Nikon introduces the latest D-SLR to its mid-range DX-format line-up, the 24.1 megapixel Nikon D5200, designed to bring out your creative side.
Marina Gurevich, Product Manager for Nikon Europe, says: “The inspiring Nikon D5200 is ideal for those who are passionate about photography and want to experiment with the camera’s superior features. The third camera in its series, following the D5000 and the D5100, the Nikon D5200 offers a massive leap in image-quality.
The Nikon D5200 shares an AF system, metering sensor and scene recognition with the Nikon D7000 series, giving this camera a new level of performance and much enhanced image quality. The Nikon D5200’s versatile 7.5cm (3-in) vari-angle LCD monitor provides the ultimate freedom and flexibility to take beautiful shots and movies from virtually any position. Wirelessly transmitting images from your camera to an Apple™ or Android™ smart device is possible by using the optional WU-1a Wireless Mobile Adapter. 16 Scene modes: Automatically adjusts camera settings, including Picture Controls and Active D-Lighting, for optimal results. It seems it is gonna cost 30% more (US$200) than the D5100 at launch, and for that you get one extra top button, a stereo mic, more AF points, more MP, more fps.
Stick with black, use white for girls, and make limited metal series for who have too much money to spend. Because there have been—and there continue to be—a lot of extraordinary women photographers. So I hope you’re not implying that women are less creative or less anything simply because of their sex. The only difference i make among sexes is their role in reproduction of the specie, period.
White is simply statistically more appeasing to girls’ tastes for gadget colours than black. You mix difference in tastes due to culture, with personal capabilities related to the sexuality, and worse you project your misunderstanding onto others people thinking. By the way, do you realize that you live in a world built, constructed, maintained by men ? No dedicated controls for that upgraded AF though, would’ve been nice to see the U1 and U2 modes or an extra Fn button since a lot of go-to settings like ISO are also buried in menus. Wow with these specs pretty much guarantee that the the D7000 sucessor is g0ing to inherit some of the more advanced features from the D300 line and be the top end DX. Nikon already has three FX cameras to meet the high end needs of professionals, starting with the affordable D600 ($2099), the D800 ($2999), and the D4 ($5999). I’m guessing that there will be not bodies prices between D600 and D800 and D800 and D4. Michael, I think Nikon will drop the price of the D600 within the next 6 months by at least $200 to $1899 to make room for a second 24 MP full frame camera vis–a–vis the D900.
The specs on the D600 looks as if Nikon priced it intentionally and temporarily a little higher than it should so as to make some extra profit. Not bad, but which nikon camera cant use just a wireless remote, which one actually needs something to plug into the camera, cause I have had the same remote for all my cameras and the camera recognized it, d40, d40x, d5000 and now the d7000. There is almost no info (hands-on, videos, images) available for the new D5200 online – it seems that many major websites did not even get a press releases.
The video is so bad (bouncing all over the place and panning back and forth before focus is achieved) that I had to turn it off.
The faster fps in a lightly camera body and smaller pixel pitch 3.8?m, that is no doubt, it must be larger vibrations and worse image-blurring. I do not understand that Nikon brought the 5 fps blindly placed into a 3.8?m sensor in a so light camera body. Looks like it is higher mega pixels, but is actually the vibrational image-blurring increased and sharpness drops, well then what did helpful to consumer?
I believe that the d5100 is a better camera than the d5200, despite the d5100 AF is no 39-point. Check out the specs of the D5200 again and change your mind, or else give us the reason why the D5100 is better!
Yep it does, I think it’s an awesome addition compared to the basic black and recently added red. Consider these things before just assuming 24 was chosen because it is some magic number and the most aesthetically pleasing. So now we’re in the digital age, we just need to double the digital memory storage size, which continually gets cheaper over time.
The problem with higher frame rates for movies is that we counter-intuitively need to see blur for us to perceive the action as reality. Douglas Trumbull, who did the special effects for 2001 and was also responsible for the large format Showscan has proposed that variable frame rates be used. So they actually got it right 85 years ago — 24fps still seems like the ideal speed for narrative films. Which One Is Better Nikon D3200 ,D3300,D5100 Or D5200 - i wish to buy one of them Solved which one is better ?
Nikon D7100 Review - Underwater Photography Guide - Nikon D7100 camera review, including resolution and high ISO tests, D7100 underwater housings, and comparison with Nikon D7000.
Nikon D5200 DSLR Camera With 18-55mm - Harvey Norman Australia - Packed with special features, the Nikon DS5200 DSLR camera with 15-55mm lens gives you the power to create your own artistic photos, enhanced by the Nikon AF-S 55 .

Nikon D5200 DSLR Camera With 18-55mm Lens Kit - Digital - Packed with special features, the Nikon DS5200 DSLR camera gives you the power to create your own artistic photos. Nikon D5200 Experience, my most recent e book and the first D5200 user’s guide, is now available! Written in the clear, concise, and comprehensive style of all Full Stop guides, Nikon D5200 Experience will help you learn to use your camera quickly and competently, to consistently make the types of images you want to capture. This instant download Nikon D5200 e book is for those who wish to get more out of their camera, go beyond Auto and Program modes, and shoot in Aperture-Priority (A), Shutter-Priority (S) and Manual (M) modes.
Nikon D5200 Experience not only covers the various settings, functions and controls of the Nikon D5200, but it also explains when and why to use them for your photography.
Setting Up Your D5200 – All of the D5200 Custom Settings and Playback, Shooting, and Setup Menus, including Movie Mode Menus, with explanations and recommended settings for practical, everyday use. Aperture Priority (A), Shutter Priority (S), and Manual (M) Modes – How and when to use them to create dramatic depth of field, freeze or express motion, or take total control over exposure settings. Exposure Metering Modes of the Nikon D5200 – How they differ, how and when to use them for correct exposures in every situation, and how to customize them for your needs. Histograms, Exposure Compensation, Bracketing, and White Balance – Understanding and using these features for adjusting to the proper exposure in challenging lighting situations, and setting custom white balance. The Image Taking Process – Descriptive tutorials for using the settings and controls you just learned to take photos of both still and moving subjects. Photography Accessories – The most useful accessories for day-to-day and travel photography including accessories specific to the D5200. Composition – Brief tips, techniques, and explanations, including the creative use of depth of field.
Introduction to Video Settings – Settings and explanations to get you started shooting HD video. This digital guide to the Nikon D5200 is a 195 page, illustrated e-book that goes beyond the official manual to explain how, when, and why to use the features, settings, and controls of the D5200 to help you get out there shooting in the real world.
To put things in perspective, the VR2 has been on the market for around 4 years, so effectively DxO are rubbing a BRAND NEW lens against TEN YEARS OLD glass. Still, if you are going to say these are the best lens… and you don’t include a lens by the same manufacture that has been out for 4 years, WHAT are you thinking? I’m sure the DxO people are just guys and gals trying to do the best they can with limited resources.
Why they waited one week to announce the tele-lens results (D800 best lenses part 2) and didn’t do any tests meanwhile. So the Sigma 120-400mm is a compared against the super zooms because…it is of interest to those shooting sports or wildlife? I have a D800E, 300 f4d and TC-14E II… I rarely use the TC, it does slow down AF (obviously), but have no reservations shooting wide open! Well if you wanna believe that the Nikon is better than the new Canon well it’s your problem.
I had it on my D7000 and it was very nice lens, but again – after 220-240mm was soft. Also 70-300 focuses relatively fast, it’s not bad for sports and fast moving objects.
In spectral light it can be quite good for portraits, most other times it can be really mediocre.
Whatever complaints or praises others may have about DxO Mark, it remains hard to boil multiple different factors that each photographer values differently into a single meaningful score. But the composite DxO score itself, which is what these rankings are based on, is pretty close to useless for me.
Because his iPhone 5 is the best camera ever created, so there is not reason for him to waste time reviewing more gear.
The 70-200 VR was a disappointment when using a FX camera, but the VRII on a D800 rivals my old 50mm f2 Nikkor MF as the sharpest lens I’ve ever used.
From beautiful still photos to smooth Full HD movies, this camera empowers your freedom of expression, letting you capture your own unique view of the world. In addition to the 24.1-megapixel DX-format CMOS sensor for finely detailed images, the new EXPEED 3 image processor provides high-speed operation and excellent, rich colour reproduction – as well as enhanced movie recording. The superior accuracy of the 39-point AF system and nine cross-type sensors delivers razor sharp images by focusing precisely on the subject you choose. This means you can share images that you are proud of with friends via social networks and email for instant reactions. The camera’s subject tracking of moving objects in three dimensions, with full time servo AF (AF-F), ensures focus of moving objects throughout filming. A range of seven special effects: Selective Colour, Miniature, High and Low Key, Silhouette, Colour Sketch and Night Vision can be applied in real time to images and movies through Live View so you can see what your final creation will look like before you shoot it. Or that wanting your camera body in anything other than black is somehow indisputably wrong.
And at the top you find always men (fashion, painting, literature, photography, even cooking !!
The motions constantly distract me from what I’m watching and your brain is constantly reminded that you are watching TV. The mirrorless EVIL cameras make great sense and have their uses but they are not reflex cameras.

The D5200 bears more than a passing resemblance to the D5100 it replaces and from a casual glance you'd be forgiven for assuming they . The Nikon D7100 is the company's latest upper mid-range DSLR aimed at enthusiasts and aspiring photographers. As with all my Full Stop guides, this e book goes beyond the manual to help you learn the features, settings, and controls of the versatile Nikon D5200, including its sophisticated 39 point autofocus system. This e-book is available in either PDF or EPUB format for reading on your computer, tablet, iPad, e-reader, etc.
To get you started, it guides you through all the Playback, Shooting, and Setup Menus, Custom Settings, and Movie Mode Menu settings of the D5200 to help you best set up the camera and its controls for your specific shooting needs. The guide focuses on still-photography with an introduction to the movie settings and menus to get you up and running with HD video. Set up and customize the advanced features of your dSLR to work best for the way you photograph. The first is not a true super-zoom in the sense of being an all-in-one lens, but instead offers the longest focal length that will be of interest especially to those shooting sports or wildlife.
They may be forgiven for the lack of the new Tamron which appears to be vaporware on Nikon mount, but not getting a VR2 is just stupid.
Its minimum focus of just over a metre is extremely useful, if you’re into near macro work.
The high ISO sensitivity (100-6400 which is extendable to 25600) delivers brilliant shots in dark or poorly lit environments as well as producing clear images of fast moving subjects. Meanwhile, the 2,016-pixel RGB metering sensor provides precise data to the camera’s Scene Recognition System, which optimizes exposure, autofocus and white balance immediately before the shutter is released.
In addition, the Nikon D5200 is an intelligently designed lightweight camera, with clear menus and superior ergonomics, making it a pleasure to maneuver and shoot with. It is even possible to control your camera remotely from your smart device to help you take beautiful shots without disturbing your subjects. Adding to that, creating movies to be proud of can be achieved with in-movie editing and the camera’s built-in stereo microphone. In addition, in-camera High Dynamic Range (HDR) and D-lighting capture detailed images of high-contrast scenes, increasing creative possibilities. The D5200 is one for people who think buying a big camera will make them into a photographer, hence the cherry and chocolate exteriors = p&s upgraders. I know many people like to have a D400 and a D7100, but I think Nikon will cover both with just one camera because upgrading the D7000 to D400 specs is just a very small step (different AF and other body will basicaly do the trick). When it comes to speed, the differences between the D5200 and D7100 are more modest that you might expect. Plus most importantly it explains how, when, and why to use the functions, settings, menu options, and controls in your photography.
The guide covers basic dSLR camera functions and exposure concepts for those new to digital SLR photography, and explains more advanced camera controls and operation, such as taking full advantage of the upgraded, advanced 39-Point Autofocus System and its AF Modes, AF Area Modes, and Custom Settings for sharp focus of still and moving subjects. For me, no need to buy the 80-400, which I would use at 400 virtually all of the time, in any case, for wildlife. Either you are a Canon troll or you are delusional and grass is greener on Canon side for you. Give it nice crisp light and it can do well, flat light and its really flat and washed out.
You can also select from 16 different Scene modes – they optimize the camera settings, such as shutter speed, ISO and aperture – to the situation you are shooting. I have friends just like this who want to get into photography so they buy a big camera but only ever use the 18-55 kit lens.
Just because each frame in 60i is lower quality than 30p doesn’t mean that they are going to be equivalent. It includes recommended settings for the Menu and Custom Settings options, and explanations of the in-camera features such as Multiple Exposure, HDR, and Time-Lapse Shooting. It explains how and when to use the various metering modes and exposure compensation for correct exposure of every image, how to take advantage of other features of the D5200 such as the in-camera HDR and Time-Lapse Shooting features, and introduces the HD video capabilities.
With a sharpness score of 12P-Mpix, it beats the other lenses and doesn’t really lose out greatly in any other area, hence why it top scores with a DxOMark Overall score of 19. Tamron is a good lens of you are into videos, but for still photography Nikon 24-70 is better.
In many ways I would say it is sharper than the 85mm 1.4, which has the highest score in DxOMark.
But they don’t get the entry level camera because they fancy themselves as becoming expert. It can be this generation, or the next, but at some point there are no more features to add to keep a model line.
As omsebody else suggested, it would be more logical to add a line below the D3xxx line than to add something at the top.

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