There are basically two kinds of lighting to consider for portraiture: natural and artificial.
Natural lighting, whether used outdoors or indoors through a window, is perhaps the easiest for beginners. The disadvantages of using natural light is that you are at the mercy of the weather and are limited to only a few hours of the day to do portraits.
Artificial lighting is a little more involved, and it will take some time to learn how to set it up and use it, but once you do learn, you can get some beautiful effects. Portraits of individuals, especially adults and older children are perfect for this type of lighting, since they are easy to instruct on where and how to pose.
The disadvantages of artificial lighting are evident when you are photographing a young child who refuses to sit still.
Both natural and artificial lighting have their pros and cons, and which type you use will depend on the circumstances of each particular session.
I always carry a diffuser (3x6foot) with me when shooting outdoors to soften direct sunlight.
We are always looking for more interesting and insightful photography tips and techniques to share with our readers.
Rylie was adorable at her newborn session, and I was so excited to have her back in the studio for her six month old session! We started outside at the studio (I’m so lucky to have both indoor and outdoor options) then moved inside for a few more.
The heyday of plein air style occurred as a part of the impressionist movement (one of my personal favorite movements in art history). But before the French impressionists adopted the use of plein air, artists painted within the confines of their studios. Working inside the studio not only allowed the artist to dedicate numerous hours to capturing the subject in a very detailed manner, but it was also a practice demanded by the tools of the trade available at that time, particularly regarding oil-based paint. During the late 1860s, some artists began to stray away from the conventional studio practice that had ruled the art world for centuries and opted to take their work on site.
An important advocate of plein air painting was Monet’s mentor, Eugene Boudin, who introduced him to the practice of painting out in fresh air and to the wonders of bright hues and loose brushwork. By this time, the stunning region of Fontainebleau in France had become a very popular site for plein air painting. Then, during the early 20th century, plein air painting began to spread to other parts of the world.
Plein air painting has remained popular throughout the past two centuries and continues to be both challenging and enjoyable for most artists.

If you don’t usually work outside, plein air painting is a great way to get out of the studio, enjoy some fresh air and gain a new perspective while capturing your surroundings in natural sunlight. Black and white glamour photo of a young woman wearing a black dress posing next to a changing screen. A lomography photo of the long closed Ambassador East Motel located in Downtown Las Vegas on Fremont Street. A lomography photo of the California Hotel and Casino located in Downtown Las Vegas near Fremont Street. Sexy glamour boudnoir photo shot featuring an Asian inspired dress by fashion designer Bebe dress. Macro photography of a orange and yellow flower with a green insect on it, taken at Missouri Botanical Garden in St. Black and white photo of Downtown Las Vegas Fremont Street taken with a Rolleiflex TLR and developed in Caffenol, coffee and vitamin C. Black and white photo of the Main Street and California Hotel & Casino located in Downtown Las Vegas, taken with a Rolleiflex TLR and developed in Caffenol, coffee and vitamin C. Considering the pros and cons, as well as requirements for different situations, will help you decide which kind to use. Simply take your subject outside during the last couple of hours before sunset for a stunning quality that is unmatched by that of strobes.
The upside to this, though, is that you can charge more for this type of specialized service. Strobes are the standard type of lights to use for portraits, since continuous lights are too bright and hot for subjects, making it much harder to get great expressions from your subjects. As often is the case, they have no desire to stay put while you capture their image for future generations and would much rather be playing with your equipment than sitting in front of it. I suggest you try both types, experimenting with different techniques and various ages of people to photograph. In French, it's an expression that literally translates as "fresh air." The term in art refers to the practice of painting landscapes and scenes outdoors, as opposed to painting from life, sketches or photographs in a studio. Still life, portraits and landscape paintings alike were all painted indoors after studying and then roughly sketching the scenery outside. You see, up until the invention of the paint tube and industrially created pigments in 1841, artists had to freshly mix their own paint using pigments and oils.
Turner, who used pencil and watercolors on location to study the landscapes and seascapes that would later grace his canvas.

His body of work is predominantly made up of watercolor paintings, some of which he would later develop in oils at the studio. You can learn more about mixing colors and how to create the fascinating impressionist palette in the Craftsy class Master Palettes: Exploring Color Mixing. In Russia, for example, artists like Konstantin Korovin and Vasily Polenov adopted the practice and are now renowned for using this technique. Even better, you can get together with friends, plan a painting trip somewhere you’ve never been before, and make a great day out of it.
Read on for a step by step tutorial on how to develop film using coffee and vitamin c, also known as Caffenol. They will just think you are there to play and you’ll get expressions and compositions that would be hard to duplicate in a studio. This is the perfect time to use halo or rim lighting, with the sunlight coming through the edges of the bride’s hair. Eventually, you’ll get a feel for what kind of lighting works best for you and your subjects. By the very nature and portability issues of this medium, the artists were required to stay indoors. Artists like Camille Corot, Pierre-Auguste Renoir and Claude Monet started taking their field easels (also known as portable easels), canvases and paints outdoors to capture the ephemeral effects of sunlight and the feeling of light in the moment. You can decide whether you want more or less light, a softer or more contrasty effect, and simply adjust it to fit your needs. Some photographers also do not like the quality of light strobes produce, preferring the softness of natural light. This is ideal, because they will be relaxed and you’ll get lots of shots that show the child’s personality much easier than in a studio setting.
Time is also not a problem with strobes, since the light stays the same no matter what time of day it is. There can also be a lack of spontaneity because the subject must stay in the area where the lights are set up. You won’t be forced to wait for the perfect light, only to have it last but a few precious minutes.

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