Canon definitely has the bragging rights (for now), but rumors of even higher resolution bodies already swirl. My review will focus primarily on whether or not having that massive amount of pixels is worth the inevitable trade offs.
The only real noticeable difference from the 5D3 is that the bottom plate and tripod mount is significantly reinforced. What stands out here is that Canon has (surprisingly) managed to shave a few grams off the 5D3’s weight. These specs are not going to be good enough for serious sports shooters and even some wildlife shooters, but they are good enough for many other applications. Bottom line: if you are familiar with Canon’s 5 series you will find the 5DsR both familiar and satisfying to use…just don’t expect a lot of revolutionary improvements.
A reinforced tripod socket to help really anchor the camera down to provide additional stability.
A specially tuned mirror mechanism that can reduces mirror slap and helps limit the vibrations that can cause blur. A built in intervalometer for shooting time lapses and the ability to combine them into a movie in camera. It also has the White Priority AWB mode like the 80D, which is a nice help when shooting under changing lighting conditions to get consistent white balance.  You don’t always get to control lighting conditions! Canon has implemented a version of AF Servo focus during video (Movie Servo AF), though it pales in its performance when compared to the new 80D body and its advanced DPAF. A nice little list, but, let’s be honest: no one is paying nearly $4000 for these feature upgrades. Live View will show the cropped image, but when you review images on the LCD screen after capture they continue to show the “mask” rather than the actual crop. The one advantage is that in APS-C mode there is enough AF point spread to cover almost the whole frame. When the images are downloaded to a computer they will show up in the cropped look, but you do have the option to recover the full coverage by using the crop tool (it will show the full image with the crop over the APS-C section that you can then expand it back to the full frame area). It’s always nice to have options, of course, but one has to wonder if they wouldn’t be better off just cropping in post. Good autofocus is incredibly important in any camera, but even more so in a camera with enough resolution to reveal even the slightest miss of focus. The improved metering system is also going to produce more precise metering, and I can attest that the camera does a very good job metering in various modes.
This AF system has been thoroughly covered by many journalists and photographers, so I won’t spend a lot of time on it. Birders will probably find it better to just shoot with the bare lens and have all 61 AF points available for tracking. I strongly recommend that you visit the image gallery here and check out a lot of different photos for yourself. There’s no getting around it…the 5DsR will cost you some money…and I’m not talking about the cash you will lay down to purchase one. I’ve reconciled myself to the fact that if were to add the 5Ds R to my personal kit I would also have to upgrade my workstation. A secondary challenge of dealing with such massive files is that the 5DsR is very unforgiving of motion blur. If you are a tripod shooter, the 5DsR might be a natural fit for you, but if you shoot primarily handheld (as I do) you will find that you have to adjust your shooting style and settings. The full impact of how much information is in a 5DsR smacked me right between the eyes when working with this image. In this sense it is very like having a zoom lens even if you only have a prime.  You might find yourself choosing a slightly wider focal length than normal and cropping the difference in post. I’ve shot some images of large groups for either sports or in a business setting, and the ability to shoot a really big group while retaining a lot of sharpness on each face is very, very useful. Combining the 5DsR with a good landscape lens is going to give you results that are currently unparalleled by any other 35mm camera. The 5Ds R really requires some additional thought in controlling the noise from the camera. One of the things that makes such a high megapixel body tempting to me is that you can have the full resolution available when needed but shoot at more reasonable sizes at other times.
Telugu Titans go into their last home match of the Pro Kabaddi League 2016 on Monday as they get set to take on Dabang Delhi at the Rajiv Gandhi Indoor Stadium in Vizag in the second scheduled game of the day.
The Titans earned a win and a loss in their previous two home games this season and the Rahul Chaudhary-skippered side will be looking to drawing curtains to their home leg with another win and increase their lead at the top of the table. The South Indian Pro Kabaddi side stood third in the competition last season, and they are aiming for an entry to the playoffs this time as well. Dabang Delhi, meanwhile, started their Pro Kabaddi League 2016 campaign with a defeat against Bengaluru Bulls on the opening day.
Finishing drywall involves typically three to four days of work and a great deal of joint compound. If you have never completed a drywall project on your own before, and you still do not feel comfortable about tackling a drywalling job after reading the steps in this section, it is a good idea to hire a professional. At every seam where two pieces of drywall meet, and where there will not be any beadboard or other trimwork covering the panels, you will need to fill the seam and create a seamless transition between the panels. The advantage of installing flat panels of drywall is that there is less finish work after the panels are installed and planning the panel layout to reduce the number of seams will further minimize the time you will need to invest in taping and finishing it.
Finishing drywall joints involves three basic steps that can take as many as four days to properly complete. Before starting the taping process, make sure corner bead is installed on all outside corners around the room.
In the previous generation of cameras Canon had boasted the highest MP counts in most of its bodies, but when the Canon 5D MKIII and the Nikon D800 were released the roles were reversed.


You will note far more screw heads that you are accustomed to seeing on the bottom of Canon DSLRs. Unless you have extremely sensitive hands, you probably won’t notice the difference, but weight has a way of adding up, so every little bit helps. This is more of a specialist camera, and not really designed to supplant the 5D3 as the everyday workhorse for many photographers. The 5DsR’s Movie Servo AF tends to hunt more, focus comes more slowly, and it is prone to completely drifting out of focus at times.
You can mount third party APS-C lenses (Sigma, Tamron, etc…) as they actually come in an EF (rather than EF-S) mount. Your choice is to either have the area masked out or an overlay that shows the outline of the cropped area.
Because the full frame image is actually being recorded the file size is not any smaller in crop mode. That may not be an option for some of you, though, particularly those who give the client the memory card at the end of a shoot. The 5D3’s AF system was a huge advance over previous systems, and has continue to be recognized for its excellence.
The inclusion of the Anti-Flicker mode is one of the most useful new features to people like myself who shoot events. The camera tracks well, the outer points continue to be completely usable (though they prefer first party lenses over third party, for the most part), and my focus consistency has been very good. There’s a good chance that a few weeks with the files from the 5DsR will have you wishing for a more powerful computer. No, higher megapixel counts do not create motion blur, but the sheer amount of pixels makes existing blur more apparent. Practice good steadying techniques, increase your expectations for minimum shutter speed, and learn to love lenses with good stabilizers!
The ability to deeply crop results in often doubling the reach of the lens attached…with one significant difference.
You can turn a nice a full length portrait into a still extremely high resolution head and shoulders or even tighter crop. Landscape photographers (particularly those who do large art prints) are going to love what 50MP can accomplish. I’ve been spoiled over the past four years by using a pair of Canon 6Ds as my primary event cameras, and I really feel that they sport one of Canon’s best sensors for overall image quality and particularly for high ISO performance. It’s a very useful resolution, but having that full 50MP on tap when needed is pretty fantastic. If you don’t, then, to be blunt, you would be better off buying a Canon 5D MKIII (or even a 6D) and saving yourself some money.
Telugu Titans started their campaign in Pro Kabaddi League 2016 with a narrow 25-27 defeat over champions U Mumba, but they got all their confidence back as they earned a narrow 27-26 win this time against Puneri Paltan on Sunday. The type of joint compound you use to smooth seams and cover nail holes will depend on the size of your room and your level of experience. In spite of this, the reason drywall has become a standard wall covering is that it takes fewer finishing skills, and less money and time than the traditional alternative of plastering walls.
The objective to finishing drywall or finishing with plaster is to create the illusion that the wall consists of one flat piece.
Every seam and every screw hole will need to be covered with joint compound, and each seam requires further steps.
Inspect the walls and ceiling to make sure that all of the screw or nails are firmly embedded into the drywall sheets.
The button position is essentially identical, so 5D3 shooters will find everything falling to hand in a very familiar way.
I was able to get 14 50MP RAW shots in a burst before the buffer filled and the burst rate dropped. The end result is text a little larger than usual and easy navigation despite a number of additional menu options.
The center point isn’t quite as sensitive as the 6D’s (but I haven’t really seen it matched yet), but being able to compose with focus point groups definitely helps you in both the ease of composition and its speed. I have a fast workstation that I run full wedding shoots through without wishing for more “grunt”, but waiting for Lightroom to generate a 1:1 preview to check critical focus on images frequently proved somewhat exasperating.
At a pixel level the image quality isn’t really any better than the 6D, so at first I was underwhelmed. I love the compact size of the Voigtlander as well as its beautiful color, but, even at its best, it isn’t incredibly sharp. It will help with lenses like 85mm focal lengths that don’t have great maximum magnification.
In event work I feel that my shots even at the maximum normal range of ISO 25,600 are perfectly acceptable for event work and reportage, and I’ve actually sold some fine art prints taken at that setting. The reality is that some photographers will take better pictures with 50MP; others will take worse pictures. The entire process from taping to finishing the final coat can take four days, because of the drying times of the joint compound. For example, there are drywall organizations for professionals across the country from New Jersey to Nebraska and California. If you have an older home, and want to have a plaster finish to keep consistent with the construction of your home, it is possible to use drywall instead of lath and finish with plaster.
My hope is to give you an informed opinion on this along with an assessment of who I think would benefit from ownership and who would not. That massive resolution will make motion blur and other defects more obvious, and Canon has designed this camera to help reduce that vulnerability.
Some have asked if these figures improve when using MRAW or another lower resolution figure, but the answer is “no”.


The 5DsR is capable of producing some beautiful video footage (like most of Canon’s DSLRs), but should not be seriously considered by those whose priority is video. I personally tried out the crop mode and decided for my purposes that I would rather crop in post where I can better see what I am doing. The system has been given some new tweaks, however, most noticeably in an improved 150,000-pixel, 252-zone RGB+IR Metering Sensor. My experience continues to be that you will get your most precise results with wide aperture lenses using single AF points or a single point supported by others, but I feel my focus results in most all modes are reliable (I don’t really use “all points active” mode). I was able to run off a nicely focused series of a boy on a bike, though with a single point it is easier to track something moving towards you than across the frame. But there are both pros and cons to that amount of resolution and they come in both expected and perhaps unexpected ways. Faster shutter speeds often mean higher ISO settings, and this isn’t really the strength of the 5DsR.
But then I started cropping and realized that you can crop…and crop…and crop and still have a very credible image left over.
Cropping from 300mm to 600 or 800mm is not going to give a shot the subject isolation that shooting it with a longer lens would. The sheer amount of resolution from the 5Ds R results in noticeably sharper images from the little Voigt, particularly in the middle of the frame. Also helpful is when shooting large groups or dealing with different crop ratios for prints.
When downsampling images to the same dimensions of the 5D3 the noise levels are similar or even slightly less. That MRAW setting has become my “go-to” choice, and I find that A) 28MP is still plenty of resolution for most all situations and B) the file size is much more manageable. The 5DsR is capable of producing amazing results at most all of its resolution options; just choose what you want! There’s a right and wrong way to employ that amount of resolution, and using it wrong will actually result in pictures that are more blurry or noisy. Make sure you have allowed enough time to finish each step completely before starting the next. It will take longer to accomplish, but you will be able to use the plaster to create any texture patterns in the wall or ceiling surfaces that you may want.
If you hear a tap when going over a surface, it means that a screw or nail will need to be tapped further in. Along the way Sony pushed the bar a bit higher with is A7RII mirrorless body and it’s 42MP. The thumbstick of the 5 series is very handy, though, and I would say it is the one handling feature that stands out as the most useful over Canon’s less expensive options. Things like the various autofocus “cases” were explained nicely and I found that I was usually able to quickly find the setting I was looking for.
This is borrowed from the 7DII, and gives improved tracking performance through better AF point selection and face tracking.
It will take a while to render them (and you can discard them later to free up buffer space), but it will save you a lot of frustration in dealing with the files. It has a much lower base maximum ISO setting (6400) than either the 5D3 or the 6D (25,600), and is only expandable to ISO 12,800.
But there is no disputing the value of being able to deeply crop while retaining a lot of resolution. Resizing those images to smaller dimensions can really help achieve images with much higher apparent sharpness. Go ahead and frame more loosely in those situations and leave plenty of room for cropping while retaining high resolution. The massive resolution of the camera is mostly wasted for video, as video resolution tops out at 1080P. I have frequently shot up to ISO 25,600 with the 6D in event settings and find the files very usable (so long as you don’t need to tweak the levels much).
It allows you to put more pixels on your subject than any full frame camera before, and paired with some of Canon’s excellent lenses (and Canon shooters are blessed to have access to the finest collection of lenses in the world!), it is stunning how much resolution can be achieved. Ultimately the question of whether or not you need 50MP can only answered by you, but that is the key question.
Take for example the shot of this poodle.  I was limited by the lens in hand (a prime), but I can deeply crop and still have a very high resolution image (the crop was processed to the look I wanted). After spending more than a month with the 5DsR I’m still not sure of the answer for myself.
The only real advantage I could perceive is that the buffer (write) did clear up quicker with the smaller sizes and the camera was ready to shoot again faster.
I’ve found a lot of frustration in my typical workflow due to slowdowns where normally I encounter none.
After years of shooting professionally I’ve never yet had a client complain that my images weren’t “big enough” or lacked resolution. The removal of this filter allows for more ultimate resolution though at the cost of more moire where repeating patterns occur. But if you don’t really need 50MP, look elsewhere, as that amount of resolution comes with a cost.



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