The Photographer’s Guide to the Nikon Coolpix P900 is a new title from White Knight Press and now available in paperback and ebook formats.
The Photographer’s Guide to the Nikon Coolpix P900 is available now for $9.99 in PDF, iPad, and Kindle formats for download through the website below.
The book explains topics such as autofocus, manual focus, HDR (High Dynamic Range) photography, ISO, memory cards, and flash modes. In addition, the book provides introductions to topics such as street photography, infrared photography, and macro photography.
The book also explains the video features of the P900, which can shoot HD video with stereo sound and can record high-speed video at speeds up to 4 times greater than normal. In the appendices, the book discusses accessories for the Coolpix P900, including external flash units, cases, and charging and power options.
This entry was posted in Nikon and tagged book, compact camera, coolpix, digital compact, nikon compact, Nikon Coolpix P900, nikon products. Subscribe to our daily newsletter and get the latest posts delivered straight to your inbox. Inspired by taking a long exposure night sky shot at a star gazing party in 2009, photographer Alex Cherney set himself a project.
Taking in over one and half years of work and thirty one hours of photography, Alex used a Nikon D700 combined with a 14-24 lens to capture and combine incredible starscapes with beautiful dawn, dusk and nightime landscapes.
The final result, called Ocean Sky is a masterpiece in time-lapse photography and was awarded the overall prize at the STARMUS astrophotography competition, a five-day celebration of astronomy in the Canary Islands. Check out this new COMPLETE guide (146 pages) to shooting, processing and rendering time-lapses using a dslr camera.
What an absolutely stunning timelapse movie, so inspiring I can’t wait to get in the field and start creating our own timelapse movies. We are always looking for more interesting and insightful photography tips and techniques to share with our readers.
This course is intended for students with a serious interest in the visual arts and a high level of commitment to both studio work and deep research.
T-Enami.org - A Welcome, all who like old Photos of Japan !YOU ARE ONE OF OVER 100,000 VISITORS TO THIS SITE. Explaining topics such as autofocus, manual focus, HDR (High Dynamic Range) photography, ISO sensitivity, memory cards and flash modes; it discusses techniques for using the P900’s superzoom lens to full advantage. The paperback version is available now for $24.95 from Amazon and will be available from other online sellers in coming weeks. It discusses techniques for using the P900’s phenomenal zoom lens, with a maximum optical focal length of 2000mm, to full advantage.


In addition, the book describes procedures for using the Filter Effects option to add special effects to images after they have been captured.
The appendices also include a list of useful web sites and other references, as well as a section with “quick tips” to help users take advantage of the camera’s features in the most efficient ways possible. To combine two of his photographic passions namely ocean and night sky into one stunning time lapse sequence.
To convey a cinematic feel to the work, he used an Orion Teletrack Alt-Azimuth for panning the camera during the time-lapse exposures.
The first photo is the pot of gold at the end of the rainbow - a sweeping view of the gem colored Lake Louise and Chateau Fairmont on its far side."Have a garden you'd like to share? The book explains all shooting modes, menus, functions, and controls of this superzoom camera, illustrated by more than 350 full-color images.
The book also explains the camera’s features for remote control and image transfer using a smartphone or tablet with the P900’s built-in Wi-Fi capability, as well as the camera’s features for adding location data to images. Alex’s knowledge of the subject and large amounts of pre-planning were instrumental in bringing his vision to life, although he readily admits to also having a little luck.
Students create imaginative and expressively powerful artwork of a high technical and aesthetic standard. The guide shows beginning and intermediate photographers how to get excellent results using the many features of the P900. Artwork is supported through a visual journal; a verbal and visual record of research on art topics demonstrating critical, technical, and aesthetic understanding. OTHERWISE, BEGIN SCROLLING DOWN FOR A TREASURE-TROVE OF RARE AND BEAUTIFUL PHOTOS OF OLD JAPAN.
ENAMI WEARING SAMURAI ARMOR, TAKING A REST BETWEEN POSES IN HIS YOKOHAMA STUDIO, CA.1898-1900. ENAMI, OTHER WELL-KNOWN JAPANESE PHOTOGRAPHERS WHO OPERATED DURING THE MEIJI-ERA (1868-1912) ARE MENTIONED THROUGHOUT THE COMMENTS.I HOPE YOU FIND THE STORY AND DATA BOTH INTERESTING AND HELPFUL.
FOR THOSE WHO ARE HERE PRIMARILY TO LOOK AT THE IMAGES, I HOPE THAT YOU EXPERIENCE SOME ENJOYMENT IN GAZING AT A FEW OF ENAMI'S"LOST PICTURES" OF OLD JAPAN. THOSE THAT LIVE FOR DISCOVERING NEW DATA AND CONNECTING THE DOTS WILL NO DOUBT FIND SOME EYE-OPENING REVELATIONS HERE.A OF COURSE, WE ALL LOVE KIMBEI KUSAKABE AND THE REST OF THOSE ILLUSTRIOUS JAPANESE PIONEERS OF PHOTOGRAPHY WHO GOT THEIR START LONG BEFORE ENAMI OPENED HIS OWN MEIJI-ERA STUDIO.
THEIR BEST WORK IS ENOUGH TO TAKE YOUR BREATH AWAY.HOWEVER, ENAMI ALSO HAD HIS FANS AND FRIENDS, BOTH AS A PERSON AND AS A PHOTOGRAPHER. AS YOU SCROLL DOWN THESE PAGES, FOR A FEW MOMENTS YOU MAY STEP INTO ENAMI'S SHOES, AND TAKE A PEAK THROUGH HIS LENS.A LIKE SO MANY OTHERS --- SOME NOW FAMOUS, BUT MOST BEING FORGOTTEN --- ENAMI DEDICATED HIS LIFE TO CAPTURING, AS BOTH ART AND DOCUMENT,A WORLD THAT WAS QUICKLY VANISHING BEFORE HIS EYES. AS THIS SITE IS A PERSONAL HOMAGE TO ENAMI, YOU WILL FIND SOME AMATEUR ELEMENTS, AND THE OCCASIONAL PITFALL.


AT ALL TIMES, PLEASE "EAT THE MEAT, AND SPIT OUT THE BONES" WHILE DIGGING FOR VISUAL TREASURE.DISCOVERING THE OCCASIONAL GEM OF A PICTURE, OR ODD BIT OF INFORMATION, WILL HOPEFULLY MAKE THE SCROLLING WELL WORTH IT. The general wording seen above was fairly common to all photographic self-promotion during the Meiji-era, and actually contains less specifics than some of his studio ads which he placed in various guide books of the time. OGAWA, who was actually a year younger than Enami, was still his "elder" in terms of experience. It was photographed by Enami's friendly competitor and neighbor Kozaburo Tamamura, whose studio was located at No.2 Benten Street. It would be built in 1894 just down the street on the right hand side, and appear in endless views and postcards as the most recognizable landmark of Benten Street. Other images of Enami's studio -- both interior and exterior views -- are shown farther down on this page.A  While offering many of the same services and productions as his contemporaries, he also engaged in other activities that made him unique. Further, while no photographer did "everything", Enami worked and published in more processes and formats than any other Japanese photographer of his time. A He was one of only a few photographers born during Japan's old Edo-Bakumatsu period, who went on to photograph right through to the Showa period of Emperor Hirohito.Enami was also one of the few to experience, and then successfully outgrow his roots as a traditional maker of the classic, large-format "Yokohama Shashin" albums. While successfully embracing the smaller stereoview and lantern slide formats, he added to that a portfolio of Taisho-era "street photography" that maintained his own unique and artistic content.
Enami and Kimbei Kusakabe are now the only two Japanese photographers known to have a surviving list of their commercial 2-D images. While Enami's 2-D portfolio contained a sprinkling of older, public domain images, his 3-D images and slides made from them were wholly his own.A THE 3-D CATALOG "S 26. Girls Looking at Pictures" A Maiko and two Geisha Looking at Stereoviews in Enami's Yokohama Studio. One of over 1000 cataloged 3-D images of old Japan.A THE "CATALOG OF COLORED LANTERN SLIDES AND STEREOSCOPIC VIEWS"A  Not surprisingly, Enami matched his older Catalog of Meiji-era Prints with a separately published catalog of his classic STEREOVIEWS.
In the case of the 3-D Catalog, the lantern-slides were all made directly from one half of the stereoview negatives.
The Cover and two sample pages of the Stereoview Catalog are shown just below in the Enami Activity List numbers (6) and (9).
ENAMI'S ACTIVITIES and CONTRIBUTIONS TO THE WORLD OF JAPANESE PHOTOGRAPHYA A  For the moment, based on a wide range of primary sources, it is now clear that T.




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