Contact us with a description of the clipart you are searching for and we'll help you find it. WikiArt.org allows unlimited copying, distributing and displaying of the images of public domain artworks solely. If you feel this image is in violation of our Terms of Service, please use the following form to have it manually reviewed by a staff member. It looks like Bandai have put a lot of time in and money into the imminent Akira Blu-ray, hopefully putting to rest the fears of fans worldwide that it might be yet another quick transfer.
Unfortunately, there were no available studios with the ability to master at this level of fidelity, and many of their sound systems could not reliably reproduce the dynamic range of sound that Shoji Yamashiro wanted to bring to the front during the re mastering process.
Even though AKIRA had major restoration work done for the 2001 DVD release, including a 1080p theatrical quality master, advances in digital restoration and film transfer technologies have increased to the point where a brand new transfer was warranted.


Even at a running time of only 124 minutes, AKIRA pushes the boundaries of what can be compressed to a Blu-ray Disc. Images of that type of artworks are prohibited for copying, printing, or any kind of reproducing and communicating to public since these activities may be considered copyright infringement. As with the audio, a new inter-positive was struck from the original film negative for a new scan into a digital intermediate (DI); the master computer file upon which all of the remastering work was performed. Yamashiro’s own studio, equipped with the best equipment available, and the original analog master tapes were brought out from storage. Uncompressed linear PCM at this resolution needs an astonishing 28 megabits per second (mbps) of transfer rate. In the worse-case-scenario, and a euro release is substantially delayed again, then at lease the US disc is being reported to be region-free.


The two companies worked together closely to balance the available space on a BD-50 with the needs of both the audio and video tracks. In the end, the combined load of all four audio tracks bump their head against that 20mbps ceiling, never breaking through, while still leaving plenty of room for a high quality video presentation.




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