Here are some resized, but unedited sample images taken using the T3i… Full-sized samples and raw images coming soon!
If you ignore the continuous shooting capability, the Canon EOS Rebel SL1 offers the same performance as the T5i. Trimming the T5i, it seems, brings out the Rebel SL1.  The fixed LCD and the lower and easier grip make the SL1 different from other dSLR cameras.
What's new and interesting is Canon's Auto Lighting Optimizer, which if it works as well as Nikon's Automatic Dynamic Range Adjustement, will be a huge help in making significantly better pictures. The new Canon Rebel XS is also called the EOS 1000D in Europe and Korea, and the Kiss F in Japan. There is a dedicated WB button on the back, which is very important for getting great color. Released alongside the Canon T6s, the T6i sports a wholly similar design to the earlier Canon T5i, its direct predecessor. The headline upgraded feature is the all-new 24-megapixel APS-C sensor, which is a significant resolution bump over the 18-megapixel T5i and also the highest-resolution APS-C DSLR that Canon offers (alongside the T6s). On the performance side of things, the Canon T6i is overall fairly decent for a consumer-class DSLR.
Live View autofocus has also been improved, though it lacks the Servo AF capability of its higher-end T6s sibling, putting the T6i at a disadvantage for capturing stills of moving subjects in Live View mode.
While AF performance is excellent and perhaps better than most DSLRs in its class, the Canon T6i's burst speed doesn't follow suit, though its ~5 frames-per-second performance is competitive with entry-level DSLR rivals. All told, though, the Canon T6i is a solid, advanced entry-level camera (a nice bump-up feature- and performance-wise from the more basic Canon T5), and one that's capable of good, general-use photography in a variety of situations.
Overall, the Canon T6i is not a ground-breaking camera, but it does offers useful upgrades over its predecessor, especially in terms of image resolution and autofocus, as well as built-in Wi-Fi with NFC. The Canon EOS 5D Mark IV is coming near and near, the rumored announcement date is on August 25, 2016.
You can grip the camera with one hand conveniently, given that your hands are small or middle sized. If you compare it with mirrorless interchangeable-lens camera that have power zoom lens, it is not that small.


Those date from film cameras, and I prefer to have my information on the rear of the camera where I can see it. The T6s, on the other hand, offers a handful of more enthusiast-oriented features, such as a top-plate LCD screen and rear-panel Control Dial interface.
High ISO performance is very good for an APS-C camera, especially one with such a high megapixel count. And while the T6i does not have the Dual Pixel CMOS AF technology of the higher-end 70D and 7D Mark II models, its updated Hybrid CMOS AF III system and full-time autofocus during videos was quick and accurate. Single-shot AF performance is outstanding and very fast for this class of camera -- center-point AF shutter lag clocked-in at nearly pro-DSLR speeds. For other, more stationary subjects, the Hybrid AF system of phase-detect and contrast-detect is quick and accurate. That said, when compared to competing mirrorless cameras that are capable of 8 frames-per-second or faster, the T6i's burst mode can feel downright slow nowadays.
It blends new features with tried-and-true Canon DSLR characteristics resulting in a very nice, well-rounded entry-level DSLR and therefore earns a spot as a Dave's Pick. Material on this site may not be reproduced, distributed, transmitted or otherwise used without the prior written consent of The Imaging Resource. According to CR, the launch price for 5D Mark IV Body only will be $3,299.00, which is $200 cheaper than 5D Mark III at launch.
This is a full frame lens, compatible with 10 camera mounts: Canon EOS, Nikon AE, Pentax K, Sony ?, Canon M, Fujifilm X, Samsung NX, Sony E, FT, MFT.
For more entry-level or beginning DSLR photographers, the Canon T6i is more familiar territory, though it still comes with significant under-the-hood upgrades and improvements over the T5i. Colors are realistic and accurate, and dynamic range is improved over the earlier T5i, though it still lags behind some of its competitors in this regard. The T6i also offers a significant upgrade in autofocus specs, as it borrows the capable 19-point all-cross-type system from the higher-end EOS 70D, which does well in both single-shot and continuous AF modes.
Furthermore, live exposure simulation as well as the articulating, responsive touchscreen LCD make for an all-around pleasant experience using Live View for most subject matter. Buffer depth when shooting JPEGs is very good, but as is typical for the class, the buffer is quite shallow when shooting RAW files at only 6 frames, diminishing the camera's usefulness for shooting subjects such as action, sports or fast-moving wildlife for those that want to shoot in RAW mode.


If you're familiar with the Canon Rebel lineup, you'll be right at home, and if not, the controls are straightforward and the camera is lightweight and comfortable. However, the EVOLT incorporated Four Thirds-size sensor, which is not used in traditional dSLRs. The dSLR has the same three multishot modes (HDR Backlight Control, four-shot Handheld Night Scene mode, and Night Portrait) as the T5i.
On the SL1, the touch screen offers most navigation controls such as white balance, drive mode, and autofocus mode.
At $700, it offers basic features but lacks many advanced capabilities such as GPS, wireless. Based on our tests and our real-world Field Test, the T6i's higher resolution sensor captures highly detailed images, though images straight from the camera can appear slightly soft. Now, the Canon EOS Rebel SL1 is all laced to break the years of glory of the E-410 EVOLT, in terms of weight and compactness. During shooting burst, the little focus points on the viewfinder make it difficult to position the focus on the subject. Moreover, the Rebel SL1 offers additional modes such as the kids, food, and candlelight scenes. Surprisingly, it lacks even the common features such as multiple exposure, time-lapse, and intervalometer (for counting time intervals). Shooting in RAW and applying some sharpening in post helps bring out much more fine detail.
This results in better autofocus outside the center area in Live View shooting mode and movie capture mode.




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