My guess is the ones who found it boring were photographing at apertures that made their images look ordinary. If your camera is set to apertures such as F5.6, F8, F11 or F16, you will get a similar look to a point and shoot camera where everything is in focus. Now with these new aperture settings, try changing the way you compose, look for leading lines, use the rule of thirds, change your elevation such as ground level or higher up.
The above image is a good example of leading lines combined with the rule of thirds or golden triangle. This is another advantage of the standard lens, where it contains enough environment around the subject to tell a story or show a relationship between the environment and the subject, without using a wide angle lens. When using wide open apertures, it’s important if you want both eyes in focus to have the front plane of the face square to the camera axis as possible.
As the boy is leaning slightly forward, this creates even less depth of field on his shirt and neck area, which keeps the attention on the eyes and face. In the next two images, the positions chosen were created to keep their heads in a clear and uncluttered area. There a lot of really good and affordable 50mm lenses out there, it really just comes down to which brand your prefer. Thanks for sharing your expertise and giving me some ideas for a shoot I am doing this weekend. In my medium format days I pretty much shot with a 150mm lens set at f4 – 400 tmax set at 250 iso with a yellow filter.
In order to answer this question, you really need to decide how good you want your images to be. The good news is that, even though you will need to spend quite a bit for your new friend (and it will be your friend right from your first press of the shutter button), it will be good for other types of shots too. When you finally make the decision to add this piece of equipment to your camera bag, you will be delighted with the results and wonder why you put it off for so long. The most important factor for taking great pictures is not actually the camera or the lens, it is the person making the picture. If a macro lens is outside your budget, a set of extension tubes and a fixed-focus, normal length lens can do quite nicely. We are always looking for more interesting and insightful photography tips and techniques to share with our readers.
Digital SLR camera settings for capturing a well focused bird in flight compared to one that shows movement in the wings. To photograph a well focused bird, set one at a fast enough speed to capture it instantly, as if it's frozen in time. Creative photographer, Web publisher, Diy fan, Avid traveler and a Nature Conservationist to the core. The end of the year when all the Christmas light decorations go up in the street, is a wonderful time for getting out your digital SLR camera and doing night photography. With Christmas lights flashing and people randomly walking around the decorations, it's important not to set a too slow of a shutter speed. It's also a good idea to use a tripod, as the shutter speed will be too slow for sharp hand held shots.

Most people think of standard or telephoto lenses as being best suited for portrait photography, but never dare experiment with wide-angle lenses. Generally, wide angle lenses aren’t used for portraiture because it can make some body parts seem unnaturally large. So wide angles might not work for headshots, but they are fantastic for environmental portraits. So this trick is done by using a wide angle lens (under 15mm for a crop-frame camera and under 22mm for a full-frame camera). About the AuthorJim Harmer Facebook Twitter Google+Jim Harmer is the founder of Improve Photography, and host of the popular Improve Photography Podcast.
I doubt anyone would call the images of Henri Cartier-Bresson,  the legendary photojournalist of the 20th century, boring. Also it’s worth noting that the angle of view is similar to our eyes, therefore we are used to seeing this same angle with a full focus range. Because you are now using a lens that is close to your own eyes, you can learn to see and compose without raising the camera until your ready to focus and shoot. The location is under a 100 year old jetty with a rusted  steel shark fence, which diminishes off into the back ground.
The answer most photographers who deal with this type of shooting is that you need to stick with a single focal length, such as 100mm. You can get great portraits with a macro lens, and it will give you fantastic street journalism photos as well.
Even if you are shooting with the cheapest DSLR camera, the lens will make a huge difference.
However, it does not hurt to have a good camera, and the lens is just as important as the camera that it is attached to.
He runs sites related to photography classes in Atlanta, Georgia, and a Canon lens organization site.
To do this you'll need a shutter speed faster than the bird or its wings (if you want them clearly focused) are moving. This speed also allowed me to hand hold the digital camera so I could more easily follow the birds flight path. The last thing you want is a decoration or person seen in your photograph as a slow motion blur. Firstly, you can focus the camera at part of the house that isn't too dark or too light and adjust the exposure. A If your portrait photography is beginning to feel a bit stale, then try this new technique. A What is close to the lens seems unusually large, and what is far away from the camera seems smaller and further away. A For example, if a portrait of a person’s face is taken with a wide angle lens up close, the nose will look huge because it is closer to the lens than the rest of the face. A That’s just a fancy term for portraits that include the area around the subject in order to tell a story. A If you have a kit lens that goes down to 18mm on your crop-frame DSLR, then this may only work marginally well.

A Get up close (usually about as close as your wide angle lens will focus) to part of the body or scenery which is closely connected to the person. It is important to think outside the box and put away the 24-70 or 70-200 in the studio and get out a 10-20mm lens now and then.
I’ve seen it said over and over by portrait photographers who are used to working in studios that you should never use a true wide angle for a portrait lens. To their amazement, I tell them that about approximately 40% of my work is photographed with a 50mm, 10% on 24mm and the balance on a 70-200mm. So when we photograph with our big zooms, the visual impact appears greater than our standard 50mm lens. In this portrait the teenage boy is slightly turned to his left, but not far enough to cause his left eye to go out of focus.
By sitting the girls, this avoided the line of the jetty from appearing to pass through their bodies. If you want excellent quality and true macro magnification, you will need to invest in a special lens. Firstly, you can capture them as though they are instantly frozen, with every part of the bird focused. Unfortunately this can change from one shot to another, so there is no specific setting for this.
Therefore, with this in mind, if your bird photographs aren't as frozen looking as you'd like them to be, then increase the shutter speed on your DSLR camera. Make adjustments to exposure, color, contrast, noise reduction and lens corrections in camera RAW as needed. It's never recommend going higher than 800 however, due to loss of photo quality the higher the ISO. If you're not sure what I mean by exposure we have a tutorial on it at: How to use manual mode. But if you take lifestyles portraits, as our studio is becoming known for doing, the wide angle shots can be up to half of the shoot. In a period where the 70-200mm appears to be the most popular lens, many photographers dis-guard the long serving 50mm standard lens as boring. What makes them special is their ability to get close to the subject, thus filling the frame with a subject like a bug or a flower bud. Also working in lower contrast light at these settings will render softer highlight and shadow transfers. The use of the 50mm lens gives no distortion and shows enough environment to make interesting pictorial portraits. This may well mean a long lens for a landscape or a wide angle for a storytelling portrait. Photographers should know the rules and then break them carefully, or risk their work becoming static and uninspiring!

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