It’s important to start framing the panorama from the furthest position to either the right or left. Some phones don’t have it, along with a few other modes that are supposed to be there. Panorama photos are those long (wide) narrow (small height) images, typically of city skylines or landscapes that you often see in galleries or other photography shops. The basics of panorama photography is that the photographer stands in one place, aims to camera to the one end of the scene, say the right side, and takes one picture. I personally prefer using a combination of Lightroom and Photoshop to stick my panoramas together. Make sure your tri-pod is perfectly horizontal; otherwise the camera lens will tilt up or down when you move it from side to side.
By using the full manual mode, you select your settings to get an even exposure on one of the pictures, and the shoot all the images with those settings. There isn’t a right or wrong way to take a panorama, but if you are not using a tri-pod, try to stand in one position, and only rotate your hips, shoulders and the camera when moving from right to left. Now, select all 5 images, and in Lightroom, right-click and select “merge to panorama in Photoshop”. Photoshop will now open up, and initially you will see an option screen with lots of selection sliders that you could choose from. Depending on the size of the images, and the speed of your computer, you might be in for a few minutes waiting time, but after a while Photoshop will open your panorama image, stitched together from the 5 different images you have taken. Don’t worry if these pictures are not perfectly aligned, especially in the top and bottom parts of the image. After all eight pictures have been taken, it will take a second to stitch the photos together.
In order to access the panorama feature, open your iPhone’s Camera app, tap on Options, and choose Panorama.
In general, the iPhone’s built-in panorama does a great job at stitching together multiple images.
The other disadvantage is that the height of your image is limited by how much you can see through the lens of your iPhone in portrait orientation. This photo has been stitched very accurately, and the exposition is accurate throughout the image. It appears that the app had a hard time dealing with the extreme dynamic range in the central parts of this photo.
From the panorama apps that were tested in this article, Photosynth seemed to perform best. The iPhone’s built-in camera app is also a good option, but it seems to perform worse than Photosynth when the exposure has to be very different throughout the scene. With that said, it’s practically impossible to keep your iPhone in the exact same position while you keep moving around to capture a panorama. Finally, panorama images allow you to get creative in ways that wouldn’t be possible otherwise. Try taking parallel photos ( as the pano app in iPhone does not have to be rotated just moved to take a panorama ) photos of images behind glass lose the reflection and increase contrast.
The Panorama camera is one of the better features of the iPhone Camera app, it makes taking incredible high-quality panoramic pictures ridiculously easy without adding any additional apps to your iPhone.
Panoramic pictures are stored in the Photos app Camera Roll as usual, and you can email or send them through messages as you’d expect. That shot of Zion would be an excellent wallpaper for multimonitors if it was just a tad larger and the artifacts weren’t on the edge there. An easy way to import the original is by turning on the automatic photo import feature of Dropbox.


A panorama photo stitches together a number of shots taken in succession to create one shot of a landscape or wide subject, like a huge group shot. The camera app compensates a little, but it produces better shots when the user stays inside the lines. Some of the most amazing panorama photos that I have ever seen show the skyline of Hong Kong, viewed from the Kowloon side of the Victoria Harbour. He then moves the camera to the left, until there is a one-third overlap with the previous image, and then takes another. The photographer now sit with (let’s say) 5 different images, which between them cover the whole scene.
In the next section I will give a more detailed step by step guide on how to take panorama photos. As a beginner photographer, this is not too important, and I will share a trick with you later on, that will help you with this. You might end up with pictures that looks a bit lighter or darker than the next, but that can be corrected later on.
You might want to make a few practice turns, to see that you are steady, and that the camera does not dip or move up when you rotate. You will surely be amazed by the amount of data available in the image, and also the extent to which you were able to capture a vast scene into one picture.
We will also compare the results to find out which of these options provides the best results. This will launch the panorama mode, which is explained in more detail in the following video. As you can see above, all transitions are done flawlessly, thus making the built-in panorama feature a good choice in most situations. Other panorama apps allow you to create higher panorama photos, but this feature is not available in the iPhone’s built-in panorama mode.
The sky is severely overexposed and the coastline in the center of the photo is not stitched accurately. The iPhone’s built-in panorama mode did an equally good job at stitching, but Photosynth appears to be better at maintaining proper exposure throughout the scene. It’s stitching was very accurate, and it was able to maintain a proper exposure throughout the scene better than the other alternatives.
Since panorama photos are stitched together from multiple separate images, you are going to have problems if the scene is changing while you’re taking a panorama. However, you can minimize the impact of inadvertently changing the position of your iPhone by only capturing distant views. I started the capture on the left side of the image and told my friend to remain perfectly still. If you move too quickly the camera won’t have time to adjust properly to lighting changes, and artifacts can appear on the final image either in the form of black pixels for areas that are missed or out of the guide line, or in the form of chunky transitions. Subscribe to the OSXDaily newsletter to get more of our great Apple tips, tricks, and important news delivered to your inbox! The best panoramas stitch together only a couple of shots or come from landscapes with the horizon far in the distance.
Move your phone in a slow, steady motion from left to right, making sure the arrow stays centered on the line. This sight, as you can see here, is worth making the trip to Hong Kong, so if you ever get the chance to visit Hong Kong, take it! Now all you have to do is use your imaging software to stick them all together, and voila, you have a panorama. There is also some free software available on the internet that will give you the capability to do that.


However, to get back to the question, it is good practice to use a sturdy tri-pod to mount your camera on for taking panorama photos. As you can see above, the central part of the photo is largely overexposed and all the detail in the sky is lost.
Otherwise it’s probably not worth it since the stitching algorithm is quite inaccurate. Similarly, you should not move much since your own movements will change the angle from which the photos are taken.
The further your subjects are from you, the less worried you have to be about moving your iPhone too much. As soon as he was out of the frame, he walked around me from behind and stopped to the right of me, where he once again remained still so that I could finish the panorama.
If you click on the image to make it larger, you’ll also see Yosemite Falls on the left. You can see an example of the chunky transition artifacting that can occur from a quick motion at the far right corner of this otherwise very nice sample panorama image from an iPhone 5. The original panoramic photos are gigantic, coming in around a whopping 20,000 x 4000 pixels, so be prepared for iPhone storage space to disappear rapidly if you take a lot of these. What you DO have to do is move the phone consistently along that line – whatever direction that might be.
If you begin to move too fast or get too far off center you'll see a message on the screen telling you how to correct it.
Some tri-pods have the ability to unlock certain planes of movement, allowing the camera to move from side to side, without moving up or down in the process. This means that I have a narrower view, but I have a greater view from top to bottom, or from ground level to sky to work with. You would know that when you move your camera from right to left over scene, the exposure (amount of light) of the scene will change. For the next photos in the series, try to focus an equal distance into the scene, so you ensure that all the images are clearly in focus.
You will get the best results with Photosynth if you only stitch images horizontally, and not vertically.
It takes a little longer to shoot the panorama, but try both and see if this tip helps get better shots. Even if I do not have a tri-pod, I can still take panorama photos, and where the sky or ground is not 100% aligned, I have some space to crop the uneven top or bottom of the image. If you use Av or Tv, your camera will make small (or not) changes to the settings, which means that your 5 images will not be exposed the same, or might have different depth-of-field results. In my testing, even if I was going slow enough to avoid prompting the "Slow Down" warning from my phone, the photo often came out blurry. To tell you the truth, I take 90% of my panorama photos without a tri-pod, except where I need longer shutter speeds and cannot hold my camera in my hand when taking the photo. Of course, taking a panoramic photo with your iPhone has long been possible thanks to third-party apps in the App Store.
It's nice to see Apple roll out a feature of its own, but it's too early to say whether or not this is the best solution.



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