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Director Sandy Collora Screens 5 Min of his Sci-fi film HUNTER PREY and Reveals more Details.
WHY DID YOU PICK IT: As absurd as it is, Black Moon has a lot of awesome moments, ideas, and visuals that make it worth including. WHY DID YOU PICK IT: One of the films that started the genre and absolutely deserves its spot on the list. WHY DID YOU PICK IT: I Am Legend is a remake of The Omega Man, which was a remake of The Last Man on Earth. WHY DID YOU PICK IT: Dredd is a steamroller of an action film and is near perfect for what its aim is.
WHY DID YOU PICK IT: Twelve Monkeys was inspired by La Jetee, which could have made this list as well, only Twelve Monkeys is better. WHY DID YOU PICK IT: The Matrix was a game-changer and a phenomenal film that should be seen at least once by any film fan. WHY DID YOU PICK IT: Children of Men is such a compelling story and told in a magnificent way.
WHY DID YOU PICK IT: There are a ton of zombie movies that could qualify for this list, but this is the best of all of them.
WHY DID YOU PICK IT: Fury Road is the fourth film in the Mad Max universe and is by far the greatest of all of them.
Vile, gruesome, and repugnant are some of the adjectives best used to describe the films on this list. These 10 horror films might have slipped under your radar on Netflix, make sure you check out them out.
Here is my selection of the best post-apocalyptic movies, and other films that focus on the themes covered in The Knowledge – of surviving in the aftermath of the apocalypse and rebuilding from scratch.
Max is exiled from Bartertown into the desert wilderness and encounters a tribe of children living in a crashed jet plane.
Mini-series adaptation of Stephen King’s novel about the aftermath of global plague and the show-down between good and evil. Adaptation of Brin’s novel about a drifter who finds a postal service uniform and attempts to bring hope to a post-apocalyptic community. A FedEx employee survives a plane crash and washes ashore a deserted island with a few packages. Hand-held documentary-style film on the tiny remaining community living around San Francisco 12 years after a devastating epidemic. Two couples hide in a lakeside cabin to escape the turmoil of the breakdown of society around them. A lone man travels across post-apocalyptic America, protecting a sacred book he believes is the key to humanity’s salvation. In the aftermath of economic collapse, two sisters wander a desert searching for a new home. Snake Plissken is renowned for being one of the most popular anti-heros in cinema history.  The year is 1998 and as a result of huge crime rates, the United States turns the island of Manhattan into a maximum security prison where hardcore criminals are put for life. I'm Kai's bat shit crazy co-host on the MILFcast and he and Dylan, the hetero-life mates invited me over here at Man, I Love Films to write your Wednesday lists. The only downside, the image at the top reminds me that there is no sign of a UK release date for The Day yet. I started replying to this post with a few more suggestions but there were so many I decided to turn it into my own post. The amount of love for this movie makes me sure that I’ll dig it, but it is tough to find almost 3 hours to watch something that could be potentially depressing. Now-a-days, it seems as though a new film about the end of the world comes out in theatres every other week.
This 2009 sci-fi computer-animated movie was produced by Tim Burton, and as a Burton fan let me say, this movie did not disappoint.
Besides the obvious religious undertones, this film really took a unique approach to the post-humanity storyline. Well, this would be no Top 5 post-apocalyptic countdown if I didn’t pay homage to the 1968 sci-fi classic.
Secondly, we decided to take the term post-apocalyptic literally and not to include any films which deal exclusively with the lead up to an apocalyptic event or the event itself.
The same goes for The Matrix, a great dystopian science-fiction film, which is so far removed from our reality, it simply didn’t fit the criteria.
After those perimeters had been established, we just set out to think of ten films which would fit them, whilst also trying to offer up an eclectic and varied bunch of movies from different eras and countries. Whilst virtually all post-apocalyptic films are by their very nature a sub-genre of science fiction, some of the selected titles are trying to paint a highly realistic picture whereas others clearly take the more fantastical and spectacular route.
The first of three serious feature film adaptations (I am not counting the 2007 Asylum produced I Am Omega) of the science fiction novel I Am Legend by Richard Matheson still remains the most interesting one.
In a post-epidemic world in which the entire population of the planet has been transformed into creatures which are best described as vampires with a streak of zombie in them, Dr. The vampiric undead, however, are dimwitted slow creatures and Morgan goes out every night to kill and dispose as many of them as he possibly can.
He manages to cure the woman by giving her a transfusion of his own blood and starts to hope that they can rebuild a normal society but Ruth’s group of semi-vampires has other plans. Secondly, it benefits greatly from having Vincent Price in the lead role, who gets to ham it up nicely as Dr.
Whilst tame and dated by today’s standards, The Last Man on Earth remains a wonderful oddity and arguably the grandaddy of all post-apocalyptic horror films which have followed since. The story is set in a desolate post-apocalyptic landscape, after some sort of disaster has left the planet ravaged.
After he finally manages to obtain the battery he needs to get his plane off the ground, he takes off and finds the remnants of a city. Being a very low budget affair, Le Dernier Combat probably was shot in black and white and without dialogue out of necessity but Besson manages to make these limitations work to his advantage. Le Dernier Combat also marked the first collaboration between Besson and Eric Serra, who would score the majority of Besson’s films throughout his career. Based on the 1957 novel of the same name by Nevil Shute, and the first of two adaptations for the screen (the second one being an Australian television film produced in 2000), On The Beach is a post-apocalyptic drama and considered the first truly important entry in the genre.
Set in 1964, which would have been five years in the future at the time the film was released, the world has been devastated by a nuclear war and all life on the northern hemisphere has been erased. The film follows submarine commander Dwight Towers (Peck) as he makes his way from Australia to the United States to investigate the source of Morse code which is being received from San Diego, only to find out that it’s caused by a Coca-Cola bottle tapping a telegraph key due to wind.
A flawed film, On the Beach regularly becomes overly melodramatic and very heavy-handed but still manages to perfectly convey the bleak sense of desperate doom felt by those who are still alive, knowing that their end is near. Ultimately these qualities overcome the less successful aspects of the film and it remains a powerful work, even 65 years after it was initially released. The English language debut feature for Korean director Joon-ho Bong and his first international co-production, Snowpiercer is a slick looking science fiction film set in the not too far a future.
After humanity and life on the planet have gone virtually extinct due to man’s meddling with the climate, the only survivors find themselves on a constantly moving hi-tech train, which circles the planet. Inside the train a class system has evolved, with the poor in terrible conditions stacked in the back of the train whilst being constantly oppressed by the rich, who live at the front of the train in luxury. A highly stylized and high concept film, Snowpiercer has a great international cast including Chris Evans, Song Kang-ho, Go Ah-sung, Jamie Bell, Ewen Bremner, John Hurt, Tilda Swinton, Octavia Spencer, and Ed Harris. Some of the wagons designs are simply fantastic and Joon-ho Bong manages to conjure up a few really nice set pieces.

Based on the graphic novel of the same name by Raymond Briggs, When the Wind Blows is a British animated feature, dealing with the aftermath of a nuclear attack as experienced by an elderly couple in the United Kingdom.
James and Hilda Bloggs (voiced by John Mills and Peggy Ashcroft) are an elderly retired couple going about their daily routine in Sussex, England.
Both James and Hilda are very simple and naive folk and fully expect that even if a war occurs, they will be able to survive, just like they did World War II, as long as they follow their government’s instructions.
They go about their business in the days that follow, confident that help will arrive, but nothing happens and slowly they start to succumb to radiation sickness as their supplies start running out. A grim and bleak tale of nuclear destruction and its effects on ordinary citizens, not understanding its full consequences, When the Wind Blows is a dramatic animated feature quite unlike any other. Featuring a soundtrack of some of England’s top musicians, including a title song by David Bowie, and a distinct visual style, in which various styles of animation are used, When the Wind Blows comes highly recommended for lovers of serious animation and dramatic post-apocalyptic tales. If TV movies count, I’d add the magnificent, utterly depressing BBC drama Threads (Mick Jackson, 1984).
Le temps du Loup is great and so disturbingly realistic by just showing the consequences the societal breakdown has on human interaction. People here don’t seem to understand the difference between a dystopian future and a post-apocalyptic one. Five (filmed in 1951), is a very brave post nuclear explosion film for its time but is severely limited due to its low budget.
Hollywood is about to launch a new wave of big-budget apocalyptic spectacles, depicting a world where human life has been all but destroyed.
One of the main reasons we went was because we heard director Sandy Collora would be showing off and talking about his new indie sci-fi film 'Hunter Prey', which I am very excited to see. Black Moon is directed by Louis Malle and is set in a dystopian future where men are at war with women. The world of ruin they create still holds up to today’s standard, plus it has a great sense of humor and action. The first half of WALL-E almost doesn’t feel like an animated film and will make you wonder how long it took Pixar to make it. It’s intense, suspenseful, and manages to really elevate the post-apocalyptic zombie genre.
Take Robocop and The Raid, mix them together in a futuristic wasteland and you’ll get something close to Dredd. Brad Pitt and Bruce Willis do a great job, but the real star of the show is director Terry Gilliam, who creates such a twisted a memorable future within the film. That prison is New York City and when the President accidentally crash lands there, Snake Plissken must go in and rescue him.
He is one of the greatest action heroes of all time and one of the many reasons this film deserves to be on this list.
Tom Hardy and Charlize Theron team up and try to save a group of slaves from a crazy warlord. But in this list I’ve not included films that cover only the catastrophe itself or dystopian futures in general. Wells, this sweeping epic of a film charts the recovery of humanity after it’s fragmented into isolated communities by a global war and ravished by plague.
Touches on The Knowledge theme about long you can persist on contents of a single supermarket, and also offers a microcosm of the degeneration of society. All the bridges leading into the city are mined, a large wall is built along the shoreline and a large police force army is based there to stop or kill any attempted escapees.
This tells a story, another moment in time in a hero’s life that just happened to be captured along with great action, inventive new fight scenes, invigorating battles, and something altogether new and different in the science fiction genre. I love what you have to say about 28 Days, Invasion of the Body Snatchers (so freaking creepy), Children of Men, and (above all) 12 Monkeys.
In order to post comments, please make sure JavaScript and Cookies are enabled, and reload the page. I hope it’s not a sign of the inevitable fait of humankind, but rather, merely an imaginative storyline that sells.
The credits boasted an attractive cast of A-list celebrities from Denzel Washington, to Gary Oldman, to Mila Kunis.
The film tells the story of a space-bound astronaut crew who crash-lands on a wacky planet in the super-future. First of all, we decided to focus on films which deal with the survival of a greatly diminished population after an apocalyptic event and not to include movies which deal with more or less functional rebuilt societies after such an event. This explains the omission of for instance Children of Men, which otherwise would more than likely have been included. The first Planet of the Apes, in which it only becomes apparent that we are dealing with earth in the final moments of the movie, is a prime example of this.
And finally, we have not included films produced for television, hence the omission of films like Testament, Threads or The Day After. Some of these titles will be extremely well known and obvious choices, whilst other will hopefully be less expected and possibly even completely unknown to the reader.
Either way, we hope that there’s a good suggestion or two to be found for everyone in these ten post-apocalyptic goodies. 1971’s The Omega Man is simply atrocious, and whilst the 2007 Will Smith vehicle I Am Legend had its merits, it suffered from dodgy CGI, a terrible ending and of course Will Smith, who can not compete with the awesomeness which is Vincent Price, the protagonist in The Last Man on Earth. First of all, it is a low budget affair which, instead of playing it for thrills, focuses on the isolation and the loneliness resulting from being the last of one’s kind.
First of all it was the directorial debut for Luc Besson, who was only 24 years old at the time, as well as the acting debut for Jean Reno, who would go on to star in various other Besson vehicles. An unnamed isolated character (Pierre Jolivet), simply referred to as “The Man” in the film’s credits, spends his time scavenging parts to build an airplane, in the hope of finding civilisation and a female somewhere. There he is attacked by “The Brute” (Jean Reno) but manages to make his way into a barricaded hospital, where a doctor, who has also been terrorised by the brute, has been holed up. The cinematography is great and the lack of dialogue give this movie a unique and surreal feel. The film and Besson won Best Picture and Best Director awards at various international festivals and the movie was also nominated for Best First Feature at the Cesar Awards in France. The film was a major Hollywood production and starred Gregory Peck, Ava Gardner, Fred Astaire and Anthony Perkins.
The only place still habitable for the time being is Australia, although air currents will shortly also deliver the radio-active fallout there. Whilst people are being given suicide pills to avoid the long suffering caused by radiation, Towers spends his last days with Moira (Gardner), an alcoholic woman he is in love with, Julian Osborn (Astaire), a scientist, and the young couple of Peter and Mary, who are expecting a child as well as being in denial about the fate which looms over everybody. It’s also the oldest film on this list and the first, during the height of the cold war and nuclear paranoia, to address the topic of nuclear devastation directly and unflinchingly. The film was nominated for two Academy Awards, five Golden Globes and won director Stanley Kramer the BAFTA UN Award. The film is based on a French graphic novel by Jacques Lob, Benjamin Legrand and Jean-Marc Rochette called Le Transperceneige and as opposed to many films in this genre, the world here has became a frozen wasteland. As a result of an experiment to reduce global warming years earlier, outside there is nothing but ice, snow and freezing winds.
Something has got to give and soon Curtis (Chris Evans) leads his people from the rear of the train in a revolt, trying to make it to the front where the all important engine is situated. Whilst sometimes pushing the boundaries of the suspension of disbelief, there is plenty to make up for this in terms of visuals, ideas and cast.
A must see for science fiction enthusiasts and a great recent addition to the genre, which manages to feel fresh.

Certainly not an animated feature made for the little ones, When the Wind Blows is powerful and dramatic stuff. As the international situation worsens and it becomes apparent that a nuclear war with the Soviet Union is approaching, James starts making preparations as per the instructions of the government. When the war actually starts, they hide in their shelter, only to come out a few days later to find that all communication and utilities have been turned off. Whilst the couple are portrayed as overly simple folk, naive about nuclear war and even nostalgic about some of their experiences in World War II, the film does hit home after the nuclear attack actually occurs and does not shy away from taking things all the way to their grim end. Now, a dystopian future may precede the post-apocalyptic one but not always– it could also follow it (like in Akira).
Now, Akira is an example of a dystopic future which resulted after a post-apocalyptic event. From September, big name stars aided by impressive special effects will be bringing competing post-cataclysmic visions to cinemas.
Now just so you know this is the same guy that made the greatest fan film of all time 'Batman Dead End'.So he screened the first 5 minutes of the movie for us which just looked great!
Until then, you might as well live out your remaining days watching movies about your impending doom. A beautiful young girl flees the war and takes refuge at a manor house with a unicorn, a bunch of naked children and an old women who talks to rats.
Fun Fact: Arnold Schwarzenegger was set to star in a Ridley Scott directed version of this film in 1998, but Warner Bros pulled the plug on it. Plus, John Carpenter is one of my all time favorite directors and this is his first endeavor into post-apocalyptic film making. When one woman becomes the first person to have a baby in decades, people start to lose their shit. But the main reason it’s number one is the nightmarish vision of the future it created. Upon a terrorist attack on his plane The President ejects and escapes only to find himself in the middle of the prison.  Ex-soldier Snake Plissken is offered his freedom if he goes in. It also gave us a situation where massive animals can live indefinitely in hibernation, and the male wakes up first, but it’s all the females that are killing us, and there’s only one male, so why are there females around now?
Most of those we would actually classify as dystopian films anyway and hence movies like Akira or Things to Come also haven’t been included. He somehow has proven immune to the disease after having been bitten by a bat in Panama years earlier. Secondly it is shot in black and white and because people have lost the ability to speak the film has basically no dialogue during its 80 minute run-time. In the meantime he is also battling a gang of thug survivors nearby who are led by a man in a white suit. The doctor also has a woman locked in a cell, which pleases the man immensely as he has been looking for a female all this time.
It also leads to one poignant scene where the only word in the entire movie is spoken after the man and the doctor have developed a friendship whilst being holed up in the hospital.
The film features various styles of hand-drawn animation, stop-motion animation and even mixes in some real0life footage.
A post-apocalyptic future is the result of a major event that has either obliterated the majority of the population or has rendered the earth uninhabitable and deals with the remaining humans’ survival after said event. I love what I do, and I enjoy sharing everything I can with you when it comes to movies and geekery.
No other post-apocalyptic world scared me more as a youth and stayed with me after the film was over. He agrees but the complications are many, even though his robust bravado is without question undeniable.  This is a great science fiction action film that shows where man kinds violence will eventually lead them. So, I thought it would be interesting to stimulate some debate on the best post-apocalyptic movies of all time! It was interesting to see a story that articulated how religious texts can be potentially abused in the name of power and order. Romero, who has publicly acknowledged the novel as part of his inspiration, when he conceived zombies for Night of the Living Dead. It was already better than most of the crap sci-fi films Hollywood is giving birth to these days. However, The Road is still a fantastic film filled with misery, depression, and hopelessness. The animation was captivating and you really start to forge a human connection to the cute little sackboys out to save humanity.
The dark cinematography and subtle, understated graphics creeped me out because, this particular vision of the future seemed like a realistic possibility for all of us. And the creatures in The Last Man on Earth sure stumble around like Romero’s zombies would do a few years later. If you are looking to see a totally original film with original characters then this is a movie you need to look forward to.The film starts off with a prison space craft that has crash landed on a desert wasteland of a planet.
It makes a memorable and funny statement about the absurdity of most zombie flicks and post-apocalyptic movies. Musical composer John Murphy took a page out of the Planet of the Apes’ soundtrack, creating a creepy effect that set the stage for some intensly graphic zombie munching. The ship was carrying 4 space soldiers and an alien prisoner which escaped after the the crash.
It’s not a depressing interpretation of the future, but rather one about humanity prevailing. One of the soldiers is killed off by the escaped alien and there are 3 left that are told to hunt down and capture the alien alive so they can get it to wherever they were taking it in the first place. While you will be able to view the content of this page in your current browser, you will not be able to get the full visual experience. This obviously will not be an easy task because the alien has mad survival skills.That is pretty much all we got to see.
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After that clip he showed us the teaser trailer for the film which we showed you not to long ago. I'm really looking forward to this movie.Collora said that the movie will be completed in about 6 weeks, it will be 90 minutes long and they hope to premier it at the Toronto Film Featival and Fantastic Fest.
The film already has a foreign distributer and they are holding out for a domestic distributer until after the film festivals even though they have already recieved offers.
Hunter Prey was made on a extreamly low budget, Collora would say how much it was but he did say he would never want to make a movie again with a budget that low.
He then proceeded to tell us some great stories from the production of the movie from the crazy sand storms they had to endure, to the killer bees that attacked them.He also revealed a little information on two of his many film ideas he would like develop. The first on is called 'The Circle' which deals with gladiator battles that deal with monsters in stead of humans.Sandy Collora is a film director that Hollywood needs. He is all about creating new and original material which is something that we don't see these days at the movies. So when we have creative people like Sandy Collera doing something different from anything else being done how can you not be excited to see it!

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