Changing the way you take your pictures can drastically change the way your photo looks, and the perspective of your photos plays a huge part in this. When you take pictures of a person looking directly to the lens, it can create a connection between the viewer and the subject of the photo.
If you’re taking a picture of two people, you can have them look at each other in order to establish the theme of your picture.
The kind of camera you use doesn’t matter all the time, unless you rely on it to make a living. StartLocal is an Australian business directory that has many photography courses listed Australia wide. We are always looking for more interesting and insightful photography tips and techniques to share with our readers.
A DSLR is faster, allows you to do more creative things with your photos by offering infinite control over composition, will have an inherently longer lens, and will take better pictures nine times out of ten, even if you simply use “Auto” mode and let the camera do the rest.
If you can’t be bothered, we’ll break it down for you here: Shutter speed is how long the lens stays open to allow light through to the sensor. Now that you have purchased and investigated your camera, it’s time to have fun with some of its strong points, such as depth of field.
You can take some incredible shots of your kids with your DSLR’s scene modes, believe it or not. Sure, I’m no Anne Geddes, but I had fun taking these jumping and running shots with my camera’s kid mode. Creativity and knowing how to capture unique images are what will set your work apart from others. Your use of lighting is also very important and plays a major role in creating a great photograph. Emotion is the last area that you should focus on while trying to create a great photograph.
Chi Photography is one of the top Charleston children’s photographers located in Charleston, South Carolina. There are a ton of factors that may generate an emotional response – even when we are viewing an inanimate subject like landscape. Bottom line, art has an aesthetic, psychological emotional element – ditto for photography.
The foremost aspect of taking good portrait photography is to set up your camera according to the circumstances. When placing your object to take the photograph, make sure that the sun light is not directly hitting your camera lens. After you have made up your mind in framing the subject, ask them to maintain eye-contact with the camera. Thousands of group photos must be taken each day around the world - but unfortunately many of them leave those taking them disappointed with the results. There is nothing that will make of people posing for a photograph turn upon you faster than you not being prepared. The place that you have your group stand is important to group shots for a number of reasons. Choose a position where your group will fit, where there is enough light for the shot and where there is no distractions in the background. One of the best ways to avoid the problems of not everyone looking just right in a shot is to take multiple photos quickly.
Similarly - shoot some frames off before everyone is ready - sometimes the organization of a group shot can be quite comical with people tell each other where to go and jostling for position.
Also mix up the framing of your shots a little if you have a zoom lens by taking some shots that are at a wide focal length and some that are more tightly framed. Try to get as close as you can to the group you’re photographing (without cutting some members of it out of course).
If your group is a smaller one get right in close to them and take some head and shoulder shots. In most cases your group will pose itself pretty naturally (we’ve all done it before). For formal group photos put taller members in the group not only towards the back of the group but centered with shorter people on the edges of the group. Try not to make the group too 'deep’ (ie keep the distance between the front line of people and the back line as small as you can). Tell everyone to raise their chins a little - they’ll thank you later when they see the shot without any double chins! Also towards the start of events can be a good time as everyone is all together, they all look their best and if there is alcohol involved no one is too under the weather yet. I’ve been in a number of group photos where the photographer almost lost control of his subjects by not being quick enough but also by not communicating well with their group of subjects. Another very useful line to use with group is - 'If you can see the camera it can see you’.
If there are more photographers than just you then wait until others have finished their shots and then get the attention of the full group otherwise you’ll have everyone looking in different directions. Of course you don’t want to be a dictator when posing your group or you could end up with lots of group shots of very angry people. Large groups of people can be very difficult to photograph as even with staggering people and tiering to make the back people higher you can end up being a long way back to fit everyone in.
I find that using a tripod with group shots is very handy - not only because it eliminates camera shake but mainly because it lets me frame the shot exactly as I want it and then leave the camera to work on posing the group.
If you have a very large group and assistant can be very handy to get the group organized well. An assistant is also incredibly handy if you are taking multiple group shots (like at a wedding when you’re photographing different configurations of a family). If you think you are not capable of taking good pictures, you may have considered taking photography courses.

Instead of shooting photos at eye level, try shooting from the hip for a change (although this can create a little bit of problem when establishing the setup of your photograph). Changing the lighting of a photo can improve it to a huge extent, creating artistic, otherworldly, or even remotely unusual effects. The bright strobe lighting illuminated the models to the level of sunlight, eliminating any and all shadows created by the models’ silhouettes against the sun. You can start experimenting with natural lighting from indoor and outdoor lights, but when you’re ready to learn more about the more technical aspects, you can take photography courses in Melbourne, or wherever you may be based in, to improve your skills in manipulating light to your advantage. To take good pictures, one of the more important aspects you need to learn is to properly create a focus for each photo. In this sense, being out of focus is actually a method of focusing and is a completely acceptable practice in some circles.
They delve into the hobby because they have a new addition to the family, and soon realize that their digital point-and-click cameras are just not good enough. Sure, these cameras are more expensive, but the quality of the images will be worth it for years to come.
Depth of field is the amount of your image before and beyond the focal point that will appear in focus.
For example, my camera’s portrait mode opens the aperture to let as much light in and adjusts to a higher shutter speed to account for that increased exposure. These modes usually put a higher emphasis on shutter speed and slightly boost or saturate background colors while leaving skin tones alone.
It’s easy to conclude that if you have the most expensive equipment you should then be able to create the best photograph.
If you’re taking a portrait shot with people as your focus you can allow your viewers a chance to be part of their story by proper placement within the shot.
A great photographer should create their own masterpiece without using other photographers’ ideas. Without an “eye” for a good photo, not even the most expensive camera will make you a good photographer!
For instance, if the light is low in that particular area, one must open up the lens for a longer time period in order to allow the light to pass for more time.
The best time for taking a good and perfectly balanced picture is to take it in the morning or in the evening. Focus them properly to capture their facial expressions if you are taking the head-and-shoulder frame shot, and then take your photo. They happen everywhere from weddings, to camps, to parties, to sporting teams, to school etc. For starters it can give the photo context - for example a shot of a sporting team on their playing field means more than a shot of them in front of a brick wall.
Also avoid setting up a group shot directly in front of a window where the light from your flash might reflect back in a way that destroys your shot. I often switch my camera into continuous shooting mode when taking group shots and shoot in short bursts of shots. The closer you can get the more detail you’ll have in their faces - something that really lifts a shot a lot. One effective technique for this is to get your small group to all lean their heads in close to enable you to get in even closer.
Try to choose a time that works with what is happening at the gathering that you’re at.
The way you get this varies from situation to situation but consider using a flash if the group is small enough and you are close enough for it to take effect - especially if the main source of light is coming from behind the group.
It is important to keep talking to the group, let them know what you want them to do, motivate them to smile, tell them that they look great and communicate how much longer you’ll need them for. The best photographers know how to get people’s attention, communicate what they want but also keep people feeling relaxed and like they are having fun.
It also means I don’t have to be looking into the viewfinder or LCD at the time I shoot the picture and can be using my eyes to make sure everyone is looking right. In these cases I often ask the couple to provide me with a family or friend member who has a running sheet of the different groups of people to be photographed.
Melbourne, Brisbane, and Sydney residents have a lot of options to choose from when they want to learn photography from a professional, but you don’t have to spend a lot of money just to improve the way you take photos.
These basics will become the foundation of your future in photography, even if you decide to turn the hobby into a profession once you improve your skills. If the subject is looking at a vase, for example, it can draw attention to the vase, leading the viewer to ask what it is about the vase you should focus on. This was taken late in the afternoon, so there was plenty of natural lighting to make it a decent enough photo. Of course, there was a little bit of tweaking done with the camera’s white balance settings, but the basic idea here was that proper, strategic lighting helped in making an otherwise normal photo breathtaking.
Sometimes, creating a blur effect naturally by decreasing the shutter speed of your camera (something that you can’t do with traditional point and shoots, unfortunately) can actually end up emphasizing the subject of the photo. Patience really goes a long way and the lack of it can be the cause of horrible looking photos.
Not only are these cameras too slow to capture a child’s fleeting expressions, they can’t quite capture the subtle mood of, say, a toddler asleep in a pool of sunlight on the floor. For example, my Nikon D60 has a portrait mode and a kid mode; both are very useful in getting excellent pictures of my little guys.
With this mode, you won’t get any movement in camera, and photos will have a narrower depth of field, giving that fuzzy, out-of-focus appearance to the background while keeping your kid’s face sharp.
Translation: You can take pictures of your kids running and jumping and freeze the motion, while making the backgrounds more exciting.
You can create a photo that has a 3D effect by using a red object as your primary focus with a blue background.
You can guide your subject to help illustrate an emotion by changing the eyebrows or smiling.

A photographer who looks at one’s work and tries to duplicate it down to color and backdrop is cheating their client. If you have already taken hundreds of pictures of your family, but have thus far failed to achieve the consistency of taking good pictures regularly, and want to take a good and more professional looking photograph then you must keep some simple guidelines in your mind while taking the shot. In addition, setting up the white balance according to the natural light is also extremely necessary to capture the perfect and true colours of that specific object along with its surroundings.
It will not happen when you are taking pictures of your family, but it could become a factor to distort your picture if you are working as a professional photographer. The other reason that choosing locations carefully is important is that it can have distractions in it. I find that the first shot is often no good but that the one or two directly after it often give a group that looks a little less posed and more relaxed.
Another way to get in closer is to move people out of a one line formation and stagger them but putting some people in front and behind. I find it best to do a group shot when the group is already close together if possible and when there is a lull in proceedings. When you give people a reason to pose for you you’ll find they are much more willing to take a few minutes to pose for you. In doing this you can fit a lot more people in and still remain quite close to the group (you end up with a shot of lots of faces in focus and less bodies).
Have fun and enjoy the process of getting your shots and you’ll find the group will too. But the photographer went the extra mile and secured several strobe flash units and placed them strategically behind the models. Instead, flashes reflect off this and that, shadows appear that never existed before, and skin tones look washed out, blown out, or altogether unnatural. I love to take photos of kids with shallow depth of field, making the child’s face perfectly in focus while blurring the background. A loving couple holding hands and staring into each others eyes is going to tell a story of love and show emotion.
Going out and creating a photo based a gut feeling and not having a set idea in mind beforehand will help set your apart from your competition. A person with a blank facial expression is showing emotion even if they don’t realize it. Furthermore, make sure that the subject is absolutely comfortable with the background, lighting and all the other objects that you are going to include in the frame. Make sure that you apply the rule of third while framing the subject, as it will enhance the results of the captured picture. It also gives an interesting perspective to your shots - especially if you have a nice wide focal length. Having a family member do this helps to make sure you don’t miss anyone out but also is good because the group is familiar with them and will generally respond well when they order them around.
I usually come home from a wedding which I’ve photographed with an incredibly sore jaw-line from all the smiling because I find the best way to get the couple and their family to relax and smile is to smile at them. Here are some helpful hints on taking frame-worthy kid pictures, every time you pull out your camera.
This is especially helpful when you are, say, in a nursery full of toys that can distract from your photo. You’ll find that anyone can take a photograph, but making it a great photograph takes skill. A couple waving their hands and giving the appearance of disagreement and discontent is going to look as though they are having an argument. Make sure you’re open-minded while trying to figure out what backdrops and unique objects you want to incorporate into your shot. If you force or fake these emotions rather than capturing them as a genuine, the photo will look staged. If you hastily take pictures, you may end up wasting the opportunity to take an otherwise decent shot. If you are one of these people who think that “F-stop” is a dirty expression and not a measure of how open or closed the aperture on a camera is, it’s time to reconsider. So, don’t try to create a shot that you want to portray lots of action with those colors. These are the ways you can use your photo to tell a detailed story and make it a great photograph. Looking for a specific place on a beach or searching for the exact location another photographer used shows a lack of creativity, and over time your portfolio will reflect that. You might actually figure out what all those buttons and knobs do, and some manuals even help you learn the very basics, like the difference between shutter speed and F-stops, and what ISO means. If your light is low and you don’t have proper exposure your photo is going to turn out dark. Your clients will ask why all of your shots look the same and why you only use this field or that lighthouse as a backdrop. For more fun with depth of field, you can purchase an even longer zoom, such as a 55-300mm lens, to further decrease the depth of field.
These telephoto lenses are also wonderful for snapping very candid photos of your kids, who often go into turtle mode or mug for the camera if they know they are being photographed. If the shot has no detail or lacks the proper composition then your viewer will turn away and move on without taking notice.

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