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In a previous post, “My Moral Teachers Were Fictional Lawbreakers,” I discussed the seminal role that the fictional “vigilantes” of my youth played in my moral development. These days, an ever-growing host of terrific authors ply the thriller craft, and I don’t pretend to be familiar with more than a fraction of them. Here, then, in no particular order of ranking, are my favorites: the storytellers that I’ve discovered and that I recommend enthusiastically to my friends—friends who have repaid me with their undying gratitude in return. Formerly a Pulitzer Prize–winning film critic for the Washington Post, Stephen Hunter is a grand master of the thriller genre.
Quite a long time ago, I ran across his Cold War–era nuclear nightmare novel The Day Before Midnight and found myself hijacked onto the best thrill ride in memory. He took a deep breath, and in the rage and pride he found what would pass for energy and without exactly willing it, he stood up, again surprised that there was no pain at all, and with a strange, determined gait began to move toward the door.
As the various Swagger novels unfold, Hunter brilliantly interweaves their characters in startling, often poignant ways. I was a tough guy in a tough neighborhood, and I grew big very early, so I ruled the yard—never scared, never intimidated. Like Stephen Hunter, Lee Child simply does everything right: great dialogue, devious plotting, terrific suspense, vividly colorful settings, and white-knuckle action scenes.
While the Reacher novels can be read out of sequence, I still recommend that you start with Killing Floor. To his impressive research Flynn adds excellent characterizations, good dialogue, and fascinating intrigue. In every Mitch Rapp novel, his enemies include cowards and traitors at the highest levels of American politics and media—people whose leftist ideology or venal ambitions prompt them to sell out their nation’s security.
If Rapp sounds a bit like the Jack Bauer character from TV’s “24,” it’s no accident: Flynn actually was called in as a consultant on the show one season. Gauged either by the quality of his work or his perch at the top of the bestseller lists, Brad Thor is a political-thriller author par excellence. With the next installment, State of the Union, Thor’s writing had further matured, acquiring two other trademark characteristics: a new sense of relentless, breathless pacing, and a refreshing, in-your-face Political Incorrectness. Now operating in the private sector as a “consultant,” Scot Harvath has been unleashed from political constraints in his war against threats to America.
Not surprisingly, Brad Thor is beloved by military personnel, especially those in the Special Operations community.
In short, Brad Thor is must reading if you want the real deal in the global war against terrorists. For subtle and stylish writing, attention to nuance and detail, and a haunting sense of realism about the world of international espionage, Daniel Silva is hard to match, let alone beat. The long, complex evolution of Spenser’s relationships with Susan, Hawk, and an ongoing cast of quirky cronies mandates that you read the thirty-odd installments in the series sequentially from the beginning, starting with The Godwulf Manuscript. Though the series lost some oomph after the first dozen or so episodes, Spenser will never bore you: These are short, very quick reads, and always rewarding. In his later years, Parker wrote some Westerns (which I haven’t read) and launched a couple of other detective series—one about a small-town New England police chief named Jesse Stone, the other about a female detective, Sunny Randall.
For a contemporary writer of detective-thriller fiction, about the most complimentary comparison would be to liken him to Robert B. To accompany him on this quest, Crais gave him a deadly, steel-cold partner named Joe Pike. The dialogue and sense of place in Cole stories ring as true as they do in the Spenser novels. Once again, the lives and relationships of Cole, Pike, and the other inhabitants of their world evolve over time, so you’ll want to start with the first stellar novel in the series, The Monkey’s Raincoat. The preceding authors comprise my thriller A-Team; they’re my favorites and, in my opinion, the best of the best. But saying that these writers are in the first rank doesn’t mean that there aren’t other dazzling talents out there writing terrific tales of heroism, adventure, suspense, and romance. This entry was posted in Inspirational, Reviews and tagged best thriller writers, Bidinotto, Brad Thor, Daniel Silva, detective fiction, detective thrillers, HUNTER: A Thriller, Lee Child, Robert B. It is dismaying to think of how much talent was stillborn over the years, due to the Gatekeepers of Trad Publishing.
Check Out the Latest Kindle Thrillers!Your Amazon book purchases through this blog help to support me while I write more Dylan Hunter thrillers -- at no extra cost to you! Join AMAZON PRIME!Join Amazon Prime - Watch Over 40,000 Movies and TV shows -- many of them FREE -- and enjoy FREE two-day shipping on all your Amazon purchases. Storyline: Secret video files just discovered on an FBI server prove that the government has been hiding unexplained disappearances and a dangerous presence in the Pacific Northwest wilderness. Storyline: A troubled evangelical minister agrees to let his last exorcism be filmed by a documentary crew.
Storyline: Horror mockumentary about a school haunted by a wish-granting ghost that drags people off into hell if it deems their wish to be impure. Storyline: A documentary crew accompany a group of illegal immigrants crossing the Border, but their plans run afoul when they are captured by a gang of sadistic radicals in New Mexico.
Storyline: A group of students investigates a series of mysterious bear killings, but learns that there are much more dangerous things going on. Storyline: In July 2010, a vacationing couple discovered something disturbing on a ranch in rural Texas. Storyline: An investigation into a government cover-up leads to a network of abandoned train tunnels deep beneath the heart of Sydney.
Storyline: Ryan is making a documentary on his friend, Brett, about camping for the first time.
Storyline: A team of parapsychologists try to figure out a strange phenomenon occurring in an apartment building. Storyline: Fictional drama based on actual events, about 2 teen-age girls who encounter an internet predator.
Storyline: On holiday in the English countryside, two young couples uncover an ancient evil.
Storyline: Fame-hungry Gemma asks her boyfriend Danny and his media student mate Nathan to film her Big Brother audition. Storyline: The actual tape of a couple who travel to Poland but find themselves disturbed by an evil force when the girl returns to her home town where she once played a Ouija board. Storyline: Shot documentary-style, this film follows the daily grind of two young police officers in LA who are partners and friends, and what happens when they meet criminal forces greater than themselves. Storyline: Seven friends on a road trip to Las Vegas break down near a rest-stop motel, where they encounter a seemingly helpful group of people. Storyline: Whilst attending a party, three high school friends gain superpowers after making an incredible discovery underground. Storyline: When a group of misfits is hired by an unknown third party to burglarize a desolate house and acquire a rare VHS tape, they discover more found footage than they bargained for. Storyline: In Italy, a woman becomes involved in a series of unauthorized exorcisms during her mission to discover what happened to her mother, who allegedly murdered three people during her own exorcism. Storyline: An archeological team attempts to unlock the secrets of a lost pyramid only to find themselves hunted by an insidious creature. A documentary team plans to shoot a documentary about Deborah, an elderly woman suffering from Alzheimer’s disease.
More in Lists40+ Movies Based On Hacking & Computer TechnologyAll those hackers and computer technology shown in the movie - they are 99% real! Bloody Disgusting now has some grimy and gritty new images for this 1970s set thriller starring Ashley Bell (The Last Exorcism, The Last Exorcism II), in theaters and on VOD platforms July 1st. Robert Eggers’ THE WITCH arrives in theaters this Friday as one of the year’s standout horror films, and it hinges on the deeply committed performance of lead actress Anya Taylor-Joy.
In THE WITCH, released by A24, Taylor-Joy plays Thomasin, the eldest child of William (Ralph Ineson) and Katherine (Kate Dickie), who are cast out of their 1630s New England community due to William’s specific religious convictions.
The film (which we review here) is the first feature lead for Taylor-Joy, who got her start before the camera on VAMPIRE ACADEMY—though her one-day role as “Feeder Girl #1” wound up on the cutting room floor.
ANYA TAYLOR-JOY: I really enjoy any kind of weather that’s intense and reminds you of how little you are in the universe.
FANGORIA: So you must have loved going out to the middle of the Canadian wilderness to do THE WITCH. TAYLOR-JOY: The first night I read the script before going in to tape my audition, I remember turning the last page and my body kind of collapsed in on itself. The second thing that struck me about it was that I was brought up Catholic, and there were certain lines in the script that shook me in a level that was so deeply embedded in my consciousness. FANG: While inhabiting the role of Thomasin so fully, when you were out in the woods in this lonely territory, dealing with all this scary stuff, did that start to affect you on the inside, and impact your performance?
TAYLOR-JOY: Well, thank God I’m not Method, because the film would have been impossible to do. TAYLOR-JOY: Charlie and I actually got along really well, but that’s because I love animals, and we would just hang out.
TAYLOR-JOY: I have a very overactive imagination, and I had the most unbelievable empathy for Thomasin. FANG: Is horror something you want to continue exploring, and does it offer more opportunities than other kinds of movies?
On its way back to the Anchorage home office, Ottway’s charter flight crashes in the middle of a remote snowscape. Up to now, the film has been stylish and impressively downbeat, with Neeson giving his assured, no-bullshit character a compelling air of mystery.
Meanwhile, not content with merely making Alaska boring, The Grey methodically neuters the enigma of the main character by revealing banal details of his life via flashback. Error on my part, must’ve glossed over your admiration for the films setting of mood and atmosphere.

This should have given someone the idea for Mothafucker Wolfs on a Mothafucker Plane, starring Mothafucka Samuel L. Now available to buy, Star Trek Into Darkness, the audiobook as read by Alice Eve who plays Dr. Written by Alan Dean Foster, this is the official movie tie-in novelization of the highly anticipated sequel to 2009’s blockbuster feature film Star Trek!
When the crew of the Enterprise is called back home, they find an unstoppable force of terror from within their own organization has detonated the fleet and everything it stands for, leaving our world in a state of crisis.
With a personal score to settle, Captain Kirk leads a manhunt to a war-zone world to capture a one man weapon of mass destruction. As our heroes are propelled into an epic chess game of life and death, love will be challenged, friendships will be torn apart, and sacrifices must be made for the only family Kirk has left: his crew. Always liked Trek but when TNG started here in the UK I fell in love and have not looked back since.
But their creators—the authors of thriller novels—played a formative role in my development as a budding thriller author, as well. So, let me confess right up front that I’m not even trying to provide you with a comprehensive survey of these writers and their works. Then I took up the ingenious, interwoven adventures of his equally heroic state trooper father, Earl Swagger. But it applies to Hunter in spades; his  creative imagination and writing skills are simply breathtaking. His breathing came with the slow, rough transit of a train that had run off its tracks and now rumbled over the cobblestones. The stories, seemingly unrelated, begin to enrich and inform each other, elaborating on the backgrounds of the heroes and villains and their complex, unexpected interrelationships.
But to fully appreciate the author’s genius, read the first four in chronological order of publication: Point of Impact, Dirty White Boys, Black Light, and Time to Hunt. Only The Day Before Midnight rivals the best of the Swagger stories, but even a lesser Stephen Hunter novel is, by any measure, a very fine thriller. Born in England, he served many years as a presentation director for Grenada Television when, as a result of corporate restructuring, he was fired abruptly in 1995, at age forty. Unendurable, because the reader finds himself unintentionally holding his own breath as he reads.
I guarantee that you’ll soon adopt the label that his many fans bear proudly: Reacher Creatures. He followed up in 1999 with the sensational Transfer of Power—a frighteningly plausible page-turner that has a group of Middle Eastern terrorists take over the White House.
After his debut, his adventures continued in a rapid-fire burst of stories filled with furious action, political intrigue, and astonishingly realistic “insider” knowledge of government agencies, operations, and machinations—a level of detail that rivals or surpasses that of Tom Clancy.
And like Bauer, Rapp is a kind of Lancelot figure, enduring the terrible scars of a lonely battle, but soldiering on with courage and dedication.
Mitch Rapp’s saga grows from book to book, so, once again, the novels are best read in order of their publication. This devious, absorbing tale of international intrigue didn’t emphasize the same hot political themes that his later fiction would put front and center. There, using his deadly skills, Scot Harvath would take the offensive against terrorists around the world. More recent Harvath adventures—such as The Last Patriot—have been so blunt in their criticisms of radical Islam that Thor received death threats; he now travels with hired bodyguards to his public appearances.
Like Mitch Rapp, Harvath is a patriot who acts like a vigilante in the international arena, protecting freedom by administering unflinching justice against its enemies. With The Athena Project, he launched a second series featuring a team of female Delta Force operatives—a premise based, as always, on fact.
They began in 1997 with The Unlikely Spy, a story of romance and deception set in World War II. It introduced Gabriel Allon, a world-class art restorer—and a former world-class assassin for Israel’s Mossad intelligence agency.
Though a grim warrior, Gabriel Allon is indeed a hero, a three-dimensional protagonist portrayed with great psychological depth. Boston-based private eye Spenser—no first name ever provided—is a first-rate action hero, and for years, his bullet-fast stories set a standard for contemporary detective-thriller fiction.
Nobody did a better job of working complex human and romantic relationships into action stories, or in sketching memorable characters with just a few well-chosen strokes. That was a fairly mundane detective tale, but the introduction of Susan and Hawk in subsequent novels quickly raised the Spenser stories far above the competition. As an added bonus, at least once per novel you’ll be treated to an enticing new recipe as gourmet cook Spenser prepares himself dinner while sorting out clues. I haven’t sampled Sunny’s adventures yet; but for my taste, the Stone stories, while engaging, just don’t have the same flair as Spenser’s. Elvis’s witty mouth runs like an open faucet, exasperating those around him but endlessly amusing himself (and the reader). Which is why those of you who read HUNTER will find planted some obvious little tributes to these fine writers. Parker, Robert Crais, Stephen Hunter, suspense, suspense authors, thriller authors, thriller writers, thrillers, Vince Flynn.
You are correct Robert to call them the A Team, however I know that with the new opportunties opening up to unknown authors through E-Publishing that there are many super stars on the horizon just waiting to be recognized. Ebook self-publishing has opened opportunities for many writers who never would have had a chance to survive the Query-Go-Round.
In fact, Nate, stay tuned for my long interview with Vince, which will be published here in a couple of weeks. At the outset of the series, I noted that I haven’t read all thriller writers, not even a decent fraction of all the good ones.
As a journalist and her crew hunt for the story it quickly becomes clear the story is hunting them. However, once they begin camping, they discover that there is a mysterious figure that is hunting them. They hear about a sex party and change course, but soon wish they hadn’t as the party goers turn out to be devil worshippers. The victims’ families have finally released the footage that documents their last days. Convinced to stay overnight, the friends wake up in their rooms to a gruesome and bloody terror. Soon, though, they find their lives spinning out of control and their bond tested as they embrace their darker sides. For the first few days things were good, but then strange things started to happen around the house.
The reason I love such movies is the way they implement creativity under such low budget and less resources. Loves to hang out with friends, addicted to movies and music, wannabe photographer, tech lover, and pretty much living an internet life.
The family establishes a homestead at the edge of a deep forest, and is soon plagued by apparently supernatural occurrences. Since THE WITCH caused a sensation at last year’s Sundance Film Festival, she has taken roles in M. When we were in London for the [BFI] film festival, we were thinking, if we had made this movie there, or in a place that was less remote, we wouldn’t have had the same experience, because real life would have run alongside us making the movie. I was in this state of fear and anxiety, and I later realized that that’s a feeling I’m going to be chasing for the rest of my life, because a script should be a story that I need to tell. I became aware that it wasn’t my fear, but an ancestral fear I’ve inherited that does not belong to me, and that I really wanted to convey that to people. I couldn’t understand where that came from, and I realized that it wasn’t from the movie having finished or leaving the people, because they’re still my family, and we see each other all the time. I loved the horse, Lady; she’s the most magnificent specimen ever, and all the animals were great—apart from the way Charlie treated Ralph, and the fact that he wouldn’t really do anything he was supposed to do. I wanted to tell her story right, and if you care that much about a character and are impassioned about her, it’s easy to get into that state, because you don’t want to let her down. I can say that while, yes, THE WITCH is a horror movie, from the point of view of the actors, we were making a family drama. After starting as a writer for the magazine in 1988, he came aboard as associate editor in 1990 and two years later moved up to managing editor.
But sadly the brute force approach is a mere symptom of the larger problem: The Grey may be the most boring possible film about being stranded in the Alaskan wilderness. Carnahan shoots the plane crash with style and verve, keeping the camera close to his protagonist and staying with him even as he’s yanked in and out of a dream.
In this two-part post, I will tell you only about some of those whom I’ve encountered and most enjoyed.
Eventually, though, I read Point of Impact, which introduced me to one of the most original and compelling action heroes ever to stride across the fiction landscape: a lean, stoic, former Marine sniper with the unlikely name of Bob Lee Swagger. His systems were shutting down, the wave of hydrostatic shock that had blown through him with the bullet’s passage upsetting all the little gyros in his organs. Soon, all these wonderful tales reveal themselves as individual threads in a grand, overarching, multigenerational adventure tapestry. Then follow up with the Earl Swagger tales: Hot Springs, Pale Horse Coming, and Havana, before returning to the more recent Bob Lee novels. Viewing this mid-life crisis as an opportunity, Child bought six bucks’ worth of paper and pencils and sat down at his dining room table to write a novel in longhand. The classic drifter-hero, he’s a knight-errant without apparent roots or ties who stumbles into trouble wherever he goes and won’t leave until he’s set things right with his own overpowering brand of vigilante justice.

In that novel, Flynn introduced an iconic hero for the Age of Terrorism, CIA agent-extraordinaire Mitch Rapp. Flynn seems to have the blueprints for every top-secret building in Washington, from the White House to the Pentagon to the CIA—plus private access to their security cameras and microphones.
Flynn’s values and politics are emphatically right-of-center, so it’s no surprise that Rapp is a hot-tempered, unapologetic American patriot.
There also are interesting differences between Bauer and Rapp, but revealing them here would spoil your fun.
He is outspoken in his conservative, free-market views, which are embodied in the themes and plots of his books—most overtly in his latest, Full Black.
A stickler for authenticity and an indefatigable researcher, Thor has cultivated high-level sources and even tagged along with a secret “black ops” unit on antiterrorism missions in Afghanistan. In the next two years he produced two more fine novels, Mark of the Assassin and The Marching Season, featuring CIA operative Michael Osbourne. Allon is introduced hiding from his old life, meticulously restoring priceless paintings by great masters, when (as is so often the case for such protagonists) his past catches up with him. Only a writer with intimate knowledge of the Middle East would have dared to base spy stories on the Israeli intelligence agency and to make a hero of one of its operatives. He has been scarred by his past, physically and emotionally, and he does not escape further damage in either regard during his new missions. But I never dabbled in his famous “Spenser” detective series, put off by the TV adaptation starring the late Robert Urich. Spenser and Hawk shatter tough-guy stereotypes: Though they are hulking brutes, they are also highly (if self-) educated, playfully trading arcane literary references, mocking each other over the use of some fancy word, or quoting poetry while bashing bewildered, chromosome-deficient bad guys. Parker admitted that he drew on the ups and downs of his own long-time marriage in crafting Spenser’s ageless romance with Susan Silverman. Finally, if, like me, you’ve ever lived in or near Boston, Parker’s guided tours through its familiar haunts will feel like a homecoming. Robert Crais has more than earned that comparison—but I think he has long since surpassed his predecessor. Like Reacher, Swagger, and Spenser, Elvis is a private vigilante of sorts with an inviolate code of honor: a paladin traversing a dark, dangerous world, setting things to right for those deserving vindication, bringing righteous wrath down upon those deserving vengeance. I can’t imagine what this guy is going to do when he gets some serious financial backing. As they continue, the parents and children turn on each other, and Thomasin is suspected of being a witch—but does the evil dwell within her, or is it just paranoia taking over? Night Shyamalan’s SPLIT (which she discussed here) and Luke Scott’s sci-fi thriller MORGAN.
When we shot THE WITCH, we literally gave up our normal lives, because we had no Wi-Fi, no cell service, and because we couldn’t access our normal day-to-day support system, the only thing we had was each other, and that led us to the most incredible friendships and the love you can see in the film, and that we needed to make the film. I did not sleep that entire night, and I went in the next day so nervous and anxious, and I couldn’t put my finger on it. We moved to London when I was 6, but I was stubborn; I wanted to go back home and refused to learn the language, ‘cause…kids. It was technically difficult; we were fighting the elements and the kids’ hours, and the animals and trying to stay out of the sun and picking the buds off trees so we could still believe it was winter.
I realized that Thomasin was real for me and I missed her intensely, and I was devastated that I wasn’t going to get to play her again.
Actually, the hardest scene in terms of the emotional response behind it was the big one between me and Kate. You won’t see anything like this image in Joe Carnahan’s dreary and unimaginative survival adventure The Grey, though wolves feature prominently in the story. On the ground, Ottway is one of a small handful of survivors – a ragtag bunch of “men unfit for mankind” played by Frank Grillo, Dermot Mulroney, Joe Anderson, Dallas Roberts, and a couple of others. Any interest in the mechanics of the characters’ survival in the Alaskan wild is dissolved almost immediately, as it becomes obvious that the film is interested in little but threatening the men with occasional wolf maulings while they bicker and posture at each other. One nice moment was after they heard the wolves fighting because the alpha was challenged, and then Diaz challenges Ottway, who is the alpha of his group.
He felt the blood in his lungs; there was no pain quite yet but only the queer sensation of loss, of blur, of things slipping away. I immediately bought and devoured the first in the Reacher series, Killing Floor, his stunning debut novel. As he explained to an interviewer for January Magazine, he also knew what else he wanted to put into the larger-than-life Jack Reacher: a bit of himself.
His depictions of Secret Service procedures, Special Forces operations, CIA interrogations, and the arcane tradecraft of counterterrorism give you the sense you’re peeking into keyholes in the corridors of power.
To save his country from its enemies, he plows ahead with the unrelenting force of a bulldozer, demolishing every obstacle and opponent in his path.
As a master conjurer of nightmare terrorist scenarios, he was invited by the Department of Homeland Security to participate in a “Red Cell” brainstorming project to help anticipate possible terrorist attacks. Reluctantly, he is drawn back into the assassination business to stop an old personal enemy, a Palestinian terrorist on a global spree of slaughter.
Silva’s choice of clashing professions for Allon was simply inspired: You learn as much about the craft of art restoration as you do about spycraft in these remarkable stories. And it is a grand romance: The fictional couple remained head-over-heels in love for decades—which no doubt explains why the Spenser stories appeal as much to women as to men. In addition, Crais puts on parade the entire menagerie of La-La Land creeps and weirdos, Hollywood stars and shysters, crooked cops and loose ladies—everything you could want in a detective novel, and more. It was tough going, and we didn’t love the people we were working with and support them, it just wasn’t going to happen. When I started speaking English, I have this thing where I mimic the people I’m around; I can’t help it, it’s sort of a Joe Wright HANNA adapt-or-die mentality or something.
We worked very hard in that aspect, but when they called “Cut,” we would laugh and dance and had a very, very good time. We did a couple of reshoots, and putting on the costume and embracing the character again was… I don’t think I’ve cried that much in a very long time.
OK, it’s all right, I guess.” I actually considered not watching my performance, and then I was like, how arrogant would I be if I didn’t want to see this movie, because this is everyone else’s work too.
We talked about it from the beginning, and we both decided that we were going to go for it. I don’t really understand the necessity of putting things in a box, rather than just creating a piece of art and saying, “It can be whatever you want to call it.” However, I will say that in this genre, the characters can be beautifully flawed in a way a lot of other movies are too scared to show. That’s because Carnahan conceives of these magnificent creatures as nothing more than vicious, ugly, slobbering monsters that stalk his heroes from the darkness, occasionally appearing as a mangy shadow or a growling flurry of CGI and puppetry.
These opening scenes are effectively bleak and oppressive; I was surprised at Carnahan’s facility with mood and atmosphere.
One of the men, pinned to his seat and bleeding out, is not long for this world; in a powerful scene, Ottway calmly talks him through dying.
Save for a couple of creepy shots of green eyes materializing out of the darkness, the wolves are singularly ineffective as villains; the special effects are terrible, and there isn’t an ounce of inspiration in the way Carnahan stages the attacks. The movie had a lot of suspense, but some of it felt unearned, due to the modern gimmick of a surprise attack from an antagonist who somehow sneaked up on a group of people unheard. But despite a host of misleading clues, former SEAL Team 6 operative Scot Harvath—now a supervisory agent in the Secret Service—suspects otherwise.
The constant contrast between his feelings for the great works that he’s restoring to their original glory, as opposed to his endurance of the ugliness of the deceptive and bloody work into which he is drawn on behalf of his country, is stark and often poignant. My wife, no fan of thrillers, nonetheless got hooked on the Spenser novels and raced through them all in a month-long gallop one summer. The cast, the chilling scores, brilliant editing and top notch directing he has a great team with him.
But it was actually helpful during THE WITCH, because Northern Yorkshire isn’t an accent that’s particularly easy to master unless you have this weird thing I have. I wanted to be able to watch the film and be like, props, damn good job, we struggled that day and pulled it off beautifully. It was insane, and it must have been very strange for the crew, because you had these two women who would still be hysterically crying after they called “Cut.” We just wouldn’t be able to hold it back, and then we’d have to go again and again and again. When you make these kinds of movies with these great auteurs, they want to show the ugly side of humanity, which people don’t really want to talk about. And the banter between the men is just brutally tedious, the same arguments and frustrations aired ad nauseam. Diaz getting attacked by the fire felt like someone suddenly getting hit by a bus in so many other movies. In a race against time, Harvath’s investigation and rescue effort lead him to the stunning Alpine towns of Switzerland, where he tracks down the real kidnappers while confronting traitors within the U.S. Because I find it sort of strange that upon first cracking it open, I didn’t really think about the fact that it was written in Jacobean English; it just seemed so natural. I would sit down with the youngest actor, Lucas Dawson, who was 6 and has a beautiful, broad Yorkshire accent, and we’d talk for a couple of minutes before the scene, and then I’d go in and be like, this is the way my mouth moves now. They want a Disneyfied, sanitized version rather than the truth, and I think the truth is always so much more beautiful. The idea, of course, is that they ultimately build a mutual affection and respect, but you’ll wish they’d just kill each other and get on with it. That device comes from the shock-value end of the suspense spectrum, instead of the subtle end.

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