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Hello, there!We are building a free shopping app that will help you get discounts on the products you like. Mike: Agreed, but wouldn’t an attractive person find an equally attractive person average?
Mike: Neanderthals need love too, I guess, but I joking aside I think the right side faces are average looking. The eighth installment of the urban fantasy series Kate Daniels by Ilona Andrews (pseudonym for the #1 New York Times bestselling husband-and-wife writing duo) is already getting rave reviews.
Robin Hobb first introduced her beloved character Fitzchivalry Farseer over a decade ago in her highly acclaimed Farseer trilogy. This prolific #1 New York Times bestselling author, Sherrilyn Kenyon, has garnered quite a devoted following over the years, with more than 30 million copies of her books in print in over 100 countries – and with at least 65 of her novels having been featured on the New York Times lists.
Whether you’re into mystery novels, romance, inspiration, science fiction or fantasy, there are plenty of great books to read that are set for release this month. Book lovers are no stranger to the many works of James Patterson, as the author has released numerous bestselling books. I’m not typically a big inspirational book reader, but every once in awhile, one comes across my desk that actually catches my eye. Pulitzer Prize finalist Adam Haslett has a novel coming out on May 3rd by the name of Imagine Me Gone. There are no shortages of post apocalyptic tales, but thankfully, it happens to be my favorite book genre. Sawyer Bennett’s new series, Sugar Bowl, starts with Sugar Daddy, a tale of revenge revolving around a woman who was raped by an unknown man.
If you love Lost, the ABC TV series that stole our time away so many years ago, then you’re going to want to give Before the Fall a read. An absolutely beautifully written, epic fantasy with deep spiritual and metaphysical messages.
If you enjoy a good murder mystery or psychological thriller, I would recommend Midnight Shark from Edward A. The story revolves around a therapist who sees patients from a van in Skid Row, in the late hours of the night.
It quickly develops into a fascinating murder mystery with interesting, thought provoking themes that are beautifully weaved into an all round brilliant crime novel. It’s summertime, and that means our Kindles are filling up and our bookshelves are getting ready for some beach reading. Christine Feehan is the author of five series that all hit #1 on the New York Times bestseller list. Kim Stanley is being referred to as one of science fiction’s most powerful voices, with many saying that her newest novel, Aurora, is brilliantly imagined and beautifully told.
Joe Abercrombie is taking the fantasy world by storm with his Shattered Sea novels, and this third novel is the conclusion to his epic fantasy.
He was an actor first, a playwright second, a serial dramatic collaborator, a shareholder in his theatrical company and a prosperous family man of substantial property in London and Stratford.
It should come as no surprise that such infinite variety is reflected in a host of books published this year to commemorate the 400th anniversary of Shakespeare’s death. Academics, poets, novelists, musicians, curators, journalists and theatre practitioners have all put pen to paper in attempts to understand the Bard and his influence, from Stratford and London to East Africa and China. The most striking common trait among these books is a desire to explore Shakespeare’s afterlife beyond the shores of “this sceptred isle”, in places where we might least expect to find him. Pursuing Shakespeare’s legacy throughout the Swahili-speaking parts of East Africa, Wilson-Lee moves from the 19th-century imperial adventures of Richard Burton and Henry Morton Stanley, who explored the continent’s interior armed with their Complete Works, to the 2012 performance of Cymbeline in Arabic at the Globe by the South Sudan Theatre Company. Along the way, Wilson-Lee uncovers captivating glimpses of the “ever-living poet”, how Shakespeare affected the lives of the missionaries, railway labourers, colonial settlers, revolutionaries and politicians that made modern-day East Africa. Other names are less familiar, such as Edward Steere, an English missionary who published the first Swahili versions of Charles and Mary Lamb’s Tales from Shakespeare as Hadithi za Kiingereza, or “Tales from the English”, in Zanzibar in 1867.
Some of Wilson-Lee’s inclusions are downright bizarre: his chapter on Che Guevara’s convalescence from his failed revolutionary foray into the Congo in Dar es Salaam in 1966, during which he was given a book on “the theatre of Shakespeare”, leads into an extremely tenuous argument about the Argentine revolutionary’s self-identification with The Tempest (although there is no evidence Guevara even read it). By training Wilson-Lee is a tutor of Renaissance literature at Cambridge University, but his instincts are those of a traveller and diarist.
In contrast, Andrew Dickson makes a cheerful virtue of his parochial Englishness in a far punchier whistle-stop tour of Shakespeare’s globe, Worlds Elsewhere (Bodley Head, ?20).
He excavates the remarkable story of the “Robben Island Shakespeare”, a Complete Works smuggled onto the island in the Seventies, its passages signed by the prisoners.
Solipsism often gets the better of Dickson, as it did of Wilson-Lee; we learn far too much about his jet lag and existential ruminations on the universe. Asking 30 contemporary poets to respond to his sonnets was always likely to produce a mixed bag, and so it proves in On Shakespeare’s Sonnets, edited by Hannah Crawforth and Elizabeth Scott-Baumann (Bloomsbury Arden, ?12.99).
The Hogarth Shakespeare, a series of contemporary novelisations of his plays, has got off to a flying start with Jeanette Winterson’s haunting reworking of A Winter’s Tale, The Gap of Time, and Howard Jacobson’s Shylock Is my Name (both Hogarth, ?16.99), a clear-eyed reflection on modern Jewish identity that translates The Merchant of Venice to the gauche, aspirational world of Cheshire’s “golden triangle”. Jacobson’s novel, in which Shakespeare’s Shylock miraculously appears in the present day, alongside Simon Strulovitch, “a rich, furious, easily hurt philanthropist”, coincides with another anniversary: it is 500 years since the creation of the first Jewish ghetto in Venice.
Since The Merchant of Venice is just one of several Shakespeare plays defined by bonds of credit and debt, Robert Bearman’s study Shakespeare’s Money (OUP, ?20) is a welcome addition to this year’s party.
Bearman explains how Shakespeare turned the hitherto humble craft of playwriting into a very comfortable living, writing exclusively for his company as shareholder by the late 1590s, which earned him around ?50 a year.
Like all great Shakespeareans, Shapiro is equally attentive to the plays’ power on the stage and on the page.
David Crystal’s Oxford Dictionary of Original Shakespearean Pronunciation (OUP, ?19.99), on the other hand, shows how the printed word can mislead. Research in Original Pronunciation is starting to change how we teach and perform Shakespeare.
Questions of pronunciation also find their way into Shakespeare in Ten Acts (British Library, ?40), the catalogue to accompany the British Library’s exhibition, which recreates 10 performances from the past 400 years, from the first staging of Hamlet to a 2006 digital deconstruction of the same play. But the only book sure to endure beyond this year’s celebrations will be the one to appear with the least fanfare.
Shakespeare will only endure if we continually reinvent and reinterpret him, and Kerrigan has done just that. Tweet2 Share4 Stumble10 +1 Reddit EmailShares 16Good news, bookworms: November looks to be yet another good month in terms of book releases.

You can also check out the new sci-fi and fantasy books you might have missed in October, which also had some great new book releases. Death Wave is the first volume of the Star Quest Trilogy from six-time Hugo Award winning author Ben Bova. Black Wolves marks the beginning of a new trilogy from already-established fantasy writer Kate Elliot. Warheart is a bittersweet novel, as it marks the conclusion of Terry Goodkind’s beloved The Sword of Truth series. The Bazaar of Bad Dreams is a collection of 20 short stories by Stephen King (his sixth such collection), containing some previously published works and some brand new material. Solar Express is a standalone science fiction novel from New York Times bestselling author L.E. You will be able to request a discount for any product you like, whether you found it online or in your feed added by another user. While August is not a huge month for sci-fi and fantasy book releases, we have managed to provide you with a handful that are worth a read — including a few highly-anticipated sequels. Now she returns to him in the Fitz and the Fool trilogy, the second installment of which is due out this month (and which begins with Fool’s Assassin). This latest Dark-Hunter novel focuses on antisocial Were-Hunter Maxis Drago, whose tendency towards secrecy leaves his past open for speculation – until now. This book is made up of four novellas, which have all been published individually but are now being released as one novel – the sixth in his Old Man’s War world. But hidden among the piles and piles of new book releases that hit store shelves every month lies a few great gems that are worth your time. Bestselling authors and new writers have new reads coming this month, and there are many of them that are getting great early reviews already. It’s set in 1960s London, and follows Maragaret, whose fiance, John, is hospitalized for depression. What do you get when you mix an award-winning, New York Times bestselling author and a terrifying new plague that could wipe out humanity? The Fireman, an upcoming novel by Joe Hill, which is set to release on May 17th. It’s not quite as off-the-wall as Lost, but the story revolves around a crashed private jet that sees a down on his luck painter, Scott, and a four year old boy, the last remaining member of an incredibly wealthy family, as the last two survivors. From the author of the New York Times bestseller Ready Player One comes a thrilling sci-fi novel in which a teenage gamer finds himself suddenly living his favorite videogame. This fourth installment of this paranormal romance series focuses on Lexi, one of the six Sisters of the Heart.
In his lifetime, he saw many of his plays published, the reading public drawn to his “great feast of language” and stories that imagined a world reaching from Bermuda to North Africa, Greece and India, chronicling the lives of English kings, Danish princes, Italian noblewomen, Jewish merchants and Moorish generals. The results are, by turns, brilliant, ingenious, disappointing and sometimes downright infuriating.
Like many of the plays, Edward Wilson-Lee’s Shakespeare in Swahililand (William Collins, ?20) is virtually unclassifiable, part memoir of his Kenyan childhood, part travelogue and part literary criticism. He travels to Zanzibar, Mombasa, Nairobi, Kampala, Dar es Salaam and Addis Ababa in pursuit of Shakespearean stories. Sometimes he sounds like Dr Johnson on Shakespeare, elsewhere he seems to channel Alexandra Fuller’s poignant memoir of colonial Rhodesia, Don’t Let’s Go to the Dogs Tonight (2001).
Dickson travels from Europe to America, India and China to discover why the work of an untravelled writer like Shakespeare flourished in such unlikely places as communist East Germany and apartheid South Africa and why more people now encounter his work in translation than in his original language. Nelson Mandela wrote his name beside the lines from Julius Caesar that begin: “Cowards die many times before their deaths”. But he is shrewd enough to acknowledge, at the end of his journey, that Shakespeare has “a disconcerting habit of reflecting your own self back to you”. Many great writers have successfully measured themselves against Shakespeare, and this year’s anniversary has prompted two significant commissions.
The formal conventions of the 14-line Shakespearean sonnet present a challenge to any poet.
Wendy Cope’s version of sonnet 22, a meditation on age with a twist on enduring love, is a triumph; Carol Ann Duffy’s dazzling response to sonnet 116 reinvents the idea of “impediments” to true marriage. The series’ future highlights include Margaret Atwood on The Tempest and Edward St Aubyn on King Lear but they have hard acts to follow.
Despite winning the prize for clumsiest subtitle (“How Much Did He Make and What Did This Mean?”), this is an absorbing portrait of Shakespeare’s financial life and rise to prosperity after the collapse of his father’s trade in wool. By 1605, he had amassed a property portfolio in London and Stratford worth ?900, although Bearman argues this represented only “modest success”, and that Shakespeare was driven not by any overweening desire to accumulate wealth, but rather by a wish to safeguard his children’s future.
James Shapiro picks up the story in 1606 (Faber, ?20), when we find the 42-year-old Shakespeare no longer the new kid on the block, but instead facing a creative crisis under the new king, James I, having written only a couple of plays between 1603 and 1606. We’ve been mispronouncing everything for generations, he reveals, from Shakespeare’s verse to his rhymes and puns.
It is good news for writers such as Wilson-Lee and Dickson who would like to see the stranglehold of Received Pronunciation broken and the language globalised.
Shakespeare’s Binding Language by John Kerrigan (OUP, ?35) is a massive, complicated and brilliant interpretation of the oaths, vows and promises that bind the characters in virtually every one of Shakespeare’s plays (as well as his sonnets, as Kerrigan explains in a triumphant finale). We will still be digesting his masterly work on vows and oaths by 2023 and the next Shakespeare celebration, the 400th anniversary of the First Folio’s publication. We appreciate the difficulty of determining what to read next, so we have done the work for you and selected ten of our favorites to add to your to-read list. He has written over 120 works of science fiction and nonfiction, so at this point, readers should know what to expect. Reading the reviews for her previous books, she seems to be a very polarizing author; some readers loathe her books, others adore them. The novels are set in a post-apocalyptic world where humans have pushed the limits of technology too far and now long-dormant magic is pushing back. Fans of Sherrilyn Kenyon hardly need encouragement to pick up this book, but for anyone else with a lot of time on their hands it might be worthwhile to start with book one of the series (Night Pleasures) and work your way up.. It is a sequel to The Human Division, which was similarly published in an episodic fashion consisting of 13 parts.
Now the night belongs to them—and so does every pleasure and danger lurking in the shadows.
The series is a page-turner filled with romance and royalty, with a bit of dystopian fairy tale mixed in.

It follows Lucas Davenport after the events of Gathering Prey, as he’s no longer employed by the Minnesota BCA. Senator Leia must fight off the dangers that threaten her democracy, including treacherous politicians, underworld kingpins and Imperial loyalists.
It follows Lindsay Boxer, a detective on the chase of her own elusive husband, after she finds a missing blonde woman has ties to him.
It sounds like an absolutely brilliant and thrilling novel that revolves around a worldwide pandemic, a plague that causes spontaneous combustion.
But while on the hunt for vengeance, she becomes intrigued, to say the least, by his charismatic business partner, Beckett North, a man who always gets what he wants.
The chapters delve into the various backstories of the many passengers and crew-members, and the aftermath of the crash, which sees Scott wondering if the plane crash wasn’t an accident. The fate of the world now rests in the hands of gamers across the globe as they use their mad skills to save the Earth from an alien invasion. These are women who met in a grief counseling group for victims of violent crimes and purchased a farming community together in the town of Sea Haven (the same town the Drake Sister series takes place in). Shakespeare wrote sonnets, narrative poems and plays that encompassed tragedy, history and comedy, as well as others so unclassifiable that we call some “romances”, others “problem plays”. His kaleidoscope of personal memoirs captures the region’s vibrant, chaotic diversity, but it all becomes very frustrating.
Dickson is bewitched by India and its Shakespearean tradition, from the Raj to contemporary Bollywood versions. For all their globetrotting in search of Shakespeare, both Wilson-Lee and Dickson end up gazing at themselves, as if through a glass darkly. Nick Laird imagines a competition among the world’s poets, conceding anticlimactically that “they could not start to get down half your ways”. Hamlet and Horatio were probably pronounced “Amlet” and “Oratio”; once we know that the Greek warrior Ajax was pronounced “a jakes”, also a word for lavatory, his name becomes a dirty joke about defecating.
It also means we can get more of Shakespeare’s jokes, although with “hour” pronounced “whore” and “woman” pronounced “woe-man”, there may be a surfeit of riches.
The histories are riven with revenge oaths that clash with vows of political allegiance, the comedies are replete with lovers’ broken vows, while oaths give way to spells and curses in King Lear and Macbeth.
He’s been around for years and is widely considered one of the best science-fiction authors of all time; if you haven’t read any of his works yet, but are a fan of classic sci-fi, this is as good a place as any to start. If you fall into the prior category, you may still want to give this one a try, as it seems to have quite a different tone than her prior series and is thus far receiving mostly positive reviews.
If not, we suggest you start at the beginning: Wizard’s First Rule is the first book of this 17-book epic fantasy series, and Terry Goodkind’s first ever novel. The author has written 54 full-length novels in total, every one of them an international bestseller, but he is also a master of short stories (having written some 200 of those). If you haven’t, we recommend you read the first book before you pick up this one; you won’t be disappointed.
It comes in waves, feeding off technology, and creating paranormal problems that are dealt with by mercenary Kate Daniels. The first book in the series (and Scalzi’s debut novel), simply entitled Old Man’s War, was nominated for a Hugo Award and introduces some interesting theoretical technology; for example, taking the mind of 75-year-old main character John Perry and transplanting it into a younger version of his body.
The story tugs at the heart strings, and it’s told through alternating points of view of all five family members (the father, the mother, and their three children). The story follows a band of unlikely heroes who battle to save civilization, led by a powerful and mysterious man known as the Fireman. Now, she finds herself wondering if the case that cleared her brother so many years ago happened as she remembers, and it makes her ponder the legal system.
The new romance novel is receiving a ton of praise from other bestselling authors, and it looks to be a fun romantic romp.
Each sister has an affinity for a different element; this magical aspect is why we included it in our list. When the book ends, on the banks of the Nile, it feels as though Shakespeare too drifts past. Roger McGough gives up, composing a poem made up of 14 opening lines from Shakespeare’s own sonnets. The book is full of revelations: Shakespeare’s most prolific swearer is the Irish MacMorris in Henry V, which leads Kerrigan into an ingenious account of Ireland’s place in the play.
In fact, he has only written one other novel that was not a part of this series, having written 18 in total. It’s a shame that this horror anthology won’t be out in time for Halloween, but don’t let that stop you from picking up a copy. He has a large and loyal following, having written over 60 novels — both epic fantasy series and hard science fiction.
Both are delightfully sarcastic, hilariously irreverent, and just plain laugh-out-loud funny (as we’ve come to expect from Christopher Moore) – a perfect summer read.
A magic apocalypse, a badass sword-wielding heroine, and a dash of romance…do yourself a favor and pick up the first book, Magic Bites, if you haven’t already. If you’re unfamiliar with Fitz, we suggest reading the Farseer and Tawny Man trilogies prior to this one, as both are centered on him and take place prior to this series. If military science fiction and interplanetary warfare appeal to you, you should definitely look into this series. But if you’ve read the previous four books in the series, prepare yourself for the next entry, The Crown.
The series has been around for about 20 years, but definitely has a much older feel to it; fans of classic fantasy will definitely enjoy Terry Goodkind.
None of them are a prerequisite for this book, however, so don’t worry if you’ve never read any.
Most are fantasy; his science fiction novels tend to be few and far between (as he says they require much more research), so definitely don’t miss this one if you’re a sci-fi fan.

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