01 – The rule of thirds When I finish a scene, I always try to use it to adjust the position of the camera and observe some rules of photography.
02 – Always use a linear workflow when rendering You will get better lighting and light falloff in your renders with a linear workflow. 03 – Create test renders When doing test renders, lower your Shadow, Reflection Glossiness and Global Illumination quality to get those renders done faster.
04 – Try to use low-resolution models as a base to test your lighting High-res models will slow down your rendering time, so don’t set too much light in your scene. 05 – Deal with huge scenes To render huge scenes, such as cities, I divide my scene into different areas that I save individually in a different 3ds Max file, then render them all together at the end. 07 – Colour correction Images coming out of a render can look really good, but keep in mind that post-processing a rendered image can produce an even more visually striking result when done correctly. 08 – Organise your projects in most efficient way It is essential to organise your project files. 09 – Use the Gradient map to animate cloud shadows With the use of a Spot light we can map the projector with a noisy gradient. 10 – Keep all your assets ready to use Keeping your assets in the correct place and connecting them properly is essential for every project. This tutorial will show you how to light and setup a realistic render in 3ds Max 2011 with V-Ray 2.0. 3D Studio Max, as a widely used 3D Visualization software is not easy to master. It takes a good amount of Training and Knowledge of the tools bundled with it to fully utilize its capabilities. One of the features that I love as a long time 3DS Max user is its built-in lighting set up capability which is way more powerful and easier to use than its counterparts. With the latest 3DS Max versions, which allow you to preview lighting adjustments in real-time, making simple and complicated Lighting set-ups have never been easier. There is also a handful of 3DS Max Lighting Scripts and Plug-ins available to make lighting more of a drag and drop thing thereby speeding the process of completing a project. After spending a lot of time modeling objects and texturing them, you don’t want to ruin your scene with Bad Lighting. In this post, I have gathered the most useful 3D Studio Max Lighting Tutorials for you to apply in your own projects and may help you save time and effort.
This video tutorial explains the basic parameters of 3DS Max lights, what lights can do and how you can manipulate them inside a scene. In this tutorial, you will learn how to light an interior scene and come up with a realistic render, using only 3DS Max standard lighting tools.
This 3DS Max tutorial will explain the basics of lighting a small room, using “natural” light casting through a single window which is  a very common lighting scenario when doing Architectural Visualizations.
In this tutorial you will learn how to use Mental Ray to light up an Interior scene that will give a good result while also having a fast render time. In this Tutorial, you will learn how to use HDRI images as a light source in 3D Studio Max using the built-in Mental Ray Render system. This tutorial explains the basics of setting up daylight lighting in V-Ray using VRay Sun and a 3DS Max daylight system for precise control of time of day and location. A step by step tutorial on how to properly light and render interior scenes with 3DS Max and V-ray . Here you will be taught proven techniques in setting up Studio Lighting with V-Ray and 3DS Max.
A tutorial outlining the methods used for rendering an exterior scene using V-Ray and an HDRI image to light the environment plus the V-Ray Sun as the direct light source for a typical sunny day scene. These tutorials showed us how easy it is to come up with stunning visualizations in 3DS MAx as long as we know how to utilize the built-in lighting capabilities bundled with the software.
Thank you fo such detailed tutorials – they are certainly helpful even for professional designers!
In this tutorial, you’ll learn how to create softboxes for your studio lighting, check which type of light to use and how, and the setting for VRay camera and render setup. When working with with cg environments where we want photo real quality it is really important to make sure that our object scale is accurate, its plays an important role while achieving a good render.
It's a small bathroom mostly made up of simple shapes with a circular bathtub in center and a big glass door at the front, which is allowing environment light to enter. Now assign a simple Grey V-Ray material to all the objects in the scene, this is to save time when setting up scene lighting and render settings. Multiplier - Multiplier for the light color; this is also the light intensity in the units chosen by the Intensity units parameter.


Invisible - This setting controls whether the shape of the VRayLight source is visible in the rendered result.
Subdivs - This defines the samples or the "Quality" of the light, 8-10 should be used for test renders, and 15-20 for finals.
In the steps below we will do the render settings in V-Ray, press "F10" and then in the "Global Switches" rollout uncheck "Default Lights ". In the "Image Sampler (Antialiasing) rollout, select "Adaptive DMC" for the "Type", and "Catmull-Rom" as the "Antialiasing Filter". Adaptive DMC - This sampler takes a variable number of samples per pixel depending on the difference in the intensity of the pixels.
Adaptive subdivision - This sampler divides the image into an adaptive grid-like structure and refines depending on the difference in pixel Intensity. Also in the "Color Mapping" rollout, change the color mapping "Type" to "Exponential", this mode will saturate the colors based on their brightness.
In the "Indirect Illumination (GI)" rollout, select "Irradiance Map" and "Light Cache" as the primary and secondary engine. Irradiance Map - The basic idea is to compute the indirect illumination only at some points in the scene, and interpolate for the rest of the Points. Number of passes - The light cache is computed in several passes, which are then combined into the final light cache.
Roughness - This parameter can be used to simulate rough surfaces, or surfaces covered with dust.
The wood rack is made of a VRay Material with a Diffuse map and a slight amount of Reflection and Glossiness. The glass for the door is made of a white VRay material with white "Reflection" and "Refraction" colors and a "Falloff" map. That concludes this look at interior lighting and rendering in 3ds Max & V-Ray, I hope you've found it helpful! Alessandro Cangelosi has posted a very nice tutorial to create the difficult modeling Cloth Ruffle tutorial.
Viscorbel posted a very nice tutorial to create a very realistic Bedding using Marvelous Designer.
VisCorbel has released its new Tutorial videos which teaches you the technique to create realistic V-ray Materials Vol-2. Mental Ray expert Jeff Patton has uploaded a new tutorial to set up Mental Ray Physical Sky for Architectural Interior Scenes.
This tutorial explains all steps to illuminate an object with a technique which simulates the illumination techniques of a photo studio. Before we begin it is very important to inform you that we will use mental ray as render engine (version 8 and 9 of 3ds Max).
This tutorial will show you how to set up a sunset lighting using V-Ray Sun and V-Ray Sky in 3ds Max.
Use just one light, then carefully add more lights one by one, depending on what you see in test renders to avoid messing up your lighting effect. I use the Xref object to bring them together so I can work in each area without losing any performance when dealing with scenes with lots of geometry. Adding small visual details, such as localised colour corrections, a layer of noise on the image, depth of field, a glow or a slight sharpening can make your render look more realistic because it can introduce small imperfections to the image, making it look more like photo. This works particularly well for cloud shadows if the noise is large enough, but you can also simulate some nice forest lighting if you make the noise a little bit smaller.
I know from my own mistakes that as a beginner or even later on as a freelance artist, I could work in chaos without paying much attention to asset locations. You will learn how to use IES lights, setting lighting with V-Ray Sun and V-Ray Sky and using V-Ray Physical Camera, and see how you can set up your render. So it pays to be familiar if not master the tricks used by many successful 3D Artists in the industry.
These tutorials vary from basic for those beginners who are still trying to learn lighting in 3D Max to the more advanced tutorials  for seasoned users wanting to enhance their skills. It also shows how these lights can affect a scene by changing the values of its color, intensity, shadow, and position. You will be surprised at how easy it is to set up soft and hard-edged shadows and light colors for added realism. This effect is visible when there’s a lot of dust in an enclosed space, in the real world,  The tutorial also takes you  through basic interior lighting techniques.


In this tutorial the entire process of  completing the final visual like modeling, texturing, lighting, and rendering are explained well so there’s a lot for you to learn. Press "F10" and a new window will come up, this will allow you to enable V-Ray as the render engine and also enable V-Ray materials in the material editor. Since a plain material renders faster than reflective and glossy materials, which would be later applied to various objects.
Lights 1-4 are V-Ray lights which affect our scene directly, as we can see by the placement of the lights below. This can be useful to prevent Burn-outs in very bright areas (for example around light sources etc). There is no need to use the polygon manipulation technique but just simple max cloth simulating tool within 3ds max.
He has almost 10 years of work experience in the field of Arch-Viz, Product Viz and gaming industry using 3ds max.
You can see how custom brushes help you to create cliffs and the modeling seems quite simple within Zbrush.
He made use of 3ds max and Marvelous designer 2 and you can see how easy it is to create realistic pillows and complex blankets.
Viscorbel has covered almost all the aspects you require to create Exterior ArchViz scenes. You can learn some very good tips from the tutorial which shows you have you can set up proper mr physical sky and sky portals. Creating sunset image with V-Ray can be really easy because when you use V-Ray Sun you just to put this light in the same position of the real Sun. It proposes that the image should be divided into nine equal parts, and that important compositional elements should be placed along the intersections to create more interest in the piece than a central object would.
I’ll use 3ds Max and generate Z-Depth with Photoshop’s Color Picker to select areas behind the buildings.
Software like Fusion or NUKE is perfect for these tasks because they are built around non-destructive workflows. For farm rendering and group work it is absolutely crucial to keep order in your files so you can locate them in the right way. This ensures that the light cache is consistent across computers with a different number of CPUs. There is no sound in the video tutorial Glauco Grimaldi and explained each process step by step so it is easy to follow. The tutorial teaches you the tips and tricks involved in creating Roman Architecture buildings in 3d The softwares used were Sketchup, 3ds max, V-Ray and Photoshop for post work. Using the HDRI map as the only lighting source and to generate very realistic results, a very simple way to lighting a scene without lighting complication but getting a really great realistic feeling in your scene. These are some fairly specific tips that will hopefully allow you to achieve a smooth indirect illumination solution as well as control the intensity of the sun and other contributing lights.
Photoshop can also be a good place to do post-processing too, but sometimes it requires you to bake certain effects. This way all paths including the export of meshes, previews or textures will be in the correct place in a newly created set of properly named folders. In general, a light cache computed with a smaller number of passes may be less noisy than a light cache computed with more passes, for the same number of samples; however a small number of passes cannot be distributed effectively across several threads. 3d art is my passion and profession, and my hobbies are Photography ,music, movies, computers, latest gadgets, cars and all sorts of tech stuff. It is a 4 part tutorial and I am sure you can produce the same after going to the tutorial. Make sure to work with UNC file system (go to Preferences>Files and check Convert File Paths To UNC). You'll learn how to setup interior lighting, create V-Ray shaders and the settings needed to render a modern bathroom scene realistically! This tutorial is not meant to just show you how to create wood, it’s also meant to show you how you can achieve complex results using some simple V-Ray and 3DS Max maps.



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