The new version features 62 percent more new features than the previous version, over 64 user-inspired enhancements and the new Adobe Mercury graphics engine to rev up performance, the company told us during a recent briefing. Available as a free download from Adobe Labs, the beta period is expected to continue through the first half of the year. Gee said the beta is based on Photoshop CS6 Extended with features like 3D editing and quantitative image analysis. After downloading, Photoshop CS6 requires a one-time login with an Adobe ID to activate the product, which you can create at that time if you don't have one. With CS6, Adobe will be associating serial numbers with Adobe IDs rather than the computers the software is installed on. The company said it will also provide a 7-day offline option and contingencies for non-connected customers. Gee showed an iPhone image processed in ACR 7 to bring out shadow detail and highlight color. In addition, the user interface police have patrolled the handles, fonts and buttons to enforce a more consistent appearance. There are also three new blurs: tilt-shift (miniature effect), iris field with a Nik-like interface that lets you set a sharp center for the blur and control the extent of the effect.
With Content-Aware Patch, you can target the area you want Content-Aware Fill to use so it won't pull in extraneous colors or objects. With Content-Aware Move you can select an object in your image and move it to another part of the image seamlessly. And so are Photoshop's layer tools (adjustment layers), lens corrections and the type tool for titles, a first for video in Photoshop.
A 3D Color Lookup Table adjustment layer has also been added to combine all corrections in just one layer, providing a particular look or style for the video. We find the improvements significant, particularly in harnessing the hardware advances of the last couple of years with the new graphics engine and the update to Camera Raw. Those are the big things but the small things like rich cursor information are the things you miss when you go back a version.

But after the success of the Lightroom public betas, Adobe is releasing Photoshop CS6 beta to the public. Zorana Gee, Photoshop product manager, said that while the CS5 release was all about converting to a 64-bit architecture and tapping into the GPU pipeline, this release is a much deeper one, focused on features.
That follows the lead of GPU card manufacturers who are no longer releasing drivers for their newest cards, Gee said.
All CS6 customers will be provided a 7-day grace period after first launch of their product to connect to the Internet.
These customers will need to complete an Offline Activation process using an Internet-enabled device, also within seven days of the first launch.
If you would like to install on two other machines, then you 1) connect the offline machine to the Internet and deactivate the software and 2) install the software on the other two machines using the serial number, either while online or going through the offline process.
The basic tool improvements seen in Lightroom 4, as well as the new imaging engine, are now available in Photoshop with localized corrections improved as well. The user interface gets a coat of darker paint from the usual neutral gray, although you can select among four different grays. Customer feedback was "huge" in designing features in this release, Gee said, particularly for image editing.
But you can also add more than one blur effect to an image, which is photographically impossible, Gee pointed out. A patch of wall to the right is used to replace the background behind the woman without picking up any of her jacket. There are 65 Just Do It fixes in the beta that range from increasing the maximum brush size to 5,000 pixels (from 1,500) with onscreen resizing on the fly to reading common stereo image pair formats to locking multiple layers. Gee said it really isn't compatible with how people use the program, especially when using layers with large files so the team devised its own approach. Even the darker interface color scheme with the numerous user interface tweaks makes life in Photoshop more pleasant and productive. That's true if your copy of Photoshop is a few revisions old or even if you've never tried it before.

Material on this site may not be reproduced, distributed, transmitted or otherwise used without the prior written consent of Please enable JavaScript in order to view the email address.. Photoshop позволява редакция на сканирани и цифрово заснети графични материали в реално време чрез набор от инструменти. We found shadow and highlight control to be greatly enhanced in Lightroom 4 and are relieved to see the new engine appear in ACR 7, which can be downloaded from Adobe Labs for use with CS5, too.
The darker background puts the central focus on the image instead of the user interface, Gee said. This makes working with large files more convenient because you don't have to interrupt your work to save a large amount of data.
You can also search by attribute like visibility (so you can delete all the invisible layers easily). Auto Levels and Auto Curves are "very popular" tools, Gee said, even if most of us don't, uh, admit it. But a lot of people prefer a timeline approach for slide shows and simpler video projects that don't merit Premiere or Elements. The company claims tools like Liquify, Puppet Warp, Transform and Lighting Effects now show results in real time without progress bars or lag between brush movement and display of the brush effect.
Auto is "much much smarter," she said, analyzing the image according to a database to determine the type of image before optimizing it.
Adobe realizes we all have a lot of video clips we aren't doing anything with and CS6 aims to help. Adobe has enhanced both Auto Levels and Auto Curves by skipping per channel optimizations in favor of these database optimizations.

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