As the camera has a full-frame digital sensor there is no magnification factor, but with APS or DX-sized sensors this lens would provide a field of view equivalent to around 150mm. While this enables you to shoot from further away, so you’re less likely to frighten off your intended target, a 50mm or 60mm macro lens would give you the equivalent of about 75-90mm, which is sufficient. Using flash proves a double benefit: it freezes subject movement, and allows you to use very small apertures for maximum depth of field. Ringflash is designed for this purpose but it is expensive, unlike Alan’s system which costs very little. Using Blu Tack, stick a small portable flashgun onto the end of the lens and angle it downwards slightly. You might think autofocus would be the quickest option, but for this sort of work manual focus is much faster and eliminates any chance of the AF ‘hunting’. Set the lens to its mimimum distance, or whatever distance gives you a composition you’re happy with.
Once you’ve managed to capture a shot or two, you’ll probably want to tidy them up a bit on the PC. Depending on how good your technique was at the shooting stage, you may need to crop any unwanted edges out so that, for example, the flower completely fills the frame.
While no amount of software-based sharpening can compensate for an image not being focused correctly, most images benefit from a degree of sharpening before printing. The obvious way to do this is to select the Sharpen filter from the Filters menu, but these are crude and offer little control over the effect.
AP speaks to Mr Kazuto Yamaki in an exclusive interview held at the company's headquarters in Aizu, Japan.
Award winning photographer Stan Raucher talks to us about his recent project, travelling the world's metro systems to capture candid moments of everyday life that reflect the human condition. In AP 13 August we speak to top pros about how they set up their autofocus for various genres of photography. Insects actually slow down with cooler temperatures, so if you want to make it easier on yourself take pictures early in the morning or at twilight when the temperatures are cooler. Insects can see shadows very well so never approach them from the same direction as the light casts.
Anytime you’re taking pictures of wildlife -whether animals or insects- you should have a basic understanding of your subject.
Insects can certainly be one of the most challenging subjects to photograph so hopefully these simple tips will help you photograph a truly eye catching image. One of the things I struggle with as a nature photographer is the desire to travel to foreign lands and photograph exotic animals.
To subscribe to this blog and receive notifications of new posts by email click the below button. This is a how to instructions guide for taking macro photography and extreme close-ups with Nikon 1 J2. This is the piece of equipment that allows you to shoot time lapses, long exposure photos with more than 30 seconds shutter time and also traffic trails, star lapse ++ but it is also very handy for macro photography. Macro photography, time lapse and the use of a slider (which gives that cool gliding effect). So, to summarize a remote control timer will allow more distance between you and your desired subject. This is dependent on where you are, and what time of day it is – as the amount of light available will play a vital role. Depth of field is very important, the main reason being that when you are so close up to an object, you need to make sure that a suitable large area of the subject is in focus. On the other hand you can of course adjust the settings to artistically pick out areas of interest that you want to focus on, but understanding the settings you need is the first will help shape your abilities as a photographer. The depth of field is dependent upon the aperture (F-stop), which is explained in more detail below. The aperture, or f-stop (same as focal ratio, f-number and relative aperture) controls how wide the lens is during a shot.
Explanation: The picture on the right has a low depth of field, therefore a wide aperture, and low f-stop. Focussing sharply on a subject in macro photography is perhaps the hardest element to perfect in macrophotography. You can do this by focusing automatically on the subject first, and once you are sure it is in focus, switch to manual focus. This will ensure that when you are ready to take the picture, and press the shutter button, the lens won’t try to automatically re-focus, thereby causing you to have to set up your shot again. The lower the focal length of the lens, the closer you will need to be to the subject, and it will be therefore harder to take good macro photos of injects, or objects that move. For example, using 60mm macro lens, will mean you really need to be physically close, even directly next to the object.
Macro photography is one of the most fascinating methods of photography, as it lets you see everyday objects in a totally new way.
The second type of ring is threaded on both sides, and lets you mount a lens backward on another lens.
It’s easy to find an inexpensive reversal ring that will do the job — this offering from Goja costs $10 and comes with a cleaning cloth.
To get your camera set up and ready for taking some macro shots, you need to get the reversal ring attached properly. Use the zoom and manual focus to get your images sharp, and start snapping away — it takes a bit of practice.
You’ll notice that the depth of field on your pictures is extremely shallow with a reversal ring, as you can see in the image of the wine cork above.
In short, focus stacking lets you take a number different pictures, each with a different focus, and combine them into a single photo that has a larger depth of field than any of the original images. By using Pixelmator (which you should be using if you’re on a Mac), I combined the two images, replacing the out-of-focus purple pen in the second shot with the in-focus one from the first shot.

It’s not perfect, but it works pretty well. Generally speaking, the more focus points you have, the sharper your resulting image. Obviously, using a reversal ring has some drawbacks compared to a macro lens (notably losing finite control over aperture and a lack of autofocus), but paying $20 instead of $600 will be enough reason for most people to start out with this method. Reversal rings offer a great way to get the most out of your DSLR without emptying your wallet.
Enter your mobile number to receive a free text message with the download link for the app. Although it gives good results, personally I don't use mine that much due to the challenges of using it. If you don't want to get quite so close you can get close-up filters which are much easier to use.
I'm not familiar with close-up filters; do they just provide additional magnification in front of the lens? This article may contain affiliate links, which pays us a small compensation if you do decide to make a purchase based on our recommendation.
If you're the owner of a new digital SLR or mirrorless camera with changeable lenses, you can better tailor your photography to your subject by changing lens. Ever since we first featured Pixelmator in March 2010, it has been improved in so many ways. The DSLR camera user guide is perhaps one of the most daunting collection of words ever written, but studying it is one of the necessities to get the most from your digital SLR camera. If you're in the market for a new TV, you're probably thinking about getting a 4K or Ultra HD model. Even a small flashgun when it’s inches from the subject will be bright enough for a very small aperture to be used, but test your own to determine the exact exposure.
When you see a bee (or other flying insect) land on a flower, move right in close, looking through the viewfinder until the subject snaps into focus. You’ll almost certainly need to apply some levels, colour correction and perhaps a small increase in saturation. In fact this image is full frame and needed no cropping at all, but that’s what comes with practice! Adjust the Amount slider but don’t go mad – somewhere between 50 and 100 is usually enough. UK, publisher of Amateur Photographer and other iconic brands about its goods and services, and those of its carefully selected third parties.
Stay within the macro range and keep the camera extremely still and you’ll get some nice sharp images. That’s because most insects are sensitive to carbon dioxide and will fly or run away if you breath directly on them. They’ll spot your shadow quickly and will be sure to take off before you even get your camera out. By understanding their patterns of behavior and what types of plants or environments they prefer you’ll be more likely to get a good shot. In our macro photography tips we tell you how to get the best results when shooting macro outside. The struggle is that currently I can neither afford the cost or the time to embark on such an expedition.
From the broad range of body types and myriad of coloration, nothing screams exotic like bugs. Extreme close-up photos can be mesmerizing, and will add a different dimension to your photography toolbox – which consequently means that your reputation as a photographer will improve drastically. The photographs producing are extremely detailed, showing detail beyond that which is visible to the naked human eye. In other words, the image being captured on film, or on the imaging sensor of your DSLR camera), must be larger than that of what is being photographed. Obviously the best camera you could have, is a DSLR, which these days are not too expensive. CLICK HERE to learn more about the Nikon 105mm macro lens – or the other available lenses.
In this case a Ravelli 70″ Tripod with Adjustable Pistol Grip Head and Heavy Duty Carry Bag. You wont be too impressed when you finally get to see your images on the big screen, and find out that the antler is the only thing you managed to get in focus of your rare fire ant. A wide aperture (low f-number) means that your lens is open quite wide, allowing a lot of light in during the shot. The picture on the left has a large depth of Field (meaning both the foreground and background elements are in focus), and therefore has a high f-stop and a narrow aperture. The lens depicted earlier is a good way of avoiding this obstacle though, but in general it is best to use manual focus, after you have already focussed on the subject using auto-focus. You may have seen the different types, with differing focal lengths; 50mm, 60mm, 100mm and 105mm. It is likely you will also cast shadows over the subject, and light is an important factor.
You can stand nearly 1 meter away from the object, and still get extremely good macro photos, without casting shadows and without potentially scaring your subject away. Getting a super-close look at plants, animals, materials, and even the human body can be a fun experience, but spending hundreds of dollars on a macro lens isn’t realistic for many people.
Instead of the lens being close to the camera body, it’s now further away, which allows you to focus on objects that are much closer to your camera. This greatly increases the focal length of your setup, and moves the lens even further away from the camera body. More expensive ones will likely be made of more durable materials, but in general, you probably won’t see a whole lot of difference between rings.
Remove the lens from the body of the camera, turn it around, and lock the reversal ring into place on the camera body like you would a normal lens.

I found that I needed to have my lens zoomed all the way out to 55mm to get any sort of sharpness. You can use it for artistic effect (sometimes you want a very shallow depth of field) or you can try focus stacking. As I mentioned before, the depth of field in macro photography is often very shallow, so you can end up with a tiny portion of your photo in focus.
All of your pictures need to have the same elements in the same places (a remote or cable release can help keep your camera from moving when you’re taking the photos). If you decide you’re fond of your macro results, your purchase of an expensive lens may be more justified.
Getting used to the way your lens behaves when it’s been reversed can take a while, but with some practice, you will be taking great macro photos in no time!
If there's a lot of detail and you want to get really, really close, a reversal ring will help. You have to get incredibly close and if the camera (don't try to shoot handheld) or subject moves even a tiny bit the whole thing is thrown out of focus. Not being able to easily adjust the aperture is one of the more frustrating parts of using reversal rings.
Our judgement is in no way biased, and our recommendations are always based on the merits of the items. Most novice photographers rarely try it because they are accustomed to point-and-shoot photography, which is the complete opposite to approach macro photography. There are some exceptions to this rule as some beetles will actually freeze if you breathe on them. You should also know if the insect you’re shooting is poisonous or dangerous as there are some types of spiders and insects with powerful or lethal venom.
When you're working at such close focusing distances any imperfections become more noticeable and they can end up distracting the viewer or spoiling what could be an excellent shot.
Being the father of two young boys as well as a person who works a 9-to-5 job, this dream of travel photography needs to wait until the kids are moved out and on their own. Sure, Africa and Madagascar offer incredible mammals and birds but for pure wild looks your backyard can easily compete. I also like to light my subject with one or two Olympus FL-600R flashes— off camera and triggered wirelessly using either the FL-LM2 or the E-M10’s onboard flash. If you would like to learn more, please read on – it is very easy to do once you know how to, and very impressive to your followers. This does not apply to an image which has simply been made larger in post processing, and we shall therefore explain what kind of equipment you will need in order to understand how to take macro photography with Nikon 1 J2.
You could try to make a cheaper version, buy a cheaper lens or even use a magnifying lens, all of which will impart a degree of the magnification possible – but also create a degree of blur. Includes an internal focus, which provides fast and quiet auto-focusing without changing the length of the lens. Because it allows you to stand at a safe distance, for example when setting up your camera next to a bee hive or other creative arenas, which in turn allows you to trigger the photos with the remote or just set it to timer shooting photos every 30 seconds or so. The one described permits you to stand even further away from your camera, ensuring that the subject is in focus before taking the photo, and could enable you to take more unique and interesting macro images than your competitors – plus you avoid unecessary movement which is crucial to long exposure photography. A high f-number means that your lens is not open as wide, therefore limiting the amount of light in any given shot. With the 60mm lens, you have to stand at least 15cm, and as explained, this can be problematic.
The inability to focus on a subject that is very close to the camera is what makes macro photography almost impossible with a regular lens. The threads screw into the end of your lens, and the other side mounts to your camera like a regular lens. You can also find more complicated setups that are more expensive but give you a few more options. Most reversal rings list a variety of different camera bodies in the Amazon descriptions, so you can look there for your camera.
As you may notice in the image above, the electronic contacts that usually allow your camera body to control the aperture of the lens are no longer facing the camera body. By sliding this and blocking it with a piece of cardboard or poster tack (I’ve used a folded piece of paper here), you can get some very rough control over aperture.
A trick to set the aperture for Canon users is to go into AV mode then set your aperture and hold the depth of field preview button while you remove your lens. And it does take a monumental amount of patience, especially if you're trying to get a very specific part of the image in the tiny slice of focal plane that's available.
Even if you live in the city you only need to get low to the ground and look for the tiny things that no one hardly notices. Anywho, this is a perfect camera to start with – your way to learn how to take macro photos with Nikon 1 J2.
The optically superb macro lens can be found in the link provided, and will last you a lifetime. Depending on the object, and how likely it is to run away if you get too close, a tripod can provide the stability, and close proximity needed to capture that unique shot of a rare insect or object. This set from Fotodiox, for example, includes a reversal ring, aperture controller, and UV protector for $30. Perhaps not, but it may give you an unique angle and provide you with a breath-taking photo.

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