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The front-firing bass port of the M10 Speaker adds deep, punchy bass response to an already dynamic bookshelf loudspeaker.
Unlike horns or metal domes, silk dome tweeters deliver clear and detailed highs, without fatigue, even at high volume. Durable, efficient, and tuned with our Dynamic Balance process, polymer composite cones produce smooth, natural sound.
An "open architecture" anti-diffraction grille design, and acoustically inert speaker grille, will never get in the way of your sound. Dual gold-plated, professional-style 5-way binding posts, for the most secure connection options. Polk’s proprietary, patented Dynamic Balance® technology allows our engineers to design out distortion-causing driver and system resonances, so you only hear the good sounds. Acoustically-inert stamped driver baskets are strong and vibration-free, and durable Butyl rubber surrounds deliver a lifetime of high performance. Our high efficiency design results in sound that’s spacious and clear, warm and realistic, when combined with practically any electronics, even the most modestly-powered amplifer or receiver.
All Polk loudspeakers are timbre-matched within their series, designed with the same components throughout, to achieve seamless speaker-to-speaker blending effects in multi-channel systems. All Polk products are made using the best materials and the most advanced manufacturing techniques.
I own the Quad 12L2 speakers (oops, three mentions, now) and were loaned the LSA .5 speakers for review.
I was able to check them out at a nearby dealer and agree that they absolutely disappear when the music starts. My thoughts while listening to the .5 was that it handles nearly anything very well in a neutral and smooth manner. Back when I was looking into the Statements, I noticed that they the same monitors (in stock form) were popping up under different brand names on eBay and other places (but not ubiquitously). This virtually eliminates internal resonances and damps energy-stealing vibrations, for more efficient operation and more transparent sound. They pass the industry’s most exhaustive quality tests, including drop testing, extreme signal response and UV & salt exposure testing.

Please let me know what you think.Before calling The Absolute Sound to cancel my subscription I read a report from the 2011 Consumer Electronics Show about a new bookshelf speaker from LSA. I say stock form, because at least for the Statements, LSA performs modifications on the stock monitor coming out of China, and I've heard no one suggest that, at least in the case of the Statement monitors, that the stock product from China (and I have no idea where, what factory) sounds the same. Only when driven to somewhat crazy high db levels did I notice some limitations due to driver size (I presume).
I knew LSA’s other speakers had attained near legendary status in many circles, but at over $1,000 a pair, they were completely out of my middle class budget. I really think LSA struck gold with this speaker in terms of pricepoint and performance that exceeds that pricepoint. I just try to scour the low end of high end.I enjoy the music through this gear and through my Quad 12L2s.
I’d find it hard to believe if most audio enthusiasts are not extraordinarily happy with them. Fortunately, the folks behind Audioengine have already accepted this mission and succeeded with their latest offering, the AP4, the newest of its compact speakers.
Unlike previous Audioengine powered speakers, the AP4s are passive, giving consumers the flexibility to mate the speakers with his or her choice of amplifier or receiver.
Thanks, Alex!— DH Labs D-75 digital interconnect— A pair of Anti Cable interconnects— Extremely clean, handmade, high quality power cables throughout whose names I forget at the moment.— PS Audio Duet power conditioner— Stands? These cute little bookshelf speakers measure 9 inches high, 5.5 inches wide and 6 inches deep.
Two very solid antique oak stools (remember, I mentioned real world).To my ears, this system produces clean, pure and natural-sounding music through my Quad 12L2 speakers.
Nothing wrong with that, but one obviously wants to know if any particular model is just a re-branded product. Because of this, the .5 wasn’t fussy about precise positioning like some rear ported models. Both are magnetically shielded, so there's no issue of placing the speakers too close to a monitor. With a nominal impedance of 4 to 8 Ohms, and rated for amplifiers delivering 10 to 125 watts per channel, the AP4s are suitable for a variety of uses, from bedroom or office to living room.

My highly technical and scientific knuckle test on top of the speakers revealed no force or vibration transmitted. If you want to place them directly on a stand, the AP4s come with foam isolation pads already attached to the speaker bottom, a nice little extra that  protects the cabinets from scratching. Dense ensemble music, especially horns, seemed like a good place to start, and the soundtrack to The Commitments is well recorded.
Maria Doyle Kennedy’s lead vocal in “I Can’t Stand the Rain” was always clearly defined, smooth at all registers and never brittle or harsh. Keyboards, trumpets and saxophones never got muddled or smeared, even at higher than normal volumes.
Horns should obviously sound brassy, and they did, but with no painfully metallic highs that make me want to run away.
The notes in Glen Hanshard’s lead runs and guitar chords were distinct, crystalline and nearly three dimensional. Again, with strong well-defined drums, percussive bass, horns, keyboard and everything else singing all at once, the .5 presented each instrument clearly and accurately. One of my favorite CDs is the remastered edition of “Red Garland’s Piano.” Garland’s lovely, delicate touch can sound hollow or shrill through some speakers. Each note Paul Chambers played on bass was rich and distinct, while Art Taylor’s percussion had just the right snap.On “Workin’ with the Miles Davis Quintet,” John Coltrane could have been playing his tenor sax right in my room. On “So Long of a Journey,” a live performance by Hot Rize, Tim O’Brien’s fiddle and mandolin were undistorted, nuanced and engaging; as were Peter Wernick’s amazing banjo and fine guitar work of Charles Sawtelle. Vocals, too, were tight, and you could point to the spot where each singer stood.Claudio Arrau’s rendition of Beethoven’s Piano Concerto No. Sure, much larger speakers are probably better suited for such complex, dynamic music, but the diminutive LSAs gave their all without any noticeable smearing or breakup.
I was drawn in regardless of music style, my feet and head were moving and I could focus on the music.

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