Some artists and labels prefer certain tracks to be purchased as part of an entire release. PartNumber: RHI1 432700ttlOST for 2008 film, Juno featuring indie sweethearts Belle & Sebastian, Kimya Dawson, The Velvet Underground and so much more.
Deep, slow and just a little bit sexual, Shoes have turned into slippers right here as we lean back and get massaged by these wonderfully subversive twists on five well-known soul classics. Philip Tan will also share some development anecdotes about Revolution, a historical game about Colonial Williamsburg developed in 2004 by the MIT Education Arcade. Between the Eyes Volume 3 contains many unreleased tracks from the Church of Acid and Calling ov the Dead eras. The narrative centers on whip-smart Juno (Ellen Page, in a breakthrough role), a teenage girl faced with an unplanned pregnancy from an afternoon with the charmingly unassuming Bleeker. As Gary began further sonic construction by drawing influences from television, movies, and music as well as adding vocals into the mix, his project developed a unique and progressive character. Beautiful, free-s pirited Sam (Emma Watson) and her fearless stepbrother Patrick (Ezra Miller) shepherd Charlie through new friendships, first love, burgeoning sexuality, bacchanalian parties, midnight screenings of The Rocky Horror Picture Show and the quest for the perfect song.The Perks of Being a Wallflower maintains the fine tradition of movies like Running with Scissors and Nick and Norah's Infinite Playlist in its savvy, sensitive telling of high schoolers coming of age and coming to terms. Working with Co-Producer Marc Jordan (The Cult, Die Antwoord, Velvet Revolver) the band wrapped up production of their debut release titled vol.1 in, ironically, December of 2014 and got together with world renowned Mastering Engineer Howie Weinberg (Metallica, Muse, Nirvana) to put the finishing touches on the album in the Winter of 2015.
The first release, Transmissions, pioneered the Goa style and showed the world what trance music should sound like. Stripping the tempo right back and focusing on the dreamiest, haziest aspects of the original, the Shoes crew has excelled themselves here. Watch with us as we try to skip past as much of the parkour, sci-fi and killing and focus on all the stuff that’s unique to this episode.
Juno finds her unborn baby the perfect set of parents in Mark and Vanessa Loring (Jason Bateman and Jennifer Garner), an affluent suburban couple who are eager to adopt.
The resulting sound was a unique blend of very melodic, yet complex mix of layered electro-industrial merged with trance elements. Though it enters some dark emotional territory as freshman Charlie (Logan Lerman) connects with a clique of older students, the smart sense of humor threaded throughout is as charming as the heavy stuff is powerful.
Coming a full 21 years after their debut left-field dancefloor hit Corporate Slave, Babes in Consumerland sees the band in transition as never before. In March of 2015 Black December signed a global three-album deal with the legendary independent label, Metropolis Records.
Not wanting to conform, Lu.Ci-Ana was released checking in at just over an hour for just one track. Now Client have returned nearly a year to the day with a thirteen track remix album simply titled: Untitled Remix.
For the past 6 years, he was the executive director for the US operations of the Singapore-MIT GAMBIT Game Lab, a game research initiative.

A compilation of rarities, outtakes, and original versions, Between the Eyes Volume 3 is a must have for any fan of Velvet Acid Christ, as well as for those who missed the beginnings of this American Electro-Industrial act. Along with the total support of her parents, Juno conquers her problems head-on, displaying a youthful exuberance that is both smart and unexpected. Charlie enters high school with some serious yet indeterminate psychological problems that have clearly devilled him since childhood.
Though not mentioned explicitly lyrically, band mastermind Dee Thrussells long journey to recently arrive as a transgender woman informs every musical gesture and plaintive lyric. Shortly after signing, Black December was invited to play select shows with KMFDM to kick off their 2015 plans.
Conventional' Absolutely not, and Reactors third studio album continued to show the diversity of styles and influence with which Watkins could create an album.
Marc Blitzstein's score can be regarded as a "lost gem" by the world at large, but to true afficionados, it is acknowledged as a classic. He complements a Master's degree in Comparative Media Studies with work in Boston's School of Museum of Fine Arts, the MIT Media Lab, WMBR 88.1FM and the MIT Assassins' Guild, the latter awarding him the title of "Master Assassin" for his live-action roleplaying game designs. Features tracks from Kimya Dawson, the Kinks, Buddy Holly, Sonic Youth, Belle & Sebastian, Mott the Hoople, Cat Power and others. After almost a decade after first signing with Metropolis Records, Dismantled (Gary Zon) is now a veteran in this industry and his new release is a testament to that fact. We don't get to know about the extent of his difficulties until the movie's final scenes, but they've made it hard for him to find friends.
Still possessed of a striking social conscience and the blackest of humours, Everything Is Under Control exclaims a reverie around social conditioning over a hefty shuffle. Beyond the Infinite was originally released in North America in April 1996 and is much darker and heavier than Transmissions, but keeps the dance club accessibility of before. Rhino.Director Jason Reitman's warm, compassionate comedy about an unanticipated teen pregnancy was not only a dark horse Oscar nominee for Best Picture, but saw this soundtrack CD top the charts just two weeks after its release. This dark, brooding, emotional album shows huge artistic growth for Dismantled, while still keeping that edgy, powerful sound that has made them popular. A device that comes and goes is Charlie's voice-over of letters he's writing to an unknown and unnamed friend that describe the hard shell he's kept closed around himself.
Bleak Is My Favourite Chic chronicles a troubled internal landscape over pogo beat, fuzz-punk bass and squealing analogue synths.
The first single, Guardian Angel, has beautiful strings over an oscillating synth that draws the listener in and makes them crave more. It's a collection wherein quirky, generation-spanning folk and rock choices are rooted in something more rewarding than mere eclecticism for its own sake--namely the sense of unlikely, hopeful humanity that Kimya Dawson's core songs bring to its slightly askew axis. Tracks to pay attention to include Disease with its 80's inspired bass, catchy synths and gloomy vocals, and Black Heart which rounds out the album in a cinematic manner.

It all starts to change for Charlie--mostly for the better--when he hooks up with the eccentric, iconoclastic senior Patrick (Ezra Miller) and his popular step-sister Sam (Emma Watson).
Timely and provocative, Apocalypse Fatigue pleads for an end, as an EMS VCS3 chirps and a Fairlight CMI choir purrs. Dawson's spotlight performances here range from a handful of decidedly twee solo cuts, to the album's key "Anyone Else But You," (her 2001 duet with Adam Green released under the Moldy Peaches moniker,) and a couple more upbeat oddballs by the singer's more recent Antsy Pants project.
The energetic duo bring Charlie into their fold of friends and introduce him to a world outside himself that is probably exactly what he wanted, even though it's a place of loyalty, trust, and understanding that had previously been unimaginable in the small confines of his tortured head space.
Joined by dear friends and collaborators Atom TM, Felix Kubin, Ash Wednesday, John Justin Stewart (Grace Jones) and The City Of Prague Philharmonic Choir, this is electronic music as youve never heard it before - blindingly articulate, fearless and yet strangely accessible. Previously out-of-print, Beyond the Infinite is being re-released to allow fans the chance to listen to an album that defined trance in the mid 90s. That effusively innocent musical core is augmented with a pair of eminently sympathetic tracks from Scottish twee-pop magnates Belle and Sebastian, then seasoned with a mix of catalog tracks that spans eras from Buddy Holly to Sonic Youth--utilizing styles as diverse as the Kinks, Mott the Hoople, and Velvet Underground--that nonetheless manage to bolster the film's tender emotions with a graceful, (if skewed,) charm that's hard to resist. As with all friendships, there are rivalries, boundaries, rifts, and betrayals that ebb and flow as the school year unfolds. 2013s incarnation of the legendary Snog is a now an all-female act, a powerhouse trio delivering slyly subversive electronic pop.
With the upcoming Summer 2008 tour and the brand new album Gods & Monsters just released, this looks to be THE year for Juno Reactor. Charlie's inevitable breakdown and the healing that he experiences from having been exposed to such acceptance comes full circle in a neat little package at the end. One of them was the choice of music he used, which gave potent voice to this soundtrack companion. While all of the songs added energy and emotional atmosphere to the scenes, it was the inclusion of numerous numbers by Kimya Dawson that subtly enhanced the wonderfully drawn title character. Dawson's homemade immediacy and faux stream-of-consciousness lyrics felt like songs that the character Juno would listen to, or create. This may be the post-Potter role that breaks Watson free to revel in her talent, and Miller is a natural as a grown-up teenager who may have most of it figured out, even though the internal confusion he's tried so hard to bury still rears its head now and again.
Dawson's seven (one recorded with Adam Green, her partner in the Moldy Peaches) are interspersed among a dozen other selections which straddle generations--Buddy Holly, The Velvet Underground, Mott the Hoople, Sonic Youth, and Cat Power--and moods, sequenced to flow like one delightful radio program. Set in the early '90s, the movie is tinged with peripheral period details that never overpower or insert themselves awkwardly into the action. The writer-director is Stephen Chbosky, who adapted his own semiautobiographical young adult novel.

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