Robe once again had a big presence at Electric Daisy Carnival (EDC) in Las Vegas, another high profile event on the U.S.
Staged at the Las Vegas Motor Speedway, it was EDC Las Vegas’ 20th anniversary, and nearly 350 Robe fixtures – 212 Pointes, 83 x BMFL Spots and 38 x BMFL WashBeams – graced Steve Lieberman’s epic design for the circuitGROUNDS stage. As the main production stage of the event, the star-studded line up included Armin van Buuren, Martin Garrix, Afrojack, Eric Prydz, Kaskade and numerous others. Most of the surfaces were clad in LED video panels, so bright, high-impact fixtures were essential. The Pointes were Steve’s main in-air texturing fixture, creating all the big, bold multi-beam and effect looks.
Pointes have become a standard on SJ Lighting specifications for their multi-functionality and versatility and the vast amount of looks and variations.

Steve programmed and operated lighting for many of the shows himself, working closely with his FOH team of Benjamin Rehm and Maxwell Robin who also took care of running the pre-visualization suite and helped accommodate numerous guest LDs working with their various artists all of whom utilized the rig for a number of memorable sets.
Having been in the business for some years and very active in the EDM world, 90% of LDs know Steve and each other. Robe moving lights were also integral to the cosmicMEADOW Stage, specified by Andre Beekmans of Netherlands-based The Art of Light who created the visual design for this space, using 33 BMFL WashBeams which were supplied by Solotech.
The architecture was based on an enigmatic 360 degree coliseum look – classical lines with industrial attitude – a provocative, interesting and exciting environment to host some of the best DJs and music producers on the planet. The space was comprised of a series of geometric bridges and towers constructed from trussing and custom metalwork, supplied – along with the full technical package – by AG Production Services. The bridges were built from roof trussing, so fixtures were hung along the bottom rails, whilst on the towers, lights were hung on out-rigged pipes.

The Pointes and BMFLs were dotted all over the set and both worked extensively and relentlessly throughout the three day event!
Their speed makes them ideal for EDM scenarios and they can provide more than enough looks for everyone’s set to appear different.

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