This Nikon DSLR tutorial describes how to use the various modes available within the Nikon D5000 camera to click photographs, how to shoot video using the D5000 and how to review photos and videos. Get 52MM Professional Accessory Kit for NIKON DSLR Bundle with Altura Photo Fisheye and Wide Angle Lenses at the best price today.
One downside to this more flexible approach is that you’ll almost always need to use a filter of some kind in front of your lens. You can, and I’ve experimented with a Sony F707 a fair while back, but the results are more X-ray Specs than full blown nudity.
If I am doing a full spectrum conversion of a point and shoot camera why is it necessary to replace the filter with a clear glass of the same size? Nikon D3200 – Learn Photography Everything a budding photographer should learn to make the basics right. Lapp or Light Art Performance Photography is a style in which you literally paint your pictures with light. First start planning on what you want to create whether it be a light globe, a sentence or name and so on.
Setting the Aperture – with such extremely long shutter speeds, means you will need to dial up the aperture setting very high, you want the least amount of light hitting the sensor to counter the long shutter. ISO – as iso settings go for all circumstances the lower is always the better, same goes with light painting photography. Shutter speed– For the first couple LAPP shots try shutter speeds of a couple seconds and try just scribbling with your flashlight. Always keep the light dead strait towards the lens, if you curve your hand and point it sideways (trying to add depth) the camera wont pick it up. Make sure to have the light in front of you and not step in front of it, if you do end up stepping in front of your light it will make a silhouette of yourself! ALWAYS spell everything backwards like if you were writing in a mirror, that’s the trickiest part is learning to write every letter backwards. That’s about all it takes to create mind blowing Lapp paintings that will expand you’re creativity, and your portfolio! We are excited to have Amandalynn Jones, of Amandalynn Jones Photography with us throughout the month of September to teach us all about how to get started using off-camera flash. Flash can be challenging, certainly, but it can also allow you to work in situations where the available light alone would be otherwise lacking or just flat out unacceptable. Decoding the never-ending lists of equipment choices can be one of the biggest barriers that prevents photographers from trying off-camera flash. In addition to your dSLR you will need at least one speedlite (1), batteries (2), and a way to trigger the flash off-camera (3 & 4). Example; neither my old Rebel XT nor my 430EXII speedlites can use a PC Sync cord without an adapter because neither of them have a PC port of their own.
Like speedlites, there are now many options out there for wireless triggers, what you get depends on what you want them to do and what falls within your budget. Okay, so now we should have our speedlite loaded with good batteries and have decided how we’re going to trigger it off camera. Mini Confession… When I was starting out with Off Camera Flash I had no one to teach me and I was extremely confused by Umbrella Brackets more than anything else.
It may have just been me but since I was so confused by them, maybe some of you out there might be scratching your heads as well, so here’s a little Umbrella Bracket breakdown: They all look different, but they all do the same thing.
Lightweight light stands(1), a Boom Arm or Monopod (2), Shoot-Through Umbrellas of various sizes (3), a Gorilla Pod (4). Amandalynn Jones is a commercial and portrait photographer with a background in Fine Art and a passion for giving back to the photography community.
So I have all the stuff you have to have, but never figured out how to actually make it look good. I’ve been wanting to do OCF for so long- and I’m really excited because I have everything on the list so now I just need your next blog post!
Terms & Conditions •• All photographers submitting the I Heart Faces Photo Challenges, grant the rights to display their photo on this website. I Heart Faces is a photography blog with monthly photo challenges, free photography tips and tutorials.
Each month all levels of photographers have the opportunity to submit a face photo into a themed photo challenge. In this tutorial, we will show you how you can tether a DSLR camera to a Microsoft Surface tablet using a USB cable.
We used a Nikon D7100 DSLR Camera from B&H Photo to shoot the behind the scenes photos in this tutorial. If you're in the studio with a laptop, you can easily tether your camera via USB to see how your photos are turning out. You can tether your iPad to your camera wirelessly, but let's be honest, wi-fi and other wireless transfers take a long time to move data. That leaves very few choices for photographers who want to be able to review and edit photos while they are in the field without having to be tied down to a big and clunky laptop. What you really need is a tablet that can run full versions of Photoshop and Lightroom that also has a USB port. Once your camera is connected and tethered to your Microsoft Surface Pro, adjust your camera's settings and start to take photos.
If you place your camera on a tripod, the Microsoft Surface Pro works really well as a remote and can be used to shoot and review photos for landscape and macro photography.
In addition to shooting landscape and macro photos, the Microsoft Surface can also be used to help shoot portraits and other types of photos as well.
This is mainly due to the fact that it can be a bit cumbersome to hold the tablet with one hand and to hold the camera with your other hand. Unfortunately, while there are some nice accessories built for the iPad (for instance Tether Tools' TabStrap), there aren't any shoulder strap accessories that I could find for the Surface Pro.
One of the benefits of running full versions of Lightroom and Photoshop on your Microsoft Surface Pro is that you can also make edits to your photos while you are in the field.
You can also use the Surface Pro's stylus to make edits using Lightroom's spot removal or adjustment brush tools. When you're done shooting for the day and are ready to edit your photos on your primary computer, the first thing you should do is export your catalog.
When you shoot tethered, your camera will transfer your photos to your Surface automatically. USB SD Card readers also work really well to transfer photos between a Microsoft Surface and another computer.

You can also use Dropbox or another cloud storage solution to transfer your files from your Surface to your computer.
After you have transferred your files to your other machine using the methods described above, Open Lightroom, then go to File > Import From Another Catalog and select the appropriate .lrcat file to import.
Overall, the Microsoft Surface Pro is superior to other tablets if you want to quickly review and transfer photos from your DSLR in the field. Grant FriedmanGrant Friedman is a veteran blogger, social media manager, design enthusiast, and photographer.
If you don’t use any filter at all, having both IR and visible light hit your sensor will typically result in a muddy image.
A good memory or careful labeling is essential if you want to get all the pieces back together again.
My higher-end cameras are all film (and antiques at that), but the lenses have IR focusing marks. If you have an IR conversion done, you can specify a lens for the company to calibrate with, and then might need to manual focus or use AF fine-tuning for your other lenses. Even with two IR cameras, I still don’t have a full set of filters to do a suite of the different possibilities. If you own a digital SLR camera or even a Lomo camera, this could easily be you’re new favorite hobby! Having the shutter open for extended periods of time means you will have to pay close attention on how much light you are feeding the sensor. Many photographers wouldn’t live without it, but if you don’t understand it flash photography can also be intimidating and scary.
You need to make sure that your flash can accept whatever connections you want to make with it. Mounts: Okay, so these aren’t “really” optional (although technically you could just hold you flash or lay it on the floor and still be using the flash “off camera”), you will probably want some sort of mount so that you can attach your flash to a light stand or just to make it stand up by itself. It looked like there were a million different kinds and I couldn’t figure out if all I needed was the bracket or if buying the bracket meant I needed something else to mount my flash, or if it was even something I needed at all. I own a Canon 7D and have been trying to figure out what off camera flash equipment I need to get started. More to the point, don't leave comments about your blog, product or service on our participants websites. We will also show you how to manage and edit those photos using full versions of Lightroom and Photoshop. The small screen on the back of your camera doesn't exactly give you a good representation of how well your photos are turning out. With that said, shooting portraits while tethered to a Microsoft Surface via USB cable is a bit more complicated than it is to shoot landscape and macro photos.
If placed into a small messenger bag or onto a small table however, the Microsoft Surface Pro can easily be used as lightweight alternative to your laptop while you are in the field.
While you will probably make more precise edits when you get back to your studio, this set up is a really great way to make sure that your photos will work before you wrap up for the day. The stylus can also be used in Photoshop although pen pressure sensitivity in Photoshop is not currently supported (although we are told that it will be supported soon).
This is really important, especially if you made any adjustments (metadata, color adjustments, etc) to your files.
At the time of writing this tutorial, it does not currently support pen pressure sensitivity on any of Adobe's products (although this seems to be something that they are working on). At the moment, there don't seem to be very many accessories for it to help you carry it around. As a Mac user, I was a bit apprehensive about using a Windows-based machine, but honestly, it really wasn't that bad.
Grant is a former editor of EnvatoTuts+ (formerly Psdtuts+) and Editor-in-Chief of Layers Magazine. The battery needs to be charged (takes about 90 minutes for a full charge) and you need a suitable memory card.
This is just near-infrared and visible light which is a tiiiiiny portion of a huge spectrum.
Just the software adjustment in the camera’s menu, or some kind of physical adjustment what need to be done after I placed the IR filter somewhere? It could be real tricky to get the lighting correct the first couple tries, but will become easier after your first successful photo painting! Big objects like globes spanning from head to toe will produce huge amounts of light even if you are able to finish the picture in under 60 seconds. I know it feels weird using such a high aperture in the middle of a dark room but don’t forget you can always post edit the image to increase or decrease exposure.
Once the photos are looking better and you want more time to draw your photograph move to the bulb setting on your dslr.
If you’re a Natural Light photographer and you’re happy that way, that’s A-okay, but don’t hate on flash before you try it. I was sick of blown-out skies, dappled light on underexposed subjects, and living my professional life around catching the golden hour.
There are lots of speedlite options out there, in addition to the several versions your camera brand likely makes there are also literally dozens of off-brand speedlites. Example: My 580EXII has a connection port for an external battery pack, whereas my 430EXIIs do not. Sync cords are an option that allow you to try out off-camera flash without a huge investment in wireless triggers.
This category is typically the most expensive option for triggering flash off-camera, but they can allow for much more freedom than corded or built in-wireless choices.
Cowboy Studio and Youngnuo triggers are inexpensive, no-frills options for the frugal beginner but may also come with more hiccups. For those of you with systems that have built in wireless flash capabilities (Canon, Nikon, Sony) this is another option for triggering your flash off-camera. Basic include the Umbrella Bracket(1), Cold Shoe (2), or the little “feet” that maybe came with your speedlite(3). In the middle is a hole the umbrella shaft fits into, and there’s a joint that allows you to adjust the angle of the umbrella & flash. Using a rubber band or strap (4) on the end of your flash to hold on a few colored gels (5) is a great way to balance the color of your flash with the ambient available light and make your OCF look more authentic. I am an enthusiastic amateur that just borrowed a transmitter from a friend to try with my 430exII.

When you get back to your computer, you might find that your focus wasn't right, your ISO was too high, or any number of other problems that can arise while you're out in the field taking shots. Laptops are a bit too bulky, and most tablets just aren't made to tether directly to a camera. It runs Windows 8, has a USB port, and can do just about anything a PC can do including the ability to run full versions of Photoshop and Lightroom.
When you export your catalog, all of those adjustments will be transferred to your computer, as well. The nice thing about this is that the Surface Pro 128 gives you about 90 GB of useable storage for your photos. The iPad has lots of shoulder strap accessories like the one from Tether Tools that I mentioned earlier in this tutorial. If you're a photographer looking for a tablet to use while you're traveling or shooting on the go, and you're open to using a non-Apple product, give the Microsoft Surface Pro a look. I normally carry a spare battery fully charged and an additional 8 GB memory card whenever I go on a photo shoot.
For that reason, I highly recommend only performing a full spectrum conversion with a camera that has LiveView or some other way to view what the sensor sees (without relying on the optical viewfinder).A side-effect of a full spectrum conversion is that your camera will become sensitive to UV light as well as IR. With a full spectrum conversion, your IR focusing will require LiveView anyway, which seems to work around the issue.
Reproduction in whole or in part in any form or medium without express written permission of Ziff Davis, LLC. There isn’t any photoshop skills needed, by simply grabbing a flashlight you will create spectacular works of art. For beginners we recommend starting with a completely dark room (even small lights like computers, or your phone charging light will end up ruining your photo) Once you learned all the variables with of painting with the light, then try different outside scenes with surrounding light. Flash is incredibly useful and doesn’t have to be obviously fake-looking or scary to learn. Using OCF I can correct natural light problems, have outdoor sessions at high noon with no available shade, create drama and interest, and finally bring back blue skies and rainbow sunsets from over-exposed oblivion. Cost ranges from $25 for a little off-brand strobe to up to $550 for a Canon or Nikon brand “big gun” flash. If you are looking for a way to rapidly drain AA batteries, flash photography is the way to go.
I use RadioPoppers JrX units, and find them to be very reliable (except for the one I stepped on, that one is dead) and I can use them to remote-adjust the power level of my flashes (Nikon & Canon only) without having to walk over to them every time an adjustment needs to be made. All of these choices typically are inexpensive and have threaded bottoms that can be screwed onto a standard light stand or tripod.
The Lightsphere (6) and a miniature soft box (7) can be great choices to soften and spread the light.
Most tablets lack the tools that photographers need to preview and edit their photos in the field. The downside is that you will need to find a way to transfer those files to your primary computer.
Check out Envato Studio's servicesChoose from over 5 million royalty-free photos and images priced from $1. Fitting the lens onto the camera body This can be accomplished by aligning the index dot on the lens with the index dot on the camera and rotating it counter-clockwise until you hear an audible click.
With a Speedlite and a little bit of practice you can compliment the available light and get shots straight out of the camera that you absolutely couldn’t otherwise, and to me that’s a reason to be EXCITED. Personally, I don’t recommend speedlites that cost less than $150 for off-camera flash as the options in the lower price range tend to lack reliability and key features. Using disposables will mean you’ll be throwing away a fortune after just a couple of sessions, do yourself and your bank account a favor; get rechargeables.
PC Sync Cords cost as little as $12 and TTL Sync Cords for your camera model can be found for around $60, in either case you must make sure that both your camera and your flash are compatible with the cord you’re buying to save yourself a headache later.
It works when your off-camera (slave) flash “sees” the signal from the flash or transmitter (master) on your camera and syncs with it when it fires. Wireless tethering is slow and the apps available to manage and edit those photos just aren't sufficient. Here is some more information about how to share an external hard drive between a Mac and PC. The screen was bright and clear, and the upgraded keyboard that I used made editing really easy.
In order to remove the lens, depress the lens release button and rotate the lens clockwise. Any price and availability information displayed on the Amazon site at the time of purchase will apply to the purchase of this product.
In addition I recommend having an array of small bins, for storing the screws and various parts that come off the camera as you disassemble it.In our case, we annotated a set of instructions with the bin number of the parts removed in each step. I have found great success in the $150-250 range both with the Canon brand and off-brands in terms of reliability. This can be an excellent option that many professional photographers use successfully, but because many elements can interfere with the “sight” between flashes such as people, objects, sunlight, and too much distance, it is not my favorite option. For several years, photographers have been waiting for a device that will give them all of the flexibility that their desktop computers give them, but with all the mobility of a tablet. Keyboard shortcuts could be used to quickly help edit your photos as long as the keyboard was attached. We also needed a soldering iron for desoldering the dust collection filter, high-precision small screwdrivers, canned air, nylon gloves, tweezers, sensor loupe, sensor cleaning kit, and a hot glue gun (only if your replacement filter requires gluing). NiMH batteries hold their charge longer than conventional batteries, which will typically lose most of their charge within a week even when they’re not being used. NiMH batteries can hold up to 75% of their charge for a year or longer so you can charge a whole bunch of them at once and then throw them in your bag and not worry about whether or not they’ll still have enough juice when you get to your shoot three days later. So I wasn’t initially too worried about the variety of ribbon cables buried in the D7000.
However, I wasn’t prepared for both the sheer number of cables and how tricky many of them were to seat. Fortunately, they are hardier than they look, and the right strategy wound up being applying enough pressure to make sure they were fully seated.

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