works permanently in Lisbon and, periodically, in London and in Italy, has customers from all over Europe but not lost humility, patience, smile, perfectionism, dedication and passion for the tattoo, which characterize it. Alex brings forward an idea of freedom to release the tattoo world from classic icons, those styles and those that characterize it and that does not always belong to the culture of those who run, turning a practice as old as the world into a full-fledged art form on a very special support.
Unlike many medieval scholars the draftsmen of Majorca showed a praiseworthy restraint in this respect. The earlier draftsmen insisted upon cutting the continent short just beyond the limit of coastal knowledge, that is, in the vicinity of Cape Bojador. Below the Gulf of Guinea, which nearly cuts the continent in two, is a large crescent-shaped appendage extending to the east and forming a southern shore for the Indian Ocean. The continent ends in a great arc, conforming to the circular frame of the map, and extending eastwards to form the southern boundary of the Indian Ocean. The design of the northern half of the continent in general resembles that of the other Catalan charts, but the northwestern coast embodies some details of contemporary Portuguese voyages as far as C. Taking into consideration the lack of details and names in the southern regions of Africa, we may plausibly conjecture that, as an exception to the usual conservatism, the draftsman, in Africa at least, had removed all the detail for which he had no evidence, to obtain a framework on which to insert the latest Portuguese discoveries.
In the same spirit they removed from the map most of the traditional fables which had been accepted for centuries, and preferred, for example, to omit the northern and southern regions entirely, or to leave southern Africa a blank rather than to fill it with the Anthropagi and other monsters which adorn so many medieval maps.
The map names Cape Verde, which was discovered by Dias in 1444 and whose first recorded mapping is by Andrea Bianco in 1448 (#241).
1350, recorded in a book called Libro del conoscimiento de todos los reynos y tierras [Book of knowledge of all kingdoms and lands]. A waterway linking east and west Africa is reminiscent of the tradition going back to Crates of Mallos (168 BC, Book I, #113) and Macrobius (AD 400, Book II, #201), according to whom northern and southern Africa were separated near the equator by a body of water. The mapmaker omits the usual array of monsters in Africa, and the only animal depicted is a camel with a rider, sedately proceeding along the caravan route to the sea. The continent widens out again enormously, and the peninsula presents a curved south coast roughly parallel to a surrounding sea.
Kimble calls a€?harmonizinga€™ established facts with long-held a€?traditionsa€™; a practice which became very popular from the 14th century onwards.

On the southern coastline of Asia there are some differences, generally slight, between the two maps.
A legend of the Genoese world map of 1457 (#248) in the Central National Library of Florence (Port.
Southern Asia, separated from Africa by a Red Sea colored red, has a flattened and too northerly coastline. This refers not to Sri Lanka which appears as Silan (so is not the Ptolemy Taprobane) but to Sumatra, called by the Genoese world map of 1457 Taprobane and Ciamutera and by Fra Mauro Siomatra or Taprobana. The Catalan Atlas of 1375 is the earliest still surviving to incorporate material from Marco Poloa€™s text. Britain, as in many medieval maps, is shown split in two, or almost so, by a stretch of water, which may or may not reach the east coast between Scardenburgh [Scarborough] and Bernie [Berwick]. Countless maps by this cartographic school have survived, including the Estense world map featuring characteristics typical of portolans - rhumb lines, and flags and coats of arms to identify kingdoms and cities - but not obviously this map was made a€‹a€‹as a navigation aid. On the edge of the Gulf of Guinea, a river or strait connects the Atlantic and the Indian Oceans and an enormous land mass emerge to fill the base of the map.
As mentioned above, Jerusalem is not in the center and has no city vignette; it is simply marked San Sepulera and located on the River Jordan. Circular in shape, with different religious and legendary motifs along with certain Arab influence, it retains the rigor of portolans. The three types of sirens are half-woman half-fish, half-woman half-bird, and half-woman half-horse, and all three types of sirens are depicted below. Heinrich, a€?Die katalanische Weltkarte der Biblioteca Estense zu Modena,a€? Zeitschrift der Gesellschaft fA?r Erdkunde zu Berlin, Berlin, XXXII (1897), pp.
Heinrich, a€?Die katalanische Weltkarte der Biblioteca Estense zu Modena,a€? Zeitschrift der Gesellschaft fA?r Erdkunde zu Berlin, Berlin, XXXII (1897), no. This resemblance in the content of the two maps strengthens the contention that the latter was derived from a circular prototype. In Brazil learn to consider the true art tattoo alongside masters like Luciano Said, Professor in the school of DermaFrance Tattoo, and Belin (Belin Tatuagem) both of Belo Horizonte; arrived in Portugal in 2003, does not fail to try the comparison with artists such as Theo Pedrada and Carlos Amorim, with whom tightens first professional relationships and friendships.
It is a versatile artist, he devoted himself to the art on the skin (tattoo), airbrushing, painting and drawing.
The map aims at covering all the lands of the Old World, but including the whole of Africa. Textually comparable are the legends on the Catalan map at the Central National Library, Florence Port.
It is more than that; for while the latter is essentially a sailing guide concerned with coastwise navigation, the Catalan map is really a world map built up around the portolan chart.
Thus we may look almost in vain for those fanciful creatures with which the cosmographers of that age filled their empty continents. A thin canal across its narrow waist implies a passage between the Atlantic and Indian Oceans.
On the west, a long narrow gulf from the circumfluent ocean almost severs this southerly projection from northern Africa.
It must remain debatable whether the outline of the southern extremity represents some knowledge of the Cape.
Though drawings of men and animals still figure on their works they are in the main those for which there was some contemporary, or nearly contemporary, warrant; for example, Mansa Musa, the lord of Guinea, whose pilgrimage to Mecca created a sensation in 1324, or Olub bein, the ruler of the Tatars. The Cape Verde islands, which although discovered in 1444 also appear cartographically in Benincasaa€™s map of 1468, are not featured on the Catalan-Estense map.
Nevertheless it is interesting that his islands Gropis and Quible reappear on the Catalan-Estense map in the west-east order of the friara€™s navigation (the cartographer does not change the order to east-west as Kimble implies). South of the narrowest point, rather irrelevantly, is a legend which may be translated: Africa begins at the R.
The Saharan cities that appeared on the Catalan Atlas also appear here; among them are Siguilmese, Tenduch, Tagort, Buda, and Melli.
1) tells us that some have put Paradise in this part of Africa, while others have said it is beyond India.
The description of its alleged cannibals comes from Marco Polo (III,10), as does the similar description of Java, here named as Jana. The Catalan-Estense map not only incorporates no new material, but some omission and corruption have occurred.
One may wonder if this originated as a misunderstanding of Hadriana€™s Wall or of a line of hills, for example the Cheviots.
It can be considered to be a paradigm of the artista€™s technique, logical extensions of historical vision extending beyond the Mediterranean to the frontiers of the known world.
Stylistically speaking, the most noteworthy characteristic of the Catalan school is the series of portraits of the lords of the desert in their tents, some of whom are actual sultans and others legendary figures. Other than the coastal cities, only the Dead Sea (Mar Gomora), Judea, and the Jordan are mentioned. Next to the Canaries, a long Latin text, drawn from Isidore and the voyage of Saint Brendan, describes the Fortunate Islands of antique fame. The duke owned a copy of Mandevillea€™s Travels as well, which he must have treasured, as there survives a letter he wrote demanding its return from a borrower. The half-woman half-fish siren holds a mirror, symbolically indicating beauty but also vanity. On the contrary with real but heedless enthusiasm they set about the task of pouring the new wine into the old skins, an occupation offering more and more difficulties as exploration extended the known world. The nomenclature and the numerous legends on the Catalan-Estense, mostly in Catalan with a few in corrupt Latin, are often very similar to those of the 1375 Atlas. In its continuous search for improvement in 2011 participates in World Wide Tattoo Conference in Rome.
The central point is not Jerusalem but near the abode of the mythical Christian king Prester John [Presta Iohan], placed in Nubia between the two branches of the Nile. It is true that in some cases the term a€?worlda€™ connotes simply the habitable, or known earth as conceived by the author, nevertheless, in others, as the Catalan-Estense map, it is interpreted to include lands not yet discovered, but only posited. At the same time, these men saw nothing strange about a belief in the Terrestrial Paradise, or in a hydrographical system stretching from sea to sea.
The southern landmass, which may be intended for a separate continent, has no place-names or pictures, demonstrating remarkable restraint on the part of the artist. The southern interior is blank save for the legend Africa begins at the river Nile in Egypt and ends at Gutzola in the west: it includes the whole land of Barbaria, and the land in the south.
The outline may be entirely imposed by the frame of the map: at the most, it may reflect the kind of report that we find on Fra Mauroa€™s map (#249). In this spirit of critical realism, the Catalan cartographers of the 14th century threw off the bonds of tradition, and anticipated the achievements of the Renaissance.
This coastline looks in the Modena map rather similar in its outline to Biancoa€™s 1448 chart. Nor can we prove a date from the legend to a mountain near the same gulf, which may be translated as This mountain is called by the Saracens Mt Gibel Camar, which in our language means Mountain of the Moon; this mountain is on the equator.
A pass in the eastern part of the range is called a route of Islamic pilgrims, another piece of evidence of Arab sources.
The Catalan-Estense map also gives a short caption on diamond mountains, said to be guardians of the Earthly Paradise. Thus the capital [Beijing] of Cathay is said to be Cambalec and to have had an ancient city called Garibalu nearby.
Of the northern islands, the furthest northwest is Islanda [Iceland], one of eight in an archipelago.
The anonymous artist of the Estense world map combines details from literature of certain regions of the world with empirical facts about the Mediterranean area.
These are the earliest European maps to acknowledge and record the presence of Islamic power in the Mediterranean.

To the south the Indian Ocean is greatly enlarged and full of brightly colored islands, but only three are named: Silan, Trapobana, and Java. Platoa€™s tale of Atlantis is recalled near an island labeled illa de gentils; it was once as large as all Africa but now, by the will of God, is covered with water. Such a map implies several highly complex unknown factors as regards the level of realism aimed at by the artist.
The sirens on the Catalan Estense mappamundi are of particular interest because they provide insight into the techniques for making sea monsters in a cartographic workshop.
The single river originates in the middle of the Garden before flowing out of it into a lake, there after to separate into four streams.
In some instances the legends are more complete, in others they are less detailed; they suggest, therefore, not direct copying but possibly a common source.
Not only fun but also an occasion for social commitment with the promotion of new ideas for youth entrepreneurship, enlarging the tourist attractiveness of Naples to a young world, the bearer of messages new and unconventional. The map belonged to the collection of the Dukes of Ferrara, who since 1452 had also been Dukes of Modena and Reggio.
The abandonment of Jerusalem as a central point is found on several other European mappaemundi of the 14th and 15th centuries.
There are also linguistic and topographical similarities with a fragment of a Catalan world map in the Topkapu Sarav Library, Istanbul. This aggravated the cartographera€™s task very considerably for it meant that he was continually being faced with the problem of choosing between scanty and often poorly substantiated fact on the one hand, and plausible and often well-attested theory on the other.
Five rivers are shown flowing north from it, one of them a river of gold, flowing through a lake not connected with the Nile. A legend on the island of Meroe on the White Nile claims this as the place where there is a deep well, on the bottom of which the sun shines; similar ones on the Pizigano map of 1367 (Parma) and the Florence Catalan map mentioned give the month when this happens as June. The northern coast of the Gulf continues east almost straight, the whole coast of India being much foreshortened. As a result, details from the tales of Marco Polo, known centuries before, can be seen in the descriptive outline of China, with details about the Portuguese recent explorations of Cape Verde, circumnavigated for the first time in 1444 by Dias too. A Chinese junk, identified in a legend, sails through the water, menaced by three half-human figures: one part fish, one part bird, and one part horse. In the north is a group of colorful islands marked, These islands are called a€?islandesa€™, which may be a reference to Iceland. It is, for example, inconceivable that contemporary seafarers believed that a large expanse of land actually existed in the south of Africa. The wavy lines representing the water are discontinuous at a rectangle around each of the sirens, indicating that a blank space had been left for each creature, and that the sirens were painted by a different artist, no doubt a specialist in decorations such as sea monsters.
These Mountains of the Moon are stated to be on the Equator, and the streams are called the riu de lor. But as they were predisposed to eschew wild guesses and to be skeptical of travelersa€™ tales, their maps do not afford the best illustrations of this characteristic.A  As a single example, at the beginning of the Catalan period the Rio del Oro [River of Gold], a heritage of classical geography, was made to debouch into the Atlantic immediately south of Cape Bojador. This similarity is also evident in the delineation of the main features, most of those in the 1375 Atlas are to be found on the Estense map.
Many of them had collections in more than one place and the Estense library is very rich in their collections of different periods. Africa, to which the cartographera€™s attention was clearly directed as new discoveries were incorporated, is enlarged, crosses the equator, and reaches a southern coast. As these Catalan maps developed, some of them aimed at including the latest information available from European navigators and compilers.
It is a tribute to the integrity of these men that their work contains so much that subsequent investigation has proved true.
Later draftsmen, in order to escape the embarrassment caused by indicating the great trans-Saharan caravan routes within these narrow limits, began to speculate on the course of the African coast, south of Bojador.
Differences in ink and supposed linguistic variants caused earlier scholars to wonder if two different periods of composition were involved, but George Kimble (1934) pointed out that the handwriting had been judged the same throughout. This river of gold is different from the Riu del Or reported in the Catalan Atlas of 1375 (#235) as having been discovered in 1346; that is an inlet in the former Spanish protectorate of Rio de Oro. Near Cape Verde we are told, a€?At this cape is the end of the land of the west part of Africa. There is nothing corresponding to the Malay peninsula, only a gentle bend leading north-westwards to surrounding Ocean. The circumference of the capital in Marco Polo is 24 miles, in the Catalan-Estense map 24 leagues. But south of it is inssula [sic] destillant, whose inhabitants are said to be Norwegian-speaking Christians. The same discontinuity in the wavy lines is visible around the two ships on the map, and given the similarities between the faces of the sirens and those of some of the sovereigns painted in Africa, it is tempting to conclude that one specialist painted all of the more artistically sophisticated decorative elements on the map: the sirens, the ships, the sovereigns, and so on. It is a tribute to the integrity of these men that their work contains so much that subsequent investigation has proved true.A  In fact it is this careful sifting of evidence that constitutes one of the chief merits of the Catalan school of cartography, in an age when intellectual honesty was none too common. We may therefore assume that the headwaters of the Niger marked the approximate limit of contemporary knowledge in this region, and it is not improbable that reports of the sea to the south had been received. With the extension of trans-Saharan commerce in the 14th century, and, along with it the enlargement of geographical knowledge, the Rio del Oro was pushed, little by little, farther south until at length in the Catalan-Estense map it is located approximately in the latitude of the Senegal-Niger system, which no doubt, it is intended to represent. The map was taken there in 1598 by Cesare da€™Este who was the illegitimate son of Duke Alfonso I.
A Mons Lune [Mountain of the Moon] is also found by the Gulf of Guinea on the Medici Atlas (#233), whose world map is now thought to be 15th century.
The island of Trapobana is much enlarged, and is placed on the southeastern margin of the map. Despite this primitive cartographic approach to Asia, the evidence given above from West Africa seems conclusive on the dating.
This island is surely not a misplaced Estland [Estonia], as Kretschmer gives, but Shetland [Hjaltland], for which compare Ilia de Scillanda, near Archania, in the 1375 Catalan Atlas. Or that theologians could accept that Paradise, which ceases to appear in Asia following Marco Poloa€™s travels, could be relocated to Ethiopia. The legends about sirens on the Catalan Estense mappamundi derive ultimately from the so-called Tuscan bestiary, perhaps by way of a Catalan bestiary. The value of the Catalan maps, as commentaries upon the state of contemporary knowledge at once becomes apparent and we are hardly surprised to find that the Catalan Atlas of 1375 (#235) has the finest delineation of Asia Europe had seen up to that time, or that, in its knowledge of Cathay [China] and the Sudan, the same map is surpassed in the Middle Ages only by the 1459 Fra Mauro map (#249). These may have induced the cartographer to accept the western gulf of Ptolemy, but to enlarge it considerably.A  Again, the name Rio del Oro [River of Gold] recalls the inscription on the Catalan Atlas and the classical tradition.
In the interior the Catalan-Estense map has the land of the King of Melli said, as on the Paris and Florence maps, to be rich in gold, to which the Modena map adds that it is poor in salt, which comes to be worth its weight in gold. So the Pillars of Hercules have slipped down the coast and will eventually disappear completely. The surrounding ocean, the Mar deles indies is filled with numerous nameless and featureless islands.
It is also difficult to imagine that they believed that the laws of God and nature ceased to apply beyond the frontiers of Europe and that it was possible anything was there. Therefore, apart from a small portion of the coastline, the map owes nothing to Portuguese exploration. Maritime exploration had hardly begun to yield fruit while the land explorations of the Poloa€™s and their contemporaries had not yet produced a systematic revision of current ideas.

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