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January 31, 2013: The Dispenser Newsreel is dedicated to the ever changing world of entertainment and the news that is a part of that change. You don’t get plot foreshadowings that are unintentionally darker than that in megaplex action extravaganzas. In November 2013, F&F star Paul Walker died in the passenger seat of his 2005 Porsche Carrera GT super car as it crashed into a concrete lamppost in Valencia, Calif. In the all-important epilogue to the film that deals with the catastrophic blow to the cast of the series that had become an international box office super vehicle, Walker’s death is handled uncommonly well – almost beautifully if you can imagine such a word being used for a film series whose trademark has been ever-grander automotive choreography and mayhem.
The irony of a series about muscle heads, muscle cars, steroid monsters and super vehicles in constant outrageous and fantastic combat losing a cast member to the consequences of driving way too fast on a road not designed for it, was immense. Family has always been the operative word for this brawling, bullet-riddling crew of gear-head action addicts.
Which is why the final seconds of “Furious 7” – where they have to deal with Walker’s death – are so graceful and deft and unexpectedly moving. I wish I could say that otherwise this is one of the standout entries in the “F&F” series but I liked “Fast and Furious 6” a good deal better.
This one is directed by James Wan, the Malaysian action and brutality king who’d previously given world film the “Saw” and “Insidious” series. In the big and protracted sequences requiring CGI sweetening here, things are as joyously preposterous as they should be in a 21st century fiesta.


The gang rescues a beautiful mega-hacker from a kidnapping, for instance, by parachuting in their tricked-out muscle cars and armored vehicles and landing 5,000 feet below on a highway, ready to slam into gear and roll at 100 mph. In another scene in Dubai, Diesel and Walker drive a Lykan Hyper Sport super car designed to go 242 mph from the top of one tower of a skyscraper through a window to the tower next door and then to the tower next door to that one. From left, Dom Toretto (Vin Diesel) faces off against Deckard Shaw (Jason Statham) in "Furious 7". Statham plays the bad guy in “Furious 7,” a Black Op assassin trying to wreak vengeance for the mangling of his brother in the last “F&F” bone-cruncher. And when it comes time for the gang to send him to that great gymnasium in the sky, they spend a lot of time exchanging dire and nasty banter with him before he brings his pal Djimon Hounsou out of the woodwork. Such clumsiness and lack of grace aren’t all that unusual in “Furious 7” but then the sequels need to be protected above all. The Lowdown: In the final film of Paul Walker, the automotive mayhem virtuosos protect a beautiful mega-hacker. Nor do you often get hugely successful film series that had the problems hitting screens that “Furious 7” did. That one was directed by Justin Lin, who was the guiding hand in taking this series from a fantasy about outlaw street racers to a bunch of muscle-bound street brothers doing James Bondian things on a world stage.
They’d be full of bodily calamity too if they had any reality in the slightest but they’re conceived as cartoonish stunt choreography and editing room trickery.


Which reminded me of one of my favorite scenes in all of movies: Eli Wallach as Tuco, taking a bath in Sergio Leone’s “The Good, The Bad and the Ugly” suddenly beset by a Western idiot who’s been hunting him. But not only was Walker’s death handled well here, so is a promising new good guy honcho in the series – Kurt Russell as a mysterious and authoritative fed, a delightful presence ever-ready to present smirky merriment with a wink in his voice and a grin on his face. I named my kid after a Star Wars character and my dogs are named after Game of Thrones characters.
Multiple kicks and punches to the groin never even slow down Diesel, Dwayne “The Rock” Johnson and Statham as they continue their Looney Tunes brawling.
As the idiot waxes poetic about how badly he wants Tuco dead, Tuco pulls a gun from under the water and plugs him between the eyes. At the end of one very long fight, the principals exhibit a couple of minor facial bruises rather than faces that look like beef tartare (heavy on the Worcestershire).



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