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About TechicyTechicy is a bunch of IIT Bombay students who are passionate about various tech and regional stuff. When it was released in the summer of 1999, Eyes Wide Shut was easily the most anticipated film of the year. Stanley Kubrick, probably more than any other director, was known for his almost compulsive attention to detail.
He was also known for making changes to his films up to, and after, their theatrical release.
Crucially, though, he excised a prologue featuring eminent scientists, discussing the possibility of life elsewhere in the universe. It's also kind of well-known that The Shining, perhaps the most obsessed-over Kubrick work (sorry, guys) has a deleted scene. An epilogue of sorts was shot, cut, and put into the release prints, then hastily removed.
Kubrick used his unprecedented creative control to enact costly surgery on his film, and because it took several days for all the prints to have the scene excised, there are people who saw the original version in the theater. After several screenings in London the day before the film opened in New York and Los Angeles, when I was able to see for the first time the fantastic pitch of excitement which the audience reached during the climax of the film, I decided the scene was unnecessary.
So what, you say? What does this have to do with the price of an extra large popcorn with butter and a jumbo Diet Cherry Dr. And what did those changes achieve? In both 2001 and The Shining, the key cuts added a mystery to the film. As for 2001, the film worked its magic on the counterculture, something Kubrick had no intention of doing, by being visual in the extreme, and refusing any sort of explanation; the astonishing images are enough to convey his point.
Near the end of Eyes Wide Shut, there's a scene between Tom Cruise, Sydney Pollack, and a billiard table that is both exceptionally long and, for many viewers, mystifying.
Obtaining an actual mask, he sneaks into an orgy at a mansion, is discovered, and then spends the rest of the film retracing his steps.
The orgy, one of the strangest sequences in Kubrick's filmography, might have been better left unexplained, with Ziegler's participation hinted at; like the deleted scene in The Shining, I'm inclined to think that in its present form it sort of lets the air out of what came before.
If you go back and look at the contemporary reactions to any Kubrick picture (except the earliest ones) you'll see that his films were initially misunderstood. As much as I love Pollack he was wrong for that role (original actor Kietel who was fired would have been better) and that scene where he plays pool and explains everything is too long and too to the point. Kind of hard to argue that there is a better filmmaker from the 1800s, when cinema was barely anything more than clips of the world. Meanwhile, in this century, there's really no new masters really pulling themselves out of the mud.

I believe it's Brian Aldiss who first mentioned that EWS was made in agreement with Warner Brothers that they would fiance A.I so long as Kubrick made a film with Tom Cruse before hand. Obviously Kubrick was exposing too much and showing people how the rich and most powerful people spend some nights. Even if there isn't an official Illuminati, there are groups of extremely wealthy and influential individuals with a disproportionate level of global and national power, and these people do meet in private on a regular basis (some describe these meetings as the Grand Chessboard) to direct public policy.
That Pollack and Cruise scene was like something out of a Nolan film: too much exposition and treating the audiences as stupid popcorn munchers. It is abundantly clear, from the druidic robes, secret sex ritual, and double headed eagle chair, that Kubrick was exploring the occult. In the source material, A Dream Novel, in rough translation, Schnitzler's character, his Dr.
For all those who imagine they have no time or have attention deficit disorder; Stanley Kubrick's boxes ca 40Min is an excellent documentation.
Chris Robley is an award-winning poet, songwriter, performer, and music producer who now lives in Portland, Maine after more than a decade in Portland, Oregon.
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In the scene, we see Danny and Wendy, safe and in the hospital, where they are visited by the hotel manager Ullman. The scene would have occurred between the shot of Jack, dead in the maze, and the shot of Jack, alive in the hotel's past. It's also worth noting that in the official IMDb credits there are listings for a Nurse and a Policeman, showing just how late in the game this edit was made.
It had not been possible to change all of the New York and Los Angeles prints before opening.
In both instances, Kubrick elected to remove explanation, for whatever reason (the scene in the hospital adds another layer of ambiguity, with Ullman throwing the ball to Danny). Though voiceover was used effectively in many of his films, a sequence meant to establish verisimilitude and plausibility would have ruined the mystery of  the film, and also undercut the way the few lines of dialogue left play up humanity's seeming evolution away from language. So he elected, in both instances, to let the images speak for themselves, and in both cases, this probably saved, or at least greatly helped, the films. Inevitably, perhaps, it was read as an allegory for Tom and Nicole's marriage, and key elements of the plot were misinterpreted. Then, after five or ten years came the realization that 2001 or Barry Lyndon or The Shining was like nothing else before or since. The symbolism is obvious and undeniable and the way he presented all these questions and interpretations is just masterful and artistic. At a very small and select number of these get-togethers, elites do participate in celebrations of the ancient mystery school. In fact, I think it would have been more effective it allowed the symbolism do more of the talking and Sidney Lumet's character doing less of it. Schnitzler was a contemporary of Freud and his novella is very much rooted in psychoanalytical theory.
And rather than just text content, why not grab some attention with the most amazing, rare, unique, and colorful Republic Day images and wallpapers? He also couldn't supervise the marketing campaign, which sold the movie as a sexy romp, but just ended up freaking people out. Now, 15 years later, with the movie back in the public consciousness, is it time for a reappraisal, and to ask whether the Eyes Wide Shut we saw was what Kubrick intended?
Kubrick chose to hold back, and his pragmatic choice not to bore a "restless" audience ended up connecting with the youth who turned the film into a pop culture phenomenon. It would also have been followed by a card that related how The Overlook overcame the tragedy and still remains open during its regular season.
To which I would reply, nothing, but it does have a lot to do with Eyes Wide Shut, its reception, and some of the mysteries that have surrounded the film since 1999. Perhaps Kubrick felt that was one layer too many, and diluted the power of the cut from frozen Jack to "frozen" Jack, trapped in Time. Bill Harford, enraged by his wife Alice's confession of imagined infidelity, goes off on a dreamlike odyssey through New York, where his marriage is put to the test by the constant stream of strangers throwing themselves at Dr. We never find out, but lots of people spent a lot of time analyzing the movement of the billiard balls, which probably wasn't the point. I'm not suggesting that Kubrick would have excised the scene had he lived, but I strongly suspect that he would have cut it far shorter and that, as released, the film feels incomplete. Conspiracy theories tend to draw jeers, and confessions of ignorance tend to draw sighs of exasperation. Because they were the stars of the film, it was assumed that the audience was supposed to like Dr.
Kubrick wasn't IN the Illuminati if there even is a such thing but i'm sure being as successful as he was he has seen quite a bit and felt people don't really know what's going on. With "Eyes Wide Shut, Kubrick provided a gateway for the inquisitive to investigate this sort of thing for themselves. The symbology and events in the film were powerful enough to communicate these points to the uninitiated. I wasn't (in your words) blushing about the subject, it's quite clear that an occult ritual of some sort is what is taking place; one would have to be quite thick to miss that.

Schnitzler's work and I think Kubrick's as well are more about exploring personal fears and anxieties than about exposing the global Illuminati conspiracy. It's so unintended comical you ask yourself if that was his intention - doing the first Kubrick comedy. Skyscraper Magazine said he is “one of the best short-story musicians to come along in quite some time.” Robley’s poetry has been published or is forthcoming in POETRY, Prairie Schooner, Poetry Northwest, Beloit Poetry Journal, RHINO, Magma Poetry, and more. Here are some suggestions you can use to engage your social media contacts and involve them in the Republic Day celebrations wave. Luckily, this amazing Shining site, run by Toy Story 3 director Lee Unkrich, has the script for that scene. It's well-known that Kubrick was an extremely controlling director, and demanding of his actors and capable, in Eyes Wide Shut, of staging a production that is recognized by the Guinness Book of World Records as the longest continuous production, a total of 400 days. Bill produces a wallet numerous times, and it never fails to produce cash, leading some to a reading of the film as capitalist allegory, with Tom Cruise as a social climber who is put back in his place when his rented costume and taxi give him away at the orgy. Perhaps the film would work better without Pollack's glossing things over, then spelling out that there were super powerful people gettin' freaky last night and you shouldn't have seen that. Bill is, it is suggested, dreaming, and the orgy is a dreamlike affair, the fantasy, it could be argued, of what men like Ziegler do behind closed doors.
So while his sound editor could lay down tracks and put in music, per his guidelines, they could not actually edit the footage. Usually music and imagery is edited in tandem, not so in Eyes Wide Shut. And this became proof that even critics misunderstood the movie as most viewers did and didn't grasp the underlying concepts and theme. He thought he had an understanding of people, life, etc then had it all shattered by seeing too much or researching too much.
He also reconstructed Greenwich Village in England and routinely shot over 90 takes of actions as banal as Tom Cruise walking through a door. Victor Ziegler (Sydney Pollock) summons Cruise to let him know that though he might be invited to nice parties, he is just the help, the doctor called in to clean up Ziegler's messes. In this interpretation, Ziegler's admission that yup, that's how we do, seems kind of silly.
Also, if you YouTube this movie, you will learn that the obvious symbolism in the orgy scene is of the occult, meant to point you subtly to the film's ties to the illuminati, or something.
But what if they are shallow consumerists, and the supposedly tender last line is evidence of their vapidity, shallow view of marital relations, and relief at being done with the whole business, which business included, you know, dead escorts? It is quite odd how he died all of a sudden right when this movie was pretty much being finished and ended up not getting final cut and putting the movie out how he intended.
I don't think Kubrick was doing anything other than creating a scene in his film; the nature of the party is never confirmed, other than that we know it is a for very rich people to get their evil freak on. A man with such attention to detail could not ignore the global elite conspiracy hence the title Eye Wide Shut. But for all that, he was still willing to trim his film based on audience reception and the opinions of others. And while I would never presume, I think it's not outside the realm of possibility to say that, just as the presence of the mask on the pillow is never explained.
And, as the final film of one of the century's master filmmakers, this movie with so much to give, shunted aside at the time by a gleeful tabloid media, deserves a critical reappraisal. Its the only scene in the movie I hate to re watch ( and maybe also Nicole Kidman badly acting high). It's quite coincidental and works out for the studio to make the adjustments to the film and make it longer then Kubrick intended.
I think he was probably using an admixture of all sorts of symbolism; there's a great interview with his production designer in Michael Ciment's book, The Definitive Kubrick and she had a great deal to do, working with him in selecting the film's aesthetic, particularly the aesthetic of that sequence. He miraculous convinced the studio to allow him final cut by using their greed against them selling it as an erotic deviant film with the worlds biggest stars at the time. In the end, Eyes Wide Shut is almost certainly not the film Kubrick would have been happy with in the end, but we should be happy we have it. But really, I was just saying, 'if i had a straight-up clip from the film I would use it, but all of them contain interpretations and commentary and so are unsuitable for the purposes of this article." That's what I should have said.
But yeah, no I'm not shying away from any secret society, up to and including The Stonecutters. He knew the only way he would get the final cut, the funding, time etc to make it was to allow the studio to interpret and spin it as they wished.
The studio bet on the audiences love of celebrity, sex, brand name (Kubrick) and their ignorance of the occult. It wasn't the financial success they thought it would become but they did accurately predict the audiences ignorance of the occult. But, when an man of his stature who's known for his attention to detail includes so much occult symbolism it simply cannot be ignored. He knew no matter how it was marketed, perceived and simply brushed off as just entertainment it would haunt this world till the end of time.

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