Backlighting your subject with the sun is the easiest option if you want to pack ultra light. This is a technique that I find a little hit and miss depending on the circumstances, though.
If you want to use a studio strobe on location, you’ll need some kind of battery pack. James says he prefers the octabox because of the round shaped catchlight it gives in the eyes. Adding neutral density to your lens allows you to shoot wide apertures for a shallower depth of field. Depending on how much neutral density you need to add, you may find it tricky to see through the viewfinder. How sad is to watch people whose sell themselves as illumination experts and they use the lightdish and other light sources in the worst position possible. To see more of his work please visit his studio website blurMEDIAphotography, or follow him on Twitter, 500px, Google Plus or YouTube. Stefan Kohler is a conceptual photographer, specialized in mixing science, technology and photography. When he isn't waking up at 4am to take photos of nature, he stays awake until 4am taking photos of the night skies or time lapses. One of the biggest benefits of digital photography is that you can change your ISO from one photo to the next. My Lumix mirrorless cameras have low noise at higher ISO too, even though the sensors are smaller than the full frame dSLR sensors. Make sure to test yours! I test out every new camera I buy, and sometimes I test them out before I buy them.

All you have to do is enter your email below and click [Submit] to begin receiving the ten photo lessons via email. This entry was posted in Blog Home, Family and tagged Baltimore, Benson, Benson Lau Photography, Family Photography, Historic Ellicott City, Lau, Maryland, Maryland Photographer, MD, MD photographer, Old Ellicott City, Photo, Photography. Looking for the perfect ideas for how to dress for beautiful family portraits?…meet the Heck’s! I always see people saying to not go out and shoot portraits when the sun’s high in the sky. In this video from Shutterbug Magazine, photographer James Patrick shows us five great tips for working with it. If you’ve thought about having a go at outdoor portraits, give some of these tricks a try. Bouncing light back to the shadow side of our subject allows us to overcome the problem mentioned above. I often use a 4ft octabox myself, but I also use 2x2ft square softboxes with speedlights, too.
With the number of flash units today supporting high speed sync, this isn’t as big an issue as it once was. In such cases, you can switch to liveview, or shoot high speed sync if your equipment supports it. Back in the film days, you would have to choose your film according to the ISO, and then all your photos would have to be taken at that same ISO.
Whether you shoot video with your dSLR or a handy cam, you’ll need to keep your eye on the noise. If you liked this post and want more photography tips and tutorials, why don't you sign up for my free photo lessons.

That is why I was ecstatic when I saw that it was gonna be cloudy and the temperature was gonna be tolerable for this photo shoot. Based in Hong Kong and New Zealand undertaking assignments throughout Hong Kong, China, Thailand, Malaysia, Singapore, Australia and New Zealand. With the sun behind your subject, all that comes from the front is the soft ambient glow from the environment. If our subject is brighter, we can tone down the exposure and pull back those highlight details. Using the white side of the reflector gives a much softer and more subtle tone to our subject.
You might need pretty powerful lights with a large one, though, if you want to overpower the sun.
There are, however, many flash units out there that require you to be under your camera’s sync speed. Indoor photos have even less light and if you don’t want to use a flash, you can bump up the ISO to compensate for the low light. If Auto ISO is taking you to high levels of noise, it might be best if you learn how to use the manual settings. One popular modifier in the studio is the beauty dish, but you can also take them out on location.

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