This is the first video in the Sony Alpha Portrait series which shows three techniques for achieving critical focus on the eye when working with wide apertures and shallow depth of field. It has been said lots of times that when it comes to photography, light is actually the soul of your photo. In this photography lighting tutorial, you’ll learn various tried and tested tips for manipulating a scene through different lighting techniques to get the specific effect you want to stand out in your photos. In portrait photography, you can try putting lamps and other light sources near your subject for a more flattering effect. To test this, this photography lighting tutorial will require you to place your subject close to a bright, big window that does not get direct sunlight.
To balance out very blue hues on clearer days, change the color balance of your camera to ‘Cloudy’. As an exercise, you can try pointing a light source above your subject and somewhat to the side, positioned downwards, but not too much so the shadow of your subject’s nose lies beyond midway down to the upper lip. You can do DIY light diffusers, but we’ll not focus on those in this photography lighting tutorial. For practicing, crumple aluminum foil, flatten it out, and then completely wrap it around a cardboard piece, with the shiny side outside. To try this tip, photograph your subject near a frontlit window in order to create the illusion that the wall of the room descends into darkness.
If you want to counteract this, you can adjust the flash of your camera (either hot-shoe or pop-up, does not matter) for filling in the flash for outdoor photography during instances where the sun’s rays are too harsh. To make textures stand out in your shots, say, when taking photos of your dog’s fluffy hair, set your light source relatively to the side instead of in front of your dog.
For interesting photos of silhouettes and backlit subjects, try including the light source in your shots.
As you can see from the tips outlined in this photography lighting tutorial, you will have to make adjustments and experiment plenty of times to get the right shot. Therefore, I have taken out the leg work and showcased these amazing Photoshop photo effect tutorials that will surely enhance your next design project.
This tutorial will teach you to how to achieve an old analogue retro style camera effect in Photoshop. This is a step-by-step guide to create a stunning photo manipulation with tree textures and brush elements.
This guide will walk you through the procedure of creating a tift-shift picture in Photoshop. In this tutorial you’ll get to know how to create a darkroom effect by adding light leaks in Photoshop.
In this guide you’ll get to know how to create light leaks and color washes to turn your photo into an awesome retro shot. Create an amazing wallpaper for your desktop with cool tift-shift effect following this lesson.
In this tutorial you’ll get to know how to give a cool summery effect to your favorite shots. This tutorial will walk you through the process of creating fashion illustration with watercolor effects. In this Photoshop tutorial we’ll learn how layer blending modes make it easy to add a popular lens flare effect to your image. In this lesson you’ll get to know how to add a cinematic drama to your pictures by simulating lens blur.
Following this guide you can create a vintage retro effect and apply it to any image you like. Tift-shift lenses can cost thousands of dollars, so it’s cheaper to simulate this cool effect in Photoshop.


In this tutorial you will be shown how to create a modern Toaster effect from Instagram app.
In this Photoshop tutorial, I will show you the steps I took to Create a Unique Photo Manipulation via Mixture of Ice and Fire Textures. People often associate Photoshop lighting effects with images of speeding cars and the cosmos.
Here the aim is to take a hand-drawn artwork – Craig has chosen a piece provided by his friend, illustrator Zoe Veness (available in the project files) – and give it an extra dimension using various lighting techniques.
For whatever reason it is always fun to create composite images that use star fields as a backdrop.
In this Photoshop tutorial, we’ll learn how to create a fun 3D pop-up effect, similar a children’s pop-up book, where the main subject of your photo appears to be standing up and popping right out of an otherwise flat image.
To add even more of a 3D look to it, we’ll be curling the edges of the photo using Photoshop’s Warp command and adding a custom shadow underneath.
One of the most common tasks in Photoshop is to remove some one or some thing from a background and place it on top of another.
In this tutorial you will learn to create a beautiful composition stock images and custom build shapes in Illustrator. In this context, manipulating light sources to capture the image you hold in your mind even before you take that shot is very important.
This photography lighting tutorial will give you tricks such as moving objects away to, or near the sun to get the perfect lighting you need, and using various lighting tools among others. Light is softer when the light source is closer, so the light is harder when the light source is farther. Light appears harder when the source is narrower, while light is softer when the light source is broader.
This is ideal for those who don’t have a softbox since the effect you’ll get from doing this exercise is what you’ll also get when you use a softbox. Remember that light actually has color, even with ‘white’ light, and this is known as color temperature. Shadows can produce volume and this is how photographers illustrate the concept of images being multidimensional. Just keep in mind that you can always use white fabrics, translucent plastics and the likes to effectively diffuse light. How the light falls, also called light falloff, can affect the relationship among the light on the background and the subject. If your want the wall illuminated, position your subject near the wall and farther from the window.
This can effectively lighten the shadows that fall on your subject without having an effect on the exposure of your background.
Lighting sources coming from below, above, or from the sides of a subject reveals texture, while lighting in front of the subject hides textures.
However, once you have perfected the art of manipulating light sources, you will be able to take photos easily at whatever time of the day and under different lighting conditions.
You can digitally add this effect to your photo with Photoshop following this quick tutorial.
Here you’ll find a showcase of Dave Hill’s pictures and a quick tutorial to mimic this stylish photo effect.
If you want to share with us your photoshop or illustrator tutorial, your work, design or photography send us a mail or via Twitter using #tutorialstorage in the end of the tweet.
Along the way, I will show some interesting ways to manipulate texture via image adjustment tool and free transform tool. In this tutorial, you will discover how to combine advanced masking techniques, blending modes, adjustment layers and clever use of filters to part the sea and create a surreal photo manipulation.


You will learn how to seamlessly incorporate glows, flairs and sparkles; the methods covered work equally well with pencil or pen drawings. Lots of copy and paste commands along with some well chosen stock images will be our ingredients for this scene.
There’s quite a few steps involved in creating the effect but they’re all very simple and easy.
In this tutorial, Martin Perhiniak will explain how to do this in a completely non-destructive way.
It demonstrates effective usage of Photoshop’s shape layers, smart objects, and masks. If any videos or images that appear on the site are in violation of copyright law, please email and we will remove the offending information as soon as possible. If you enjoyed this post make sure to leave a comment below and check out the other great content I post all the time. Therefore, if you want to broaden the light source, move closer to the light, and if you want to make the light source narrower, move away from the light.
Broad light sources can decrease contrast, minimize shadows, and repress textures, while a narrow light does the complete opposite.
We may not see this, but digital film and sensors record color casts such as yellow hues from tungsten bulbs, bluish hues from landscape scenes during midday, and warm hues cast by the afternoon sun.
Lighting coming from below, above, the sides provides a sense of volume or depth by casting longer and deeper shadows, and this is why landscape, product, and still-life photographers harness the power of angular lighting. Fog, clouds, an overcast sky are all natural diffusers that scatter light in various directions. Point narrow lighting to a matte, broad surface like a wall or a matte reflector to reflect light and diffuse it through spreading it out over a broader area.
When you position your subject close to the light, the falloff coming from the subject to your background can be highlighted. To illustrate, light sources will dim faster or fall off faster if it is far from a subject.
As a rule, more textures will be revealed when the angle is higher from which lighting sources are directed to a subject. In general, you cannot totally have only a backlight illuminating your shot, without some form of lighting or light falloff from the front, such that a subject with its back to the sun will still have falling light which you can see in front of the subject.
The web is choke-full of different tutorials and guides, but in order to find really useful and interesting ones you need to spend a lot of time searching. In this post you’ll find everything from light effects tutorials to quick guides to simulate different filters like Instagram all the way to retro and vintage effect.
In today’s tutorial we will demonstrate how to create a 4-piece stardust composition using textures and masks.
I have created Tutorialstorage on 15th of October 2010 in order to help designers and developers to find the good inspiration before creating their works.
Light hits your subject coming from various directions if the source is broader, capable of filling in shadows which makes the photo more illuminated. This is something nice to remember if you want to re-position either your subject of your movable light sources to get the exact light effects you want in your shots.
Because of this, the exposure should be increased for recording light falloff on your subject.



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Comments to «Photography tutorial 1 download»

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