Lighting is the most important aspect no matter what genre of photography you are interested in; and flower photography is no exception. Composition is crucial, the rules of composition like the rule of thirds, the golden mean etc. In the field you will have a bunch of flowers, observe closely and choose the best specimen among them. Even though our eyes are naturally drawn to the brightest flower around, dying or dead flowers present an opportunity of capturing a very different mood. Always photograph your flowers from every possible angle, shoot from the side, shoot straight down, get down to the flower level, get even lower and shoot from underneath, yeah you get the idea. When you first discover how to take photos of flowers it can give you many days of wonderful enjoyment. When you place your flowers well, it means you’re getting better with your photographic composition. When you zoom right in to get up close to your flower you create a tightly cropped picture. The video covers timing, lenses, depth of field, focus points, focus modes, and some composition tips for capturing great macro and flower photographs. We are always looking for more interesting and insightful photography tips and techniques to share with our readers. Flowers are naturally beautiful, and easy to find in the warmer months of the year, and so make a great subject for a photo. If you want your flower photos to stand out from the crowd, try taking photos from unusual angles, such as looking up.
Generally when taking natural flower photos, you will want to take the photo at slightly above eye level with the flower, ensuring that the centre of the flower can be seen. When photographing flowers at ground level you may need to flatten or remove blades of grass or leaves that would otherwise be in the way between the camera and the flower.
For taking photos of flowers in their natural environment you will be best using natural light, and not flash. The best time of the day for photographing flowers is early morning or late afternoon, where the light will be warmer and less harsh than it gets later in the day.
For taking photos of flowers during the daytime, try shooting when there is hazy cloud, as the cloud helps diffuse the sunlight. When you find a large area covered with flowers, you’ll probably want to take a photo of the whole scene. If it is windy, make sure you set the camera to use a fast enough shutter speed to avoid the flowers coming out blurry. Flowers covered in early morning dew make an attractive photo, but if you missed the early morning, or there wasn’t any dew, you can create your own. Flowers are a popular subject for photographs, but how can you take good photos that really show off the beauty of a flower? If you are photographing a flower where the front of the flower isn’t directly lit by sunlight, you can use a reflector or a small amount of fill-flash to help light the flower. As an alternative to a reflector, or in addition, you may also consider using fill-flash to help light the flower and fill in dark shadows. If your camera has a macro mode, or you have a DSLR with a macro lens, try getting in close and filling the frame with the flower. When taking close-ups or macro photographs of flowers, you may need to use flash or long shutter speeds to illuminate the flower.
Another thing you can do is to secure the flower using an accessory known as a plamp (short for plant clamp). The large majority of flowers have relatively thin petals, and so can make a great photo when backlit.
There are exceptions to everything, but in the large majority of cases, a photo of an undamaged flower will look nicer than that of a damaged one. Pay attention also to what is surrounding the flower, and try to avoid including other elements (such as a random blade of grass) that distract from the flower. Discover Digital Photography offers photography tips and advice to help you improve your photography.
If you add only a handful of these approaches to your photography, you will be amazed at the results. Photograph flowers really early in the morning or just as the sun goes down for rich, soft lighting. Work with depth of field to isolate a single blossom or find one flower that is a different color than the rest.
Flower photography is a highly satisfying photography pursuit, rewarding to both the eyes and to the aesthetic mind that appreciates the natural beauty all around us. Hard light from your flash will almost always drown the fine details of a flower in a sea of light. Using a macro lens is the best way to ensure that you can get up close and personal when pursuing flower photography. Telephoto lenses can help you to isolate the subject by blurring the background and the foreground. To succeed at flower photography, you won’t need any fancy equipment, but you will need to pay attention to detail. The first thing to do is plan to take your flower pictures when the lighting is good and the wind is still. Many of us have taken a picture of a flower and thought it was perfect – that is until we saw it enlarged or on a computer screen. The other main cause of blurry or out of focus flower pictures is the camera, more specifically taking a close up without the proper setting. Let’s look now at turning that pretty flower into the perfect subject for your photo.
Look for tiny bugs and loose particles like dust, and then remove with them with a soft, makeup or artist’s brush. Look at the flower from different positions to see what angle looks best in your viewfinder or preview LCD. Then focus on the part of the image you want to be the sharpest – this could be the stamen, a ladybug, etc. I wish you could also explain how you took the top most photograph of the flower against the direct Sun.
First, I try to head out to shoot flowers early in the day because there’s less of a breeze in the morning.
I USUALLY try to use a larger aperture to reduce the depth of field and isolate my subject.
Shallow depth of field can be one of the more difficult aspects of macro and closeup photography. Whether you’re a budding photographer with the desire to learn new skills or you’ve already blossomed into a talented shooter and are simply looking for inspiration, here are several flower photography tips and techniques worth learning. There are several composition techniques that can be applied to many photography genres, and flower photography is no exception.
Filling your camera’s frame with a portion of the flower will highlight its details, really showing off the textures of the petals, pollen, and other parts of the flower.
Capturing flower photos from various angles can make the difference between an okay image to a brilliant one.
If you want to capture a flower in its entirety – in other words, you don’t want to fill your frame with just a few petals – it may be somewhat difficult to isolate it from a distracting or unpleasant background.
The best time of day to capture any type of outdoor photos is an hour after sunrise and an hour before sunset.


If you’re photographing wild flowers, try scouting out ones that have a spider, ladybug, or butterfly on them for added interest.
If you were unable to compose your shot as you would have liked to, you can try fixing it using photo editing software. Once you’ve got the hang of flower photography and you find yourself with a collection of great images, don’t forget to share them with friends and family and show them off! Posted in Beginner Tips, Composition, How To, Photography Tips & Techniques, Techniques and tagged composition, flower photography, flower photos, how to photograph, photography techniques, photography tips, tips for beginners on March 16, 2012 by Rhonda Callow.
Although you could take great flower photographs with nothing more than a digital point and shoot or a DSLR with kit lens; it is when you have the right equipment that opportunities at the creative end of the spectrum open up.
Shooting outdoors, diffused light coming from clouds on an overcast day is the best light for photographing flowers. While photographing flowers, it is recommended to focus manually so as to make sure you have your focus right. Shoot with wide open apertures to blur out the background, get great bokeh and make your flowers stand out. In macro photography even the slightest defects would be magnified many folds so it is important to get as good a flower as possible. It works well for flowers because it has a low intensity and doesn’t create strong shadows across your flowers. There is nothing more frustrating than when you have carefully lined up your shot, and the movement from the wind creates out of focus images. You can make your shots turn out really well if you apply the things I’ve shown you here today. What do you think, & where would be the best online store I can purchase one coming from Australia. This article covers the top tips to get great photos when photographing flowers in their natural surroundings. This will mean crouching down, or for smaller flowers getting the camera right down at ground level. Natural light will generally give less harsh shadows, and should also ensure that the background behind the flower is lit well.
The wind is also generally lower at the start and end of the day, meaning you are less likely to get the flower blowing about while you try and take photos of it. A diffuser is just a thin piece of material or paper that spreads harsh direct light out over a larger area. You need some white translucent material, like a plastic bag, tissue paper, or an old T-shirt. If you have a misting bottle or spray bottle, you can use this to create a false dew on the flower. Continuing on from part 1, this article covers several more tips to help you take amazing flower photos.
You can purchase commercially made reflectors, or make your own by sticking a large sheet of kitchen foil to a piece of cardboard. As well as helping to light the flower, since the light will be reflected from a different direction to the main light, it can help fill in harsh shadows on the flower.
Make sure you have your flash set at low power, as you only want the flash to contribute a small amount of light to the scene, not become the main light source. At these very close distances, flash will usually appear relatively soft, and more like natural light.
The light shines through the petals, giving them quite a different look to a standard photo.
If you are in an area with lots of the same flowers, take your time to look at a few of the flowers and try to find the one that is in the best condition. Sometimes you may be able to change the angle you are photographing at to remove the distracting elements. New articles are published on a regular basis covering all aspects of photography, from landscape photography to portrait photography.
A good proportion of flower photography will be macro style where to use the largest aperture you can, will mean the focal plane will be to small to capture hardly any of the image in focus.
Soft light like the one during an overcast day are perfect as the conditions create a natural softbox and brings the maximum amount of detail. If you really have to use flash, as if your life depends on it, try bouncing the light off a surface that will ensure that you have a large indirect light source that illuminates the flower uniformly and does not destroy the details. Flowers are always admired up close and a very tight focus brings the best out of these colorful beauties. It is useful when you have a distracting background that affects the quality of the picture. Never go for something cheap unless you have a Point & Shoot to mount on it and even then it is not advisable.
Wanderlust at heart and a shutterbug who loves to document his travels via his lenses; his two passions compliment each other perfectly. If you want to take beautiful flower pictures, like the ones in magazines, this article will help show you how it can be done. Even the most gentle breeze can cause enough of a quiver in the stem to create blur in a close up.
Other good times for lighting are the hour before sunset and anytime there is high overcast (bright overcast). Another problem many new flower photographer enthusiasts find is that their pictures come out blurry and out of focus.
Or if you find a flower that’s almost perfect, except for a ragged petal or two, simply remove them.
Make sure to look for shadows and other things in the background that may not look good in your picture. And if the flower is backlit (which can create a nice, iridescent effect), avoid lens flare by using a lens shade or wearing a broad brim hat to prevent light from entering the lens. And how you display your flower photo also makes a difference so make sure to display it in a picture frame that compliments it.
Your Picture Frames makes it easy for you to find just the perfect frame for your photo or artwork. I was looking for how to keep the entire depth of flower in focus and rest all blurred in the background. Air movement can cause problems when you’re trying to capture a delicate subject like a flower. But there are times when I want to include some details of the background, so a larger depth of field may be appropriate.
Photography is one of my main passions and flowers are one of my favorite objects to take pictures of! In focus stacking, multiple images are taken at various focusing distances and these images are then merged in post processing. For example, in order to capture great baby photos, you should try filling your frame and shooting from different angles – the same holds true for flower photography. Further, if you fill your frame with the flower, you easily eliminate any distracting backgrounds. Try positioning your camera so it’s pointing up towards the flower for an interesting shot, or lower your camera so it’s level with the flower. Failing that, you can achieve better results, believe it or not, by shooting on cloudy days when the light is diffused rather than bright, sunny days. If you’re not afraid to handle these little guys, there’s nothing wrong with gently adding them to the flower you wish to photograph.


Flower photos look fantastic printed on canvas or, for something a little more modern, consider having your photos printed directly onto metal!
If you need more of the flower to be in focus of if you are photographing a field of flowers you might want to use narrower apertures.
In fact that is the key, take your time; observe the flower closely, look at the surroundings, plan your composition, lighting etc, set up your camera and take many shots with different settings and you will get many keepers among them.
These cloudy conditions are perfect for taking photos of flowers because there are no awful shadows to reduce the detail and perfection of your flower. Bright light can cause a loss of detail on your flower because it’s so small and fine.
When you have a narrow aperture (high number f stop) it means you have a greater chance of creating sharper images.
Once you apply good lighting, composition, and technical methods you’ll quickly find you just know how to take photos of flowers easily and quickly. She shows you how to take the most breathtaking, brilliant, and incredibly stunning photos every single time you press the shutter button, even if you know nothing about photography. When placing the tripod try to be careful not squash other nearby flowers and not to knock the flower you are wanting to photograph.
Stretch the material over a frame (an old coat hanger bent into a diamond shape works well), and attach it securely. Try and include some foreground, middle-ground, and background to create a sense of depth and scale. The tips cover photographing flowers in their natural surroundings, rather than photographing flowers in a vase or a flower arrangement, which is quite a different affair. You can find some great abstract compositions when focusing on only a very small part of a flower. And it will also result in a blurry photo if your shutter speed is not high enough to freeze the motion of the flower. If you have a tripod and diffuser or reflector with you, you can place the tripod between the flower and the wind, and then rest the diffuser or reflector up against the tripod’s legs. If the space permits, also try using a lens with a longer focal length or zooming in on your camera, and taking the photo from further away. You can use them as art prints, backgrounds for images, Facebook cover images, or just for the joy of capturing the beauty of a flower. You will capture unique detail, rarely seen, that will delight the viewer–especially if you print it very large. If you’re unfortunately not blessed with an overcast day try using white umbrellas which can absorb the hard light and create a soft uniform light. Try different things like focusing on the pollen, cropping tight on a petal that has a drop of water and is just about to run down the surface, or even a flower that has a contrasting background of a bunch of other flowers of a different color. Telephoto lenses have a long hyperfocal distance which helps you to get much of the frame to be out of focus. While getting an absolutely still environment (with almost no wind blowing across) is difficult, you can try compensating for that by turning on the image stabilization option of your lens. Always insist that the tripod is sturdy and would not wobble around when the wind picks up.
He has been writing for over 3 years now, which unsurprisingly, revolve mostly around his two favorite pursuits.
Blurry or poorly composed pictures are all things that are easy to avoid if you know what to do. The macro setting lets you shoot from within an inch up to a foot depending upon your camera (check your camera’s manual). How to know what should be the most optimum aperture size to have just enough depth of field to keep the entire flower (x, y and also z dimension) just in focus, and at the same time it should look soft as well as luminant. If you’re unable to physically lower yourself in order to compose the shot, forget the viewfinder and shoot blind, some of my best photos have come from “shooting from the hip” or in this case, from the toes. However, with that said, if you do find yourself out in the middle of the day when the sun is high in the sky, be creative with your positioning, so the flower is directly between your camera and the sun.
If the bug isn’t very active and you find yourself having some control over the situation, remember to follow the rule of thirds by composing the shot so that the bug is positioned either in one of the left or right thirds of the image, or at one of the invisible intersecting lines. Selective colouring (where the entire photo is in black and white, with only a portion of it in colour) can work well with flower photography: try converting your photo to black and white, leaving only the bug in colour, for example. If you don’t have any close to you, or you do not have a garden of your own, then try a nursery or a park. The camera finds it hard to photograph detail in flowers if there’s too much light flooding the petals. You don’t want to find the perfect flower and then knock all its petals off while trying to position your tripod!
So long as you’re not photographing a tall flower, this should act as a decent windbreak. There are some tricks that can elevate your images beyond snapshot level, into images that really express a flower’s magic. You can bring along a colored card or even a photo of a background to put behind the flower–have the background go out of focus for a believable transition.
It offers life size magnification (1:1) and costs a lot less compared with the features of a true macro lens.
On the other hand if using a wide angle lens you will have a large Depth of Field facilitated by a relatively short hyperfocal distance which means much of the frame will be in focus.
The tripod should have smooth adjustable legs which will allow you to adjust the height and set your camera right down to the level of a small flower on the ground.
The shutter slows down in overcast light and, as a result, anything moving may not look sharp. Using a sturdy tripod for gives you more of an advantage to creating create sharper and clearer photos, because the camera is rock steady.
F stop refers to your aperture, which is a small opening in your lens that lets light in or reduces it. All of the above settings sharpen the subject and put the background out of focus, even blur it.
Try standing directly above the flower and then try lying on the ground to see which angle looks best. Diffusers, scrims, reflectors etc could all come in handy to soften the light, reduce contrast by lightening up shadows etc.
The important thing is to be conscious of what constitutes your flower’s background and does it look good.
You must make sure that you bring out the detail as much as possible and that simply won’t happen unless you shoot in soft light.
This mode engages the image stabilization mechanism only when the shutter is fully pressed.
Since flowers are pretty small subjects you could easily modify the lighting as per your requirement.
When you make the conscious decision to choose a softer light, you’ll have much better results. Once you get the hang of this try wide apertures (low number f stops) to try to reduce your depth of field and blur out the background.



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