Are you traveling to New York – or are you a local who wants to focus on street photography? Want to learn the best places to photograph the sites and people of the city – or do you want to spend an entire day learning the tips, tricks, and secrets of a street photographer?
All tours are customized to your exact needs, interests, schedule, and skill level and are private for you, your family, or your traveling group. Read James’ article on exploring and photographing New York, featured in Digital Photographer Magazine. Anne Juliana Gonzaga became a Servant of Mary following the death of her husband, Ferdinand II, Archduke of Austria in 1595, after receiving a vision of the Madonna, to whom her parents had prayed to cure her of a childhood illness? Forget the streets: If you want to find some of New York’s best graffiti art, you have to dig a little deeper.
I discovered these spray-painted secrets on a recent trip to the Freedom Tunnel, a legend among street art aficionados and underground urban explorers alike. Yet their voices are represented by the plethora of graffiti artists who also came to the tunnel to tag its walls. While I’d encourage anyone to take a visit to the Freedom Tunnel to see Pape’s work and other graffiti masterpieces first hand, be warned that it’s not your typical gallery-hopping affair.
Once inside the Freedom Tunnel though, you forget all about the dangers that might lurk in the shadows (at least until you hear the first train coming). My trip to the tunnel in the dead of winter was cut short by the fading afternoon light that made it hard to find our way out. If you’d prefer to enjoy the tunnel from above ground, check out this great tour led by a kid whose passion and knowledge of the tunnel far exceeds his years. Hyperallergic welcomes comments and a lively discussion, but comments are moderated after being posted. Hyperallergic is a forum for serious, playful and radical thinking about art in the world today. John Philip Sousa (November 6, 1854 – March 6, 1932) was an American composer and conductor of the late Romantic era, known particularly for American military and patriotic marches.

Barack Obama is the 44th president of the United States, and the first African American to serve as U.S. Have you ever had any complaints about the meals served up to you during a long-haul flight? Franz Reichelt , an Austrian born French Tailor, had been fascinated by flight for many years. These graphic designs may also referred as visual communication or communication design, these  visual representation ideas and messages are created by using various methods like word, symbols and images etc.
While much of the city’s graffiti has been washed away, some of the more provocative tags still exist miles beneath the sidewalks, in nooks and crannies invisible to the pedestrian eye. Located beneath Riverside Park, the tunnel is a visual feast of graffiti that bears witness to a forgotten chapter in New York City history. Painter and street artist Chris “Freedom” Pape, who the tunnel is named after, created some of his most notable works in this subterranean gallery, many of which pay homage the events of 1991.
In his “Coca-Cola Mural” he juxtaposes the weathered face of a homeless man, a la Walker Evans, with a cartoon of the quintessential American 1950’s family in their shiny automobile, a la Rockwell. The tunnel is still used by Amtrak, so you must stay alert in case a train comes shooting by. It’s a shock to the senses to dive from the bustling city streets into a wasteland where you feel like the only person left on earth. Because of his mastery of march composition, he is known as "The March King" or the "American March King" due to his British counterpart Kenneth J. It also includes typography, visual arts and page layout to produce a good and amazing end result. Built in the 1930’s by Robert Moses and abandoned soon after, the tunnel became a haven for homeless people who set up camp in the underground refuge. His pieces reference everything from Michelangelo to Norman Rockwell and are enough to make any art history student pass out from excitement. Sandwiched in between is a Coca-Cola ad that drives home the message of capitalism inequality and indifference towards the common man.

A few homeless people continue to dwell in the tunnel as well, although my fellow explorers and I didn’t cross paths with anyone during our stay.
As a native New Yorker, I’ve often lusted for a taste of the old city and the Freedom Tunnel offers just that, plus the chance to uncover a piece of history that has long been buried underground. These pictures have been collected from different public sources including different websites, considering to be in public domain.If any one has any objection of displaying any picture here, just send us an email and we will remove it immediately, after verification of the claim.
Unfortunately, the story ends all too predictably: in 1991 Amtrak bulldozed the shantytown and reopened the tunnel for use. Although I didn’t make it to Pape’s sketch of the Venus de Milo (and David’s torso with giant penis) or his series of hands copied from the Sistine Chapel, I did stumble across his rendition of Francisco de Goya’sThe Third of May.
Much of the graffiti is strategically placed beneath these shafts, which provide lighting that you’d be hard-pressed to find in any gallery at street-level. Among his best known marches are "The Washington Post", "Semper Fidelis" (Official March of the United States Marine Corps), and "The Stars and Stripes Forever" (National March of the United States of America).
Further research brings up little on what actually happened to the hundreds evicted from the tunnel; suffice to say they became silent casualties of a war brought against the city’s outcasts.
Originally painted by Goya in 1814, the work portrays the French army’s massacre of Spanish dissenters during Napoleon’s occupation of Spain in 1808. It’s impossible not to see the connection between Goya’s political masterpiece and the Freedom Tunnel’s legacy of persecution.
Pape’s remake might be kitsch, but his gesture also situates the destruction of the tunnel’s shantytown within a larger discourse of social injustice and demands it be included in the dominant historical narrative.

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