Recent years have seen some very cool Sony cameras: the first full-frame compact camera, the RX1, as well as the first full-frame interchangeable-lens compacts, the a7 and a7R.
Adding those pixels turned out to be enough to bring the a6000 up to an Excellent rating in overall image quality from its lowest sensitivity of ISO 100 through ISO 400. So depending how you like to shoot, the a6000’s extra resolution might outweigh the difference in noise. In our color accuracy test, the a6000 matched the NEX-6’s result with an Excellent rating based on an average Delta E of 7.9. Many would be hard-pressed to see much of a difference between the NEX-6 and a6000 bodies—and that’s a good thing in our book. While you can certainly find bodies with more buttons, the a6000 provides direct access to an ample number of camera settings for a body in this price range. The OLED electronic viewfinder, with 1.4 million dots, made its own contribution to our experience in the field. Fans of a touchscreen might shed a tear to learn that the 3-inch tilting LCD on the a6000’s back won’t acknowledge your fingertips. Burst shooters should very much appreciate the 11-frames-per-second capture rate, which maintains metering, though not continuous AF, during the burst. Built-in Wi-Fi and NFC let you easily connect the a6000 to your smartphone so you can control the camera or transfer images or video using Sony’s PlayMemories mobile app. In addition to wi-fi camera control, the a6000 is compatible with sony’s Camera apps which can add capabilities, such as stop Motion, which creates a stop-motion video from a series of images. Sorry, either someone took all the comments and ran away or no one left any in the first place !
Sony Expands Lens Lineup for ? E-Mount Camera System with New Wide-Angle and Telephoto Models. The new lens features an ultra-slim design approximately 20mm from lens front to back, and with its wide angle of view (30mm on 35mm equivalent) and bright F2.8 aperture, it produces excellent contrast, resolution and clarity across the frame for both still image and full HD video shooting.
Sony has chosen to integrate its Smart TV functionality into the main user interface of its 2013 screens.
For casual users this may not be a bad thing, as it greatly simplifies usage, but online service junkies may feel a tad unloved.
While navigation can seem a little confusing, as there are several ways to achieve the same result, users will soon get the gist of things. The selection of titles, not just from Sony Pictures, but all the Hollywood majors, is first-rate and the quality of HD can be extremely good (it’s adaptive, depending on the quality of your broadband connection). Both music and movie services can be enjoyed across a variety of Sony platforms, from TV to PS3 and Xperia mobile devices. Sky News is also joined by BBC News and BBC Sports for those who like their newsy stuff, then there’s the ad-supported movie and obscure TV outlet Crackle and Sony Entertainment Television. Unlike big-brand rivals, Sony has long embraced a linear approach to online content, but it’s trying hard to get back into the app game by striking up an alliance with browser specialist Opera. While there’s plenty to admire about Sony’s approach to Smart TV, it’s disappointing to realise so very little has been done to expand the connected proposition over the pasttwo years. Big and beautiful, the Sony W90 has nailed the basics For an imposing 55 inches of screen, this Sony set is surprisingly elegant. Seems like Sony’s problem of having large lenses on small bodies with their NEX platform is just as true for their new full frame e-mount system. Sensors:- Nikon D500 has a bit small 22MP APS-C contrast detect CMOS sensor while Sony A6000 has 24MP APS-C CMOS sensor. Nikon D500 has advanced and upgraded EXPEED 5 Image Processor combines 22MP APS-C contrast detect CMOS sensor to give better result with high resolution images with color contrast in different situations along with magnificent image quality, low –light sensitivity while Sony A6000 comes with Exmor APS HD CMOS sensor joined with BIONZ X image processor and produces the well-detailed images with high resolution along with minimal noise and notable low-light quality.

Hence both advanced processor and sensor of Nikon D500 works together to produce well detailed images in low light conditions with reduction in noise compare to Sony A6000.
Nikon D500 has far superior expanded ISO of 50-1640000 comparative to Sony A6000, which has ISO of 100-25600 only. AF System:- Nikon D500 has used 153-Point Multi-CAM 20K Autofocus System including 99 cross-type sensors for better result in recognition of the subjects which has to be captured and the other 55 points used for better composition while Sony A6000 features the Fast Hybrid AF system which uses both a 179-point phase-detection system and 25-point contrast-detection system. Hence the more AF points of Sony A6000 provides a wide range of focusing coverage accurately and quickly bring the subject into focus even in low-light conditions and also it helps to grab the large AF area of the subject in both moving and still position compare to Nikon D500. Hence, the Nikon D500 has 6 stop increases in ISO compare to Sony A6000 which is definitely a remarkable increase in ISO.
The huge difference in ISO definitely makes the Nikon D500 camera to perform well in low light conditions. Continuous Shooting Speed:- The Nikon D500 has continuous shooting speed of 10fps limited to 200 frames while Sony A6000 has a bit larger continuous shooting speed of 11fps at full resolution. But due to advanced technology used in Nikon D500, it will come with better performer and offers impressive result during capturing fast action objects with more accuracy and also can track each and every action of the fast moving subjects more instantly compare to Sony A6000. Hence there is no doubt that the experts and the professional videographers like to enjoy the impressive videos with higher resolutions compare to the videos with low resolutions of Sony A6000.
Display:- The Nikon D500 has touchscreen display which gives a better feel and experience in touch and shoot to the photographers compare to SonyA6000. Conclusion: Both are entirely different system, The A6000 is made for prosumers and D500 made for professionals, the Nikon D500 lens support is extensive and specification is more than enough ever required by a professional shooter. Enter your email address to subscribe to this blog and receive notifications of new posts by email.
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Your source for compelling interviews from the world's most famous photographers and insights into inspirational photography. In the midst of all that full-frame hoopla, the APS-C- format NEX-6 debuted to relatively minor fanfare, although its fans had much good to say about the shooting experience. But readers may remember that the NEX-6 held its Extremely High image quality rating all the way up to ISO 3200, given that it could keep noise to a Low or better rating through that sensitivity. The camera maintained a Low or better noise rating only up to ISO 400 and reached Unacceptable by ISO 3200. Given that the noise doesn’t become too extreme even at Unacceptable levels, and that the camera is aimed at a wider audience who might not be too averse to some noise, the tradeoff could be okay. The a6000’s grip is great, with plenty to hold onto, while not being too bulky: Its shape, quite well thought-out, lets you securely dangle the camera at your side while walking around, and the grip combines nicely with the gently curved thumb area on the back to let you angle the camera as needed with minimum effort. Its bright, sharp display made framing images a joy, and the amount of information accessible helped the process. While we often end up switching to fancier lenses during field testing, this kit zoom did impress us. To help you keep overexposure to a minimum, Sony added zebra stripes, which place stripes over the areas of the image that are overexposed as you frame your scene. And indeed, it autofocuses faster than any ILC we’ve tried yet—at times it felt almost instantaneous. Priced just above entry-level DSLRs, its advantage in size and weight over those cameras justifies the extra bucks. Rather than draw attention to the platform, or offer any personalisation, services have largely been assimilated into the set’s vertical menus, under the rather unexciting tag of Applications (you can’t miss it, it’s under ‘TV’ and on top of ‘Connected Devices’ – Sony really knows how to sell those features, eh?).

The main SEN (Sony Entertainment Network) interface is a scrolling block affair, six across, that looks somewhat utilitarian. Sony’s own IPTV effort here is exceptionally lame with precious little content – and what is available has been gathering dust since its launch. Miracast content-sharing is a welcome addition, with NFC (Near Field Communication) chippery built into a second Bluetooth remote control optimised for the brand’s Xperia smartphones. Overall, the Sony Entertainment Network offers plenty but disappoints because much of the content appears moribund. So I wonder what to expect about the a7000, I liked the tracking AF though, finally Sony was able to pull an AF that doesn’t look crap on video with that horrible hunting focus. Maybe if I shoot all street, all telephoto, people far away will think it’s the real thing. It also supported by the advanced and upgraded technology used in its sensor and image processor which controls the noise production even at  higher ISO and results in magnificent images even in challenging low light situations with increased dynamic range. However, we make no claims, warranties, or other representations concerning the accuracy, completeness, or utility of the information provided, or concerning the abilities or performance of the organizations, agencies, companies, and other resources presented through Camera Comparison Review, Brand name(s) and Logo(s) belong to their respective owners. A new hybrid autofocus system with 179 phase- detection AF points embedded in the sensor and 25 contrast-detection areas promises the fastest autofocusing you can get. To compare, the NEX-6 turned in 2225 lines per picture height at ISO 100, while the a6000 served up 2640 lines at the same sensitivity. As always, we like being able to keep our eye at the finder when reviewing a just-captured image or looking through camera menus. It can focus remark- ably close, has optical stabilisation, and produced very pleasingly sharp images.
Fans of old glass or manual focusing should note that the a6000’s focus peaking can help when focusing manually. Some level of overexposure is sometimes unavoidable, but zebra stripes can help you keep it under control.
The level of control and access to menu items still isn’t as exhaustive as on apps from Panasonic or Olympus, but it was adequate for most of our needs. Compared with other ILCs in this price range, the a6000 offers detailed images, a great control system, and convenient wire- less capabilities. When mounted on any Sony ? E-Mountcamera, the sharp new SEL20F28 ”pancake” lens creates an exceptionally versatile, portable package ideal for a broad range of everyday shooting opportunities ranging from interiors to landscapes, street photography, casual snapshots and more.
Incidentally, if you want to avail yourself of Skype, you’ll need to invest in an optional Skype camera.
The brand gives pride of place to its own Movies Unlimited video rental and purchase store, and Spotify rival Music Unlimited. Tinkering with cosmetics is all well and good, but when you’re chasing your streaming TV rivals you really need to keep up with their catch-up. Even more when you don’t really have much option since with the MF you got to make a lot of turning to get the focus right. Disclosure: PR is sponsored by companies and affiliate partners that display various advertising banners and links (see our Privacy Policy). Even at ISO 3200, the new camera delivered 2470 lines, but it dropped off substantially on the way up to its maximum sensitivity of ISO 25,600, where it still managed to capture 2170 lines in our test.

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