Best comic book writers of 2013,sas survival handbook survival kit,best online ebook download site - 2016 Feature

Since I am a comicbook aficionado, or should I say a sequential art aficionado, from way way waaay back (my first loves were The Avengers and X-Men of the mid seventies, and Mad Magazine), it was only a matter of time until I put my list-making obsession to work for a subject such as this.
Gilbert, Jaime, and sometimes Mario, created one of the most enduring, elaborate series' in alternative comics history. Often described as the Poet Laureate of Cleveland, Harvey Pekar is most famous for his ongoing American Splendor comicbook series. Best known for being the creator, editor, and oft times writer of the satiric and quite iconic Mad Magazine back in the rag's early days, Kurtzman, who has a comics award named after him (The Harvey), was one of the great innovators, one of the great movers and shakers, one of the great auteurs of the comic book scene. From 1975 to 1991, Claremont didn't just write the Uncany X-Men - he was the Uncanny X-Men. Comic book writer, playwright, and occultist, this Zen-like Scottish guru put his formidable narrative sequential art skills to bear, and did major revamps on everyone from Animal Man (Buddy Baker has never been better than under Morrison's wing), to the JLA, to the "New" X-Men, as well as incorporating the Caped Crusader. Credited as being the guy who gave Batman his balls back in the seminal Dark Knight Returns (possibly the greatest superhero comic book of all-time), badboy Miller is also the man responsible for doing the same with Daredevil, as well as the man who created, then killed, then resurrected Elektra. This cat may be delusional as all get out, as well as more than just a bit batshitcrazy (and I love him for it), but when it comes to writing comics, from superheroes to anti-superheroes, to every twisted beast in between, Alan Moore, the Shakespeare of sequential art, is more than just the creme de la fucking creme of the whole goddamn crazy bunch of 'em. Gail Simone first made a name for herself on the website Women in Refrigerators and her hilarious column on Comic Book Resources, You’ll All Be Sorry.
Simone left Marvel and began work on the book that she is perhaps still best known for, Birds of Prey, which she wrote for nearly fifty issues (plus a second run right before the New 52).
During this period, Simone also launched Welcome to Tranquility, a delightful series based upon the idea that the town of Tranquility, Oregon, is a home to retired superheroes and supervillains and their families. While Birds of Prey is probably Simone’s most notable work at DC, I think her work on Secret Six did an even better job of capturing that delightful balance between humorous and darkness that you can see in so much of her work.
The key element to the series was the emotional connections that these rogues shared with each other (Bane became a major cast member in the ongoing series, as well. When the New 52 hit, Simone launched Barbara Gordon into her own series as Batgirl once again.
Kelly Sue DeConnick’s rise to comic stardom has been one built on a decade of hard work. With 2011 almost behind us, it's time to take a look at some of the comic writers who made reading comics worth it this year.
Geoff Johns really wants you to care about Aquaman as much as he once really wanted you to care about the Hal Jordan.
Nick Spencer is increasingly becoming a go-to guy over at Marvel with his recent stints in the Ultimate and 616 Universes, but the Nick Spencer we want to talk about is the one responsible for the sinister mysteries at the heart of his creator-owned works Infinite Vacation and Morning Glories. Although David Brothers pointed out something about Snyder's writing that, once you notice it you can't un-notice it, doesn't necessarily detract from the American Vampire creator's at crafting engaging, thrilling, and sometimes downright brutal plots. If you haven't read it yet, this Tucker Stone interview with Mark Waid serves as the best encouragement to read Daredevil, simply one of the best and most beautiful superhero comics on shelves right now. From one writer building a character up to another snuffing their character out completely, we come to Mike Mignola and Hellboy. The best thing that Fear Itself gave us was Phonogram creator Kieron Gillen's semi-heroic take on Loki over in Journey Into Mystery. This series, which made our 2011 Gift Guide, excels not only because of the horrific entity trying to kill the cast or the central, strange mystery of the keys, but because writer Joe Hill has taken the time to invest the Locke household with engaging family dynamics. But alas, I could only find room for eleven comicbook writers on this top ten list (yeah, I cheated a little to squeeze in an extra), so these three goodfellas had to accept honourable mention status.
First published in 1982, and still going strong today with brand new stories, Love and Rockets was a groundbreaking work in the early days of the 1980's alt comics scene.
Drawn by an array of underground comix artists (including Robert Crumb and Spain Rodriguez), the series tells the story of Pekar's harried life and times.

Creating some of the best stories in comics history (I grew up loving these pre-saturation days mutants), as well as being the creator of some of the best characters in Marvel's gallery (Rogue, Psylocke, Kitty Pryde, Phoenix, Gambit, Sabretooth, are just some of the man's creations) gets this guy on any list worth reading. Gaiman, one of several Britons on this list, and a Hugo and Nebula award winner, was brought on by DC Comics, via their Vertigo imprint, to re-invent an old and forgotten character. Stan and Jack were the guiding forces behind the reinvention of the superhero comic book that ushered in the Silver Age of Comics.
She basically has a way of finding the humanity in dark stories, while at the same time, having enough dark stuff happen in her work that that humanity has to work to show itself.
Other characters came and went, as well, with Simone creation Jeannette being the other longest-lasting new addition).
She also did an intriguing series called The Movement about a group of underground, politically motivated heroes. She worked for years as a translator of Japenese and Korean comics before slowly but surely getting some assignments on Marvel, including some excellent turns on one-shots featuring Sif and Pepper Potts (the Pepper Potts one was particularly good).
In spite of all of the relaunches, revamps, and revisions going on throughout the year, you'll note that the consistent theme through most of our list is some of the up-and-coming but no longer quite new types who've made their way into comics. Slott kicks off our list by doing something very clever over the last year: he's somehow improved Peter Parker's life while simultaneously making it more complicated and deadly.
And with a couple of issues of the New 52 version of Aquaman out of the way, he's kind of making that happen with a sympathetic, occasionally funny take on Arthur Curry, Kind of Atlantis. Honestly, Casey's writing on the book is like nothing else on the shelves (even miles apart from some of the work that he's doing over at Marvel), and deserves to be checked out ASAP. The latter title, in particular, consistently delivers one of the most twisty and intriguing central mysteries of any book on shelves right now, with a pervasive sense of danger for both the lives and souls of its young cast. His American Vampire is one of the gory good reads of the last couple of years, while his New 52 work on Swamp Thing transforms what should feel like exposition-heavy work into the building blocks of a new mythology in the DCU.
The recent "The Fury" miniseries places Hellboy right at the center of all of the many prophecies and doomsday scenarios that Mignola's overarching fiction has led to up to this point, delivering his red-skinned hero's patented mix of humor and pathos as everything goes pretty much to hell.
One of the brightest spots in Marvel's summer output, Gillen nailed the high-fantasy plot, planetary stakes, and humor--oh man, is this series funny--of a reincarnated trickster god trying to make right as the whole world starts going wrong. Simply put: Hill makes you care what happens to his characters before putting them through the wringer. First off, please allow me to mention the multitudes of talented comicbook writin' folks (both of the superhero and non superhero variety) that did not make the list. A love story to the punk movement of the day, as well as an extremely intricate comic book world. He did have a bit of a run-in with Shia LaBeouf recently, so maybe that will get his recognition up. Without these guys (Stan as writer and Jack as artist, and uncredited co-writer) there would be no Marvel Comics. Simone excels at character interactions and the driving force in the series was clearly the friendship between these three strong, independent women. Secret Six was perfect for this because it was ABOUT a group of supervillains working together as team, primarily Deadshot, Catman and Scandal Savage. DeConnick only slightly edged her out (although then her lead got a bit bigger after I went back through the votes and picked up all the various ways people misspelled DeConnick). From his new gig at Horizon Labs, to his positions on both the Avengers and FF, as well as occasional teaching duties at Fort Hammond, Spider-Man was busy in 2011.
Interestingly, he seems to be tweaking Hal Jordan a bit over in Green Lantern, scaling back the flyboy's tendency to be the end-all of DC manliness (in the mind of Johns, at least), and humanizing the character by showing that without his ring, Earth's first Green Lantern's life is a complete and total mess. And Mignola doesn't simply play around with a simple mano-a-fang fight between Hellboy and a great and terrible dragon--he pulls the trigger on much of the promised end of world chaos, making Hellboy's fight seem all that more futile and horrible, and his final fate more poignant.

Here, as with his new stint on the relaunched Uncanny X-Men, Gillen gets that you need to figure out the core of the characters and let the story spin out of their actions as opposed to hammering character-shaped things into your soft plots.
Lemire plays fair with his scripts, however, teasing out the horrible things that happen so it never feels like he cheated his way into his big twist or turn in the story.
And remember, many of these guys and gals (though being the rather misogynistic artform that it is, not many gals) have acted as both writer and artist, but this list is just for their respective writing talents. Vaughn, Peter David, Garth Ennis, Mike Mignola, Gail Simone, Gardner Fox, Jim Shooter, Jay Lynch, Spain Rodriguez, Kevin Smith, Jeff Lemire, et cetera), but I'm tired of typing, so let's move on. The importance and historical significance of his books Maus and Maus II, would make him a good candidate for this list, but alas (again) he just missed out.
But none of this happened in a vacuum, and Slott used these changes to kick off the multi-month "Spider Island" storyline which was kind of the apotheosis of big, crazy, continuity-spanning Spider-Man stories. Doing the work of making these characters human and relatable has gone a long way towards hooking our interest here in these New 52 entries.
In both cases, he's laid down all kinds of interesting threads for future stories while laying out the potential for all sorts of mental and physical peril for his characters.
For that reason, he's responsible for two simply incredible (and diverse) comic books right now, and DC should be doing everything they can to keep him around. Yeah, I know, he's a legend, but his talent tends to go more toward the drawing rather than writing side of things (drawing for other writer's works), so he is left on the cutting room floor.
I would probably add Al Feldstein to the list (but I'm biased, of course!) because he wrote or plotted most of the EC horror and science fiction comics. I've read many pre-code comics and rarely did the other companies come close to the maturity of his writing style. So exciting that the government forced a self-imposed code so out went the gruesome and in came to wholesome.
And, Spider Jerusalem even got me to read Hell's Angels to learn more about Hunter Thompson. China calls Taiwan part of it, but apparently they do that for large parts of Asia that nobody else agrees about. Iris and I want to have a kid.Apparently, I was combining Milligan and Willingham in my head. The only other book I think I've read by him was Human Target, which I liked but not enough to affect his Top Ten status.
My comic book reading isn't as broad as it could be-as a kid $2 for a comic, or however much they were was a lot of money. Frank Miller- If O'Neil brought Batman back to his roots, than Miller gave him his balls.
What keeps him on the list are his run on Daredevil and his work at Dark Horse (Sin City and 300). While I'm not sure if this is a good thing, you cannot take away fromv the fact that Moore is the father of the modern comicbook.
Stan Lee and Jack Kirby- Even if remove the creative productivity from these two giants, they would still be number one on my list for one reason; they made their character human.

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